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Performing Religiously Between Passion And Resistance, William Robert 2012 Syracuse University

Performing Religiously Between Passion And Resistance, William Robert

Religion - All Scholarship

No abstract provided.


Dancing The Numinous: Sacred And Spiritual Techniques Of Contemporary American Belly Dancers, Jeana Jorgensen 2012 Butler University

Dancing The Numinous: Sacred And Spiritual Techniques Of Contemporary American Belly Dancers, Jeana Jorgensen

Scholarship and Professional Work - LAS

In this paper, I explore how contemporary American practitioners of belly dance (as Middle Eastern dance and its many varieties are often called in the English-speaking world) conceptualize not only the spiritual dimensions of their dance, but also how the very notion of performance affects sacred and spiritual dance practices. Drawing on interviews with this community, I describe the techniques of sacred and spiritual belly dancers, how these dancers theorize performance, and how the conflicts inherent to patriarchal mind-body dualism are resolved in these practices. My purpose here is twofold: to document an emergent dance tradition and to analyze its …


If Clothes Could Speak: Sartorial Analysis Of Japanese Cultural Identity, Ivy Han 2012 Whittier College

If Clothes Could Speak: Sartorial Analysis Of Japanese Cultural Identity, Ivy Han

Whittier Scholars Program

This project is a deep sartorial analysis of Rei Kawakubo’s and Yohji Yamamoto’s designs and how they reveal the global influences that shaped the cultural identity of contemporary Japan. However, such analysis of high fashion would only be half of the identity; to fully understand Japanese cultural identity, it is equally important to delve into the sartorial phenomenon of Harajuku street fashion. While Japanese avant-garde fashion and Harajuku youth culture seem to be at opposite ends of the sartorial spectrum, the two have a closely entwined complementary relationship. Japanese high fashion and street fashion demonstrate how such cultural commodification impacts …


American Art Theatre In The Digital Archive, Patrick Michael Finelli 2012 University of South Florida

American Art Theatre In The Digital Archive, Patrick Michael Finelli

Theatre and Dance Faculty Publications

Based on a critical examination, evaluation, and selection of primary and secondary sources related to American art theater that have moved from the private into the public digital realm, Finelli reflects and comments on key issues related to the digital archive and theater historiography. His objective was to analyze the notion of digital archives and consider how accessing materials in electronic form affects the practice of writing history. He hypothesizes that the process of digitizing library and archival materials has a significant affect upon archival elements through their transformation into the digital realm, bringing about change in both an ontological …


Mediums Change, Fears Stay The Same, Lucy Wilhelms 2012 Colby College

Mediums Change, Fears Stay The Same, Lucy Wilhelms

Honors Theses

Although generally dismissed by scholars as being overly sentimental or superstitious, the gothic genre has survived for over four centuries and maintained significant cultural appeal, outlasting the sentimental novel and the travelogue as popular literature. What, then, makes this genre different? What is so special about the gothic?

In my thesis, I examine the evolving cultural appeal of the gothic genre that keeps it attractive and relevant for readers by tracing the gothic text, The Woman in Black by Susan Hill, through its initial inception and its subsequent adaptations. As a novel, The Woman in Black both repeats and revises …


Diva Voce : Reimagining The Diva In Contemporary Feminist Performance, Dawn Albinger 2012 Edith Cowan University

Diva Voce : Reimagining The Diva In Contemporary Feminist Performance, Dawn Albinger

Theses: Doctorates and Masters

This practice-led contemporary performance study investigates and invigorates the diva icon’s usefulness to feminist theatre praxis. It traces the research journey from an unexamined belief in the diva as an icon of empowered, independent and expressive womanhood, to a more nuanced conception of the diva as boundless feminist performer and philosophical subject. Two major questions emerge from and drive the process. The primary research question asks: How can the diva icon (in all her fury and glory and wretchedness and perversity and mastery and mortality) usefully inform a feminist theatre praxis? Early investigations give rise to a subsequent social query: …


Capturing Dance: The Art Of Documentation (An Exploration Of Distilling The Body In Motion), Kasey J. Lack 2012 Edith Cowan University

Capturing Dance: The Art Of Documentation (An Exploration Of Distilling The Body In Motion), Kasey J. Lack

Theses : Honours

This research paper is an exploration of documenting and capturing live dance performance in regards to three artistic mediums, Notation, Photography and Film. This piece of writing discusses practitioners who have contributed to the development of these processes such as: Ann Hutchinson Guest, Rudolf von Laban, Eadweard Muybridge, Lois Greenfield, Ted Shawn, Norman McLaren and Sue Healey. In conjunction with historical and current day research the secondary document provided alongside this thesis describes the practical investigation undertaken. The reflections included define first-hand discoveries of how these three mediums of documenting interconnect to describe a contemporary dance solo. Thoughts, findings and …


Volume 04, Matt Szemborski, Phillip Van Ness, Sarah Croughwell, Sarah Mayfield, Alyssa Strackbein, Marley Kimmel, Stephanie Skipp, Jamie Yurasits, Katherine Taggart, Alex Leonhart, Kristen Rawls, Andrew Armes, Amanda Haymens, Allison Paqlowski, Erica May, Stephanie Lane, Luke Acree, Cassandra L. Wilson, Stephanie Pishock, Erica Hopson, K. Juston Osborne, Katheryn Grayson, Kyle Fowlkes, Jessica Cox, Kaity Byrum, John-Harwood Scott, Ashley Johnson, Samantha Hockman, Emily Staskiel, Nancy MacDonald, R. Kruger Bressin, Benjamin P. Bilodeau, Andrea Irby, Kristin MacQuarrie, Sarah Bietsch, Elizabeth Bednar 2012 Longwood University

Volume 04, Matt Szemborski, Phillip Van Ness, Sarah Croughwell, Sarah Mayfield, Alyssa Strackbein, Marley Kimmel, Stephanie Skipp, Jamie Yurasits, Katherine Taggart, Alex Leonhart, Kristen Rawls, Andrew Armes, Amanda Haymens, Allison Paqlowski, Erica May, Stephanie Lane, Luke Acree, Cassandra L. Wilson, Stephanie Pishock, Erica Hopson, K. Juston Osborne, Katheryn Grayson, Kyle Fowlkes, Jessica Cox, Kaity Byrum, John-Harwood Scott, Ashley Johnson, Samantha Hockman, Emily Staskiel, Nancy Macdonald, R. Kruger Bressin, Benjamin P. Bilodeau, Andrea Irby, Kristin Macquarrie, Sarah Bietsch, Elizabeth Bednar

Incite: The Journal of Undergraduate Scholarship

Please note that part of pages 92-95 are redacted, in the digital copy, due to a misprint of the original printed article.

Introduction from Dean Dr. Charles Ross

The Internal Other: Transculturation and Postcolonial Magical Realism in Rushdie’s Midnight’s Children by Matt Szemborski

Photography by Phillip Van Ness

Photography “Waterfall” by Sarah Croughwell

Romancing the Bite: Statistical Analysis of Young Adult Vampire Novels by Sarah Mayfield

Photography by Alyssa Strackbein

Photography by Marley Kimmel

Wine and Society in the Viceroyalty of Peru by Stephanie Skipp

Analysis of Claud Monet’s Impression, Sunrise by Jamie Yurasits

Exploring Meaning: The Lindisfarne Gospels by …


Actor Skills In Managerial And Professional Development: Effective Leadership Training For The Information Age, David Hendrik de Vries 2012 Gonzaga University

Actor Skills In Managerial And Professional Development: Effective Leadership Training For The Information Age, David Hendrik De Vries

Communication & Leadership Dissertations and Theses

The knowledge-based economies of today’s information age demand a higher level of communication skills in the workplace. One viable method of teaching communication skills leverages the techniques found in actor training. This thesis explores the use and effectiveness of actor training in the training and development of managers and professionals. The theories of Aristotle, Burke, Dewey and Ong are referenced to understand the value of the performance metaphor—“As a leader, you’re always onstage”—as an underlying approach, while the theories of Wiener, Watzlawick, Baxter, Ting Toomey and others reinforce the viability of actor training in the field of communication. A review …


Thesis On The Eiffel Tower A Stage Manager’S Account Of Working On An Avant-Garde Show, Ellen Johnson 2012 Louisiana State University

Thesis On The Eiffel Tower A Stage Manager’S Account Of Working On An Avant-Garde Show, Ellen Johnson

Honors Capstones

No abstract provided.


The Rabbit Who Loved Peas, Rebecca Saunders 2012 University of Massachusetts Boston

The Rabbit Who Loved Peas, Rebecca Saunders

English Faculty Publication Series

Ned loves growing peas in his garden, and Rudy the Rabbit loves peas too. Rudy manages to hide from Ned and gobble all the peas he wants, until one day . . .

Readers’ Theater for children is a delightful way to involve children in performance while improving their reading skills. Because no memorization is required, children are free to focus on bringing the text to life through their voices


Effects Of Visual, Auditory, And Kinesthetic Imagery Interventions On Dancers’ Plié Arabesques, Teresa Heiland, Robert Rovetti 2012 Loyola Marymount University

Effects Of Visual, Auditory, And Kinesthetic Imagery Interventions On Dancers’ Plié Arabesques, Teresa Heiland, Robert Rovetti

Mathematics, Statistics and Data Science Faculty Works

The goal of this study was to examine the influence of visual, auditory, and kinesthetic delivery modes of Franklin Method images (anatomical bone rhythms, metaphorical image, and tactile aid, respectively) on the performance of college dancers’ Plié Arabesques by assessing its influence on three measures: plié depth; maintenance of rotation; and simultaneous use of hip, knee, and ankle (Tri-fold). Eighteen participants performed a series of Plié Arabesques during three visits over a period of two months; at each visit, pliés were performed before and after an image intervention, and the change in mean Likert scale rating was calculated for each …


The One-Acts, Molly Manhart 2012 Eastern Illinois University

The One-Acts, Molly Manhart

Undergraduate Honors Theses

No abstract provided.


The Masks Of Commedia Del’Arte, Noh Theater And Classical Greece: The Cultural Meanings, Influences And Similarities, Makena Bennett 2012 Parkland College

The Masks Of Commedia Del’Arte, Noh Theater And Classical Greece: The Cultural Meanings, Influences And Similarities, Makena Bennett

A with Honors Projects

This essay examines the use and meanings of masks in Noh, commedia dell'art, and classical Greek theatre.


Variations On A Sonnet: A Play And Accompanying Analysis, Hannah Carey 2012 Columbus State University

Variations On A Sonnet: A Play And Accompanying Analysis, Hannah Carey

Theses and Dissertations

When I first began considering writing a play based on Shakespeare's sonnets, I toyed with the idea of dramatizing the poet's life as it is revealed in the sonnets. I had read the sonnets and imagined that it would not be terribly difficult to set some of them to prose scenes in which the amorphous jealousy, obsession, and longing found in the sonnets would blossom into clear conflicts and complex characters--the protagonist being Shakespeare himself, of course. The play would give a biographical portrait of Shakespeare and his life, without being preachy or boring. However, the more I studied the …


Unpacking EugèNe Giraudet’S Library: Dance, Books, And International Relations In Fin-De-SièCle Paris, Dominique Bourassa 2012 Yale University

Unpacking EugèNe Giraudet’S Library: Dance, Books, And International Relations In Fin-De-SièCle Paris, Dominique Bourassa

Library Staff Publications

Eugène Giraudet (1861-19?) was an exceptionally prolific and influential Parisian dance teacher, choreographer, author, and bibliophile. His library catalog, published in his 1900 Traité de la danse, Tome II, Grammaire de la danse et du bon ton, is more than a simple record of the books he owned. It also serves as a wish list and a directory of prominent dance personalities. As a whole, it presents an unparalleled conspectus of dance teaching, book collecting, business, and international networks radiating from a major metropolis—the historical urban center of the dance world—in the late-nineteenth century.


Bibliography Of Central European Women's Holocaust Life Writing In English, Louise O. Vasvári 2012 Stony Brook University

Bibliography Of Central European Women's Holocaust Life Writing In English, Louise O. Vasvári

CLCWeb Library

No abstract provided.


Feet That Don't Touch The Floor: Perceptions In Marketing Theatre For Young Audiences, Melora Slotnick 2012 Columbus State University

Feet That Don't Touch The Floor: Perceptions In Marketing Theatre For Young Audiences, Melora Slotnick

Theses and Dissertations

It was once my dream to build the theatre of the future: to develop a new organization in the theatre community that would provide new ideas and imaginative learning. Reality and research, however, have pointed me in a new direction. From my perspective, we do not currently need another organization to add competition within our theatrical community. Though it is often appealing to start from scratch, what we need most now is to enhance our status and quality. Existing theatres must work toward a balance of competition and collaboration. Disparity is not the issue. Countless theatres in our nation and …


Taboo And Tragedy In Frank Wedekind’S Frühlings Erwachen, Thyra E. Knapp 2012 University of North Dakota

Taboo And Tragedy In Frank Wedekind’S Frühlings Erwachen, Thyra E. Knapp

Languages & Global Studies Faculty Publications

No abstract provided.


Shakespeare Burlesque And The Performing Self, Daniel Pollack-Pelzner 2012 Linfield College

Shakespeare Burlesque And The Performing Self, Daniel Pollack-Pelzner

Faculty Publications

This paper argues that Victorian Shakespeare burlesques reveal an alternate literary history: a movement away from private, novelistic consciousness toward collaborative performance. Many materialist scholars fault post-Romantic critics for casting Shakespeare as a psychological realist and reading his plays as if they were novels. The burlesque treatment of Hamlet’s soliloquies, however, suggests a contrary trajectory, challenging the equation of Shakespearean character with psychological reflection. Rather than inaugurating a tradition of interiority, Hamlet’s soliloquies generate social speech in works like Gilbert’s Rosencrantz and Guildenstern, inviting audience participation. The burlesque imperative also inflects novels like Dickens’s Great Expectations, turning the …


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