Dance Commons^™

Finding A Choreographic Relationship Between Music And Dance Performance, Grace Dugas

Honors Theses

The choreographic project increase emerged from a choreographic curiosity about how the relationship between dance and music can influence each other within a contemporary dance performance. The choreographer was also interested in whether or not the audience can perceive the choreomusical relationship. The exploration of literature considered the aesthetic, educational, and accessibility differences between dance and music. This is followed by a detailed exploration of related terminology and ideas that choreographers can utilize. Lastly, the literature studied how the audience can perceive the choreomusical relationship presented in a dance performance. The choreographer, with the assistance of the dancers, generated movement …

Belly Dance In Nebraska: Identity, Social Acceptance, And Perseverance, Alex R. Mohr

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

Belly dance is an art form as well as an often-contested practice due to tensions over dress, terminology and cultural practices within the belly dance community because the dance originated outside the United States. Additionally, there is often a need to prove the legitimacy of the dance to those outside its sphere because it is often stigmatized due to the early association with exotic dancing. Belly dance is inherently geographic, as seen through its places of origin, music and movement styles, global spread, practitioners, and spaces of practice. However, it has not been well-represented in geography, and there is also …

The Shift In Children's Dance: From A Culture Of Innocence To A Battlefield Of Hypersexualization, Mary Bawden

Dignity: A Journal of Analysis of Exploitation and Violence

No abstract provided.

Creating New Points Of Access: How Integrating Black Acting Methods Strengthens The Western Theatre Canon., Darrin Edward Dispenza-Mosley

Electronic Theses and Dissertations

Western acting techniques have historically disregarded the contributions and techniques of black and non-Western performance to the detriment of black actors. This disregard has created barriers for black actors when engaging in what has now become standard theatre training. This training is enforced by implementation of acting techniques in academia that favor codified techniques of Eurocentric acting. Despite black acting techniques being codified and taught within the black community and academia, outside of a few historically black colleges and universities (HBCUs), predominately white academia has implemented valuable training methods that black/African American Acting techniques can offer. By looking at American …

Dancing In The Digital Age: How Social Media Shapes The Commercial Dance Industry, Luke Lisowski

Honors College Theses

Social media has fundamentally transformed the commercial dance industry, reshaping how dancers establish careers, connect with industry professionals, and promote their artistry. This thesis examines the impact of social media platforms – such as Instagram, TikTok, and YouTube – on career growth by facilitating networking opportunities, increasing visibility, and redefining industry standards. The research explores how digital platforms have shifted the traditional pathways to success, enabling dancers to showcase their work independently while also creating challenges related to self-promotion, competition, and mental health.

Through a series of in-depth interviews with professional dancers and choreographers actively working in the industry, this …

Spring Dance Concert 2025 Playbill, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotion

Providence College Department of Theatre, Dance, & Film

Angell Blackfriars Theatre

Spring Dance Concert 2025

Friday, April 25, 2025, 7:30 pm

Saturday, April 26, 2025, 2 pm

Photo by Jim Coleman

Dancer: Grace Sittig

Artistic Director, Nina Kossler

Lighting Designer, Michael Clark Wonson

Choreography: Kiley Vallee, Allison Renaud, Jade Bocciarelli, Emma Daigneau, Olivia Krupa, Gabriella Girard, Heidy Guzman, Alyssa Rago, Julianna Martin, Caroline Guanci, Grace McEvoy

Dancers: Emma Daigneau, Ella Ford, Gabriella Girard, Elizabeth Graney, Riley Joyce, Julianna Martin, Grace McEvoy, Allison Renaud, Kiley Vallee, Noel Rose DeRosa, Taylor Gifford, Helena Gillin, Heidy Guzman, Emma Preston, Caroline Puccini, …

Spring Dance Concert 2025 Poster, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotion

Providence College Department of Theatre, Dance, & Film

Angell Blackfriars Theatre

Spring Dance Concert 2025

Friday, April 25, 2025, 7:30 pm

Saturday, April 26, 2025, 2 pm

Photo by Jim Coleman

Dancer: Grace Sittig

Guys & Dolls: A Musical Fable Of Broadway, Damon Runyon, Jo Swerling, Abe Burrows

Taylor Theatre Playbills

The playbill for Taylor University's performance of Guys & Dolls: A Musical Fable of Broadway based on a story amd characters of Damon Runyan and a book by Jo Swerling and Abe Burrows with music and lyrics by Frank Loesser.

Performed April 25, 2025 at 8:00pm, April 26 & May 2-3, 2025 at 7:30pm and April 27 & May 4, 2025 at 2:00pm in the Mitchell Theatre at Taylor University.

Set in the colorful, fictional world of Damon Runyon's New York City, Guys and Dolls is a musical comedy that intertwines two distinct love stories among the city's gamblers and …

"What Are The Chances?" Choreographic Process, Kloey Monthei, Janet Strzelec, Tricia Zweier

2025 Student Academic Showcase

My Senior Capstone Project for the Lindenwood Dance Program's Spring Concert explores the balance between randomness and planned structure in dance creation. Inspired by choreographer Merce Cunningham, who pioneered using chance methods (like flipping coins or rolling dice) to determine aspects of dance, I'm creating an original performance that blends intentional design with unexpected elements. This research-based project adapts Cunningham's innovative approach by developing my own system of randomization to generate movement combinations that I might not discover through traditional choreographic methods. Rather than following a linear narrative, the dance emerges through this experimental process where some elements are deliberately …

Sensory Inclusion In The Dance Classroom, Hannah Shafer

2025 Student Academic Showcase

Dance has historically been inaccessible to individuals with unique sensory perceptions of the world. Throughout this research project, viable ways of accommodating for these perceptions will be explored. This will be done through research and the testimonies of individuals who currently live with a unique sensory perception. Unique sensory perceptions are not limited to just neurodivergent individuals (those with attention deficit hyperactivity disorder, autism, obsessive compulsive disorder, and more), but also for those who do not have the ability to use one or more of their senses. While the information is curated with the intent for dance classrooms, it can …

Spring Dance Concert, April 24-26, 2025, Lindenwood University

Student Dance Programs & Brochures

Event program for the Spring Dance Concert, April 24-26, 2025.

A Special Little Guy, Amelia Emory

Departmental Honors & Graduate Capstone Projects

Amelia Emory’s Senior Project for UMW Theatre’s production of Matilda the Musical.

Winter's End: Stopping The Rite And Reclaiming Spring, Jessica Wilson

Theatre & Dance ETDs

This dissertation examines intersections of patriarchy, feminist movements, and the recurring theme of women’s sacrifice, through an artistic lens. Using The Rite of Spring as a central subject, I explore the societal expectation of women’s sacrifice and its persistent representation in art. By analyzing two pivotal interpretations, Vaslav Nijinsky’s Le Sacre du Printemps (1913) and Pina Bausch’s Das Fruhlingsopfer (1975), within the chronological context of feminist waves in the United States, I investigate how these works reflect and critique cycles of violence against women. Four core patterns emerge as focal points: tradition, autonomy, witnessing, and betrayal. Additionally, my choreographic reinterpretation …

The Mediation Dance Of Choreography Copyright, Kassandra Sopko

Pepperdine Dispute Resolution Law Journal

Despite its societal presence and pervasive benefits for both performers and observers, dance remains a low-paying field with limited career longevity. While dance choreography copyright protection is an option for artists to monetize their work long-term, there are significant barriers due to legal complexities, financial burdens, and lack of awareness regarding copyright protections. The limitations of the copyright landscape burden choreographers who do seek to take advantage of their intellectual property rights, and many of the current suggested solutions for protecting choreography either prove inadequate or involve negative consequences. Alternative Dispute Resolution (ADR), particularly mediation with BATNA/WATNA incentives, presents a …

Expansion Of Pilot Project: Sanctuary — A Site-Specific Dance Amplifying Worship Spaces, Kaleigh Estby

24th Annual A. Paul and Carol C. Schaap Celebration of Undergraduate Research and Creative Activity (2025)

A noticeable gap exists in dance designed for architecturally robust worship spaces. This research project, Sanctuary, significantly contributes to the lacking intersection of site specific dance and faith. Our research expanded Sanctuary from a 25-minute 2021 pilot to an approximately 40-minute work, priming it for future commissions and residencies. The research focused on creative processing through four steps: 1) Assess and develop pilot choreography 2) Create contrasting material 3) Integrate new material with pilot 4) Document the new material with archival video. Professor Hanson and student Kaleigh Estby developed a completed 40-minute adaptable work that equally incorporated the pilot and …

Footloose: The Musical, Otterbein Theatre And Dance Department

2024-2025 Season Productions

No abstract provided.

The Complex Legacy Of Martha Graham, Izabella Entrekin

Richard T. Schellhase Essay Prize in Ethics

Second-generation modern dancer and choreographer Martha Graham is, to this day, recognized as one of the art form's most influential figures. Her distinctive technique, which has been applauded as a momentous innovation by critics throughout her life and after, is a dynamic mixture of elements Graham plucked from various experiences and aesthetics. Many, throughout history and to this day, mark Graham as a primary developer and architect of modern dance movement. She has continuously been labeled a pioneer of angular movement, dramatic contractions, asymmetrical posing, and the incorporation of ritualistic elements into her emotional compositions. However, such identifications fail to …

Trans-Corporealizing Island On Stage: An Eco-Aesthetic Critique In Bare Feet Dance Theatre’S Tsiáh-Thóo And Tai Body Theatre’S Red Earth, Shih-Ming Zeng

Akda: The Asian Journal of Literature, Culture, Performance

This paper explores an eco-aesthetic critique as it intertwines with island consciousness and theatrical performances in Taiwan. Focusing on Bare Feet Dance Theatre’s Tsiáh-Thóo (2020/2021) and TAI Body Theatre’s Red Earth (2019), both renowned for revitalizing Taiwanese cultural traditions, the study examines how these dance-theater productions embody and reactivate the traditional knowledge and/or practices of Han and Indigenous Taiwanese communities in a way that points to contemporary and near-future ecological crises. As an island nation, Taiwan has been dominated by successive imperial and colonial powers as well as by prolonged authoritarian rule over the past century, leading to a disconnection …

Concert Intime

Dance Programs

No abstract provided.

Danzens: A Toolkit For Sensing, Labeling And Visualizing Dance Movements, Yanelly Mego, Concepción Valdez, Hector M. Camarillo-Abad, Franceli L. Cibrian

Engineering Faculty Articles and Research

Wearable technology offers new opportunities for analyzing complex movements like dance, where precision, coordination, and feedback are key. In this demo, we present DanZens, a novel toolkit for real-time motion analysis in dance, leveraging wearable sensors to provide accessible and actionable feedback. Combining DanceTag to capture and annotate movements with DanceVis to visualize performance differences, DanZens uses Sony Mocopi sensors to analyze motion and generate intuitive heat maps through Dynamic Time Warping (DTW). This system enables precise, cost-effective comparisons between two people doing dance-related movements, offering personalized feedback and eliminating the need for expensive biomechanical labs. Designed to advance pervasive …