Music Commons^™

"Come Tempesta In Mar": Awe And Terror In Haydn’S Sacred Music, Clive Mcclelland

HAYDN: Online Journal of the Haydn Society of North America

Haydn’s so-called Sturm und Drang symphonies are renowned for exhibiting a range of disruptive features. While some commentators have attempted to link this with a personal crisis in Haydn’s life, there is no evidence to support the idea. Furthermore, it is misleading to make an association here between stormy musical writing in general and the German literary Sturm und Drang. The principal musical topos that Haydn employs is one that I have termed tempesta, and its origins lie in the storm scenes of Baroque opera. Here there was often a supernatural association involving a deity either as instigator …

Justin Weber & Jesse Sheehan, In A Shared Senior/Junior Percussion Recital, March 24, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Junior Recital: March 23, 2025, Melanie Parker, Lu Witzig

School of Music Programs

Kemp Recital Hall

March 23, 2025

Sunday Afternoon

3:30 p.m.

Sophomore Recital: March 23, 2025, Alexandra Adrowski, Lu Witzig

School of Music Programs

Kemp Recital Hall

March 23, 2025

Sunday Afternoon

2:00 p.m.

The Elephant Brain In The Room: A Lecture Recital On Neurodivergent Advocacy, Koda Moss

Honors Theses

This is a lecture recital; an event where live, performed art music is combined with lecture, with both parts being related. In this case, my lecture was on neurodivergent advocacy and accommodations, and the selected musical pieces were composed by neurodivergent composers.

Senior Recital: March 23, 2025, Emma Edwards, Lu Witzig, Sam Fortuna, Breanna German, Emma Turner, Ryan Daimad

School of Music Programs

Kemp Recital Hall

March 23, 2025

Sunday Afternoon

1:00 p.m.

Graduate Recital: March 23, 2025, Ender Loya, Aerim Kim

School of Music Programs

Kemp Recital Hall

March 23, 2025

Sunday Evening

6:30 p.m.

Junior Recital: March 23, 2025, Chelsea Davis, Lu Witzig

School of Music Programs

Kemp Recital Hall

March 23, 2025

Sunday Afternoon

5:00 p.m.

Celebrating Women In Music: March 23, 2025, School Of Music,

School of Music Programs

Sigma Alpha Iota

Kemp Recital Hall

March 23, 2025

Sunday Evening

8:00 p.m.

Senior Recital: Russell Drowota, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Guest Artist Recital: March 22, 2025, Pei-I Wang

School of Music Programs

Kemp Recital Hall

March 22, 2025

Saturday Evening

4:00 p.m.

Wind Symphony Chamber Players: March 21, 2025, Anthony C. Marinello Iii, F. Mack Wood, Colby Powers

School of Music Programs

Center for the Performing Arts

March 21st, 2025

Friday Evening

8:00 p.m.

2024-2025 Performance Forum - March 21, 2025, Jenna Salliman, Jeremy Jefferson, Sheng Yuan Kuan, Yian Liu, Victoria Bramble, Brooke Gunter, Christian Curran, Roey Dushi

Performance Forum

No abstract provided.

A Comparison Of Two Worship Education Programs And The Relative Effectiveness Of Preparing Worship Leaders For The 21st Century Evangelical Church, John Dawson Kinchen Iii

Doctoral Dissertations and Projects

This dissertation examines and compares the worship leadership programs at Liberty University and Union University, focusing on their curriculum design, development, and effectiveness in preparing worship leaders for the 21st-century modern evangelical church. Utilizing a multiple-case study methodology, the research traces the historical development of these programs, evaluates their curricular frameworks, and analyzes their alignment with the standards set by the National Association of Schools of Music (NASM). The study identifies shared core learning competencies, including music theory, conducting, ensemble participation, and theological understanding, while highlighting unique strengths in each program's approach.

Liberty University’s curriculum emphasizes contemporary worship practices, integrating …

The Impact Of Religious Music On Psychological Well-Being: A Survey Study Of Chinese Christians In Hong Kong Churches, Ka Man Lee

Doctoral Dissertations and Projects

This cross-sectional survey investigates the relationship between listening to religious music and psychological well-being among Chinese Christians in Hong Kong, addressing a critical gap in Asian studies. Data were collected from 243 participants through a survey comprising demographic questions, music-listening habits (weekly frequency, average duration, and music era preference), and the 24-item Chinese Ryff Psychological Well-being Scale. Multiple linear regression and ANOVA analyses reveal that the average duration of listening to religious music positively associates with overall psychological well-being and its six dimensions, while frequency shows a negative relationship. Traditional religious music (composed in or before 1980) is associated with …

Reading Sound: Freedom And Constraint Within Music Media Designs, Aaron Lohmeyer

CLASP Lecture Series

Dr. Lohmeyer’s presentation explores how emerging media designs (such as the phonograph) gave way to new musical practices in the 20th-century and beyond. The literacies emerging from various new media designs changed our orientation to music as technology shifted how sound would be represented, recorded, and transmitted by and for people. Dr. Lohmeyer’s talk examines how “the act of reading sound presents both freedoms and constraints for the reader” and carry important implications for self-expression and democracy.

Guest Artist Recital Trio Speranza: March 20, 2025, Anna Griffis, Cora Swenson Lee, Jason J. Moy

School of Music Programs

Kemp Recital Hall

March 20, 2025

Thursday Evening

7:30 p.m.

An Interdisciplinary Analysis Framework For Found Object Experimental Music, Erin Demastes

LSU Doctoral Dissertations

Found object experimental music consists of compositions and performances created with objects not intended for musical performance. Found objects can range from appliances and household items to power tools and consumer products to souvenirs and heirlooms. Although these objects are used with the intent of creating musical compositions, new characteristics that are not found in traditional music emerge. One major characteristic that differentiates found object music from traditional music is that the objects have inherent cultural associations and meaning outside of their use in the composition. While an analysis of the sonic structures and scores of found object experimental music …

Charle W. Bolen Faculty Recital: March 19, 2025, Katherine Lewis, Daniel Baer

School of Music Programs

Center for the Performing Arts

March 19, 2025

Wednesday evening

7:00 p.m.

2024-2025 Senior Recital - Olivia Oakland (Oboe), Olivia Oakland, Sheng Yuan Kuan, Yu-Hsuan Feng

Junior and Senior Recitals

No abstract provided.