Music Review, Volume 75, No. 3,
2019
Syracuse University
Music Review, Volume 75, No. 3, Kathleen Roland-Silverstein
Voice - All Scholarship
Contains reviews of Roven, Glen (1958–2018). The Santa Fe Songs, for High Voice and Piano; Roven, Glen. The Hillary Speeches for Female Voice and Piano, Op. 55. ; Boosey & Hawkes Opera Anthology. ; The Singer’s Anthology of Gershwin Songs.
Performance Practice In Hungarian Folk Music And Its Relationship To The Style Hongrois,
2019
Edith Cowan University
Performance Practice In Hungarian Folk Music And Its Relationship To The Style Hongrois, Teresa Vinci
Theses: Doctorates and Masters
This study investigates style and performance practice within the oral traditions of Hungarian folk music, and explores intersections with the nineteenth-century idiom style hongrois. Interviews, lessons, and workshops were undertaken as part of a practice-based immersive research experience, and comparisons with the style hongrois made via analysis of scores and recordings of Jeno Hubay (1858-1937). The research strives towards an ‘Historically Informed Performance’ specific to these styles, and explores how they can inform each other. Findings are presented through a dissertation and a CD recording “Never Far Away…” comprising the researcher’s violin performance as leader of an Hungarian folk …
Night Music (Compositions, Performance And Improvisations) –And– Developing A Chromatic-Intervallic Approach To Jazz Improvisation Through Reflexive Practice. An Exegesis,
2019
Edith Cowan University
Night Music (Compositions, Performance And Improvisations) –And– Developing A Chromatic-Intervallic Approach To Jazz Improvisation Through Reflexive Practice. An Exegesis, Jamie Oehlers
Theses: Doctorates and Masters
This research examines the processes involved in developing and applying a novel melodic jazz improvisation technique—a chromatic-intervallic approach (CIA). Improvised melodic approaches in jazz music from the 1920s until today have primarily been driven through the development of tension within melody lines by using variations of the scale/chord method and harmonic substitution. The CIA examined through my saxophone and improvisatory practice in this research explores the incorporation of melodies derived from intervallic combinations, and assesses the resulting tension within the melody through the use of the Melodic Tension Rating tool; a tool created through the research period of this study. …
Re-Composing Feminism: Australian Women Composers In The New Millennium,
2019
Edith Cowan University
Re-Composing Feminism: Australian Women Composers In The New Millennium, Talisha Goh
Theses: Doctorates and Masters
In the age of postfeminism and fourth-wave feminism online, Australian women composers are theoretically able to “have it all,” however, the proportion of women in the occupation appears to have plateaued in recent years. In this thesis, I explore the multiple ways in which gender and feminism interact with practising Australian women composers. Feminist musicology has had a large impact on the Australian musicological scene, with theorists such as McClary and Macarthur bringing the subject of women in music to the fore in the 1990s, aiding efforts to advocate for reform on behalf of women composers. Additionally, third-wave feminist scholars …
Towards Interaction: Combining Jazz Techniques And Idiomatic Writing For Varied Ensembles. A Collection Of Musical Works -And- An Exegesis,
2019
Edith Cowan University
Towards Interaction: Combining Jazz Techniques And Idiomatic Writing For Varied Ensembles. A Collection Of Musical Works -And- An Exegesis, Glyn Alan Macdonald
Theses: Doctorates and Masters
This practice-led research project has produced musical works that bring together ensembles from the Western Classical tradition that only read notation, and, jazz soloists who improvise. Three works ‘Standing Ground’, ‘The Journey’ and ‘Matt versus the Zombies’ were composed for three ensembles each with an improvising soloist. These ensembles included a British style Brass Band, Brass Quintet and a double Saxophone quartet.
The project built on the work of Andy Scott and Eddie Sauter, both of whom wrote for non-jazz ensembles and an improvising artist without including a jazz rhythm section. The accompanying non-jazz ensemble was written in such a …
The Grain Of The Digital Audio Workstation,
2019
Edith Cowan University
The Grain Of The Digital Audio Workstation, Michael Terren
Theses: Doctorates and Masters
This thesis explores the material conditions and practices of the digital audio workstation (DAW), treating them as a subject of musical composition. The DAW is a software application currently ubiquitous in facilitating the creation of recorded and electronic music. Despite its prominence, few have articulated its unique possibilities for compositional practice, or historically contextualised the emergence of such practices. To clarify the locus of inquiry, a theoretical framework termed the grain of the DAW is developed. Derived primarily from Roland Barthes’ notion of the grain (1977), it is understood as the sonic effects in a recorded musical work that infer …
บทประพันธ์เพลงมหาบัณฑิตนิพนธ์: ซิมโฟนิกโพเอ็ม “อปัญญาประดิษฐ์”,
2019
คณะศิลปกรรมศาสตร์
บทประพันธ์เพลงมหาบัณฑิตนิพนธ์: ซิมโฟนิกโพเอ็ม “อปัญญาประดิษฐ์”, ธาวิน ไล้ทอง
Chulalongkorn University Theses and Dissertations (Chula ETD)
บทประพันธ์ซิมโฟนิกโพเอ็ม “อปัญญาประดิษฐ์” งานวิจัยนี้มีจุดประสงค์เพื่อสร้างสรรค์ผลงานการประพันธ์เพลงที่นำประเด็นเกี่ยวกับวิทยาการคอมพิวเตอร์ปัญญาประดิษฐ์ ซึ่งเป็นประเด็นสำคัญและมีความเกี่ยวโยงกับความเป็นไปมนุษย์ทุกคนในอนาคตอย่างหลีกเลี่ยงไม่ได้เข้ามาเชื่อมโยงกับบทประพันธ์เพลงร่วมสมัย โดยนำเสนอในลักษณะของดนตรีพรรณนา ซึ่งบรรยายถึงจินตนาการและมุมมองของผู้ประพันธ์ที่มีต่อปัญญาประดิษฐ์ แบ่งออกเป็นสามกระบวน แต่ละกระบวนพรรณนาถึงประเด็นสำคัญของปัญญาประดิษฐ์ได้แก่ ขั้นตอนวิธีการแก้ปัญหาทางคอมพิวเตอร์ การแก้ปัญหาแบบศึกษาสำนึกของมนุษย์ และการแก้ไขจุดบกพร่องทางโปรแกรม บทประพันธ์นี้มีการนำเครื่องดนตรีสังเคราะห์เสียงซินธิไซเซอร์มาบรรเลงผสมกับ วงออร์เคสตราเพื่อให้เกิดสีสันที่แปลกใหม่และเพื่อสร้างบรรยากาศของกระบวนการปัญญาประดิษฐ์ตามจินตนาการของผู้ประพันธ์ โดยผู้ประพันธ์ได้รับอิทธิพลและแรงบันดาลใจมาจากกลุ่มดนตรีมินิมัล จึงนำการเวียนซ้ำของลักษณะจังหวะมาเป็นจุดสำคัญของบทประพันธ์ ใช้การขัดกันของจังหวะแบบโพลีริธึมรวมถึงผสมผสานแนวคิดและเทคนิคของดนตรีในศตวรรษที่ 20 เพื่อทำให้บทเพลงเกิดความร่วมสมัยมากขึ้น โดยบทเพลงมีความยาวประมาณ 14 นาที
Measures Of Music Teacher Effectiveness In Three Early Career Levels,
2019
University of Mississippi
Measures Of Music Teacher Effectiveness In Three Early Career Levels, Alicia L. Canterbury
Electronic Theses and Dissertations
Corroborative findings across instructional targets rehearsal frames and the summative evaluations indicated a general lack of specificity across all levels which improved somewhat during student teaching and peer teaching. Unidentified targets and nonspecific positive feedback were observed less frequently in student teaching and novice teaching. No growth was found across levels in specific positive and negative feedback. Directives were the most frequently observed teacher verbal category in selected rehearsal frames and information and demonstrations were consistently the highest ranked items across all levels in the summative evaluation. However instructional directive scores were inconsistent. Results indicate that new teachers of all …
"Woven Into The Deeps Of Life": Death, Redemption, And Memory In Bob Kaufman's Poetry,
2019
Pomona College
"Woven Into The Deeps Of Life": Death, Redemption, And Memory In Bob Kaufman's Poetry, Peter Davis
Pomona Senior Theses
The scholars who have taken up the task of writing about Bob Kaufman have most often done so in response to a perceived demand: the lack of Kaufman scholarship, readership, anthology, publicity, canonization. The basis of this need is clear: Kaufman is almost never included as even a third-string Beat, a fringe Surrealist, or an underappreciated Jazz performer. To the committed readers of Kaufman – and almost all of his readers seem to be committed ones – it’s unforgivable. These various canons, major (mid-century American poets, Beat poets) and minor (Jazz poets, American Surrealists), are clearly missing one of their …
Myanmar’S Pop Music Industry In Transition,
2019
University of Dayton
Myanmar’S Pop Music Industry In Transition, Heather Maclachlan
Books and Book Chapters by University of Dayton Faculty
In the wake of the November 2010 elections, one important signal of the Myanmar government’s commitment to change was the cessation of the censorship of music recordings in October 2012.
1 Prior to that date, the country’s Press Scrutiny Board conducted rather rigorous censoring of so-called stereo series (albums), in cassette and later in compact disc formats. Producers wishing to sell their series in retail shops were required to submit a copy of the recording and ten copies of the song lyrics to the censors at the Press Security Board (MacLachlan 2011:148). Although the censoring was supposed to be provided …
Concert Recording 2019-11-25,
2019
University of Arkansas, Fayetteville
Concert Recording 2019-11-25, Kyle Forehand, Lisa Auten, Dennese Adkins, Ann Rye, Gloria Deveraux, Ethan Godfrey, Moon-Sook Park, Stacee Lyles, Tori Rudolph, E. Scott Sewell, Lillian Filbeck
Concert Recordings & Programs
[00:00]. Come paride vezzozo from L'elisir d'amore / Gaetano Donizetti -- [02:49 ]. Apparition / Claude Debussy -- [16:16]. La Wally Ebben, nandro lontana / Alfredo Catalani -- [09:50]. L'Arlesiana. Lamento di Federico / Francesco Cilea -- [13:56]. Porgy and Bess. My man's gone now / George Gershwin -- [17:41]. I carry you heart / John Duke -- [20:12]. Les contes d'Hoffmann. Les oiseaux dans la charmille / Jacques Offenbach -- [26:09 La serenata / Framcesco Paolo Tosti -- [28:51]. Penso / Francesco Paolo Tosti -- [31:20]. Tristezza / Francesco Paolo Tosti -- [ 34:30]. Three Browning songs, op. 44. …
Concert Recording 2019-11-18,
2019
University of Arkansas, Fayetteville
Concert Recording 2019-11-18, Faith Mills, Megan Park, Matthew Swerts, Aaron Smelley, Tyler Osterman, Bailey Fry, Brady Callicott, Prashant Anand, Micah Walsh-Levi, Nolan Miller
Concert Recordings & Programs
[00:00]. Boutade / Pierre Gabaye -- [03:34]. Sonata for trumpet and piano, op. 51. III. Finale (Tocatta) / Flor Peeters -- [09:15]. Concerto [Abridged] / Alexander Artunian -- [17:55]. Sonata for trumpet and piano. I. Lento, Allegro molto / Eric Ewazen -- [26:01]. Dance suite from "Terpsichore". I. Ballet de Grenoville ; IV. La Bourre / Michael Praetorius ; edited and arranged by Allan Dean -- [28:40]. Quintet no. 1, op. 5. I. Moderato / Victor Ewald -- [34:24 ]. Sonata for horn, trumpet and trombone (1922). I. Allegro moderato ; II. Andante ; III. Rondeau / F. Poulenc.
Concert Recording 2019-03-30b,
2019
University of Arkansas, Fayetteville
Concert Recording 2019-03-30b, Samantha Canon, Gustavo Samor, Landon Cole, Austin Mcfarland, Eric Troiano, Florencia Zuloaga, Tanna Waltman, Lisa Kulczak, Van Powell, Felipe Antonio, Don Mayall
Concert Recordings & Programs
[00:00]. Histoire du Tango. I. Bordel ; II. Café / Astor Piazzolla -- [12:00]. Three blues / Charles Ruggiero -- [26:06]. Tight sweater. 3. Mara's lullaby ; 2. Trans fatty acid's rein / Marc Mellits -- [32:25]. I never saw another butterfly. 1. The butterfly ; 2. Yes, that's the way things are ; 3. Birdsong ; 7. The old house / Lori Laitman -- [44:30]. Donna Lee / Charlie Parker -- [48:00]. Lonnie's lament / John Coltrane.
Concert Recording 2019-03-26,
2019
University of Arkansas, Fayetteville
Concert Recording 2019-03-26, Kelly Smith, Lisa Auten, Jessica Miller, Garrett Vogel, Anna Wood, Ashley Trotter, Max Hinojosa, Emily Auten, Ann Rye, E. Scott Sewell, Hannah Rodriguez, Lisa Kulczak, Samantha Canon, Ismaelena Serrano, Brett Cuddy, Dennese Adkins, Jane Heinrichs
Concert Recordings & Programs
[00:00]. Amarilli mia bella / Guilio Caccini -- [03:03]. Les Berceaux / Gabriel Fauré -- [05:45]. O del mio dolce ardor / Christoph Willibald von Gluck -- [09:12]. Song of the blackbird / Roger Quilter -- [10:36]. Per Piera bell'idol mio / Vincenzo Bellini -- [12:56]. Beau soir / Claude Debussy -- [15:07]. Heart, we will forget him / Aaron Copland -- [17:11]. Lascia ch'io pianga / George Frideric Handel -- [19:34]. Cosí fan tutte. E amore un ladroncello / Wolfgang Amadeus Mozart -- [22:43]. Tell me oh blue blue sky / Vittorio Giannini -- [25:10]. O del mio amoto …
Concert Recording 2019-10-27,
2019
University of Arkansas, Fayetteville
Concert Recording 2019-10-27, Andrew Reynoso, Mickel Gordon, Max Hinojosa, Kristine Mezines, Alexandria Bryan, Garrett Vogel, Lisa Auten, Reynoso Anna, Ashley Trotter, Emily Auten, Kaden Chapman, E. Scott Sewell, Tori Rudolph, Ashley Butler, Lisa Kulczak, Samantha Canon, Stacee Lyles, Jude Balthazar, Ethan Godfrey, Dennese Adkins
Concert Recordings & Programs
[00:00]. Now sleeps the crimson petal / Roger Quilter -- [03:01]. Ideale / Paolo Tosti -- [06:14]. Intorno all'idol mio / Anthony Cesti -- [09:25]. Chanson triste / Henri Duparc -- [11:24]. Son tutta duolol / Alessandro Scarlatti -- [14:08]. Aprile / P. Tosti -- [17:53]. Ah, love, but a day! / Amy Beach -- [20:40]. Judas Maccebaeus. So shall the lute and harp awake / George Frideric Handel -- [24:55]. Come again / John Dowland -- [27:33]. Der kuss / Ludwig van Beethoven -- [29:28]. An Chloe / W. A. Mozart -- [32:12]. Auf dem Wasser zu singen / …
Concert Recording 2019-04-28b,
2019
University of Arkansas, Fayetteville
Concert Recording 2019-04-28b, Jake Hertzog, Dekarius Dawson, Ashlee Steffen, Jordan Strickland, Shelby Sprott, Julius Kwanza, Joshua Larson, Walter Ferguson
Concert Recordings & Programs
Concert.
Concert Recording 2019-11-07,
2019
University of Arkansas, Fayetteville
Concert Recording 2019-11-07, Shelby Sprott, Gustavo Samudio, Joshua Larson, Julius Kwanza, Jeff Sprott, Brian Hardin
Concert Recordings & Programs
[00:00]. One quiet night (2003) / Pat Metheny -- [06:26]. Red house (1967) / Jimi Hendrix -- [12:30]. I've grown accustomed to her face (1962) / Wes Montgomery -- [18:03]. Queen of broken hearts (2019) / Sprott -- [21:00]. Sunshine of your love (1967) / Cream -- [27:04]. Through the storm / Sprott -- [31:58]. Simple man (1973) / Lynyrd Skynyrd -- [40:16]. The thrill is gone / B.B. King.
Concert Recording 2019-11-04,
2019
University of Arkansas, Fayetteville
Concert Recording 2019-11-04, Chandler Abbott, Mickel Gordon, Peter Scott, Derick Ekekwe, Brandon Garrett
Concert Recordings & Programs
[00:00]. Sonata for tuba and piano. I. Allegro moderato ; II. Andante moderato ; III. Allegro leggiero / Bruce Broughton -- [10:03]. Romanzen no. 3, op. 94. I. Nicht schnell / Robert Schumann -- [13:39]. Serenade no. 12. I. Intrada ; II. Arietta ; III. Mascherata ; IV. Capriccio ; V. Intermezzo ; VI. Marcia / Vincent Persichetti -- [21:03]. Suite. I. Allegro marcato ; II. Quasi improvisando ; III. Allegretto ; IV. Slow ; V. Allegro con bravura / Vaclav Nelhybel -- [27:56]. Four pieces for tuba quartet. I. Andante tranquillo ; II. Allegro vivace ; III. Larghetto ; …
Concert Recording 2019-11-15,
2019
University of Arkansas, Fayetteville
Concert Recording 2019-11-15, Andres Diaz, Dominic K. Na, Tomoko Kashiwagi
Concert Recordings & Programs
[00:00]. Suite for two cellos and piano. I. Introduction, Andante maestoso ma con moto ; II. Scherzo, Allegro ; III. Arioso, Lento, Rubato ; IV. Finale, Allegro / Gian Carlo Menotti -- [15:15]. Sonata for cello and piano, op. 19 in G minor. I. Lento ; Allegro moderato ; II. Allegro scherzando ; III. Andante ; IV. Allegro mosso / Sergei Rachmaninov -- [56:24]. Additional work not on the program: Fancy on the Bach air / Corigliano.
Concert Recording 2019-04-23b,
2019
University of Arkansas, Fayetteville
Concert Recording 2019-04-23b, Dominique Phillips, Tomoko Kashiwagi
Concert Recordings & Programs
[00:00]. Flute sonata in A major, BWV 1032. II. Largo e dolce ; III. Allegro / Johann Sebastian Bach --[08:00]. Trillium / Elizabeth Brown -- [13:38]. Tears in Heaven / Eric Clapton ; Will Jennings -- [17:35]. Sonata in A major. I. Allegretto ben moderato ; II. Allegro / Cesar Franck.
