Music Commons^™

How I Organized A Music Festival At Cwu: Networking, Budgets, Artistry, Peregrine Spane

Symposium Of University Research and Creative Expression (SOURCE)

Through setting up a music festival at Central Washington University I observed a need for independent music in Ellensburg, closer gender parity in regard to event line-ups, and how in-depth research in policy, budgets, networking, and inclusion would make this possible. In this presentation I will be describing my vision, explaining logistics, and reflecting on lessons learned and where to go in the future.

Market Research On Student Concert Attendance At Bgsu's College Of Musical Arts, Mary Solomon

Honors Projects

Bowling Green State University boasts a well established College of Musical Arts which holds concerts performed by esteemed faculty, prestigious guest artists, and students. The school hosts these events in Kobacker Hall and Bryan Recital Hall which can accommodate up to 800 and 250 audience members, respectively. However, performances in Kobacker hall only fill one- fourth of the 800 seats, on average. Why is this so? This project aims to investigate the factors that influence students’ decisions to attend concerts at the College of Musical Arts (CMA). By methodology of survey research and statistical analysis, this project will look into …

Upon This Rock: American Evangelical Spirituality And Jesus Music, 1969-1976, Kathryn Kinney

Arts & Sciences Graduate Student Theses and Dissertations

This dissertation studies the music of the Jesus movement and its role in shaping American evangelical spirituality. I begin by analyzing the emergence of Jesus music in the contexts of the economic systems of evangelicalism and mass media. Next, I examine how anti-rock critics and Jesus music artists differed in their beliefs about the theological functions of music. The second half of the dissertation analyzes how through Jesus music and pop worship Jesus movement participants developed and distributed a new evangelical spirituality based on ‘feeling’ or experience. This aesthetic embrace of experiential, musical spirituality allows for people with varying levels …

Guest Recital, Nancy Zeltsman, Marimba, May 14, 2019, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

The Cohens And The Kellys: Performance At The Toronto Jewish Film Festival, Toronto, Canada - Toronto, Dermot Dunne, Nick Roth

Concert Programmes

This performance consisted of a collaborative project between accordionist Dermot Dunne and saxophonist Nick Roth who together devised and performed an original film score for the 1926 silent film the Cohens and the Kellys. The score consisted of original arrangements of existing pieces by classical composers and traditional music from a variety of sources.

The Dark Horse: An Analysis Of The Experiences And Practices Of Female Collegiate Band Directors, Katharine Grace Henderson

Music ETDs

Using a multi-case interview process, the experiences and practices of three female collegiate band directors were analyzed for trends and patterns. These directors were found using the Women Band Directors International membership directory and chosen using purposeful criteria. After analyzing the findings, several patterns were uncovered. First, there is an overwhelmingly negative environment towards females at professional conferences. There is also a lack of female role models for female students who might wish to pursue a conducting career. As a result, they might not realize that conducting is even an option for them. Additionally, there was not one method of …

Deaf And Hard-Of-Hearing Students’ Perceptions Of The Kodaly-Inspired Music Class, Katherine Simmons

Masters of Education in Teaching and Learning

This study focused on the perceptions of elementary students who are deaf or hard-of-hearing in a music class. The author was a preservice teacher serving her year-long clinical teaching. The goal of the study was to better understand deaf and hard-of-hearing students’ perceptions of a Kodaly-inspired class, their favorite aspects of music, what they believed would make their musical experience more enjoyable, and what areas of music that they, and their music teacher, believed they could improve. Qualitative data consisted of school records, surveys of the students and their interpreters, interviews of the students and music teacher, and observations of …

Exploring Intersections Of Queer Artist Identities Through Music: A Community Engagement Project, Derrick Lacasse

Expressive Therapies Capstone Theses

Members of the LGBTQ+ or Queer community are likely to experience minority stress throughout their lives (Borgogna et al., 2018). This community engagement project explored the intersections of identity among artists in the queer community to better understand how art can be used to heal from minority stress. An all-queer space was created to allow members of the queer community to feel relief from minority stress and speak without feeling judged. Through art making, sharing, discussions, and singing together members of the queer community were able to build resilience and deepen hope. Findings for this project indexed queer artists’ use …

Maximizing The Return On Investment For College Marching Bands, Brandon S. Alt

Honors Projects

This report outlines the findings from a study conducted of the income and budgets of college marching bands for the 2017-2018 academic year. The study was conducted with members of the College Band Directors National Association using their Athletic Band listserv. Participants were asked questions about their marching band’s income, expenditures, use of development funds, and their school and band’s demographics. The data is then analyzed to highlight trends within the data, and to generate recommendations for how marching bands can improve their budgets. Study limitations are also discussed.

Existing literature surrounding funding and budgeting issues is also reviewed, including …

A New Theory Of Musical Semiosis, Matthew Stanley

Music ETDs

Musical semiotics is the study of the various ways in which musical structures become meaningful. This thesis is an attempt to create a logical, systematized, transformational theory of musical semiotics that can elucidate the various ways in which music conveys meaning. While the semiotic exploration of music is by no means novel, this thesis presents a unique, highly rigorous, and truly theoretical approach to musical semiotics that differs significantly from previous theories. By combining all aspects of the semiotic theory of Charles Sanders Peirce with the metaphor theories of George Lakoff, Mark Johnson, and Zoltan Kovecses, a theoretical apparatus is …

Flexi Discs: The Audio Format That Time Forgot And Remembered Again, Junior R. Tidal

Publications and Research

Flexi discs, also known as phonosheets and Soundsheets, are “flexible” plastic sheets that can be played on turntables. This audio format was used for a wide variety of purposes including promotional materials, giveaways, and inserts into magazines, stemming from their origins in playable chocolate discs in the early 1900s (Parks, 2018). At one point in time it was a $9 million dollar business, with the U.S. government as one of the top users of the technology (Penchansky, 1979). Their disposable nature, weight, ability to print directly on material, and affordable manufacturing made the flexi disc an alternative to vinyl pressings. …

Bewitched: Fairy Tales At The Piano, May 9, 2019, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

A Graduate Recital In Conducting, Patrick O'Halloran

Electronic Theses & Dissertations

The thesis consists of a conducting recital and the accompanying program notes. The recital includes works by Palestrina, Handel, Mozart, Brahms, Lauridsen, Mullholland, Marrolli, and Runestad.

Faculty Recital, Horacio Contreras, Cello, Catherine Kautsky, Piano, May 8, 2019, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Student Recital; Jennifer Domingo, Violin, Jennifer Domingo, Bobbie Kesler-Corleto

Student Recitals

Jennifer Domingo is a student of Jeannie DeDominick. This recital is given in partial fulfillment of the requirements for the Bachelor of Music, Music Education degree.

Jennifer Domingo, violin

Bobbie Kesler-Corleto, piano

2018-2019 Master Class - Elmar Oliveira (Violin), Elmar Oliveira, Nalin Myoung, Feruza Dadabaeva, Virginia Mangum, Joshua Cessna, Zong Jun Li, Guzal Isametdinova, Tinca Belinschi, Sheng Yuan Kuan, Katherine Baloff

Master Classes

No abstract provided.

Mccartt-Jackson, Sarah, B. 1982 (Fa 1290), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1290. Student collection titled “’Clogging’s Just Clogging’: The Richard McHargue Cloggers and Approaches to Vernacular Percussive Dance Study” in which Sarah McCartt-Jackson conducts an interview with Richard McHargue, a clogging instructor from Richmond, Kentucky. The interview contains McHargue’s early dancing memories, clogging terms, and opinions about the contemporary state of clogging. The collection also contains a partial transcript, fieldnotes, interview questions, content index, photographs, and the recorded audio interview on CD.

Integrating The Fine Arts, Cole Alexander

Honors Projects

This project seeks to understand and apply research to a lesson plan unit regarding the integration of the fine arts (art and music) into the general education classroom.

2018-2019 Senior Recital - Natalia Hidalgo (Violin), Natalia Hidalgo, Sheng Yuan Kuan, Kristine Mezines

Junior and Senior Recitals

No abstract provided.

World Premiere Performance Of Quintet No.2 By N. Roth, Dermot Dunne

Concert Programmes

Nick Roth's second quintet was commissioned by the Sligo International Chamber Music Festival to be premiered by Dermot Dunne, accordion and the Vogler string quartet. The work draws on many aspects of the muezzin call to prayer in the Islamic faith including the various different modes (or maqaams) used in the call to prayer throughout the day. The work is a synthesis of the ISlamic call to prayer with contemporary composition techniques