Valse Du Boulevard,
2019
Furman University
Valse Du Boulevard, Michael Krohn
Music at the Periphery – Dansemusik Volume
There is handwriting on the front cover that dates ownership to 1904. The cover is decorative. Published between 1900-1918.
Oselio Gals, Op. 196,
2019
Furman University
Oselio Gals, Op. 196, Christian Teilman
Music at the Periphery – Dansemusik Volume
There is handwriting on the front cover, and the cover is decorative. The piece is dedicated to the owner of this collection.
Spårvägs -- Gallop,
2019
Furman University
Spårvägs -- Gallop, J. Burgmein (1840-1912), Giulio Ricordi (1840-1912)
Music at the Periphery – Dansemusik Volume
There is a decorative cover, and there are drawings throughout the whole piece. Giulio Ricordi composed this piece under the peudonym J. Burgmein. The seller stamp indicates this was acquired at, "Brodrene Hals, Kristiania."
Free Laundry To Snc,
2019
St. Norbert College
Free Laundry To Snc
St. Norbert Times
- News:
- Free Laundry to SNC
- MMM Showcases Student Artist
- SURFing Through Summer
- SNC STEMS out
- Goodbye Cable, Hello SpectrumU
- Welcome Back
- Opinion
- Preserving the Paper
- Getting Back to School
- Features
- Make Summer Last: Farmers Market
- How to Start the School Year Off Right
- Entertainment
- Word Search
- Student Spotlight
- Did You Know???
- Top 5 Summer Reads
- New “Hunger Games” Novel Set To Release in 2020
- The Curse of La Llorona: A Mexican Folktale
- This Summer’s Entertainment
- Junk Drawer: Summer Catch-Up
- The Importance of Hasan Minhaj’s “Patriot Act”
- Sports
- De Pere Softball Scores
- SNC Football: Looking Forward
- Soccer Ready To Kick Grass …
Feintuch, Burt, 1949-2018 (Fa 1315),
2019
Western Kentucky University
Feintuch, Burt, 1949-2018 (Fa 1315), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1315. Collection of folklife and folk arts by Burt Feintuch, ethnographer of traditional music and professor of folk studies at Western Kentucky University (WKU) from 1975 to 1988. Includes the session materials from the Folklife and the Public Sector: Assessment and Prognosis Conference at WKU, 1985, along with the manuscript and proof pages from his book Kentucky Folkmusic. Recordings of musicians and singers and interviews with the same in Barren, LaRue, Logan, Marshall, Metcalfe, Monroe, Muhlenburg, Todd, and Warren counties in Kentucky and Warren County, Tennessee.
Jury Recognition Recital, August 26, 2019,
2019
Illinois State University
Jury Recognition Recital, August 26, 2019, Illinois State University School Of Music
School of Music Programs
Kemp Recital Hall
August 26, 2019
Monday Evening
7:00 p.m.
Howard Center Presents,
2019
Andrews University
Howard Center Presents, Gillian Panigot
Andrews Agenda: Campus News
No abstract provided.
“Native American Folk Song Suite”: A Study Of Traditional Native American Melodies, The Role Of Music In Native American Society, And Its Translation To The Modern Wind Ensemble,
2019
Stephen F. Austin State University
“Native American Folk Song Suite”: A Study Of Traditional Native American Melodies, The Role Of Music In Native American Society, And Its Translation To The Modern Wind Ensemble, Preston Parker
Electronic Theses and Dissertations
Music holds a sacred place for the many Native American tribes of the United States. Over the past 150 years, ethnomusicologists Dr. Theodore Baker (1851-1934), Dr. Frances Densmore (1867-1957), and John Donald Robb (1892-1989) have preserved these songs by sitting down with indigenous Native Americans and recording their music straight from the source. Through these recordings, these ethnomusicologists created a springboard for composers, including myself, to study the past and create new music that honors the traditions and culture of Native Americans. I have applied my new knowledge of these musical techniques and traditions to create a work for wind …
The Evolution Of Modern Music: Tradition And Innovation In Bartók, Schoenberg, And Stravinsky,
2019
Washington University in St. Louis
The Evolution Of Modern Music: Tradition And Innovation In Bartók, Schoenberg, And Stravinsky, Dan Viggers
Arts & Sciences Graduate Student Theses and Dissertations
Despite their reputations as musical revolutionaries, Béla Bartók, Arnold Schoenberg, and Igor Stravinsky continually asserted that their styles were not revolutionary, but evolutionary. For each composer, stylistic evolution implied a continuation of the musical traditions and techniques they inherited from their predecessors. While much has been written about the innovative—or revolutionary—aspects of these three composers, less has been written about how their styles connected to the classical tradition. This dissertation attempts to capture the evolutionary aspects of the styles of Bartók, Schoenberg, and Stravinsky. In each chapter, I analyze the interaction of innovative and traditional musical structures. Chapter one discusses …
Sociocultural And Collaborative Antagonism In The Harold Prince-Stephen Sondheim Musicals (1970-1979),
2019
Washington University in St. Louis
Sociocultural And Collaborative Antagonism In The Harold Prince-Stephen Sondheim Musicals (1970-1979), Ashley Marian Pribyl
Arts & Sciences Graduate Student Theses and Dissertations
“I can get an idea for a musical…from getting politically roiled up about one or another thing.”- Director/producer Harold Prince“I couldn’t have been less interested in politics.”- Composer/lyricist Stephen SondheimDespite the above seemingly incompatible quotes, Harold Prince and Stephen Sondheim somehow ended up forming one of Broadway’s most enduring collaborative legacies. Prince, who strived to challenge his audience’s political complacency, often clashed with Sondheim, whose primary consideration was individual characterization and narrative arc. Prince also chose other collaborators who were more interested in creating politically challenging works, contrary to Sondheim’s focus. When collaborating, Prince and Sondheim independently followed their own …
Sociocultural And Collaborative Antagonism In The Harold Prince-Stephen Sondheim Musicals (1970-1979),
2019
Washington University in St. Louis
Sociocultural And Collaborative Antagonism In The Harold Prince-Stephen Sondheim Musicals (1970-1979), Ashley Marian Pribyl
Arts & Sciences Graduate Student Theses and Dissertations
“I can get an idea for a musical…from getting politically roiled up about one or another thing.”- Director/producer Harold Prince“I couldn’t have been less interested in politics.”- Composer/lyricist Stephen SondheimDespite the above seemingly incompatible quotes, Harold Prince and Stephen Sondheim somehow ended up forming one of Broadway’s most enduring collaborative legacies. Prince, who strived to challenge his audience’s political complacency, often clashed with Sondheim, whose primary consideration was individual characterization and narrative arc. Prince also chose other collaborators who were more interested in creating politically challenging works, contrary to Sondheim’s focus. When collaborating, Prince and Sondheim independently followed their own …
Christmas,
2019
University of Mississippi
Christmas, Author Unknown
Broadside Ballads: England
The Carol God Rest Ye Merry Gentlemen
Hymn 3,
2019
University of Mississippi
Hymn 2,
2019
University of Mississippi
Hymn 1,
2019
University of Mississippi
The Alarm,
2019
University of Mississippi
The Alarm, Author Unknown
Broadside Ballads: England
Hymns on Jesus Christ and Redemption
The Weary Travellers,
2019
University of Mississippi
The Weary Travellers, Author Unknown
Broadside Ballads: England
Hymns on Jesus Christ and Redemption
A New Christmas Carol,
2019
University of Mississippi
Our Saviour's Golden Rule, From Matt, Vii. 12.,
2019
University of Mississippi
Our Saviour's Golden Rule, From Matt, Vii. 12., Author Unknown
Broadside Ballads: England
Verses from the Book of Matthew
From Matt, Xxii 17.,
2019
University of Mississippi
From Matt, Xxii 17., Author Unknown
Broadside Ballads: England
Verses from the Book of Matthew
