Music Commons^™

The Role Of Patronage In American Popular Music And The Reemergence Of Payola In Streaming Services, Philip Lotterhos

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

How “Frei” Was Richard Strauss’S Also Sprach Zarathustra: Tondichtung (Frei Nach Friedr. Nietzsche)?, Xiaopei Jennie Liu

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

A Mindful Approach To Training And Healing The Male-To-Female Transitioning Voice, Kimberly N. Gnagey

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

‘Accessibility’ Is A Four-Letter Word: Developing Western Music Resources For The Visually-Impaired, Christina Ebersohl

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

An Analysis Of The Problem Of Relaxation When Singing, Jiawei Deng

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Political Influence In The Chamber Music Of Dmitri Shostakovich: An Annotated Bibliography, Evan De Long

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Using The Myers-Briggs Type Indicator To Analyze Characters In Mozart’S Die Zauberflöte, Lilli Bailey-Duran

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Music Reviews, Volume 76, No. 2, Kathleen Roland-Silverstein

Voice - All Scholarship

Contains reviews of The Gomezanda Mexican Song Collection, in Three Volumes: Songs, Arias, and Rancheras; She Who Continues. A Song Cycle for Soprano and Piano; Songs for Soprano/Songs for Mezzo Soprano/ Songs for Tenor/Songs for Baritone.

The Philosophy Of Dance, Aili W. Bresnahan

Philosophy Faculty Publications

This encyclopedia entry surveys the field of philosophy of dance both within and beyond Western philosophical aesthetics.

Ann Bradfield, Alto Saxophone, November 1, 2019 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Michael Haydn's Early Masses And Their Viennese Context, Bruce C. Macintyre

HAYDN: Online Journal of the Haydn Society of North America

Although Joseph Haydn felt that his brother Michael (1737-1806) held “first place” in the field of church music, scholarship on the brother surprisingly still has many lacunae; e.g., in the study of Michael’s early works composed before he went to Salzburg. Nearly half of this brother’s 28 settings of the Mass Ordinary for voices with orchestral accompaniment were composed in his early years, i.e. after his early studies in Vienna ca. 1745 and during his work for the bishop in Grosswardein (Oradea, Romania) and prior to his arrival in Salzburg in August 1763. This paper attempts to shed more light …

Dance Rhythm, Aili W. Bresnahan

Books and Book Chapters by University of Dayton Faculty

This chapter proposes a theory of dance rhythm as distinct from rhythm in dance. First, it distinguishes natural and intentional rhythm, constructed from combining theories by Dewey and Margolis. It then defends this account by exploring musical and non-musical connections between rhythm and dance. It argues that dance rhythm can arise in conjunction with music, or that it can – though need not – follow music, or that it can set the musical rhythm, or be completely independent of music, though natural or internal bodily rhythms can underpin both. Finally, it asserts the existence of dance that might be naturally …

[Introduction To] Rap On Trial: Race, Lyrics, And Guilt In America, Erik Nielson, Andrea L. Dennis, Killer Mike

Bookshelf

A groundbreaking exposé about the alarming use of rap lyrics as criminal evidence to convict and incarcerate young men of color

“If you believe that I’m a cop killer, you believe David Bowie is an astronaut.” —Rapper Ice-T, on the persona he adopted in the song “Cop Killer”

Should Johnny Cash have been charged with murder after he sang, “I shot a man in Reno just to watch him die”? Few would seriously subscribe to this notion of justice. Yet in 2001, a rapper named Mac whose music had gained national recognition was convicted of manslaughter after the prosecutor quoted …

Key Notes: The Newsletter Of The Department Of Music, Georgia Southern University

School of Music: News & Publications (2017-2023)

• A Graduation Recital
• Percussion Ensemble
• Flute Recital
• Brass solo recital
• 28th annual Harry J. Persse Memorial Concert
• Savannah Wind Symphony fall concert
• Jazz Ensemble
• Winterfest
• Georgia Southern Symphony
• Metamorphosis
• Brass Chamber Recital

Hannah Lambertz, Soprano: "Monsters And Demons" Graduate Voice Recital, Hannah Lambertz, Laura Mccall, Shanshan Zhang

Setnor School of Music - Performance Programs

No abstract provided.

2019-2020 Performance Forum - October 31, 2019, Jin Cai, Taylor Overholt, Guillermo Yalanda, Erika Andersen, Fabiola Hoyo, Dennis Pearson, Meng Hsin Shih, David Brill, Sheng Yuan Kuan, Mario Rivera, Jovani Williams, Lydia Roth, Gerhardt Arosemena Ott, Dunia Andreu, Ting An Lee, Guzal Isametdinova

Performance Forum

No abstract provided.

"Kreepy Kyriakos Klass Koncert!" Kyriakos Studio Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Charles W. Bolen Faculty Recital Series: Paul Nolen, Saxophone; Kevin Hart, Piano; Bill Koehler, Bass; Tom Marko, Drums; October 30, 2019, Paul Nolen, Kevin Hart, Bill Koehler, Tom Marko

School of Music Programs

The Coffeehouse in Normal
October 30, 2019
Wednesday Evening
7:30 p.m.

Collegium Musicum & Madrigal Singers: Music From The Iberian Peninsula, Old Dominion University Collegium Musicum, Old Dominion University Madrigal Singers, Bianca Hall (Director)

Ensemble Performances

About the Ensembles:

The ODU Collegium Musicum is a unique ensemble that brings together students and members of the community to study and perform early music from the Medieval, Renaissance, Baroque and Classical periods. A variety of instruments are used, including recorders, crumhorns, viols and guitars. The ensemble recently acquired a consort of Renaissance recorders handmade by Thomas Prescott. The ensemble gives concerts on cam-pus each semester and performs elsewhere in the Hampton Roads region. In addition, the Colleguim Musicum performs at the annual Department of Music Madrigal Banquet.

The ODU Madrigal Singers is a chamber vocal ensemble made up …

Syracuse University Symphony Orchestra; Dr. James Tapia, Director, Featuring Guest Artists: The Verona String Quartet, Syracuse University Symphony Orchestra, Setnor School Of Music, James Tapia, Verona String Quartet

Setnor School of Music - Performance Programs

No abstract provided.