Music Commons^™

“Where Words Fail, Music Speaks ”: Emotion Regulation Strategies Using Music When Experiencing Sadness, Kendall M. Ladd

Theses and Dissertations

Past literature has suggested that individuals use the emotion regulation strategies of

catharsis, emotional support, understanding emotions, and mood congruency when deciding to listen to sad music when feeling sad (Friedman et al., 2012; Garrido & Schubert, 2013; Sedikides, 1992; Taylor & Friedman, 2015; van Goethem & Sloboda, 2011). This thesis sought to confirm this by comparing these four strategies to revival, another emotion regulation strategy that uses happy music instead of sad music.

The final sample of participants consisted of 122 undergraduate and graduate students at a Midwestern university. Participants completed questionnaires designed to measure how they typically regulate …

Charles W. Bolen Faculty Recital Series: Elizabeth Thompson, Voice; Geoffrey Duce, Piano; February 4, 2020, Elizabeth Thompson, Geoffrey Duce

School of Music Programs

Center for the Performing Arts
February 4, 2020
Tuesday Evening
7:00 p.m.

2019-2020 Senior Recital - Abigail Rowland (Trumpet), Abigail Rowland, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

Faculty Recital, Nathan Wysock, Guitar, February 2, 2020, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

School Of Music Faculty/Staff Newsletter, February 2020, School Of Music

School of Music Faculty/Staff Newsletter

Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.

Chinese Aesthetics And Performance Practice In Three Works For Piano By Chen Yi: Tunes From My Home, Northern Scenes, And Four Spirits, Cong Ji

Dissertations, Theses, and Capstone Projects

This dissertation provides both analyses and performance practice suggestions on the three selected works that include piano by Chinese-American composer Chen Yi (b. 1953): Tunes from My Home, Northern Scenes, and Four Spirits. The author takes a step beyond Chen Yi’s widely identified “fusion style” of Chinese and Western music, to explore her cultural roots and how she blends Chinese music, arts, aesthetics, philosophy, and mythology with her musical language and imagination on a deeper level.

As a performer and pedagogue, I believe that it is important not only to analyze Chen Yi’s music from the perspectives of …

International Influence On The Development And Reception Of Cello Playing In England, 1870–1930: Robert Hausmann, Auguste Van Biene, And Guilhermina Suggia, Hannah E. Collins

Dissertations, Theses, and Capstone Projects

The development of cello playing in England in the late nineteenth century was driven largely by the efforts of expatriate and visiting performers trained elsewhere. Performers from abroad, with the support and admiration of British institutions and audiences, elevated the technical level of cello playing and helped to increase the quality and quantity of solo repertoire being written and performed. They also expanded the degree of acceptance that British audiences held for the cello, both as a solo instrument and as an instrument that could be played in public by women. This study explores the impact that three such cellists, …

Recording Studios Since 1970, Eliot Bates

Publications and Research

Like many other specialty, purpose-built spaces, we tend to think of recording studios in instrumental terms, meaning that the space is defined in relation to the nominal type of work that the space is instrumental towards. While audio recordings have been made in spaces since 1877, not all of these spaces tend to be regarded as recording studios, partly since so many recordings were made in environments designed for other types of work; indeed, much of the first seventy years of US and UK recorded music history transpired at radio stations, concert halls and lightly treated mixed-use commercial spaces (e.g. …

A Heavy Rain Has Fallen Upon My People: Sindhi Sufi Poetry Performance, Emotion, And Islamic Knowledge In Kachchh, Gujarat, Brian E. Bond

Dissertations, Theses, and Capstone Projects

This dissertation is a study of the use and contestation of Sindhi-language Sufi poetry performance as a means of Islamic knowledge transmission and ethical self-formation in rural Muslim communities in Kachchh, a border district in the western Indian state of Gujarat adjacent to Sindh, Pakistan. Drawing on eighteen months of ethnographic research with Muslim performers and enthusiasts of Sindhi poetry between 2014-2018, I first examine an ecology of performative and interpretive practices revolving around the musico-poetic repertoire of the poet-saint Shāh ʿAbdul Lat̤īf Bhiṭā’ī (1689-1752 CE). I argue that the pedagogical efficacy of Sufi poetry performance is undergirded by its …

Two Cello Works Of Pēteris Vasks: Structure, Symbolism, And Identity, Caroline Bean Stute

Dissertations, Theses, and Capstone Projects

This dissertation presents analyses of two compositions for cello by Latvian composer Pēteris Vasks: Grāmata Čellam (1978), for solo cello, and Concerto No. 2, “Klātbūtne” (“Presence,” 2011–2012), for cello and string orchestra. It acquaints readers with defining elements of Vasks’s musical language and relates his music to the concurrent stylistic classifications of Baltic Minimalism and Neoromanticism. The paper also discusses the significance of Vasks’s national identity in his creative process and provides historical context on Latvia.

Cross-Cultural Work In Music Cognition: Challenges, Insights, And Recommendations, Nori Jacoby, Elizabeth Hellmuth Margulis, Martin Clayton, Erin Hannon, Henkjan Honing, John Iversen, Tobias Robert Klein, Samuel A. Mehr, Lara Pearson, Isabelle Peretz, Marc Pearlman, Rainer Polak, Andrea Ravignani, Patrick E. Savage, Gavin Steingo, Catherine J. Stevens, Laurel Trainor, Sandra Trehub, Michael Veal, Melanie Wald-Fuhrmann

Psychology Faculty Research

Many foundational questions in the psychology of music require cross-cultural approaches, yet the vast majority of work in the field to date has been conducted with Western participants and Western music. For cross-cultural research to thrive, it will require collaboration between people from different disciplinary backgrounds, as well as strategies for overcoming differences in assumptions, methods, and terminology. This position paper surveys the current state of the field and offers a number of concrete recommendations focused on issues involving ethics, empirical methods, and definitions of “music” and “culture.”

"Song And Dance" -Wind Symphony, Andrews University

Concerts and Event Programs 2019-2020

Featuring several classic works for band, including Joseph Jenkins exuberant American Overture for Band, Gustav Holst’s seminal First Suite in Eb, one of the first serious works for wind band, and Oliver Nickel’s transcription of Danzón No. 2, a contemporary classical work by Mexican composer Arturo Márquez inspired by Cuban dance rhythms. We will also perform to gorgeous melodies, Frank Ticheli’s lush arrangement of the folk song Shenandoah, and a lullaby Song for My Children, by Andrew Boysen, Jr. See less Kid Friendly Berrien Springs, Michigan

Musical Activities Between Father And Toddler In Local Music Centre In Klang Valley, Yee Farn Kang

Student Works (2020-2029)

Historically, different forms of musical activities, including singing, was one of the earliest ways of parents to bond with their children. Lullaby or other forms of singing has been used for ages to encourage or teach children necessary skills required in future. As recent studies signify, the effects of the music education from the early ages can have very positive effects on the children. Meanwhile, by growing the popularity of musical early childhood programs the number of researches on outcome of these classes are increasing. However, there are not many researches in which the focus specifically aim the effects of …

Dances With The Lso, Lawrence Symphony Orchestra, January 31, 2020, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Pas De Deux: Organ/Piano Duo Recital; Dr. Jonathan Embry, Organ; Dr. Theresa Chen, Piano/Fortepiano; Josh Dekaney, Drumset, Pas De Deux, Jonathan Embry, Theresa Chen, Joshua Dekaney

Setnor School of Music - Performance Programs

No abstract provided.

2019-2020 Chamber Music Concert At Broken Sound Club, Friends Of The Consevatory, David Brill, Askar Salimdjanov, Tom Wong, Georgiy Khokhlov, Feruza Dadabaeva, Yana Lyashko, Xiaoxiao Wang

Friends of the Conservatory Events

No abstract provided.

Shearer "Stages" Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Guest Recital, Joseph Connor '15, Saxophone, January 30, 2020, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

2019-2020 Performance Forum - January 30, 2020, Justin Ochoa, Sharon Villegas, Diana Lopez

Performance Forum

No abstract provided.

On The Record, Jodi Mcdavid

Journal of Religion & Film

This is a film review of On the Record (2020) directed by Kirby Dick and Amy Ziering.