Music Commons^™

The Naxos Bjorling, William C. Clayton

Journal of the Jussi Björling Societies of the USA & UK

Another CD collection of Jussi's HMV 78s has appeared, this time on Naxos 8.110701- Jussi Bjorling: Opera Arias. These twenty-three selections, dating from 1936 through 1948, amount to a hit parade of favorite tenor arias from Jussi's HMV 78s made during those years, all the best known standard takes, and all recorded in Stockholm with Nils Grevillius conducting "his" orchestra. Thus they are certainly contained on the EMI four-disc Jussi Bjorling Edition: Studio Recordings 1930-1959 (7243 5 66306 2 8 Mono), reviewed in our 3Q99 issue. The best news is the vastly improved sound of the transfers here (even …

Jussi In The News: Media Notes Of Interest To Our Members From Our Members., Dan Shea

Journal of the Jussi Björling Societies of the USA & UK

•Thanks to Email from Toby and Karl Hekler, Yoel Arbeitman, and others, we heard of Fr. Owen Lee's eloquent tribute to Jussi on an intermission feature during the February 5th Metropolitan broadcast of La Traviata. Luckily, we had a tape going during that broadcast, anticipating some sort of "happening" on Jussi's birthday. Thus we can provide for you the precise transcript of Fr. Lee's statement. He pointed out that he had been asked to discuss his favorite singers for that broadcast, but that some of his personal choices, like Zinka Milanov, had already been chosen by others. He continues with …

A Charmless Jussi?, Cantor Don Goldberg

Journal of the Jussi Björling Societies of the USA & UK

For a Jussiphile to admit that he doesn't like his favorite singer's rendition of an aria or song might be considered tantamount to heresy. But I have to admit to being disappointed by Jussi's performance of that most beautiful of arias "Una furtiva lagrima" from Donizetti's L'Elisir D'amore. Now, I can just hear your heated exclamations of "Mio Dio," "Mon Dieu," "Gott mitt der welt," and even "Dem dere's fightin' words, Cantor!" Well, so be it, and I'll just explain why.

Jussi And "Amor Ti Vieta", William C. Clayton

Journal of the Jussi Björling Societies of the USA & UK

"Amor ti vieta" was a popular encore with Jussi's fans. In fact, on the Atlanta Recital CD (Bluebell 020), he says that he will sing the aria in response to a specific request. I think that his approach to this aria is special, and one version, in particular, is peerless. I first heard my favorite in 1957, sung by JB as part of a recital on the fourth side of Cavalleria Rusticana, and it virtually spoiled all other versions for me (RCA LP LM 6059, September 1-7, 1957, conducted by Alberto Erede). Harald Henrysson lists four other renditions: a …

The Life And Art Of Jussi Bjorling, Enrique Gilardoni

Journal of the Jussi Björling Societies of the USA & UK

In November 1999, the Embassy of Sweden in Santiago, Chile, organized several cultural events under the title of "Dias de Suecia" (Sweden Days), which included theater plays, painting exhibitions, a gastronomic festival with Swedish food, and other activities

I Dub Thee, Cantor Don Goldberg

Journal of the Jussi Björling Societies of the USA & UK

"I Dub Thee" may be a strange title for an article in the Journal of JBS, but with a little patience you'll see how this title applies to Jussi's consistency both in and out of the recording studio.

In The Spotlight: Leigh Metcalf: My Memories Of Jussi, Leigh Metcalf

Journal of the Jussi Björling Societies of the USA & UK

Like many others of my generation, opera for me began with The Great Caruso, to which my parents took me shortly after its release. I particularly liked the trio that ended Act I of Il Trovatore, so I went to the library to check out my first opera recording, the one by RCA Victor. I liked Milanov's voice, and I loved Warren's, but Bjorling's was something altogether different. Every time his voice entered, the hair on the back of my neck stood up, a lump formed in my throat, and tears came to my eyes. It had nothing to do …

"The Researcher's Lot Is Not An' Appy One'", Andrew Farkas

Journal of the Jussi Björling Societies of the USA & UK

Wonderful people that they are, Karl and Toby Hekler no doubt have been called by nicer names or described in more flattering terms in the past. For the purpose of this report, however, let's just called them catalysts.

We Welcome A New Member Of Our Advisory Committee: Robert Tuggle

Journal of the Jussi Björling Societies of the USA & UK

We are very pleased to announce that Robert Tuggle, the Director of Archives for the Metropolitan Opera, has agreed to join our Advisory Committee.

Save This Date! Our August 20, 2000, Mini-Conference In Nyc Is On!, Dan Shea

Journal of the Jussi Björling Societies of the USA & UK

How can our Jussi Bjorling Society NOT meet on August 20th to celebrate the simultaneous 70th anniversary of Jussi's debut in his first major operatic role, Don Ottavio, and the 40th anniversary of his last public concert? We've decided that we must go ahead with a one-day conference in Manhattan.

An Excursion To Sweden In June 2000 For Jbs Members

Journal of the Jussi Björling Societies of the USA & UK

As explained in the previous issue of this Journal, several of us are going to Sweden in June, and we welcome other members to join us in this "lightly-structured" tour of Stockholm and Borlange. The idea is that you can join us when you wish and travel separately when you prefer. Rail passes may make this independence especially easy. (Some examples are given below.)

From The Editor's Desk, Mickey Dove

Journal of the Jussi Björling Societies of the USA & UK

It is with great pleasure that we dedicate this issue of the Journal to Anna-Lisa Bjorling-Barkman upon the occasion of her 90th birthday on March 15th. On behalf of the Directors, Advisors, and membership of JBS, we extend to Mrs. Bjorling-Barkman our heartfelt wishes for a most Happy Birthday shared with family and dear friends.

Side Bar

Journal of the Jussi Björling Societies of the USA & UK

No abstract provided.

Front Matter

Journal of the Jussi Björling Societies of the USA & UK

No abstract provided.

An Analytical Guide To Gonzalo Vidal’S Suite De La Postguerra [Post-War Suite], Jairo Garcia Valencia

Dissertations

ABSTRACT

Although Gonzalo Vidal (1863-1946) is arguably one of the most influential Colombian composers, sadly his music has been forgotten and remains unknown. Unfortunately, little is known about his work as a pianist, composer, teacher, capellmeister, conductor, and even as a writer of prose. Even though Vidal has a vast catalogue of works, the majority of which is piano music, his fame is limited to being known as the composer of the anthem of the department of Antioquia.

The purpose of this document is to focus on Vidal’s last piano compositions, which were a set entitled Suite de la Postguerra …

2021-2022 Performance Forum - October 22, 2021, Dezmond Rogers, Sheng Yuan Kuan, Yu Xie, Yunus Rajabiy, Weizhen Lai, David Brill, Francesca Puro, Rosa Ortega, Frederic Renaud, Benjamin Shaposhnikov, Matthew Montelione, Griffin Ives, Alexander Walden, Wesley Dacasere

Performance Forum

No abstract provided.

Senior Recital, October 22, 2021, Maggie Oedewaldt, Joshua Dunn

School of Music Programs

Center for the Performing Arts

October 22, 2021

Friday Evening

6:00 PM

Opera En Fuego: A Fiery Kaleidoscope Of Spanish-Language Operatic Scenes, Chapman University Hall-Musco Conservatory Of Music, Opera Chapman

Printed Performance Programs (PDF Format)

No abstract provided.

Newspaper Clippings

Journal of the Jussi Björling Societies of the USA & UK

No abstract provided.

Here And There

Journal of the Jussi Björling Societies of the USA & UK

When I was asked to write a memoir, I immediately began to think of loved ones, my remarkable mother, my exceptional wife, or a close friend, as subjects. All of these people are most important to me, but I have chosen someone else. He is now deceased, but in his lifetime he was a world famous man. I never met him personally, but I feel that I know him well: I have his visage clearly in mind. More importantly, I am able to hear his voice every day from among the many recordings I own.