Music Commons^™

Concert Recording 2022-04-20b, Sophie Lopez

Concert Recordings & Programs

[00:00]. Sonata no. 12 in A-flat major, op. 26. I. Andante con Variazioni ; II. Scherzo, Allegro molto ; III. Marcia funebre sulla morte d'un Eroe ; IV. Allegro / Ludwig van Beethoven -- [20:45]. Three romances, op. 11. I. Andante ; II. Andante, Allegro passionate ; III. Moderato, animato. / Clara Schumann -- [35:34]. Mi teresita (Little waltz / Teresa Carreño -- [40:02]. Cherry blossoms in her hair / Florence Price.

Concert Recording 2022-05-01, Abigail Short, Sophie Lopez, Tomoko Kashiwagi

Concert Recordings & Programs

[00:00]. Prelude et Scherzo / Henri Büsser -- [05:56]. Fantasie pour flûte et piano / Georges Hüe --[13:55]. La Flûte de Pan. I. Pan et les Bergers (Pan and the Shepards) ; II. Pan et les Oiseaux (Pan and the Birds) ; III. Pan et les Nymphes (Pan and the Nymphs) / Jules Mouquet -- [30:08]. Image / Eugène Bozza -- [34:54]. Sonate pour flûte et piano. I. Allegretto malincolico ; II. Cantilena ; III. Presto Giocoso / Francis Poulenc.

Concert Recording 2022-05-19, Miranda Pham, Gini Law, Abigail Short, Jeason Lopez, Megan Park

Concert Recordings & Programs

[00:13] Maya / Ian Clarke -- [04:25] Souvenir Du Rigi, Op. 34 / Franz Doppler -- [11:02] Dialogues for Flute and Trumpet. I. Allegro ; II. Largo quasi improvisando ; III. Adagio con espressione ; IV. Animato / Jindra Necasova -- [20:54] Andante et Rondo / Franz Doppler -- [30:20] Pavane Pour Une Infante Defunte / Maurice Ravel ; arr. Miranda Pham for Horn, Flute, and Piano -- [35:31] Scherzo / Felix Mendelssohn.

Concert Recording 2022-11-13, Adelynn Franklin, Traci Hall

Concert Recordings & Programs

[00:00]. Per la più vaga e bella / Francesca Caccini -- [02:28]. Nachtwanderer / Fanny Mendelssohn -- [04:20]. Mein Stern / Clara Schumann -- [06:08]. Three Browning songs. I. The years at the spring ; II. Ah, love but a day / Amy Beach -- [10:36]. La Belle au Bois / Jane Vieu -- [14:00]. Bei dir ist es traut / Alma Mahler -- [15:44]. Bewilderment / Florence B. Price -- [18:40]. In the springtime / Betty Jackson King -- [20:58]. At long last / Edie Brickell -- [23:51]. She used to be mine / Sara Bareilles.

Analysis Of Bass Lines Played By Ray Brown And Charlie Haden Over The Blues Form, Kyler W. Rebich

Undergraduate Theses, Professional Papers, and Capstone Artifacts

An analysis of bass lines played by Ray Brown and Charlie Haden over the blues focusing on their respective -isms and recurring motifs and ideas.

Expertise Effects On Visual Change Detection In The Music Reading Domain : Evidence From Eye Movements, Abigail L. Kleinsmith

Legacy Theses & Dissertations (2009 - 2024)

Theoretical perspectives in the chess expertise literature, such as chunking and template theories, assume that experts acquire the ability to process domain-specific visual features as larger patterns. Eye tracking techniques can test predictions derived from these theories, because the eye movement record provides fine-grained information about where and when experts are looking during a domain-specific task. In this dissertation, I assessed the generalizability of chunking and template theories to the domain of music reading expertise with a novel music-related variant of the flicker paradigm. Across twoexperiments, I monitored the eye movements of 60 expert musicians (with at least 10 years …

Jocelyn Hagen’S Choral Settings On Texts By Sara Teasdale: Analysis And Rehearsal And Performance Guidelines, Elizabeth Wilson

Theses and Dissertations--Music

This paper seeks to gain insight into American composer Jocelyn Hagen’s musical style, delving into her compositional process through analyses of three of her choral settings of Sara Teasdale’s poetry: April and the Sun, To See the Sky, and Joy. This work offers a detailed analysis of each piece using Jan Larue’s analytical method, which focuses on the basic musical elements of sound, harmony, melody, rhythm, and growth (known through its abbreviated form as SHMRG).

Because Jocelyn Hagen is a young composer, much of the relevant literature on Hagen comes from journal articles and dissertations. A significant resource …

Data Scraping Youtube For The Study Of Lieder Reception, Rachel E. Scott

Faculty and Staff Publications – Milner Library

A growing body of literature has shifted aesthetic attention from composition to performance, or the performing activity, and asserts that the act of performance creates meaning. Scholars have emphasized differences between the passive consumption and active making of – or even listening to – music. As I sought to understand the impact of performance on Alma Mahler's legacy, I identified the need to gather as much data as possible on who, what, where, when, why, and how her songs were performed. This need led me to evaluate the metadata associated with recordings of Alma Mahler's songs in the WorldCat union …

Systematic Approach To Recruiting And Retention Of Instrumental Students In Division One University Marching Band, Michael G. Yopp

Doctoral Dissertations and Projects

This study examines recruitment and retention in Division One (D1) university marching bands, while understanding high school and university directors’ perspectives and impact on student choice. This project surveyed university band directors, seeking commonalities for recruiting and retention of instrumental students. Based on the results, universities will have better strategies on what, how, and why recruitment and retention issues should be addressed. Student enrollment is important to the well-being, development, and continuity of marching band programs. They may result in better recruitment and retention for other university ensembles, applied studios, the music department, and the university enrollment overall. This study …

Investigating The Marketing Language Among Online Retailers Of Violin Strings To Determine The Implied Aesthetic, Kira Kay Browning

Graduate Theses, Dissertations, and Problem Reports (ETD)

The aim of this research is to determine if language in the advertising of violin strings is acting as an exclusionary tool in favor of a Western art music “sound” produced by “classical” violinists. It posits that the marketing of strings to violinists is a topic laden with unacknowledged biases and values of musicians within Western art music. The aesthetic values attached to playing Western art music for the violin in the United States are passed on through pedagogic practice and acculturation of language. Product descriptions for strings in the United States employ language which adheres to these cultural values …

Review Of Ludwig Van Beethoven, Symphonien V: Nr. 9 D-Moll Opus 125, Ed. Beate Angelika Kraus, Barry Cooper

The Beethoven Journal

No abstract provided.

Review Of Beethoven Studies 4, Ed. Keith Chapin And David Wyn Jones, Nicholas Chong

The Beethoven Journal

No abstract provided.

Subito 2022, Portland State University. School Of Music & Theater

Subito: Student Voices from Portland State University School of Music & Theater

Issue 5, Spring 2022

Women in electronic music, PSU's Queer Opera returns, faculty spotlight with School of Music & Theater director Bonnie Miksch, a Portland arts community survey and more.

Music Reviews, Volume 78, No. 3, Kathleen Roland-Silverstein

Voice - All Scholarship

Contains reviews of An Anthology of African and African Diaspora Songs; Modern Music for New Singers: 21st Century American Art Songs; Cipullo, Tom (b. 1956). The Husbands.

Integrating Sensor Technology Into Artistic Practice: A Critical Examination Of The Role Of The Performer, Marcella Barz

Doctoral

This research questions how interactive music technology might enable creativity in performers. The format is a semi-autoethnographic narrative that follows the performer’s artistic process of preparing nine compositions for performance; these works are for bass clarinet or clarinet and live processing (created with Ableton Live, Max for Live, and the SABRe multi-sensor and remote).

In order to conduct this research, I remixed two existing bass clarinet works, collaborated with two composers on six new works, and composed my own piece. I maintained a reflective journal for four and a half years that documented the process of preparing these compositions for …

Not Ready To Make Nice: A Study Of The Intimate Relationship Of The Chicks' Music And Politics, Danielle Bishop

Master's Theses or Doctor of Nursing Practice

In 2003, Natalie Maines, the lead singer of the band then known as the Dixie Chicks, made a political statement to an all British audience. Her statement was both critical of the Iraq War that America had just entered, and also critical of then-President Bush. The Chicks were immediately blacklisted, with audiences burning the Chicks merchandise and radio stations refusing to play any of the music penned by the Chicks. In this thesis, the causal factors behind this level of backlash will be evaluated. Previous studies have indicated the significant impact of gender and music and how this has an …

Improving Arts Management/Marketing Efficiency: Optimizing Utilization Of Scarce Resources To Produce Artistic Outputs, Theresa A. Kirchner, Linda L. Golden, Patrick L. Brockett

Marketing Faculty Publications

Purpose

This longitudinal research examines US symphony orchestra sector organizations to determine individual efficiencies in allocating resources (donations, governmental/private funding, etc.) for desirable outputs (concerts, educational programs, community outreach). It provides researchers and managers with a tool for identifying, assessing and mitigating organizational inefficiencies.

Design/methodology/approach

This study assesses relative efficiencies in performing arts organizations using Data Envelopment Analysis (DEA), a widely-used nonparametric data-intensive benchmarking technique that determines an optimal “production frontier” of best-practice organizations among their peers and assesses their abilities to turn multivariate inputs into multivariate desired outputs.

Findings

This analysis highlights efficiency differences in a wide range of …

The Autodidactic Process Of Hugo Wolf And The Fourfold Learning Equation, Frank L. Strnad

CGU Theses & Dissertations

This dissertation investigates and discusses the self-study process of the Austro-Slovene composer Hugo Wolf. A fourfold learning equation consisting of imitation+emulation+invention =results will be presented, discussed, and applied to the musical compositions of Hugo Wolf, who learned how to compose music mostly by self-study, and minimal formal conservatory level training. Standard methods of analysis of musical construct, harmony, and orchestration will be used to evaluate each musical work. The selected musical works and their musical qualities were chosen to illustrate the effectiveness of the use of the fourfold learning equation by Wolf, both with and/or without instructional resources. This dissertation …

The African Christian History Of American Songs Of Slavery, Elizabeth Adekale

CGU Theses & Dissertations

Christianity is an African traditional religion that played a vital role in the formation of American songs of slavery, also known as spirituals. These songs were created by the enslaved Africans in America to express their longing for freedom and preserve African Christian tradition. Within the lyrics of spirituals are coded messages that provided secret information to the enslaved African population. The text of many spirituals came directly from the Bible and speaks of the Spirit working in and through God’s people to set things right. Saint Augustine (354-430 AD) was an African Christian theologian and philosopher whose spiritual authority …

Tradition, Pedagogy, And Internet Open-Access Music Libraries, Erin Tallman

Pomona Senior Theses

In this paper I take up the topic of open-access digital music libraries, specifically the ways performance and pedagogical traditions interact with and are impacted by open-access or public domain sheet music libraries on the internet. I first consider how traditions of performance and pedagogy have become misaligned in the case of viola repertoire and its historical context. I then turn to questions of copyright on the internet and copyleft practices as they relate to internet open-access libraries such as IMSLP, finding that they often are simply a new medium through which to uphold existing patterns, despite their apparent potential …