Music Commons^™

Stephanie Ycaza, Tuba, With Natia Shioshvili, Piano, March 1, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Music Reviews, Volume 78, No. 4, Kathleen Roland-Silverstein

Voice - All Scholarship

Contains reviews of All the Future Days: Songs for Mezzo- Soprano or Soprano and piano; Cameos for soprano or mezzo soprano; Ahab: Monodrama for Baritone or Bass; OperAria, für Alt, Mezzosopran 1 [lyric], Sopran 3 [dramatic coloratura], Sopran 4 [dramatic].

Generating Music With Emotions, Chunhui Bao, Qianru Sun

Research Collection School Of Computing and Information Systems

We focus on the music generation conditional on human emotions, specifically the positive and negative emotions. There is no existing large-scale music datasets with the annotation of human emotion labels. It is thus not intuitive how to generate music conditioned on emotion labels. In this paper, we propose an annotation-free method to build a new dataset where each sample is a triplet of lyric, melody and emotion label (without requiring any labours). Specifically, we first train the automated emotion recognition model using the BERT (pre-trained on GoEmotions dataset) on Edmonds Dance dataset. We use it to automatically ‘`label’' the music …

From Roadman To Royalties: Inter-Representational Value And The Hypercapitalist Impulses Of Grime, Orlando Woods

Research Collection School of Social Sciences

This paper explores how digital media can cause the representational value of rap artists to be transformed. Ubiquitous access to digital recording, production and distribution technologies grants rappers an unprecedented degree of representational autonomy, meaning they are able to integrate the street aesthetic into their lyrics and music videos, and thus create content that offers a more authentic representation of their (past) lives. Sidestepping the mainstream music industry, the digital enables these integrations and bolsters the hypercapitalist impulses of content creators. I illustrate these ideas through a case study of grime artist, Bugzy Malone, who uses his music to narrate …

Equipping College Students For A Marching Percussion Career In The United States, Thomas Paul Goddard

Doctoral Dissertations and Projects

Despite the traditional American percussion curriculum being valuable to the college percussionist, there is an unclear path toward preparing students for a career in the field of marching percussion. Every year, students graduate with a desire to pursue the marching arts as a vocation without sufficient guidance. This study examined the perspectives of marching band professionals (N=107) who have carved their path in the industry. Guided by Creswell’s research design model, this qualitative inquiry identifies viewpoints from marching percussionists that can create a comprehensive percussion curriculum. Outlooks on performing, teaching, composing/arranging, and the industry have emerged as themes integral to …

Chamber Music Convocation Recital, March 1, 2022, Illinois State University School Of Music

School of Music Programs

Kemp Recital Hall

March 1, 2022

Tuesday Morning

11:00 a.m.

Charles W. Bolen Faculty Recital Series: Mark Babbitt, Trombone; Nancy Pounds, Piano; March 1, 2022, Mark Babbitt, Nancy Pounds

School of Music Programs

Center for the Performing Arts

March 1, 2022

Tuesday Evening

8:00 p.m.

La Ricarda, Mestres Quadreny I L'Experimentalisme Musical Català Dels Anys Seixanta: De Com L’Arquitectura Va Esdevenir Música I La Música, Arquitectura, Antoni Pizà

Publications and Research

Eren uns temps magnífics per a la creació: els concerts semblaven obres de teatre i les obres de teatre, concerts. Els músics feien d’actors i aquests havien de fer de músics. I la distinció entre el públic i els intèrprets també es diluïa, si és que no s’eliminava del tot. Els semiòlegs —o són semiòtics?— havien explicat que en tot acte comunicatiu hi havia un emissor, un missatge i un receptor; i precisament d’això es tractava, d’eliminar aquestes distincions. Ah, i en molts casos, tampoc no hi havia escenari, ni sala de concerts.

Holy Manna: How Old Harp Singing In East Tennessee Is Surviving In A New Wilderness, Amanda Leigh Rogers

Masters Theses

This project explores the identity and sustainability of the shaped note singing tradition among the community of the Friends of the New Harp of Columbia. A pattern emerged in fieldwork of song ownership, songs that each member considered to be “theirs.” Songs of ownership intertwine with education, preservation, and mediation of multiple realities to provide a link between identity and preservation and between the past, present, and future. The community actively preserves their musical tradition through song ownership. The sustainability and survival of songs of ownership is emphasized in two ways: an emphasis on participation, not performance, and an emphasis …

Dame Evelyn Glennie And Michael Dougherty, John J. Cali School Of Music

2021-2022

Join world renowned percussionist Dame Evelyn Glennie and acclaimed composer Michael Dougherty in a series of masterclasses, lectures, and rehearsals. The week will culminate in the world premiere performance of the wind band version of Michael Daugherty's Dreamachine by the MSU Wind Symphony with Dame Evelyn Glennie as soloist.

2021-2022 Master Of Music Recital - Xiaoxiao Wang (Piano), Xiaoxiao Wang

Master of Music Recitals

No abstract provided.

Woodwind Chamber Music Recital, February 28, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Sunday Music Series - Brian Lewis, Andrews University

Concerts and Event Programs 2021-2022

One of the most versatile and charismatic violinists today, Brian Lewis is an exceptionally dedicated and gifted performer whose passionate artistry has been heard and embraced around the world. Lewis has a passion for teaching aspiring young artists and helping them find their own musical voices.

“An Afternoon Of Songs And Stories: Kaley Pichon’S Senior Lecture Recital”, Kaley Pichon

Honors Capstones

No abstract provided.

Illinois State University Symphony Orchestra, February 27, 2022, Glenn Block, Maurizio Colasanti

School of Music Programs

Center for the Performing Arts Concert Hall

February 27, 2022

Sunday

3:00 p.m.

Evening Of Brass, February 27, 2022, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts

February 27, 2022

Sunday Evening

7:00 p.m.

Graduate Recital: Christopher Brandt, Percussion; February 26, 2022, Christopher Brandt

School of Music Programs

Kemp Recital Hall

February 26, 2022

Saturday Afternoon

2:00 p.m.

2021-2022 Master Of Music Recital - Luis Pulido (Trumpet), Luis Pulido, Marina Machado

Master of Music Recitals

No abstract provided.

2021-2022 Junior Recital - Benjamin Shaposhnikov (Trumpet), Benjamin Shaposhnikov, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

2021-2022 Performance Forum - February 25, 2022, Benjamin Kremer, Kayla Bryan, Gabriel Galley, Megan Savage, Fabiola Parra, Sheng Yuan Kuan, Jr Medina, Miguelangel Garcia Marquez

Performance Forum

No abstract provided.