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The Alfred Cortot Study Edition Of Chopin's Etudes & How The Alexander Technique Can Facilitate Progress Towards Performance Through His Suggested Exercises, Li-Fang Wu 2010 Louisiana State University and Agricultural and Mechanical College

The Alfred Cortot Study Edition Of Chopin's Etudes & How The Alexander Technique Can Facilitate Progress Towards Performance Through His Suggested Exercises, Li-Fang Wu

LSU Doctoral Dissertations

The purpose of this research paper is to study how the Alexander Technique can be applied to the process of pianistic practicing, and specific technique issues. The sets of exercises I choose to focus on are from the Alfred Cortot study edition of Chopin’s Etudes, op. 10 and op. 25. The Alexander Technique is a method of releasing unnecessary muscular tension when performing every action, including motions in piano playing. Therefore, the preparatory exercises suggested by Alfred Cortot in his study editions can be more effectively executed by applying the Alexander Technique principles. This research paper is divided into four …


The Piano Laboratory As An Interlinking Resource In The Development Of Keyboard Skills For Young Pianists, Elaine Gordon 2010 Department of Keyboard Studies, Cork Institute of Technology, Cork, Ireland.

The Piano Laboratory As An Interlinking Resource In The Development Of Keyboard Skills For Young Pianists, Elaine Gordon

Theses

This study presents an account of practice-based educational research that was conducted during three half-year cycles between 2008 and 2010 in the CIT Cork School of Music (CSM) piano laboratories with Junior piano pupils and their teachers as participants. The study sought to explore teaching approaches in the PianoLab classes and to evaluate interlinking resources for young pianists in the context of their wider music education.

In line with action-oriented qualitative methods, the first cycle involved preliminary data gathering, through questionnaires and interviews, from musicianship and piano teachers on topics related to teaching materials. Subsequently, a Focus Group was set …


Real Americans Mean Much More: Race, Ethnicity, And Authenticity In Belasco's Girl Of The Golden West And Puccini's La Fanciulla Del West, Linda B. Fairtile 2010 University of Richmond

Real Americans Mean Much More: Race, Ethnicity, And Authenticity In Belasco's Girl Of The Golden West And Puccini's La Fanciulla Del West, Linda B. Fairtile

University Libraries Faculty and Staff Publications

Conceived by Belasco and filtered through Puccini, the characters in La fanciulla del West exhibit a diversity that is unusual even for an opera with an exotic setting: Mexicans, Australians, and European-Americans of various backgrounds reinvent themselves in a new land of seemingly endless possibilities, while the area's native inhabitants struggle to survive. California's multi-cultural population as understood by Belasco, by his Broadway audience, and by Puccini and his operatic audience create compound layers of difference that both focus and obscure the racial and ethnic hierarchies that played out in the 1840s and 50s. This article will begin to untangle …


Graduate Recital, Jazz Pedagogy, Jenna Hardy 2010 University of Northern Iowa

Graduate Recital, Jazz Pedagogy, Jenna Hardy

Dissertations and Theses @ UNI

The Jazz Pedagogy Master's degree requires students to develop their skills in improvisation, arranging, composition, pedagogy and general rhythm section instrumental performance. Certain aspects of this degree are to be presented in the form of a graduate recital with an accompanying abstract. The first half of my recital and abstract will focus on my work with learning the piano, bass guitar and drum set. The second half pertains to my primary instrument, the vibraphone, and how it can be showcased in a variety of ensemble settings. Each piece is described according to its historical context, arrangement or compositional techniques and …


Concert Recording 2010-11-21a, Justin Stowe, Sarah Stout, Kristine Mezines, Gretchen Renshaw, Benjamin Pierce, Jennifer Dolkos, Kris Still, Joseph Pullara, Megan Mills, A. J. Miller 2010 University of Arkansas, Fayetteville

Concert Recording 2010-11-21a, Justin Stowe, Sarah Stout, Kristine Mezines, Gretchen Renshaw, Benjamin Pierce, Jennifer Dolkos, Kris Still, Joseph Pullara, Megan Mills, A. J. Miller

Concert Recordings & Programs

Diversive elements / David Gillingham -- Tubaphonic suite / Frank Lynn Payne -- Fantasy- variations / Robert Jager -- Brass quintet no. 1 in B♭ Major / Victor Ewald


Concert Recording 2010-01-15, Theresa Delaplain, Ronda Mains, Timothy Thompson, Robin Guy 2010 University of Arkansas, Fayetteville

Concert Recording 2010-01-15, Theresa Delaplain, Ronda Mains, Timothy Thompson, Robin Guy

Concert Recordings & Programs

Romance no. 1 / Robert Schumann -- Solo de Councours no. 4 / Charles Colin -- Trio in a minor, op. 188 / Carl Reinecke -- Obsession / Makato Shinohaara -- Pastorale et Arlequinade / Eugene Goossens -- Sonata, op. 166 / Camille Saint-Saens


Concert Recording 2010-04-21b, Todd Prickett, Madison Pennington, S. Michael Shuman, Rachel Dake, Allison Dean, Gary Sloan, Stan Morris, Sam Clark, University of Arkansas, Fayetteville. Schola Cantorum 2010 University of Arkansas, Fayetteville

Concert Recording 2010-04-21b, Todd Prickett, Madison Pennington, S. Michael Shuman, Rachel Dake, Allison Dean, Gary Sloan, Stan Morris, Sam Clark, University Of Arkansas, Fayetteville. Schola Cantorum

Concert Recordings & Programs

If ye love me ; A new commandment / Thomas Tallis -- Jauchzet dem Herrn / Johann Pachelbel -- Schaffe in mir, Gott, ein rein Herz, op. 29, no. 2 / Johannes Brahms -- Meditation / Andrew Perkins -- Fern Hill / John Corigliano -- The passionate shepherd to his love / Jean Belmont -- Shall I compare the to a summer's day? / Nils Lindberg -- A boy and a girl / Eric Whitacre -- Dry bones / [arr.] Livingston Gearhart -- Deep river / [arr.] Anders Paulsson


Concert Recording 2010-03-14, Rachel Dake, Kristin Harwell 2010 University of Arkansas, Fayetteville

Concert Recording 2010-03-14, Rachel Dake, Kristin Harwell

Concert Recordings & Programs

Exsultate, jubilate. Alleluja / Wolfgang Amadeus Mozart -- Allesandro. Lusinghe piu care / George Frideric Handel -- Heidenroslein / Franz Schubert -- Roselein, Roselein / Robert Schumann -- Les papillons / Ernest Chausson -- Villanelle des petits canards / Emmanuel Chabrier -- Fantoches / Claude Debussy -- The lamb / Lee Hoiby -- Springtime ; My Sweetheart and I / Amy Beach -- Linda di Chamounix. O luce di quest' anima / Gaetano Donizetti


Concert Recording 2010-02-07a, Jayne Brewer, Kristin Harwell 2010 University of Arkansas, Fayetteville

Concert Recording 2010-02-07a, Jayne Brewer, Kristin Harwell

Concert Recordings & Programs

Star vicino / Salvator Rosa -- Dolente imagine di fille mia ; Il fervido desiderio / Vincenzo Bellini -- Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte / Wolfgang Amadeus Mozart -- Liebe schwarmt auf allen Wegen / Franz Schubert -- Die Mainacht / Johannes Brahms -- Chanson d'amour ; Mai / Gabriel Faure -- Berceuse / Charles Ives -- Sure on this shining night / Samuel Barber -- I am in need of music / Ben Moore -- Il est doux, il est bon / Jules Massenet


Concert Recording 2010-11-16, Michael Baker Brown, S. Michael Shuman 2010 University of Arkansas, Fayetteville

Concert Recording 2010-11-16, Michael Baker Brown, S. Michael Shuman

Concert Recordings & Programs

Siete estinte o mia speranza ; Quanto peni anima mia / Alessandro Scarlatti -- Schwanengesang. Kriegers Ahnung / Franz Schubert -- Let us garlands bring. Come away, come away, death / Gerald Finzi -- Don Quichotte a Dulcinee. Chanson romanesque ; Chanson epique ; Chanson a boire / Maurice Ravel -- Nabucco. Vieni, o levita! ; Tu sul labbro / Giuseppe Verdi


Intonation And Compensation Of Fretted String Instruments, Gabriele U. Varieschi, Christina M. Gower 2010 Loyola Marymount University

Intonation And Compensation Of Fretted String Instruments, Gabriele U. Varieschi, Christina M. Gower

Physics Faculty Works

We discuss theoretical and physical models that are useful for analyzing the intonation of musical instruments such as guitars and mandolins and can be used to improve the tuning on these instruments. The placement of frets on the fingerboard is designed according to mathematical rules and the assumption of an ideal string. The analysis becomes more complicated when we include the effects of deformation of the string and inharmonicity due to other string characteristics. As a consequence, perfect intonation of all the notes on the instrument cannot be achieved, but complex compensation procedures can be introduced to minimize the problem. …


Character Education: The Effects Of An After-School Music Program On At-Risk Youth Student Motivation And Academic Achievement, Sharon L. Koster 2010 Wright State University

Character Education: The Effects Of An After-School Music Program On At-Risk Youth Student Motivation And Academic Achievement, Sharon L. Koster

Browse all Theses and Dissertations

This case study was designed to increase student motivation and improve academic achievement in at-risk students through participation in an after-school music program. The case study began in September 2007, as a part of Project Jericho's After-school Arts Program, a program that is a collaboration between the Clark State Community College Performing Arts Center and Job and Family Services of Clark County, in Springfield, Ohio. An analysis compared pre and post data that included field notes, personal observation, student journals, and SWIS data (School-wide Information System: official school behavioral tracking system for data), in order to measure changes in behavior, …


The Red Flag Test For Apparent Knowledge Under The Dmca §512(C) Safe Harbor, Liliana Chang 2010 Benjamin N. Cardozo School of Law

The Red Flag Test For Apparent Knowledge Under The Dmca §512(C) Safe Harbor, Liliana Chang

Cardozo Arts & Entertainment Law Journal

No abstract provided.


A Collection Of Original Music, Kelsey Staudacher 2010 University of Northern Iowa

A Collection Of Original Music, Kelsey Staudacher

Honors Program Theses

No abstract provided.


The Critical Reception Of Richard Wagner's Tristan Und Isolde In The English-Speaking World, Thomas Rizzuto 2010 CUNY City College

The Critical Reception Of Richard Wagner's Tristan Und Isolde In The English-Speaking World, Thomas Rizzuto

Dissertations and Theses

Few operas have sparked as much controversy, in as many places, as Richard Wagner's Tristan und Isolde. History shows that during the latter half of the 19th century spirited discussion and outright debate follwed the work to every new city that dared to produce it. This paper will focus on the critical reception of the Wagner's historic music drama in two such cities: London and New York. By examining newspaper reviews, journal articles, and other musical writings of the time, we will develop an understanding of the divergent reactions to each premiere. We will examine the cultural and musical factors …


Concert Recording 2010-04-25a, Brian Stackhouse, Marie Erickson 2010 University of Arkansas, Fayetteville

Concert Recording 2010-04-25a, Brian Stackhouse, Marie Erickson

Concert Recordings & Programs

Due northwest (2009) / Michael Culligan -- Suite III (1717-1723) / Johann Sebastian Bach -- Rumble strips (2001) / Gordon Stout -- VI Canto (1968) / Elliott Carter -- Terra-cotta warriors (2007) / James Campbell -- Blue motion (2006) / Stephen Whibley -- Two reflections (2004) / Ney Rosauro -- Canned heat (2003) / Eckhard Kopetzki -- Mellow inspiration (1985) / Brian Stackhouse -- Mr. Stern / Jim Kelly


Beautiful Torment: Interpreting Dissonance And Text-Painting In Selected Sacred Choral Works Of William Byrd And Carlo Gesualdo, Janet M. McCumber 2010 Eastern Illinois University

Beautiful Torment: Interpreting Dissonance And Text-Painting In Selected Sacred Choral Works Of William Byrd And Carlo Gesualdo, Janet M. Mccumber

Masters Theses

The end of the sixteenth century was filled with social, religious, and political turmoil; and yet, the musical atmosphere in England and Italy was conducive to new ideas in text-setting and chromatic inflection that had not been seen in previous eras. This thesis takes an interdisciplinary approach in looking at two late sixteenth-century composers, William Byrd and Carlo Gesualdo, and describes their personal and political sufferings and how these torments may have affected their compositional styles.

Brief explorations of England and Catholicism in the time of the Protestant Reformation, the Mannerist movement in the arts, the movement toward chromaticism in …


Triad Fantasy: Score And Analysis, Wayne A. Buck 2010 Eastern Illinois University

Triad Fantasy: Score And Analysis, Wayne A. Buck

Masters Theses

No abstract provided.


A Comparison Of Computer-Assisted And Peer-Partner Practice In Treble-Staff Note Recognition, Pammala K. Goodenough 2010 Eastern Illinois University

A Comparison Of Computer-Assisted And Peer-Partner Practice In Treble-Staff Note Recognition, Pammala K. Goodenough

Masters Theses

This study compared the effectiveness of computer-assisted practice and peer-partner practice in treble-staff note recognition. Six 3rd-grade classes participated in 3 sessions, each including a 2-minute pre-test, a lesson on treble staff notes, a 10-minute practice drill, and a 2-minute post-test. During practice, half the students used the online Note Trainer from Ricci Adams ' Musictheory. net to practice identifying notes, while the other half practiced with a partner using flashcards of the notes of the treble staff. Results showed the computer students averaged over twice as many correct answers as the peer practice group at the end of the …


Childe Rowland: Fairy Tale To Tone Poem: An Original Composition And Analysis, David Trent Mason 2010 Eastern Illinois University

Childe Rowland: Fairy Tale To Tone Poem: An Original Composition And Analysis, David Trent Mason

Masters Theses

My thesis project is an orchestral tone poem on the fairy tale "Childe Rowland," and an analysis of the piece. In this document, I discuss the history and evolution of program music, as well as analyze my composition. In the analysis, I examine form, programmatic elements, harmonic structure, melodic structure, and rhythm and meter. In the form analysis, I show leitmotifs I created to represent characters and places, discuss motives and figures, and illustrate the form of the piece in graphs. To examine the programmatic aspects of the composition, I discuss the function of each leitmotif. Techniques such as thematic …


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