Karol Szymanowski. Prelude Op. 1 No. 2.,
2010
University of Texas at El Paso
Karol Szymanowski. Prelude Op. 1 No. 2., Oscar E. Macchioni
Oscar Macchioni
Oscar Macchioni performs Karol Szymanowski's Prelude op. 1 No. 2
Karol Szymanowski. Prelude Op. 1 No. 7,
2010
University of Texas at El Paso
Karol Szymanowski. Prelude Op. 1 No. 7, Oscar E. Macchioni
Oscar Macchioni
Oscar Macchioni performs Karol Szymanoski's Prelude op. 1 No. 7.
Las Cruces, New Mexico. St. Paul United Methodist Church Concert Series. November 14, 2010.,
2010
University of Texas at El Paso
Las Cruces, New Mexico. St. Paul United Methodist Church Concert Series. November 14, 2010., Oscar E. Macchioni
Oscar Macchioni
Cd Review. Mostly Tangos: Piano Music From The Americas.,
2010
University of Texas at El Paso
Cd Review. Mostly Tangos: Piano Music From The Americas., Oscar Macchioni
Oscar Macchioni
"He plays these endlessly evocative works with understanding and seeming ease—bringing out their lovely melodies, finding tempos that seem quite right, and expertly balancing their wit, gravity, and passion."
Tucson, Arizona. Steinway Gallery. October 4, 2010,
2010
University of Texas at El Paso
Tucson, Arizona. Steinway Gallery. October 4, 2010, Oscar E. Macchioni
Oscar Macchioni
Faculty Artist Series Recital,
2010
Boise State University
Faculty Artist Series Recital, Jeanne Belfy, David Saunders, Svetlana Maddox
Jeanne M. Belfy
A program of trios, including a 1998 Suite by Alexander Arutiunian and a big romantic work by Heinrich von Herzogenberg. Solo works for oboe by Vincent Persichetti and for horn and piano by Francis Poulenc were also featured.
Minneapolis, Minnesota. College Music Society National Conference. September 24, 2010.,
2010
University of Texas at El Paso
Minneapolis, Minnesota. College Music Society National Conference. September 24, 2010., Oscar E. Macchioni
Oscar Macchioni
Presented my book in a lecture-recital format.
The Tango in American Piano Music. Selected Tangos by: Thomson, Copland, Barber, Jaggard, Biscardi, and Bolcom.
College Music Society Press, June 2010
Studies In English Church Music, 1550-1900. (Variorum Collected Studies Series, Cs926) By Nicholas Temperley (Review),
2010
West Chester University of Pennsylvania
Studies In English Church Music, 1550-1900. (Variorum Collected Studies Series, Cs926) By Nicholas Temperley (Review), Julian Onderdonk
Music Theory, History & Composition Faculty Publications & Performances
No abstract provided.
Sex And Laughter In Women's Music, 1970-77,
2010
Portland State University
Sex And Laughter In Women's Music, 1970-77, Sarah Dougher
University Studies Faculty Publications and Presentations
The women's music movement of the early 1970's was created by and for women who came to political consciousness as a result of the women's liberation movement. The music culture that emerged was originally called "lesbian music", but later gained the less controversial descriptor "women's music". Outside of this music movement music produced during this period rarely made explicit links with emerging feminist consciousness.What differentiated "women's music" from other music made by women of the period was its lesbian focus (in both lyrics and performance contexts). Women's music was created for a lesbian audience to describe lesbian experiences and desires. …
European Piano Teachers Association, World Piano Conference. Novi Sad, Serbia, August 28, 2010,
2010
University of Texas at El Paso
European Piano Teachers Association, World Piano Conference. Novi Sad, Serbia, August 28, 2010, Oscar E. Macchioni
Oscar Macchioni
Invited.
Presented a lecture-recital on my book "The Tango in American Piano Music. Selected Tangos by Thomson, Copland, Barber, Jaggard, Biscardi, and Bolcom.
Diploma Of Excellence. World Piano Teachers Association, World Piano Conference. Serbia.,
2010
University of Texas at El Paso
Diploma Of Excellence. World Piano Teachers Association, World Piano Conference. Serbia., Oscar Macchioni
Oscar Macchioni
Dr. Dorian Leljak, World Piano Teachers Association (WPTA) President, has requested that we make a preliminary review of your 2010 WPC presentation. We have just completed the review and are extremely happy to report that your presentation merits the WPTA Diploma of Excellence (WPTA dip-E) Accreditation, our highest esteemed accolade. We congratulate you on this important professional achievement and wish you success in your future endeavors. Kind regards, WPTA Accreditation Board
Douçaine Vivant: The Life, Death, And Resurrection Of A Cylindrical Survivor,
2010
Boise State University
Douçaine Vivant: The Life, Death, And Resurrection Of A Cylindrical Survivor, Aage Bent Nielsen
Boise State University Theses and Dissertations
Thirty years ago, ocean archaeologists excavating the sunken wreck of the Tudor flagship the Mary Rose uncovered a “mystery instrument,” later revealed as the only extant douçaine. This exciting discovery catalyzed this work and a new career direction for the author. The douçaine is a cylindrical bored early double reed instrument mentioned frequently in literature and chronicles from the thirteenth to early seventeenth centuries. Unfortunately, none of the known references included a definitive description or iconographical depiction. Despite the emergence of the extant douçaine, relatively little scholarship exists on the instrument. Furthermore, only one contemporary instrument maker uses the extant …
William Walton's Belshazzar's Feast: Orientalism And The Continuation Of The English Oratorio,
2010
University of Tennessee, Knoxville
William Walton's Belshazzar's Feast: Orientalism And The Continuation Of The English Oratorio, Elissa Hope Keck
Masters Theses
This study investigates aspects of Orientalism found within the genre of the English oratorio, specifically William Walton’s Belshazzar’s Feast (1931). Building on Edward Said’s research on Orientalism, analyses of Orientalist representations in music exploded the field of musicology in the 1980s and 90s. However, the examination of Orientalism in sacred genres remains lacking. Bringing forth cultural, political, and musical conflicts between East and West, Walton’s oratorio encourages further investigation in previously unaddressed genres. I argue that, by combining dramatic operatic elements with sacred text, Walton’s Belshazzar’s Feast reflects a continuation of Orientalist ideologies through binary opposition aimed at perpetuating the …
Ginastera "Malambo." Live Performance, St. James's Piccadilly, London, July 30, 2010,
2010
University of Texas at El Paso
Ginastera "Malambo." Live Performance, St. James's Piccadilly, London, July 30, 2010, Oscar Macchioni
Oscar Macchioni
Live performance. St. James's Piccadilly, London, UK. Organized by the Iberian and Latin America Music Society of London.
Astor Piazzolla "Adios Nonino." Live Performance At St. James's Piccadilly, London, July 30, 2010,
2010
University of Texas at El Paso
Astor Piazzolla "Adios Nonino." Live Performance At St. James's Piccadilly, London, July 30, 2010, Oscar Macchioni
Oscar Macchioni
Live performance. St. James's Piccadilly, London, UK. Organized by the Iberian and Latin America Music Society of London.
London, St. James's Piccadilly Concert Series. July 30, 2010,
2010
University of Texas at El Paso
London, St. James's Piccadilly Concert Series. July 30, 2010, Oscar E. Macchioni
Oscar Macchioni
Poldowski Rediscovered,
2010
Technological University Dublin
Poldowski Rediscovered, David Mooney
Articles
This is a brief magazine article, commissioned to celebrate the 75th anniversary of the death of Poldowski. It contains a biographical sketch and a description of compositions.
Cd Review. Mostly Tangos: Piano Music From The Americas.,
2010
University of Texas at El Paso
Cd Review. Mostly Tangos: Piano Music From The Americas., Oscar Macchioni
Oscar Macchioni
"...fine pianist, his playing is strong, with clear and expressive phrasing. And the recorded sound is excellent... quite vigorously if this performance is anything to go by. Recommended"
International Steinway Artist. 2010,
2010
University of Texas at El Paso
International Steinway Artist. 2010, Oscar E. Macchioni
Oscar Macchioni
Named International Steinway Artist by the prestigious piano manufacturing company.
July 2010
The Features Of The Voice Of African American Tradition: An Analysis Of African American Rhetoric For The Influence Of The Call Response Technique,
2010
California Polytechnic State University - San Luis Obispo
The Features Of The Voice Of African American Tradition: An Analysis Of African American Rhetoric For The Influence Of The Call Response Technique, Laura Venezia
Communication Studies
This project explicates the nature of the rhetorical strategies, especially the call response, used by various African American artists and orators (Frederick Douglass, Martin Luther King Jr., Malcolm X, Grandmaster Flash and the Furious Five, and Public Enemy). The techniques include the interplay of repetition and heightening emotion provided especially through 1. using the “call response” directly, 2. announcing jeremiad warnings and rallying cries, and 3. using potent images to arouse emotions—the objective correlative.
