Musicology Commons^™

Gerald Barry, Mark Fitzgerald

Books/Book Chapters

Gerald Barry (b 1952) Biography, List of Compositions, Bibliography

[Sabbatical Report], Mary Wolinski

Sabbatical Reports

My work in the academic year 2013- 14 has resulted in a manuscript of approximately 75,000 words. The monograph, entitled The Making of W2: Musical Compilation and Intention in the Shadow of Notre Dame. is a study of the creation of the thirteenth-century Parisian manuscript 1099, known as W2 and preserved in the Herzog-August-Bibliothek in Wolfenbuttel, Germany.

Ben Wendel : The Manipulation Of Sound And 'Shapes' In The Construction Of An Improvised Solo, Luke Christopher Minness

Theses : Honours

The aim of this dissertation is to define and analyse several idiosyncratic devices utilised by tenor saxophonist Ben Wendel in order to manipulate elements of sound, rhythm and melody in the construction of an improvised solo. Through transcription and analysis of selected improvisations performed both live and in the recording studio. This paper will also outline and observe Wendel’s use of several articulation techniques as well as examining key methods of manipulating melodic and rhythmic cells unique to Wendel’s improvisational style. Definitions of each device and their application will be taken from transcription analysis of solos taken over "What …

Hispanismo En Seis Cuerdas, Roberto Hermosillo

Global Tides

This article is a survey on the role that the guitar plays in the Spanish-speaking countries of the world. The guitar, introduced by Spaniards in Spanish America, reflects the culture of every country that has adopted the instrument as part of their culture. Such reflection can be observed by finding traces of cultures of some countries such as Spain, Mexico, Argentina, and Cuba in the guitar music of each of those nations. The guitar, as a cultural icon, can also be observed in other forms of art from such places such as literature and painting. Finally, the article gives a …

The Synthesizer: Modernist And Technological Transformations In Film Sound And Contemporary Music, Dusin J. Green

CMC Senior Theses

The invention of the synthesizer meant the possibility of achieving virtually any sound in one mechanism, a superbly convenient device for musical creativity. Perhaps the perfect space for this approval of sound creativity was in the modern electronic film score. The synthesizer also flourished in popular music immediately following its emergence, but a common form began to solidify itself among synthesizer music. Shortly after, improvements in electronic instrument technology led to the democratization of electronic music and equipment, ultimately leading to electronic music as the new mainstream.

The Performance And Perception Of Social Identities In Country-Rap Music, Rachel Grandstrand

Honors Papers

Within the United States, few genres incite as vehement of a reaction as Country and Hip-Hop music, and both of these genres have faced a history of marginalization by the mainstream media corporations and by the broader population of the US. The reason for this marginalization often stems from the racial and class associations of the communities that produce this music, and the relationship between these genres and the broader population is well documented. What remains under-discussed is the relationship between these two communities. This study explores this relationship through an analysis of Country-Rap music, a sub-genre of Country music …

Louis Armstrong, Gene H. Anderson

Music Faculty Publications

Despite his lifelong claim of 4 July 1900 as his birthday, Armstrong was actually born on 4 August 1901 as recorded on a baptismal certificate discovered after his death. Although calling himself “Louis Daniel Armstrong” in his 1954 autobiography, he denied knowledge of his middle name or its origin. Nevertheless, evidence of “Daniel” being a family name is strong: Armstrong's paternal great-great-grandfather, a third generation slave brought from Tidewater Virginia for sale in New Orleans in 1818, was named Daniel Walker, as was his son, Armstrong's great-grandfather. The latter's wife, Catherine Walker, sponsored her great-grandson's baptism at the family's home …

Verdi At 200: Recent Scholarship On The Composer And His Works, Linda B. Fairtile

University Libraries Faculty and Staff Publications

The 100th anniversary of Verdi’s death, observed in 2001, inspired nearly a dozen academic conferences. At the dawn of his 2013 bicentennial, a celebratory year shared with Richard Wagner, hundreds of recent studies assess Verdi’s life, his works, and his impact. The present article surveys a selection of books and articles published between these two commemorations. A popular topic is Verdi’s role as a national icon, the calculated product of Italy’s search for a postunification identity. His engagement with foreign cultures has also received attention, for his German literary sources, his forays into French grand opera, and his use of …

Romantic Exoticism: The Music Of Elsewhere In The Nineteenth Century, Josiah Raiche

Senior Honors Theses

Western art music has drawn on many sources. One of these is non-western music, which can be integrated into European classical music tradition in the form of exoticism. This paper will highlight musical elements used by composers seeking to create exoticism, examine selected works, and note common elements of western music that have exotic roots. In the nineteenth century, there were three general trends in exoticism. The first, non-musical exoticism, utilizes conventional western music alongside extra-musical exotic elements. Romantic exoticism portrays distant lands using musical elements, drawing these from the audience’s perceptions of the music represented. Realistic exoticism attempts to …

The Design Of P200: Mensural Quantity And Proportion In The Early Version Of The Art Of Fugue, Joel Thomas Runyan

Theses and Dissertations--Music

The intended structure of Bach's ostensibly unfinished Die Kunst der Fuge has been debated since the work's publication in 1751. This study examines the proportional design of an early version of the work, subsisting in the autograph manuscript (P200) of the early 1740s. As the only complete source extant, P200 and its revisions provide substantial insight into Bach's intentions for the later version of the Art of Fugue.

Patterns In The Sacred Music Culture Of The American South And West (1700-1820), Nikos A. Pappas

Theses and Dissertations--Music

This narrative chronicles the dissemination of sacred music from the eastern seaboard to the West and South spanning a time frame from the colonial era to the latter part of the Early Nationalist Period (1700-1820). Musical culture in its migration away from the eastern seaboard also parallels the greater western and southern expansion of the United States from its initial configuration of localized regional subgroups to the beginnings of a larger national identity. From this conceptual base, sacred music becomes a vehicle for understanding not only religious and musical changes over time, but also the broader maturity of a nation. …

Unlocking The Paradox Of Christian Metal Music, Eric S. Strother

Theses and Dissertations--Music

In 1984, Stryper released its first album The Yellow and Black Attack and introduced audiences to a different kind of heavy metal. Instead of lyrics about sex, alcohol, and Satan, Stryper sang about Jesus, salvation, and God. While there were a number of fans ready for this change more were not. Members of the Church as well as members of the metal subculture were in agreement that Christianity and heavy metal were incompatible. Despite these objections, however, more bands emerged, and Christian metal became a significant genre within the Christian music industry. These bands presented Christian-oriented lyrics within the full …

China’S Musical Revolution: From Beijing Opera To Yangbanxi, Yawen Ludden

Theses and Dissertations--Music

This study seeks to investigate the modern derivative of Beijing opera, known as yangbanxi, through macro and micro approaches. The first part of the thesis surveys the development of Beijing opera under the historical context and in its social, political, and cultural perspectives. The second part, taking a microscopic perspective, undertakes an in-depth analysis of the compositions that were solely created by composer Yu Huiyong. First, it assays the application of Yu’s theory to his compositions of various Beijing opera arias. Second, it analyzes Yu’s instrumental music in compositional dimensions such as material, structure, and techniques, considering the larger implications …

Misa Mo Unama Coñoca, Gustavo Leone

Department of Fine & Performing Arts: Faculty Publications and Other Works

Music of the Jesuit Missions of the Chiquitos

The Jesuits were expelled from the Spanish colonies in South America in 1767, leaving behind a remarkable musical legacy that was buried for over two hundred years. But the music did not disappear completely. Thanks to the Chiquitos people of Bolivia, the music was played and preserved throughout the 18th and 19th centuries.

In 1985, Swiss architect Hans Roth discovered 9,000 of these musical manuscripts and in 1990 UNESCO declared the churches of the Chiquitos a “patrimony of humanity”. Dr. Gustavo Leone of Loyola University Chicago's Department of Fine and Performing Arts …

Voice Recitals At The Unl School Of Music: Compilation Study, Audrey M. Nicholson

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

An informative compilation of Voice Recitals at the UNL School of Music categorized by Masters, DMA, and Faculty recitals from 1988-2012. Information includes: composer, work title, song title, performer, performance date, instrumentation, audio availability, and online program link.

"Download" button links to pdf version of file. Spreadsheet version (.xls) is attached below as "Related file." ".xlr" files are spreadsheets and can be opened from MS Excel.

"Stradivari" By Stewart Pollens, Peter Walls

Performance Practice Review

Peter Walls discusses and reviews Pollens 2010 work.

Pollens, Stewart. Stradivari. Cambridge: Cambridge University Press, 2010.

ISBN 978-0-52187-304-8

Werner Jaegerhuber's “Messe Folklorique Haitïenne”: A Conductor's Guide, Lauren Michelle Brandon Lindsey

Dissertations

Werner Jaegerhuber (1900-1953), a composer and leading ethnographer from Haiti, lived a life and career committed to bringing the folk music of Haiti to international recognition. His most significant work, Messe Folklorique Haïtienne, the background leading to its composition, performance of the work and a conductor’s analysis is the focus of this study. The folk music of Haiti consists primarily of Vodou melodies which are performed in Vodou ceremonies. Haiti’s long history of colonization, slavery, chronic economic struggle, African roots, and Catholic influence all play unique, but significant roles in the life of Werner Jaegerhuber and his passionate study. …

By Word Of Mouth: Historical Performance Comes Of Age, Ingrid E. Pearson

Performance Practice Review

Since Clive Brown’s 1991 accusation that many twentieth-century manifestations of historical performance lacked an appropriate degree of musical sensitivity, the historical performance movement has truly come of age. In the arena of Western Art music, historical performance is now an essential component of musical training and education. Successful performers must be able to seamlessly function across the widest possible range of musical styles, accommodating an equally wide gamut of tastes, both individually and collectively.

In 1982, nine years earlier, Walter Ong’s Orality and Literacy: The Technologizing of the Word explored differences between oral and literate cultures. Of particular interest to …

Horses For Discourses?: The Transition From Oral To Broadside Narrative In “Skewball”, Seán Ó Cadhla

Articles

The well-known horse-racing ballad ‘Skewball’ (hereafter, SB) has a well-established oral tradition in Ireland, with versions documented throughout the eighteenth-,nineteenth- and twentieth-centuries. The latest is a 1979 field-recording of Derry folksinger and storyteller, Eddie Butcher (Shields 2011:58-9). The ballad was also assimilated into African-American oral tradition, in which it was reconstructed and renamed ‘Stewball’ (Scarborough 1925:61-4; Lomax 1994:68-71), and was still being documented in American folk tradition as late as the 1930s (Flanders 1939:172-4). In common with countless other folk songs, SB was appropriated by broadside printers and subsequently enjoyed widespread public appeal throughout England in the early- to …

Remembering As A Source Of Creation In The Poetry Of Ezra Pound And H.D. And The Musical Representations Of The Holocaust By Arnold Schoenberg And Steve Reich, Ruth J. Jacobs

Lawrence University Honors Projects

This project explores the complex relationship between language and violence. Many theorists, such as Elaine Scarry, argue that language is silenced by violence and that extreme trauma inherently defies representation. Despite the impossibility of representing trauma, its preservation is a cultural and historical necessity. I am going to examine the different ways extreme violence is depicted in both poetry and music and the complex moral issues that are raised by these representations. Ezra Pound wrote The Pisan Cantos while imprisoned in a cage at the DTC in Pisa. I plan on exploring the role of personal and cultural memory in …