Musicology Commons^™

The Next Frontier: Blockchain In The Music Industry, Manuel J. Manriquez Jr

Backstage Pass

This Research Paper takes a look at how Blockchain technology can potentially change the music industry as we know it!

“The Personal Is Political”: The Power Of Female Voices In 1970s Pop Music And Beyond, Jennifer Morrow

Backstage Pass

This essay examines how, in the male-dominated structures of the popular music industry, narratives about women have been marginalized, ignored, and undervalued. The female singer-songwriter, my research suggests, is, by definition, a contradiction and subversion of traditional gender roles, and this position has been claimed by female musicians as a form of rebellion and resistance. In the scope of my research, I focus on how female pop artists have embraced songwriting as a medium for authentic self-expression, and how these narratives have been embraced as autoethnographies that represent the collective experiences and frustrations of women in a patriarchal social landscape. …

Streaming Services Insist On Buying Out Composers’ Music Rights, Kendra Sananikone

Backstage Pass

No abstract provided.

From Penny Lane To Stranger Things: Technology’S Influence On Music Production, Sami Fong

Backstage Pass

No abstract provided.

Spotify Vs. Apple Music, Lexi Gerbino

Backstage Pass

A quick look at the differences of the two biggest music streaming services, Spotify and Apple Music.

Female Representation In U.S. Music Festivals, Kortney Burton

Backstage Pass

No abstract provided.

Interview With Sarah Jones, Music Industry Media Specialist, Jennifer Morrow

Backstage Pass

No abstract provided.

Letter From The Editor, Keith Hatschek

Backstage Pass

No abstract provided.

“Transports Of Delight”? Reviews Of Clarinet Performance In Paris And London, C. 1770 – C. 1810, Catherine J. Crisp

Performance Practice Review

Reviews of clarinet performance in Paris and London, c. 1770 – c. 1810 make specific reference to 18^th-century performance ideals, as identified by the contemporary writer Charles Burney who described the “principal excellencies of perfect execution”. The performance qualities described by Burney and their inclusion in contemporary reports is particularly valuable in assessing performances featuring the newest woodwind instrument, the clarinet. References to many of these performance qualities combine to form detailed accounts of the sonorities, technical execution and expressive qualities evident in performances given by clarinet players in Paris and London.

This article draws upon a wide …

Emergent Formal Functions In Schubert's Piano Sonatas, Yiqing Ma

LSU Master's Theses

Drawing on the work of Janet Schmalfeldt and William Caplin, I explore the way in which emergent formal function determines our perception of form in four piano sonata movements by Schubert: D.840, D.845, D.850 and D.894. Janet Schmalfeldt adapts the notion of formal function to directly address the dialectic between “being” and “becoming,” approaching formal function from a phenomenological perspective. Building on her work, I define emergent formal function as a formal function that is conditioned by how the listener’s expectations change. It is an important analytical tool that helps us understand how and why Schubert’s sonata forms depart from …

The Limits Of Indeterminacy: The Performance And Analysis Of Selected Indeterminate Compositions By John Cage And Earle Brown, Drake R. Andersen

Dissertations, Theses, and Capstone Projects

This study elucidates the relationship between notation, performance practice, and musical realization in several indeterminate compositions by John Cage and Earle Brown. While both Cage and Brown emphasized the multiplicity of possible outcomes in these works, the distinct configurations of fixed and unfixed elements in each ensure particular kinds of musical results to the exclusion of others. In tracing the musical limits and possibilities of each work, this research project also seeks to correct a longstanding belief that indeterminate music is not meaningfully responsive to the tools of music theory.

Chapter one historicizes the emergence, presentation, and reception of indeterminate …

Audio Quality As Content: Everyday Criticism Of The Lo-Fi Format, Elizabeth Newton

Dissertations, Theses, and Capstone Projects

This dissertation examines the matter of authenticity with respect to audio recordings. In the early 1990s, the term “lo-fi” (“low-fidelity”) emerged as a label used to categorize many different types of popular music, indicating widespread fascination with what I call audio quality, the perceived character of an audio recording. I define audio quality as the relationship between content and mediation, which varies greatly by circumstance. My archival research of zines, press releases, and correspondence examines this relationship in three case studies: Wu-Tang Clan, Bratmobile, and Elliott Smith. I posit the lo-fi format as a critical structure that emerged in …

Object-Oriented Musicology: Some Implications Of Graham Harman's Philosophy For Music Theory, History, And Criticism, Eric Taxier

Dissertations, Theses, and Capstone Projects

This dissertation brings the ideas of the philosopher Graham Harman (b. 1968) into a musicological context. His “object-oriented ontology” is widely known in continental philosophy, but it has not yet entered rigorous contact with musicology. Certain factors pose difficulties at first glance, such as Harman’s focus on metaphysical issues (originating in his critique of Martin Heidegger) and his rehabilitation of the widely criticized concept of aesthetic autonomy. But these are also sources of novelty that could make an object-oriented encounter with musicology fruitful. In the first chapter, I outline the main features of Harman’s thought. He critiques assumptions about the …

Songs And The Soil, Mark Garry, Louise Reddy

Books/Book Chapters

Published in conjuction with an exhibition. The exhibition engages with the subjects of landscape and music/sound—exploring each element from historical, social and culturally associative perspectives; where landscape is recognised as a fluid term articulating physical space, idealised space and social space that reflects a convergence of physical processes and cultural meaning, and where song act as a response to, or archive, of personal, historical or socio-political instances. Several works engage landscape and musical sound intersect. The exhibition integrates a broad range of media,positions and responses to these research subjects; including two film works, a six-hour soundtrack for a room, sonic …

Rolling In The Modern: The Mahler-Roller Productions Of The Vienna Court Opera House (Historical Essay And Syllabus), Gregory Eckhardt

Music Theses and Dissertations

This project takes the Mahler-Roller productions at the Vienna Court Opera House as a case study to examine the ways that contemporary artistic trends can influence operatic productions. By analyzing the sketches Roller created for their productions, I argue that Mahler and Roller expanded the Wagnerian Gesamtkunstwerk to both increase the production quality, the metaphorical content, and set a new standard for interpretive operatic productions.

This project is divided into two parts. Part I is a historical essay that provides context for the Mahler-Roller productions. I first outline the history of the Wagnerian Gesamtkunstwerk and discuss the ways that Wagner …

Sounding The Nile: River Politics, Environment And Nubian Musical Expression, Regan L. Homeyer

Music ETDs

ABSTRACT

In the mid 1960s, almost 100,000 Egyptian Nubians, people Indigenous to the Nile River Valley, were removed from their ancestral homeland due to the creation of the Aswan High Dam. In the years surrounding their displacement, Nubian musicians in Cairo and villages in new settlement areas gathered traditional Nubian songs and composed new songs to form a distinctive Nubian musical repertoire. This thesis addresses contemporary Nubian musical performance and the role of these reclaimed and newly-written songs in maintaining and revitalizing not only Nubian languages and culture, but especially senses of self in relation to place and, above all, …

Nadia Boulanger’S Fantaisie Variée Pour Piano Et Orchestre A Study Of A Significant Unpublished Piece, Sarah Elias

Dissertations

The research consists of a brief historical and biographical overview of Nadia Boulanger (1887-1979), a main focus of a thematic and motivic analysis of her work Fantaisie variée pour piano et orchestre, along with touching upon the influences of Fauré, Debussy, Widor, Reger, and Franck on its composition, and a mention of the process of obtaining the Fantaisie from the Centre international Nadia et Lili Boulanger. Boulanger produced works in a variety of genres, including: a fugue; more than thirty songs for voice and piano; two completed works for solo piano; three works for organ; several chamber works; three works …

Negative Harmony: The Shadow Of Harmonic Polarity On Contemporary Composition Techniques, Debora Haller

Composition/Recording Projects

If we are to blame any composer for the puzzling question ‘What is Negative Harmony?’ that caused a worldwide itch on the creative minds of many young composers in this century, it would be Jacob Collier, who introduced the world with prodigious, colorful harmonies upon releasing his first album “In My Room” in 2016. Provided with brief answers during interviews with June Lee that explained the concept of tones and chords being mirrored on an axis center in the opposite direction, the surface of Negative Harmony was exposed but led to even more confusion. Prompted by even more questions, the …

The Eye And The Ear: A Study Of The Connections Between Music And The Visual Arts In The Italian Baroque, Mckay Perry

Honors Scholars Collaborative Projects

The seventeenth centaury is one of the most widely studied periods in the arts. Music, drama, architecture, and the visual arts flourished around Europe. In Italy especially, the seventeenth century was a time of innovation and flourishing of the arts, thanks to patronage of the papacy in Rome, powerful families funding the arts in cities such as Florence, and increased economic activity in cities such as Venice. Music and the visual arts in particular flourished during this period: from seventeenth century Italy emerged the genre of opera, the sculptures of Bernini, and countless other timeless works of art. Though scholarship …

Rethinking Meredith Monk., Tracy Monaghan

Electronic Theses and Dissertations

Meredith Monk’s decades of work embody an interdisciplinary art that exists at the intersection of sonic, visual, and kinesthetic artistic media. To date, scholars and critics of music and dance have only studied aspects of her work in isolation and have tended to omit the other critical aspects of Monk’s compositional language. For example, music scholars omit analysis of movement in their analyses, while dance scholars omit musical analyses. This has led to inappropriate categorization of her work, particularly into the vein of minimalism. My project represents the most in-depth study of all aspects of Monk’s music to date by …