Timbre-Based Composition For The Guitar: A Non-Guitarist’S Approach To Mapping And Notation,
2020
University of Denver
Timbre-Based Composition For The Guitar: A Non-Guitarist’S Approach To Mapping And Notation, Jason Noble, Steve Cowan
Soundboard Scholar
Composing for the guitar can be intimidating for non-guitarists, but their fresh perspectives can uncover new ways of thinking about music for the instrument. This paper discusses timbre-based composition, an approach to writing for guitar that may be more intuitive for non-guitarist composers than traditional polyphonic composition. The rich palette of timbres available on the guitar, including pitched and nonpitched sounds, is conceived as primary compositional material. Issues of notation and mapping are addressed, focusing on three categories of mappings: (i) physical mapping from notational symbols onto physical objects, such as parts of the guitar; (ii) analogical mapping from …
“So That The Soul Would Dance In You,” By Jukka Savijoki,
2020
University of Denver
“So That The Soul Would Dance In You,” By Jukka Savijoki, Kenneth Sparr
Soundboard Scholar
No abstract provided.
Leo Brouwer: Guitar Sonatas, Ricardo Gallén,
2020
University of Denver
Leo Brouwer: Guitar Sonatas, Ricardo Gallén, Nathan Cornelius
Soundboard Scholar
No abstract provided.
Soundboard Scholar No. 6 (Complete),
2020
University of Denver
Music Composition In The 17th And 18th Centuries: A Historical Analysis Of How Georg Frideric Handel Participated In “Borrowing”,
2020
Augustana College, Rock Island Illinois
Music Composition In The 17th And 18th Centuries: A Historical Analysis Of How Georg Frideric Handel Participated In “Borrowing”, Nicholas Mueller, Oscar Peterson-Veatch, Russell Schmidt
2020 Festschrift: Georg Frideric Handel's "Messiah"
The primary focus in this research paper is borrowing; this means borrowing from other composers, and self-borrowing from a previous composition. It is widely accepted in scholarship that Georg Frideric Handel participated in the action of borrowing. However, there is significantly more contention among scholars surrounding both the extent of Handel’s borrowing, as well as what the appropriate modern perspective is for these actions. In this research paper our primary focus will be on Handel’s borrowings, the benefits he received from these actions, and the historical lens of borrowing in the seventeenth and eighteenth centuries.
The Eternity Of Lazgi,
2020
Urgench State University
The Eternity Of Lazgi, Botir Rakhimov
Eurasian music science journal
“Lazgi” is of special importance among the wide range of Uzbek dance art that has come down to us in the way of master-student relations. The theoretical and historical issues of "Lazgi" are almost not studied in the field of musicology.
Arvo Pärt: Sounding The Sacred [Toc],
2020
Fordham University
Arvo Pärt: Sounding The Sacred [Toc], Peter Bouteneff, Jeffers Engelhardt, Robert Saler
Religion
Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology (analyzing Pärt’s signature “tintinnabuli” method), cultural and media studies (Pärt’s audience is uncannily broad within and beyond the contemporary classical world) and, more recently, in terms of theology/spirituality (Pärt is primarily a composer of sacred music). For the most part, this work is centered around the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In …
“That Hart May Sing In Corde:” Defense Of Church Music In The Psalm Paraphrases Of Matthew Parker,
2020
Columbia University
“That Hart May Sing In Corde:” Defense Of Church Music In The Psalm Paraphrases Of Matthew Parker, Sonja G. Wermager
Yale Journal of Music & Religion
Translation of sacred texts is always a dangerous act. In the sixteenth century, translators of the Bible into vernacular languages faced persecution and even execution for their perceived heresy. Nevertheless, when Archbishop of Canterbury Matthew Parker (1504-1575) published his poetic paraphrases of the biblical psalms, for which Thomas Tallis wrote the corresponding psalm tunes, Parker joined a growing number of scholars and clerics risking the translation of scripture under the aegis of the Protestant Reformation. In his paraphrases Parker carefully negotiated between strict translation and poetic interpretation of the text, particularly in regards to musical themes. I argue that in …
Warfare And Welcome: Practicality And Qur’Ānic Hierarchy In Ibāḍī Muslims’ Jurisprudential Rulings On Music,
2020
Amherst College
Warfare And Welcome: Practicality And Qur’Ānic Hierarchy In Ibāḍī Muslims’ Jurisprudential Rulings On Music, Bradford J. Garvey
Yale Journal of Music & Religion
While much ink has been spilled by musicologists on the legal standing of music in Islamic jurisprudential scholarship, few scholars have offered as comprehensive a view as Lois Ibsen Al-Faruqi. Thirty-five years after her major works on this issue, this article seeks to reassess her model of musical legitimacy within Muslim scholarship. Al-Faruqi places Qur’ānic recitation at the apex of a unidirectional continuum of sound art, with genres less similar to the recitation of the Qur’ān located progressively further away from it. Based on fieldwork in the Sultanate of Oman in 2015-17 and engaging with recent reinvigorations on the anthropological …
Exploring The Gospel Fusion Arrangements Of The Recording Collective,
2020
Belmont University
Exploring The Gospel Fusion Arrangements Of The Recording Collective, Tyler Williams
Composition/Recording Projects
Exploring the Gospel Fusion Arrangements of The Recording Collective
Beyond Classical: A Comparison Of Alternative Programming In American Orchestras: Annotated Bibliography,
2020
University of Denver
Beyond Classical: A Comparison Of Alternative Programming In American Orchestras: Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Comparing Memorization Strategies: How Do We Approach Teaching To Perform From Memory,
2020
University of Denver
Comparing Memorization Strategies: How Do We Approach Teaching To Perform From Memory, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
“Radical Protestors”: How Korean Popular Music Created Online Affinity Spaces Of Left-Wing Political Activists: Annotated Bibliography,
2020
University of Denver
“Radical Protestors”: How Korean Popular Music Created Online Affinity Spaces Of Left-Wing Political Activists: Annotated Bibliography, Anna Mach
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Essay Topic: Tempo Rubato In Chopin's Ballade No.4, Op.52: A Study In Performance Practice,
2020
University of Denver
Essay Topic: Tempo Rubato In Chopin's Ballade No.4, Op.52: A Study In Performance Practice, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
What Is The Relationship Between Representation And The Safety Of Women In Contemporary Scottish Traditional Music Performance In The Uk? - Annotated Bibliography,
2020
University of Denver
What Is The Relationship Between Representation And The Safety Of Women In Contemporary Scottish Traditional Music Performance In The Uk? - Annotated Bibliography, Sophie Ailsa Lewis
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Matisse's Jazz Is Really Talking About Jazz Music Or Not: Focusing On The Hidden Meaning Of The Images In Matisse's Jazz Art Book And The Relationship Between Jazz Music And Abstract Art: An Annotated Bibliography,
2020
University of Denver
Matisse's Jazz Is Really Talking About Jazz Music Or Not: Focusing On The Hidden Meaning Of The Images In Matisse's Jazz Art Book And The Relationship Between Jazz Music And Abstract Art: An Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Jazz Publishing In The 21st Century: Applications For A Centralized Marketplace: An Annotated Bibliography,
2020
University of Denver
Jazz Publishing In The 21st Century: Applications For A Centralized Marketplace: An Annotated Bibliography, Justin Rogers
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
“In Hysterics”, Examining The Mad Scene In Italian Opera: Annotated Bibliography,
2020
University of Denver
“In Hysterics”, Examining The Mad Scene In Italian Opera: Annotated Bibliography, Lillian Ridout
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Declining Opera Audiences: Annotated Bibliography,
2020
University of Denver
Declining Opera Audiences: Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Ludo-Musicological Typologies: Examining New Ways Of Classifying, Categorizing, And Organizing Music In Video Games: Annotated Bibliography,
2020
University of Denver
Ludo-Musicological Typologies: Examining New Ways Of Classifying, Categorizing, And Organizing Music In Video Games: Annotated Bibliography, Nicholas Pierce
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
