Music Practice Commons^™

A Performance Practice Guide For :Only.Just.Almost.Never For Solo Vibraphone By Jay Alan Yim, Dustin Ray Haigler

LSU Doctoral Dissertations

Abstract

Currently, there exists little scholarship on Dr. Jay Alan Yim’s percussion music, and none exists for :only.just.almost.never for solo vibraphone. Establishing a performance practice guide will allow future percussionists a glimpse into the compositional process of Yim and allow them to expand their repertoire to include this challenging music. The purpose of this project is to create a comprehensive performance practice guide for :only.just.almost.never for solo vibraphone by Jay Alan Yim.

Resources Required

This project relies mainly on the score of :only.just.almost.never for solo vibraphone. I have also conducted multiple interviews with Yim regarding his compositional process, sketches, and …

Design Factors Affecting Music Students' Practice Duration And Quality In Higher Education, Aiyana Demmons

Honors College Theses

The purpose of this research is to help determine practice room design guidelines to increase music students’ practice duration and quality in higher education. The Foy Building music practice rooms on the Statesboro campus of Georgia Southern University are being used as the basis for this research, as these spaces are used daily by music students to practice their instruments. The study population for this research was music majors and minors, as these individuals are the main users of the practice room spaces. The research design consisted of two phases- one qualitative and the other quantitative. An initial online questionnaire …

Finding Aid For The Guy Sterling Collection (Mum00147)

Archives & Special Collections: Finding Aids (alphabetical)

No abstract provided.

Guitar Thinking, Jonathan De Souza

Soundboard Scholar

Playing the guitar develops physical skills but also ways of listening and thinking about music. For example, guitarists often conceptualize chords as two-dimensional shapes—an approach that is foreign to pianists. What does it mean, then, to think like a guitarist? This article approaches “guitar thinking” through music theory and cognitive science. Psychological experiments help to reveal auditory, visual, and tactile aspects of guitar playing and to show how guitarists respond to the instrument’s affordances (i.e., its possibilities for action). Additionally, recent research in music theory models fretboard space and examines patterns of body-instrument interaction. To demonstrate this mode of analysis, …

Llegir, Escriure, Escoltar: Els Paisatges Sonors De Guillem Frontera, Antoni Pizà

Publications and Research

Resumen:

El ensayo presenta una panorámica de las novelas y ensayos de Guillem Frontera (Ariany, Mallorca, 1945) y examina el papel de la música en su producción literaria. En sus primeras obras de los años sesenta y setenta hay una gran cantidad de referencias al jazz, el rock y el pop. Esos géneros son vistos como un signo de modernidad y cosmopolitismo normalmente traído por el turismo de masas a Mallorca. Los escritos posteriores incluyen muchas referencias a la música clásica, especialmente la música sacra, y presentan la música como un refugio espiritual, una protección contra del ruido de la …

Youth Musicians’ Executive Functioning And Its Impact On Emotional And Behavioral Health, Michael A. Tate

Dissertations and Theses

A growing body of neuroscience literature shows that music promotes brain development, as learning a music instrument involves multiple brain regions and neurocognitive systems. In partnership with a non-profit organization with a mission to strengthen New York City communities through music education programs, this study aimed to evaluate the effects of music training on children’s executive functioning (EF), as well as emotional and behavioral outcomes. We hypothesized that (i) children’s EF would develop more rapidly with exposure to the program; (ii) the intensity of practice would be associated with rate of growth of children’s EF, emotion regulation and behavior; (iii) …

Mm Percussion Recital, Tyler Darnall

Dissertations and Theses @ UNI

This recital abstract serves as supplemental material to the Master of Music degree recital by Tyler Darnall. The recital will take place on April 15, 2022, at 6:00 p.m. Central Standard Time in Davis Hall at the University of Northern Iowa. This recital will feature works by Jeffrey Dennis Smith, Elliott Carter, J.S. Bach, Alyssa Weinberg, Nicolas Martynciow, John Cage, and Iannis Xenakis. Aiden Endres, Nicole Loftus, Xander Webb, and Matthew Kokotivich will be collaborating with Darnall for his recital. In addition to providing musical and historical context, this document will address specific considerations regarding performance practice for each piece.

Momentary Endurance: The Effects Of Mouthpiece Pressure And Capillary Refill Time On Short-Term Muscle Recovery In Trumpet Players, Taylor Gustad

Theses and Dissertations--Music

The topic of proper mouthpiece pressure usage has been widely pushed off to the margins of trumpet pedagogy, only receiving the passing mention in a limited number of method books. This research paper contains a cross sectional view of the few, but most prominently used method books in the trumpet community that shows the prevalence of this issue, as well as steps to bring in new and useful information in this field. There are several aspects of mouthpiece pressure that should be studied; however, this paper focuses on its connection to momentary endurance and capillary refill time.

Momentary endurance is …

Integrating Sensor Technology Into Artistic Practice: A Critical Examination Of The Role Of The Performer, Marcella Barz

Doctoral

This research questions how interactive music technology might enable creativity in performers. The format is a semi-autoethnographic narrative that follows the performer’s artistic process of preparing nine compositions for performance; these works are for bass clarinet or clarinet and live processing (created with Ableton Live, Max for Live, and the SABRe multi-sensor and remote).

In order to conduct this research, I remixed two existing bass clarinet works, collaborated with two composers on six new works, and composed my own piece. I maintained a reflective journal for four and a half years that documented the process of preparing these compositions for …

Tradition, Pedagogy, And Internet Open-Access Music Libraries, Erin Tallman

Pomona Senior Theses

In this paper I take up the topic of open-access digital music libraries, specifically the ways performance and pedagogical traditions interact with and are impacted by open-access or public domain sheet music libraries on the internet. I first consider how traditions of performance and pedagogy have become misaligned in the case of viola repertoire and its historical context. I then turn to questions of copyright on the internet and copyleft practices as they relate to internet open-access libraries such as IMSLP, finding that they often are simply a new medium through which to uphold existing patterns, despite their apparent potential …

The Most Common Vocal Fault In The Baritone Voice, Matthew Derek Cyphert

Graduate Theses, Dissertations, and Problem Reports (ETD)

The purpose of this research project is to create an approachable guide to avoiding the most common vocal fault found in the baritone singing voice. The specific fault being discussed has been coined the “baritone swallow.” This document will explore the history of the baritone singing voice along with information regarding vocal fach identification, an in-depth study of this common vocal fault frequently experienced by baritone singers, and a fault-specific guide to identifying and addressing the “baritone swallow.”

Creating An Interpretive Edition Of "Sage And Spirit", Michael Crowley

Publications and Research

This paper reports on a practice-based research project designed to create a critically edited score of Bob Weir’s Sage and Spirit for solo guitar. Since no score exists for the piece, potential performers must first go through the time-consuming process of transcription as a way to learn how it works. This may deter potential performers who are either unfamiliar with the Dead’s music or lack formal training to undertake this preliminary work. This project was designed as an attempt to bridge the gap between what musical information is available through published sources and the concerns of the music’s potential performers. …

Words, Music, Memory: An Exploration Of Four Soprano Song Cycles By Lori Laitman Based On Poetry By Victims Of The Holocaust, Sheena Ramirez

Dissertations, 2020-current

This Doctor of Musical Arts document is an exploration of the four soprano song cycles by Lori Laitman based on text settings from victims of the Holocaust, with a specific focus on the compositional and performance devices that both underpin the power of words to bear witness to lived experience and ensure the process of musical commemoration as an act of historical preservation. Lori Laitman (b. 1955) has composed ten distinct song cycles commemorating victims of the Holocaust, of which four are included in this study – I Never Saw Another Butterfly, In Sleep the World is Yours, The Ocean …

Constructivist Peer Review In Music Theory And Composition Courses: Technologies And Practice, Brendan Mcconville

Journal of the Association for Technology in Music Instruction

This article considers the supporting technologies and practices for effective semi-anonymous peer review in traditional music theory and composition-related courses: orchestration, arranging, and composition. A coordinated approach probes two questions nested within one broad case study: (1) does the use of peer review in music theory and composition-related courses create meaningful, constructivist-inspired learning experiences, and (2) what web technologies can efficiently and effectively accomplish its activities? The article first provides a constructivist theoretical framework; next, it explains the methodologies, technologies, and resulting feedback from using peer review in a three-course study; and finally it provides concluding remarks on the many …

Clube Da Esquina 1970-1972: A Compositional Analysis According To Ron Miller's Modal Jazz Concepts., Tullio Mesquita Cunha

Electronic Theses and Dissertations

The main goal of this paper is to analyze the harmonic and melodic transcriptions from the LPs Milton and Clube da Esquina according with the book Modal Jazz Composition and Harmony by Ron Miller in order to exemplify the compositional idiosyncrasy from Milton Nascimento, and especially, Lô Borges. The result is that Borges has a linear approach to write melodies while his vertical line has the use of open strings chords with mixed upper structures such as tertian, quartal and clusters.

Early Modern Scottish Metrical Psalmody: Origins And Practice, Timothy Duguid

Yale Journal of Music & Religion

Non-literate societies are often dependent on music for transmitting news and ideas because of music’s ability to enhance memory. Sixteenth-century reformers were aware of this, but they had to compete with secular and Roman Catholic music that often contradicted Reformed doctrine. Highly influenced by the Strasbourg-based Martin Bucer and the writings of Saint Augustine, John Calvin insisted that Biblical Psalms, set in vernacular poetry, were most appropriate for both corporate worship and private devotion. The result was a series of metrical psalters that were intended to be performable by everyone. Some editions had explicitly liturgical designs, but most were intended …

To The Question Of The Specificity Of The Sound Director's Work In The Recording Of Traditional Music, Akbar Mirzayev

Eurasian music science journal

Relatively recently, the professional creative activity of musicians has developed the profession of sound director, the accumulated practical experience and the formed historical and theoretical base of this specialization reveals a number of signs allowing to speak about the specificity of this activity. It is no accident that there are obvious differences in the phonograms, that every sound director has a number of individual qualities that allow to speak about the creative nature of the profession.

The growing demand for sound directors, the popularity of the profession, is an impetus for researchers. Today, the scientific-theoretical understanding of the creative process …

An Application Of Natural Learning Processes In The Preparation Of Edward Gregson's Trumpet Concerto, James Jenkins

Doctoral Projects

Concerto for Trumpet and Strings by Edward Gregson is a substantial work of the late twentieth century underperformed among trumpet players. The primary reasons for its relative neglect are its technical challenges and the demands of endurance it places on the player. A well-designed approach to the preparation of this work will benefit students and professional players wishing to prepare for a performance of the work. This project will combine the knowledge of researchers and teachers in formulating specific practice approaches for the concerto’s challenges.

The findings of neuroscientists and psychologists, gained through testing and measurement, will be consulted along …

A Hungarian Exotic Ingredient In Operetta: The Csárdás In Three Settings, Michelle Lange

Dissertations

The inclusion of the Hungarian National dance in Viennese operetta during the height of the genre’s popularity expresses an intricate relationship between two nations in the Austro-Hungarian Empire during a time of immense change. Examining the Hungarian elements of the Csárdás in the compositions of three operettas provides a deeper understanding of Hungarian influence in Viennese operetta culture and performance. While there is a wealth of information on Hungarian folk music, there is a gap in the application of this knowledge within the operetta genre. This document’s primary purpose is to explore the exotic Hungarian musical folk elements found in …

Astor Piazzolla's Cinco Piezas Para Guitarra: A Performer's Guide To The "Unwritten", Federico J. Díaz Páez

Dissertations, Theses, and Capstone Projects

Astor Piazzolla found his voice as a composer in tango music. Starting in the 1950s, he extended the horizons of the popular genre by using the influences of classical music and jazz primarily. The performance practice is one of the strongest aspects that connects his music with traditional tango. The “unwritten” concepts particular to tango are unfamiliar for musicians outside of this tradition. This dissertation explains in detail these concepts and their application to Piazzolla’s only work for solo guitar: Cinco piezas para guitarra. Besides proving the context of Piazzolla’s life and production, Chapter 1 reviews the use of tango …