Music Performance Commons^™

Woodwind/Percussion Seminar, October 4, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Zac Goodall, Saxophone, With Dr. Mariko Morita, Piano, October 4, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2024-2025 Performance Forum - October 4, 2024, Gabrielle Siena, Aneliya Novikova, Jenna Salliman, Hanting Peng, Ana-Maria Uzunova, Brenda Lorenzo, Zion Montebon, Nabil Hetman, Amanda Rearden, Noah Suarez, Kyle Mechmet, Nataniel Farrar, Jacob Lomboy, Paola Garcia

Performance Forum

No abstract provided.

Symphonic Band And Symphonic Winds: October 3, 2024, Tj Mack, Colby Powers, Dr. Mack Wood, Dr. Useon Choi

School of Music Programs

Center for the Performing Arts

Thursday Evening

8:00 p.m.

Uni Jazz Combos Fall Concert, October 1, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Hyo-Shin Na's Chamber Works, 'From Korea To America- 120 Years And Beyond' And 'Song Of The Fog': A Stylistic Analysis And Performance Guide, Jiyeon Lee

Theses and Dissertations

This study analyzes two chamber music works by Korean composer Hyo-shin Na, Song of the Fog and From Korea to America, focusing on how the fusion of Eastern and Western instruments contributes to musical expression and timbral characteristics. It includes an examination of the role of instrumental arrangement and reveals the composer's narrative and emotional intentions. The aim is to present an insight into Hyo-shin Na’s ensemble style.

Song of the Fog uses the Japanese koto with Western chamber instruments to depict the imagery of the accompanying poetry through changes in timbre, dynamic contrasts, and various performance techniques. Despite …

Charles. W Bolen Faculty Recital: October 1, 2024, Jillian Kouzel, Angelo Favis, Lu Witzig

School of Music Programs

Kemp Recital Hall

October 1, 2024

Tuesday Evening

7:30 p.m.

Inducing And Interpreting Physical Transformation In Electroacoustic Chamber Music Via Experimental Applications Of Modular Synthesizers, Joseph Samuel Lyons

Theses and Dissertations

One of the most rapidly evolving musical genres of the 21st century is interactive electroacoustic chamber music. This is primarily due to the ongoing developments in creative technology that have increased both the idiom's technical accessibility and its potential for artistic expression. In particular, modern modular synthesizers enable electroacoustic musicians to transform the physical characteristics of sound with an extremely fine level of control. This research project has three major goals. The first goal is to explore the relationship between the many disciplines involved in this genre of music through a review of the scholarship of Aleister Crowley, Edgard Varèse, …

Securing Memorization In Piano Performance With Continuous Audiation, Jie He

Theses and Dissertations

The study explores how incorporating continuous audiation, a concept introduced by pianist and educator Sarah Croom-Hatch, can be used as a strategy to improve pianists’ music memorization abilities and relief performance-related stress. The study presents a four-stage memorization process that emphasizes preparation, early, middle, and late stages. By integrating aural, kinesthetic, analytical, and visual memory with continuous audiation during the four-stage memorization process, pianists can develop a cohesive and secure “sound stream” that significantly enhances their memory system. The study provides practical guidance for systematically developing continuous audiation within daily practice routines to enhance memorization skills and achieve successful piano …

Wind Symphony: September 29, 2024, Anthony C. Marinello Iii, Christopher Bulding

School of Music Programs

Center for Performing Arts

September 29, 2024

Sunday Afternoon

3:00 p.m.

Woodwind/Percussion Seminar, September 27, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Jazz Ensembles I And Ii: September 27, 2024, Dr. Tom Marko

School of Music Programs

Center for the Performing Arts

September 27, 2024

Friday Evening

8:00 p.m.

2024-2025 Performance Forum - September 27, 2024, Caroline Dratnal, Sheng Yuan Kuan, Devin Salazar, Yu-Hsuan Feng, Yilian Concepcion, Jon Cruz, Juan Diaz Quijano, Paula Mora Alfaro

Performance Forum

No abstract provided.

Charles W. Bolen Faculty Recital: Angelo L. Favis, Guitar; Jillian Kouzel, Oboe; Rachel Hockenberry, Horn; Igor Kalnin, Violin; Septemebr 24, 2024, Illinois State University School Of Music

School of Music Programs

Kemp Recital hall

September 24, 2024

Tuesday Evening

7:30 p.m.

Convocation Recital, September 24, 2024, Illinois State University School Of Music

School of Music Programs

Kemp Recital Hall

September 24, 2024

Tuesday Morning

11:00 a.m.

Evergreen & Oak Trio, September 21, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

The Tradition Of Illusion: Guitar Arrangement As A Post-Canonical Patchwork, Katalin Koltai

Soundboard Scholar

This paper proposes an underpinning terminology for scholarly discussions of contemporary arrangement practices in the field of classical guitar performance. The introduction provides some historical foundations for the topic, aiming to present the roots of different approaches and methods in the work of important guitar arrangers. The paper continues by contextualizing arrangement processes within linguistics and language philosophy, discussing the topic of translation, and giving an overview of relevant terminologies. The centre of the paper is the theoretical investigation of arrangement and the identification of translating acts related to musical space, instrumental choreography, texture, timbre, or a combination of those, …

2024-2025 Performance Forum - September 20, 2024, Jenna Salliman, Aneliya Novikova, Aidan Quintana, Nabil Hetman, Elisabeth Thomashoff, Sheng Yuan Kuan, Miguelangel Garcia Marquez, Derek Lund, Yu-Hsuan Feng, Santiago Moreno, Ingryd Herrera, Devin Salazar, Dj Combs

Performance Forum

No abstract provided.

Guest Artist Recital: Sybarite5 Collective Wisdom, September 17, 2024, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts

September 17, 2024

Tuesday Evening

7:30 p.m.

School Of Music Collage Concert: September 15, 2024, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts

September 15, 2024

Sunday Afternoon

5:00 p.m.