Music Performance Commons^™

Senior Recital: October 27, 2024, Joseph Buczko

School of Music Programs

Kemp Recital Hall

October 27, 2024

Sunday Afternoon

3:00 p.m.

Graduate Recital: October 27, 2024, Christopher Bulding, Lu Witzig

School of Music Programs

Kemp Recital Hall

October 27, 2024

Sunday Afternoon

1:30 p.m.

Senior Recital: October 26, 2024, Noah Lampel, Grant Cermak

School of Music Programs

Kemp Recital Hall

October 26, 2024

Saturday Afternoon

4:30 p.m.

Wagner & Kong Cello And Piano Duo, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Karel Keldermans, Carillonneur, October 25, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Wind Ensemble Concert (October 25, 2024), Lindenwood University

Student Music Performance Programs

Wind Ensemble Concert (October 25, 2024), Lindenwood University.

Woodwind/Percussion Seminar, October 25, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Belonging, Friday October 25, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2024-2025 Performance Forum - October 25, 2024, Shuqi Yang, Li Yang Liu, Sheng Yuan Kuan, Virgilio Vazquez, Aidan Quintana, Jacob Lomboy, Ethan Thompson, Keegan Neely, Yilian Concepcion, Laura Gonzalez, Rachel Miner, Jon Cruz, Juan Diaz Quijano, Matthew Montelione, Joseph Muhl, Patrick Hengstler, Devin Foster

Performance Forum

No abstract provided.

Karel Keldermans, Carillonneur, October 24, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Keith Phares, Baritone [And] Charles Staples, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Jacob Chaplin, Bass Trombone, With Natia Shioshvili, Piano, And Uni Jazz Band One, October 24, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Wind Ensemble And Symphonic Band, October 24, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Charles W. Bolen Faculty Recital: October 23, 2024, Galina Kiep, Daniel Baer

School of Music Programs

Kemp Recital Hall

October 23, 2024

Wednesday Evening

7:30 p.m.

Fall Ensembles (October 22, 25, 2024), Lindenwood University

Student Music Performance Programs

Event program for Fall Ensembles (October 22, 25, 2024), Lindenwood University.

Youtube: Live On Stage, October 22, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Choral Ensembles Fall Concert (October 22, 2024), Lindenwood University

Student Music Performance Programs

Choral Ensembles Fall Concert (October 22, 2024), Lindenwood University

Guest Artist Recital: October 22, 2024, Eric Moore, Cora Swenson Lee

School of Music Programs

Kemp Recital Hall

October 22, 2024

Tuesday Evening

7:30 p.m.

Mater Dolorum Settings By Georg Reutter The Younger And Gregor Werner, As Reflected In Music By Joseph Haydn, Janet K. Page

HAYDN: Online Journal of the Haydn Society of North America

Mater dolorum, a text by Heinrich Rademin (1674–1731), is a German-language oratorio intended for performance before a model of the Holy Sepulcher on Good Friday. Such works, amalgamating court sepolcro and popular traditions, were performed in churches throughout Central Europe during Holy Week. Mater dolorum, one of the most popular texts, was set by three of Haydn’s older contemporaries: Georg Reutter Jr. (1726), Gregor Werner (ca. 1733), and Georg Christoph Wagenseil (ca. 1739). In this essay, I consider how these settings, and the attitudes displayed in them, intersected with Haydn’s world and could have influenced him, especially in his …

The Context And Early Reception Of Haydn’S Stabat Mater, Dexter Edge

HAYDN: Online Journal of the Haydn Society of North America

Haydn spent his formative musical years in Vienna, a city with a strong Marian cult that was expressed musically through such works in German as Heinrich Rademin’s Mater dolorum (set by Werner, Reutter the Younger, and Wagenseil), and by innumerable settings of the Latin sequence Stabat mater. In Vienna, musical settings of the Stabat mater were traditionally performed not only on the feast of Septem Dolorum B. V. M., but also on Saturdays in Lent and during Holy Week. In fact, we now know that Haydn sang a cappella settings of the Stabat mater by Palestrina and Reutter …