Music Performance Commons^™

Tracing The Development Of Vivaldi's "L' Estro Armonico" Concerto No. 8 In A Minor Through J.S. Bach And Samuil Feinberg's Keyboard Transcriptions: Exploring The Possibilities Of A Modern Authentic Performance, Andreas Xenopoulos

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

This document explores the development of the Concerto No.8 in A minor from the collection L’Estro Armonico by Antonio Vivaldi (1678–1741) through the transcriptions by Johann Sebastian Bach (1685–1750) and Samuil Feinberg (1890–1962). Feinberg was a Russian and Soviet pianist, composer and piano pedagogue, highly influenced by the teaching of Franz Liszt and the principles of the new, modern ‘piano school’ during the end of the 19^th century. Biographical information about Samuil Feinberg along with the influences Franz Liszt had upon piano education in Russia and the Moscow conservatory in particular is offered. Two comprehensive comparisons between the two …

A Conducting Student's Guide To The Solving And Execution Of Major Gestural Issues In Beethoven's First Eight Symphonies, Nathanael Thomas Lambert

Dissertations

This work is a reference guide for the solving of major conducting gestural issues in Beethoven’s first eight symphonies. The most common major gestural issues encountered in conducting Beethoven’s symphonies include tempo modulations, fermati, hypermetric conducting, and cueing in rapid succession. The methods and criteria used for solving each of these issues are addressed in separate chapters devoted to each of these major gestural issues. A following chapter is devoted to the solving of less complicated issues including starting movements, gradual tempo changes, nonmodulatory sudden tempo changes, and showing dynamics and sforzandi.

Each symphony is given its own chapter where …

The Application Of Contemporary Double Bass Left Hand Techniques Applied In The Orchestra Repertoire, Eric Hilgenstieler

Dissertations

The uses of contemporary left hand techniques are related to solo playing in many ways. In fact, most of these techniques were arguably developed for this kind of repertoire. Generally the original solo repertoire is idiomatic for the double bass. The same cannot be said for the orchestral repertoire, which presents many technical problems too difficult to solve using the traditional technique. Historically, the double bass passed through several transformations in its shape, structure, and tuning system. Only in the late 19th century did the instrument begin to have its own standard pedagogy and experiments with the tuning system diminished. …

A Graduate Recital In Voice, Jung Hee Lee

Electronic Theses & Dissertations

PROGRAM

Nel grave tormento ...........................................................W.A.Mozart (1756-1791) from Mitridate il Re di Ponto, KV 87

Hermit Songs, Op.29 .......................................................Samuel Barber (1910-1981)

V. The Crucifixion

VI. Sea Snatch

VII. Promiscuity

VIII. The Monk and His Cat

Der Hirt auf dem Felsen, Op.129 ..................................Franz Schubert (1797-1828)

Kyle George, Clarinet

Je dis que rien ne m’épouvante ...............Georges Bizet from Carmen (1838-1875)

La Bonne Cuisine ........................................................Leonard Bernstein (1918-1990)

II. Queues de Boeuf

III. Tavouk Gueunksis

IV. Civet à Toute Vitesse

Korean art songs

Noon.............................................................................................Hyogeun Kim (b. 1960)

Sae-ta-rhyung .............................................................................Dunam Jo (1912-1984)

Senior Recital: Mitchell Rogalla, Saxophone; May 1, 2014, Mitchell Rogalla

School of Music Programs

First Methodist Church
May 1, 2014
Thursday Evening
5:00 p.m.

Marshall University Music Department Presents The Marshall University Symphony Orchestra, Concert Of Soloists, Dr. Elizabeth Reed Smith, Conductor, Dr. Edwin Bingham, Guest Conductor, Featuring, Jordan Carinelli, Alto Saxophone, Yuhao Zhoe, Violin, Elizabeth Reed Smith, Ed Bingham

All Performances

No abstract provided.

Unlv Jazz Ensemble L And Unlv Contemporary Jazz Ensemble, Dave Loeb, Nathan Tanouye

Jazz Ensembles

List of performers and performances.

Convocation, Unlv Convocations

Convocations

No abstract provided.

Unlv New Horizons Band And Unlv Community Concert Band, Keith Larsen, Adam Hille, Anthony Labounty, Zane Douglass, Cara Foelich, Dean Snavely, Adam Steff

Chamber Music Programs

Program listing performers and works performed.

2013-2014 Seinior Recital - Joseph Mccargar (Double Bass), Joseph Mccargar, Jihong Park

Junior and Senior Recitals

No abstract provided.

Student Recital: Dana Culpepper, Soprano, Dana Culpepper, Bobbi Kesler-Corleto,

Student Recitals

No abstract provided.

Marshall University Music Department Presents A Senior Recital, Matt Drummer, Euphonium, Mark Smith, Piano, Matt Drummer, Mark Smith

All Performances

No abstract provided.

Ein Deutsches Requiem, April 29, 2014 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Clarinet Studio And Ensemble Recital, April 29, 2014 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2013-2014 Double Bass Studio Recital, Joseph Mccargar, Jihong Park, Jordan Nashman, Carina Inoue, Isac Ryu, Olga Kim, Amy Nickler, Carlos Villareal

Studio Recitals

No abstract provided.

Junior Recital, Lee Berry, Jen Little, Chris Dunn, Linden Jamie

Junior Recitals

List of performers and performances.

Unlv Jazz Ensemble Ll And Unlv Latin Jazz Ensemble, Dave Loeb, Nathan Tanouye, Uli Geissendoerfer

Jazz Ensembles

List of performers and performances.

Junior Recital, Lee Berry, Jen Little, Chris Dunn, Linden Jamie

Junior Recitals

List of performers and performances.

Old Dominion University New Music Ensemble: Modern Harpsichord, Old Dominion University New Music Ensemble, Andrey Kasparov (Director), Oksana Lutsyshyn (Guest Artist)

Ensemble Performances

No abstract provided.

Student Recital: Hyeshin Yoon, Flute, Hyeshin Yoon, Oksana Lutsyshyn

Student Recitals

No abstract provided.