Music Performance Commons^™

Marshall University Music Department Presents Erisvaldo Borges, Guitar, Erisvaldo Borges

All Performances

No abstract provided.

Marshall University Music Department Presents A Faculty Recital, American Modern, Michael Stroeher, Trombone, Richard Kravchak, Oboe, Henning Vauth, Piano, Michael Stroeher, Richard Kravchak, Henning Vauth

All Performances

No abstract provided.

Michael Suttle, Trumpet, September 4, 2014 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Michael Suttle, Trumpet, September 4, 2014 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2014-2015 Performance Forum - September 4, 2014, Miguel Sonnak, Jesse Yukimura, Anna Brumbaugh, Sheng Yuan Kuan, Trace Johnson, Nicole Kukieza

Performance Forum

No abstract provided.

"The Notation Is Not The Music: Reflections On Early Music Practice And Performance" By Barthold Kuijken, Colin Lawson

Performance Practice Review

Colin Lawson discusses and reviews Kuijken's 2013 work.

Kuijken, Barthold. The Notation Is Not the Music: Reflections on Early Music Practice and Performance. Bloomington and Indianapolis: Indiana University Press, 2013.

ISBN: 978-0-253-01060-5

"Off The Record: Performing Practices In Romantic Piano Playing" By Neal Peres Da Costa, William Kinderman

Performance Practice Review

William Kinderman discusses and reviews Peres Da Costa's 2012 work.

Peres Da Costa, Neal. Off the Record: Performing Practices in Romantic Piano Playing. New York: Oxford University Press, 2012.

ISBN: 978-0-19-538691-2

Recital: Jury Recognition, September 2, 2014, School Of Music

School of Music Programs

Kemp Recital Hall
September 2, 2014
Tuesday Evening
8:00 p.m.

Marshall University Music Department Presents The Violauta Duo, Julio Ribeiro Alves, Guitar, & Wendell Dobbs, Flute, Júlio Ribeiro Alves, Wendell B. Dobbs Dr.

All Performances

No abstract provided.

Faculty Recital Series: Daniel Schuetz, Countertenor; August 24, 2014, Daniel Schuetz

School of Music Programs

Center for the Performing Arts
August 24, 2014
Sunday Afternoon
3:00 p.m.

Carren Moham, Carren Moham, Francine Krieger 2015

All oral histories

Dr. Moham was Professor of Music at Illinois Wesleyan from 1998-2014. She matriculated from The Ohio State University in Columbus where she earned the Doctor of Musical Arts degree in Vocal Pedagogy and Black Music History.

During this interview she recounts her move from her doctoral program at the Ohio State University, to the Washington Cancer Institute and her choice of Illinois Wesleyan. Moham also discusses some of the memorable moments from her teaching and performing career in Illinois. After retiring, she became artist teacher voice at Illinois State University and is the owner of a voice rehabilitation business in …

Gesture-Sensing Technology For The Bow: A Relevant And Accessible Digital Interface For String Instruments, Zachary Boyt

Masters Theses

Technological advances in powerful, miniaturized electronics have created a growing potential to continue the evolution of string instruments through an accessible digital interface. Although many new types of instruments and controllers have explored this goal, gesture-sensing technology, when paired with the expressive nature of the bow, has provided the most eligible solution towards bridging technology and tradition. Through a selective showcase of technical development, artistic application, and future possibilities, this thesis traces the evolution of gesturesensing bow technology as an accessible digital interface in string instrument performance.

A Document In Death And Madness: A Cultural And Interdisciplinary Study Of Nineteenth-Century Art Song Settings On The Death Of Opelia, Jennifer Leigh Tipton

Dissertations

In the nineteenth century the character of Ophelia transformed from a minor role in Hamlet into one of the great muses of the Romantic period. Ophelia’s rise to an archetype of feminine madness was not a result of Shakespeare’s pen alone, but of the accumulation of interpretations of her character from actresses, artists, critics, writers, musicians, and social attitudes toward women. This paper focuses on nineteenth-century interpretations of her death, specifically art song.

A brief survey of the nineteenth-century European cultural and social climate pertaining to Ophelia is included in the paper:

*Shakespeare in France and Germany

*Nineteenth-Century Actresses in …

Marshall University Music Department Presents A Guitar Recital, Rodrigo Altneida, Rodrigo Almeida

All Performances

No abstract provided.

Doctoral Lecture-Recital, Frederick Umar

Graduate Student Recitals

List of performers and performances.

Stevens Places Second In Brass Competition, Danielle Kamp

News and Events (Discontinued Series)

No abstract provided.

Feel Of The Ocean: Final Report, Ian E. Hoffman, Kevin T. Dunlea, Ryan A. Palo

Mechanical Engineering

The overall goal of this project is to create a system that will enhance the audience’s sense that they are actually in the ocean, surrounded by whales, as they attend the Music Department’s 2014 Spring RSVP show. We have designed something that, through the interaction of light and moving fabric, will augment the performance.

Alumnae Recital, Tony Cho

Printed Performance Programs (PDF Format)

No abstract provided.

A Composed Space, Adam S. Hogan

Graduate School of Art Theses

My practice is invested in expanding our conscious scope—revealing phenomena and observations, and presenting the information to the viewer through auxiliary channels. Using the language of minimalism, cinema, and abstraction I create technologically sophisticated systems to produce spaces of contemplation (a meditative space challenging the ephemeral relationships between our sensorial perceptions, space, and time).

Material, space, and technology become instruments for composition manifesting as silent experimental cinema (created and controlled sonically). My work seeks to illuminate our conscious scope through the succession of frames.

Center Stage: Operatic Culture And Nation Building In Nineteenth-Century Central Europe, Philipp Ther

Central European Studies

Grand palaces of culture, opera theaters marked the center of European cities like the cathedrals of the Middle Ages. As opera cast its spell, almost every European city and society aspired to have its own opera house, and dozens of new theaters were constructed in the course of the "long" nineteenth century. At the time of the French Revolution in 1789, only a few, mostly royal, opera theaters, existed in Europe. However, by the turn of the nineteenth and twentieth centuries nearly every large town possessed a theater in which operas were performed, especially in Central Europe, the region upon …