Northeastern Wisconsin Chapter Of The American Guild Of Organists, May 8, 2016,
2016
Lawrence University
Northeastern Wisconsin Chapter Of The American Guild Of Organists, May 8, 2016, Lawrence University
Conservatory of Music Concert Programs
Memorial Chapel
Senior Recital,
2016
Chapman University
Senior Recital, Julia Dwyer, Janet Kao
Printed Performance Programs (PDF Format)
No abstract provided.
Senior Recital,
2016
Chapman University
Senior Recital, Elliott Wulff, Paul Floyd
Printed Performance Programs (PDF Format)
No abstract provided.
Senior Recital,
2016
Chapman University
Senior Recital, Cynthia Ley, Christopher Brennan
Printed Performance Programs (PDF Format)
No abstract provided.
Jin Jin, Piano: Student Recital,
2016
Syracuse University
Jin Jin, Piano: Student Recital, Jin Jin
Setnor School of Music - Performance Programs
No abstract provided.
Sara Potocsny, Viola: Student Recital,
2016
Syracuse University
Sara Potocsny, Viola: Student Recital, Sara Potocsny
Setnor School of Music - Performance Programs
No abstract provided.
Syracuse University Opera Workshop: Eric Johnson And Kathleen Haddock, Directors,
2016
Syracuse University
Syracuse University Opera Workshop: Eric Johnson And Kathleen Haddock, Directors, Syracuse University Opera Workshop, Setnor School Of Music, Eric Johnson, Kathleen Haddock
Setnor School of Music - Performance Programs
No abstract provided.
Concert Recording 2016-05-08,
2016
University of Arkansas, Fayetteville
Concert Recording 2016-05-08, Mycah Kettner, Danny Lopez
Concert Recordings & Programs
[00:00]. Koyunbaba. Moderato / C. Domeniconi -- [04:02]. History of the tango. Café 1930 / A. Piazzolla -- [10:52]. La catedral. Prelude saudade ; Andante religioso ; Allegro solemne / A. Barrios -- [19:13]. Song to the mother / J. Möller.
Shanghai Quartet,
2016
Montclair State University
Shanghai Quartet, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University
2015-2016 Art Between Real and Imagined
Renowned for its passionate musicality, impressive technique, and distinctive blend of styles, the Shanghai Quartet has become one of the world’s foremost chamber ensembles. The “utterly sublime” (The New York Times) ensemble returns for two enchanting engagements. The Shanghai Quartet is the quartet-in-residence at Montclair State University’s Cali School of Music.
Daniel Fields, Tenor: Student Recital,
2016
Syracuse University
Daniel Fields, Tenor: Student Recital, Daniel Fields
Setnor School of Music - Performance Programs
No abstract provided.
Instrumental Chamber Music: Woodwinds And Brass,
2016
Chapman University
Instrumental Chamber Music: Woodwinds And Brass, Olivia Gerns, Alvin Ly, Varsénik Aslanyan, Sara Petty, Emilia Lopez-Yañez, Mia Barinaga, Allison Demuelle, Gina Kouyoumdjian, Carlos Hernandez, Christian Mininsohn, Matthew Mattila, Gary Matsuura, Matt Labelle, Christopher Traynor, Nolan Delmer, Nick Huelster, Cynthia Navarette, Rebekah Dennis, Alex Cowen, Ariel Flach, David Scott, Emily Prather, Grecia Rodas, Michael Kolinsky, Connie Tu
Printed Performance Programs (PDF Format)
No abstract provided.
Instrumental Chamber Music: Strings And Piano,
2016
Chapman University
Instrumental Chamber Music: Strings And Piano, Alicia Correa, Emy Eddow, Priscilla Peraza, Hannah Ceriani, Bella Pepke, Will Parker, Safieh Moshar-Fatemi, Ariel Chien, Lorianne Frelly, Ethan Reed, Ariel Flach, Kate Huntley, Esther Kim, Michael Fleming, Arturo Balmaceda, Lisa Yoshida, Leehyeon Kim, Haley Hedegard, Suzanne Haitz, Julianne Lussier, Christine Anderson, Chloé Tardif, Sam Ek, Stella Monshaw, Kimberly Levin, Eileen Kim, Stephanie Calascione, Christopher Defazio
Printed Performance Programs (PDF Format)
No abstract provided.
Senior Recital,
2016
Chapman University
Senior Recital, Anzhela Kushnirenko, Hye-Young Kim, Sam Ek
Printed Performance Programs (PDF Format)
No abstract provided.
Senior Recital,
2016
Chapman University
Senior Recital, Storm Marquis
Printed Performance Programs (PDF Format)
No abstract provided.
In Concert: University Women's Choir,
2016
Chapman University
In Concert: University Women's Choir, Chapman University Women's Choir
Printed Performance Programs (PDF Format)
No abstract provided.
Yili Huo, Piano: Student Recital,
2016
Syracuse University
Yili Huo, Piano: Student Recital, Yili Huo
Setnor School of Music - Performance Programs
No abstract provided.
Graduate Recital: Dennis Northerner, Percussion,
2016
Old Dominion University
Graduate Recital: Dennis Northerner, Percussion, Dennis Northerner
Student Recitals
No abstract provided.
2015-2016 Class Of 2016 In Concert,
2016
Lynn University
2015-2016 Class Of 2016 In Concert, Chen Liang, Julia Jakkel, Sheng Yuan Kuan, Chance Israel, Manuel Capote, Anastasiya Timofeeva, Emily Nichols, Munkhshur Enkhbold, Kristen Seto, Kevin Karabell, Hugo Valverde Villalobos, Zongxi Li
Other Student Recitals
No abstract provided.
Notes For A Writer: The Role Of The Flute As Narrator In Jon Lord's To Notice Such Things,
2016
James Madison University
Notes For A Writer: The Role Of The Flute As Narrator In Jon Lord's To Notice Such Things, Brianne Little
Dissertations, 2014-2019
Jon Lord’s To Notice Such Things is a twenty-seven minute suite for flute, piano, and string orchestra composed in memory of the writer and barrister Sir John Mortimer, Q.C. In this orchestral work Lord used the flute as a narrator for Mortimer’s life as a programmatic or figurative device. Lord used his knowledge of Mortimer, through their close friendship, in order to create a narrative of the author’s life experience through music. Each movement of this suite points to a specific idea, time, or experience in Mortimer’s personal history, and provides the listener with a glimpse into the author’s life …
Finding Jean-Blaise Martin: An Italianate Approach For A Modernized Baryton-Martin Fach,
2016
James Madison University
Finding Jean-Blaise Martin: An Italianate Approach For A Modernized Baryton-Martin Fach, Aaron D. Agulay
Dissertations, 2014-2019
The voice type or ‘fach’ baryton-Martin was named for Nicolas Jean-Blaise Martin (1768–1837), a French baritone celebrated for his agile voice, brilliant timbre, and extensive range. Historical accounts described his voice as having the depth of a bass-baritone with a tenorial upper range. Unfortunately, with the departure of Martin and the evolution of voice types during the bel canto era, this particular voice category fell out of favor. However, there is a voice type that successfully evolved and survived the bel canto era: the modern lyric tenor. The manner in which we have grown accustomed to hearing singers of this …
