Andrew Dahlke, Alto And Soprano Saxophone, September 13, 2016 [Program],
2016
University of Northern Iowa. School of Music.
Andrew Dahlke, Alto And Soprano Saxophone, September 13, 2016 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
Harbison, Kay (Fa 874),
2016
Western Kentucky University
Harbison, Kay (Fa 874), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 874. Paper titled: “Uncle Bozo Carver: World’s Oldest Living Country Musician and Entertainer.” Project details the life of Noble “Uncle Bozo” Carver as an entertainer. Project includes lengthy interview, lists of songs, and some stanzas.
"America Singing:" Grit.Glory.,
2016
Andrews University
"America Singing:" Grit.Glory., Department Of Music
Concerts and Event Programs 2016-2017
On the 15th anniversary of 9/11. Recognizing and celebrating American sprit and heritage.
Featuring:
Charles Reid, tenor
Kenneth Logan, pianist
Rachel Goff, violist
Student Recital: Benjamin Legaspi, Tenor,
2016
Old Dominion University
Student Recital: Benjamin Legaspi, Tenor, Benjamin Legaspi, Bobbi Kesler-Corleto
Student Recitals
No abstract provided.
2016-2017 Performance Forum - September 8, 2016,
2016
Lynn University
2016-2017 Performance Forum - September 8, 2016, David Brill, Sheng Yuan Kuan, Alfonso Hernandez, Trace Johnson, Anastasia Tonina, Teresa Villalobos, Walker Harnden, John Weisberg, Jacqueline Gillette, Robert Garner, James Currence, Shaun Murray, Michael Pittman, Erika Andersen, Trevor Mansell, Cameron Hewes, Sebastian Castellanos, Robert Williams, Molly Flanagan, Akmal Irmatov, Evan Musgrave
Performance Forum
No abstract provided.
David Esleck Trio,
2016
University of Richmond
David Esleck Trio, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Prism Showcase, September 7, 2016 [Program],
2016
University of Northern Iowa. School of Music.
Prism Showcase, September 7, 2016 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
2016-2017 Performance Forum - September 1, 2016,
2016
Lynn University
2016-2017 Performance Forum - September 1, 2016, Elizabeth Lee, Jared Harrison, Sheng Yuan Kuan, Matthew Calderon, Bailey Michelle Collins
Performance Forum
No abstract provided.
Randy Grabowski, Trumpet, August 30, 2016 [Program],
2016
University of Northern Iowa. School of Music.
Randy Grabowski, Trumpet, August 30, 2016 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
"Clavichord For Beginners" By Joan Benson,
2016
Claremont Colleges
"Clavichord For Beginners" By Joan Benson, Bernard Brauchli
Performance Practice Review
Bernard Brauchli reviews and discusses Joan Benson's 2014 work.
Benson, Joan. Clavichord for Beginners. Bloomington: Indiana University Press, 2014.
ISBN: 978-0253011589
Choros N. 10 By Heitor Villa-Lobos: Analyzing The Themes And Compositional Techniques Of Brazilian Modernism,
2016
University of Southern Mississippi
Choros N. 10 By Heitor Villa-Lobos: Analyzing The Themes And Compositional Techniques Of Brazilian Modernism, Andre Oliveira Campos-Neto
Master's Theses
Heitor Villa-Lobos (b. March 5, 1887 - d. November 17, 1959) can be considered the most important composer in Brazilian music history. Although the composer is listed as one of the most influential composers in the history of the guitar, he reached his peak in his works for piano and symphonic groups. Works such as A Prole do Bebê (1 and 2), and the series of Chôros, came out during an extremely convoluted time, where Brazilian artists engaged in seeking an artistic representation of a unique Brazilian identity. Those works not only satisfied the hunger, but pushed the movement …
"Beyond The Score: Music As Performance" By Nicholas Cook,
2016
New College of Florida
"Beyond The Score: Music As Performance" By Nicholas Cook, Aron Edidin
Performance Practice Review
Aron Edidin reviews and discusses Nicholas Cook's 2013 work. Cook, Nicholas. Beyond the Score: Music as Performance. Oxford: Oxford University Press, 2013. ISBN: 978-0-19-935740-6.
Marimba Four Hands,
2016
Chapman University
Marimba Four Hands, Daniel Desimone, Ayami Okamura, Tyler Tsunekawa, Christina Cheon
Printed Performance Programs (PDF Format)
No abstract provided.
A Grand Night For Singing,
2016
Otterbein University
A Grand Night For Singing, Otterbein University Theatre And Dance Department
2016 Summer Theatre
A Grand Night for Singing is a musical revue showcasing the music of Richard Rodgers and the lyrics of Oscar Hammerstein II.
Featuring songs from such lesser-known works as Allegro. Me and Juliet, State Fair and Pipe Dream, modest successes like Flower Drum Song and hits like Carousel, Oklahoma!, The King and I, South Pacific, Cinderella, and The Sound of Music.
https://en.wikipedia.org/wiki/A_Grand_Night_for_Singing
Creating And Implementing Community-Based Performance Programs: A Guide For The Applied Studio Teacher,
2016
University of South Carolina
Creating And Implementing Community-Based Performance Programs: A Guide For The Applied Studio Teacher, Lauren Watkins
Theses and Dissertations
As performers, many professionals in the fields of chamber music and orchestral playing participate in educational and community programming. In an effort to help graduates meet these new challenges, 21st century music schools are creating diverse performance and education experiences for their students to gain skills for success beyond graduation. Until recently, not many music schools offered opportunities for students to learn and develop skills in the area of community programming. In the current music school curriculum, there exists a largely untapped potential for applied teachers to create and institute community performance-based programs for their students. Participation in these programs …
A History Of The Plagal-Amen Cadence,
2016
University of South Carolina
A History Of The Plagal-Amen Cadence, Jason Terry
Theses and Dissertations
Beginning in the mid-nineteenth century, most hymns in the Anglo-American tradition ended with the congregation singing amen following the original stanzas, almost always framed within a plagal cadence. Helping this tradition take root was Hymns Ancient & Modern (1861), an Anglican hymnal that published the “amen” cadence after every modern hymn. This practice was heavily adopted among other denominational hymnals throughout England and the United States, peaking around the turn of the century. By the middle of the twentieth century, a decline in the number of hymnals including this cadence was noticeable; however, it would take until the end of …
A Comprehensive Examination Of The Saxophone Chamber Music Of John Fitz Rogers,
2016
University of South Carolina
A Comprehensive Examination Of The Saxophone Chamber Music Of John Fitz Rogers, Gabriel Michael Anthony Fadale
Theses and Dissertations
The body of classical saxophone chamber repertoire is an ever-evolving collection of music. Presently, many contemporary composers endeavor to write for the saxophone, some more successfully than others. Modern musical language can be overly obtuse and convoluted with avant-garde techniques and sounds that, when performed, may cause an emotional and intellectual disconnect between the performer and the audience. When new pieces are composed that are of high quality and use language that is accessible to performers and audiences alike, it is important for saxophonists to be aware of these compositions and the composers creating them. This document presents the music …
Post-Genre: Understanding The Classical-Jazz Hybrid Of Third Stream Music Through The Guitar Works Of Frederic Hand, Ralph Towner, And Ken Hatfield,
2016
University of South Carolina
Post-Genre: Understanding The Classical-Jazz Hybrid Of Third Stream Music Through The Guitar Works Of Frederic Hand, Ralph Towner, And Ken Hatfield, Andrew Jurik
Theses and Dissertations
Gunther Schuller coined the term “third stream” in 1957 as a reference for a style of music that blends the practices of both the classical and the jazz traditions. Despite a fair critical reception and the efforts of like-minded musicians and composers, third stream as a musical concept failed to achieve much commercial success, and by the 1970s it was considered a passing modernist fad. Nonetheless, the fusion of classical and popular musical genres that embodies spirit of third stream thrives today, although most practitioners tend to neglect the term itself. The purpose of this document is to examine the …
The Electric Marimba: A Study Of Selected Works For Marimba With Electronic Effect,
2016
University of South Carolina
The Electric Marimba: A Study Of Selected Works For Marimba With Electronic Effect, Brett Bernard Landry
Theses and Dissertations
Over the course of the last century, literature for the solo marimba has been greatly expanded by a wide variety of composers to include nearly every contemporary style and genre. One such area of expansion is the use of electronic effect, defined as the augmentation of the acoustic marimba using looping and delay technologies in live performance. This study illuminates the history of electronic effect technology and briefly describes the technological options employed in the genre of marimba with electronic effect. Concepts specific to the genre are also addressed; specifically, the terminology of rhythmic delay and harmonic delay. To introduce …
Bowling Green Community Concert Association - Bowling Green, Kentucky (Sc 3019),
2016
Western Kentucky University
Bowling Green Community Concert Association - Bowling Green, Kentucky (Sc 3019), Manuscripts & Folklife Archives
Manuscript Collection Finding Aids
Finding aid only for Manuscripts Small Collection 3019. Letter to members listing 1970-1971 events for the Bowling Green Community Concert Association,Bowling Green, Kentucky. Includes flyers relating to two of the concerts and press information for one of the performers. The Association disbanded at the conclusion of the season.
