Music Performance Commons^™

Left-Hand Technique And The Limits Of The Possible, Ricardo Iznaola

Soundboard Scholar

This article conceptualizes classical guitar left-hand technique through a physiomechanical framework that places coordinated movement—particularly shifting—at the center of technical practice. Challenging traditional positional doctrines that privilege static hand forms and digital independence, the author argues that such approaches often disregard the functional anatomy of the limb, resulting in inefficiency, unnecessary tension, and potential injury.   Advancing the principle that form must follow function, the study proposes shifting as the fundamental technical category governing all left-hand procedures. A systematic typology—interpositional, intrapositional, and compound shifting—serves as the basis for analyzing arm-wrist-hand coordination across diverse technical contexts, including extensions and contractions, barrés, slurs, …

Analytical Commentary And Performer's Guide To Carlos R. Martinez's Four Pieces For Trombone, Bailey Jean Hardy-Price

Theses and Dissertations--Music

Musicians with hearing loss are documented in prominent figures, such as Ludwig van Beethoven. In the age of developing medical technology, hearing aids can turn the course for many musicians. Music can serve as an audio medium for this journey.

Carlos R. Martinez (b. 1978) is an active composer and pianist commissioned to create a piece that explores the journey of hearing loss in a musician. Martinez’s Four Pieces for Trombone and Piano illustrate a musician’s discovery of their hearing loss, its consequences, and joy in implementing the use of a hearing aid. The detailed discussion of the composer and …

Behind The Curtain: A Literature Review Of Personal And Ecological Risk Factors And Current Multi-Level Interventions For Performing Artists, Christopher A. Robles

Social Work Theses

Performing artists experience psychological distress, including anxiety, depression, burnout, and substance use disorders, at rates significantly exceeding those of the general population. Guided by Bronfenbrenner’s Ecological Systems Theory (EST) and the Person-in-Environment (PIE) perspective, this structured literature review synthesizes research published between 2010 and 2026 to examine individual personality traits, environmental stressors across meso- and macro-systems, and existing multi-level mental health interventions for performing artists. Findings reveal that while traits such as high openness to experience, sensory processing sensitivity, and perfectionism foster artistic expression, they also heighten vulnerability to occupational stressors, financial precarity, social isolation, and venue-based substance exposure. Current …

Μmodules: A Low-Cost, Eurorack-Compatible Modular Audio Synthesis System, Nolan K. Juneau

Honors Theses and Capstones

The modular audio synthesizer is one of the fastest-growing industries in contemporary music technology. Unlike a traditional audio synthesizer, a modular synthesizer allows for the user to directly control the signal path and effects of the synthesized sound, allowing for a workflow that is completely customizable to an individual musician and their creative vision. However, the modules and cases currently in production for the common “Eurorack” design standard can be prohibitively expensive to new users, often costing thousands of dollars for even a small system. The µModules project aims to eliminate this financial barrier to modular synthesis by using inexpensive …

Undergraduate Voice Students’ Understanding Of The Vocalize And Its Purpose, Natalie H. Bazemore

Honors College Theses

This research discusses undergraduate voice students' understanding of vocalizes and their purpose. To discuss this subject, a vocalize has been defined along with its purpose analyzed. By discovering what methods voice teachers are using to prescribe vocalizes tells us how they are educating their singers on developing technical singing skills. This research was collected through a survey conducted in Qualtrics and was shared via social media voice teacher forums and collegiate music settings. This 5-10 minute long survey included participants that are either undergraduate voice students or undergraduate voice teachers. The teachers and students completed different surveys, both asking about …

The Essence Of The Heart: Layered Human Experience In Eva Jessye’S My Spirituals, Jessica Brunet

Theses and Dissertations--Music

Much of the spiritual repertory has been transcribed as documentation of purely melodic and lyrical content, and many songs have been arranged by some of the greatest figures in twentieth- and twenty-first century music history, including Harry T. Burleigh, Hall Johnson, Margaret Bonds, and Jacqueline B. Hairston. On this roster of luminaries is Dr. Eva Jessye (1895-1992).

If Eva Jessye is remembered at all, it is typically in the context of her role as choral director for the original production of Gershwin’s Porgy and Bess (1935). Among a litany of other accomplishments, however, Dr. Jessye also published a collection of …

A Survey Of Disability-Inclusive K-12 Public School Music Programs In The United States Where Best Buddies Friendship Programs Have Been Established, Geena Louise Jeffries Mattox

Graduate Theses, Dissertations, and Problem Reports (ETD)

This study examines the presence and structural characteristics of disability-inclusive band, orchestra, and choir programs serving students with intellectual and developmental disabilities (IDDs) in K-12 public schools across the United States that implement the Best Buddies School Friendship Program. Intellectual and Developmental Disabilities is defined as group of chronic, lifelong conditions that originate before age 22, affecting physical, learning, language, or behavior areas. Despite federal legislation, peer reviewed scholarship specifically addressing access to performance-based music ensembles for students with IDDs remain comparatively limited. Employing a survey distributed nationwide within a defined population of schools implementing Best Buddies Programs, administered via …

Artistic Merit In The Wind Band Repertoire: A Critical Analysis Of Jarod Hall’S “Golden Horizons”, Eric Mills

All Master's Theses

The wind band repertoire has long been subject to rigorous scrutiny regarding its artistic legitimacy, and scholars have invested considerable effort in developing frameworks through which that legitimacy can be assessed. The most enduring of these is Acton Ostling's ten criteria of serious artistic merit, formulated in 1978 and tested across nearly half a century of subsequent scholarship. This thesis argues that JaRod Hall's Golden Horizons (2024) satisfies those criteria, through a close analysis of a single contemporary work, and what it reveals about the framework's continued analytical utility.

The methodology combines a review of the scholarship surrounding Ostling's framework, …

List Of Performance Recordings, Danny Gottlieb

Daniel R. Gottlieb Materials

A list of audio and video recordings available on Youtube that feature Danny Gottlieb.

Belting In Musical Theatre: Vocal Pathologies, Injuries, And Pedagogical Implications, Kaylee Piatt

Theses and Dissertations--Music

Belting has become one of the most defining and contested vocal styles in contemporary musical theatre. Valued for its dramatic immediacy, speech-like intensity, and ability to cut through amplified orchestration, belting is frequently associated with heightened injury risk and pedagogical controversy. This thesis examines the relationship between belting, vocal pathology, and pedagogy through an interdisciplinary lens that integrates voice science, clinical literature, and professional performance practice. Rather than framing belting as an inherently harmful or stylistically aberrant technique, this study conceptualizes belting as a functional vocal coordination shaped by physiological mechanisms, cumulative vocal load, and occupational demands.

Drawing on existing …

Reimagining The Reduction: A Pianist’S Guide To The Piano Reductions Of Korngold’S Violin Concerto And Vaughan Williams’S Tuba Concerto, Zhongyue Zhang

Theses and Dissertations--Music

Piano reductions are an essential medium through which collaborative pianists work with orchestral concertos. However, many existing reductions, particularly of 20th century works, hinder effective performance in terms of orchestral fidelity and feasibility of execution. The problem is twofold: reductions may contain technically cumbersome passages with diminishing musical returns; they may also omit or misrepresent important orchestral effects and textures. For these problematic situations, this work presents pianistic revisions that aim to preserve essential orchestral sound characteristics. Using the first movements of Erich Wolfgang Korngold’s Violin Concerto and Ralph Vaughan Williams’s Tuba Concerto as examples, this work demonstrates a systematic …

Seriosa And The Song Recital Tradition: Reframing The Antologi Musik Klasik Indonesia: Seri I—Vokal Dan Piano (Seriosa), Pharel Silaban

Theses and Dissertations--Music

This project traces the changing life of seriosa, later known as Indonesian art song, from its colonial emergence in the 1930s–1950s to its post-independence expansion and institutional contraction in the 1960s–1980s, and contemporary reframing since the early 2000s. It argues that the genre functioned as a vocal infrastructure that coordinated training, repertoire production, radio broadcast circulation, and public audibility. The study further shows that when the influence of Radio Republik Indonesia weakened, the fragility of this infrastructure became visible. Efforts to sustain the genre by figures such as Rose Pandanwangi, Pranawengrum Katamsi, Catharina Wiriadinata Leimena, and Aning Katamsi appeared …

A Performance Practice Guide To Raleigh Dailey's Sonata For Trumpet And Piano, Kody Jernigan

Theses and Dissertations--Music

Raleigh Dailey is recognized internationally as a jazz pianist, composer, and educator whose compositions span solo works, chamber music, and jazz ensembles. While his music is well known within the jazz community, a significant portion of his catalog remains unknown in the classical performance repertoire. Among these pieces is his Sonata for Trumpet and Piano, a composition that integrates jazz stylistic elements within a classical chamber work.

The purpose of this project is to conduct primary-source research on Dailey’s Sonata for Trumpet and Piano in order to create a comprehensive performance guide for trumpet players. This is accomplished through interviews …

A Conductor's Guide To All-State Orchestra: An Overview Of Repertoire And Best Practices, Nicoletta Moss

Theses and Dissertations--Music

For over one-hundred years, all-state orchestras have served as the premier gatherings of high school musicians across the United States. These short-term events offer intensive ensemble experiences that bring together students from diverse musical and social backgrounds. While conductors play a central role in shaping these experiences, research is limited examining the areas of repertoire programming, pedagogical practices, and other logistical considerations associated with all-state orchestra leadership. In this dissertation, I address these gaps and develop a comprehensive resource for current and future all-state conductors. The present study employs a two-study design: 1) a content analysis of repertoire performed between …

A Technical And Performance Re-Examination Of Mario Castelnuovo-Tedesco’S Escarramán, Op. 177: Beyond The Angelo Gilardino Publication. A New Performance Edition Of Gallarda, Daniel Monroy Reyes

Theses and Dissertations--Music

This dissertation provides a technical and performance-oriented re-examination of the first four movements of Escarramán: A Suite of Spanish Dances from the XVIth Century (After Cervantes), Op. 177, by Mario Castelnuovo-Tedesco. It argues that the suite embodies a fundamental tension between the composer’s original compositional and structural intentions and the ergonomic limitations of the guitar, and evaluates the proposed solutions by Angelo Gilardino in the 1979 Bèrben edition.

This research employs a comparative, practice-led framework to address the paradox of Castelnuovo-Tedesco’s non-idiomatic writing. Its primary contribution is the development of a performance synthesis that maintains harmonic integrity while enhancing …

Cantate Fratres: Forming And Sustaining Traditional Catholic Music, Liturgy And Culture In The Institute Of Christ The King Sovereign Priest, Reyers P. Brusoe

Theses and Dissertations--Music

The Institute of Christ the King Sovereign Priest is an understudied member of the Traditional Catholic and Latin Mass Communities whose unique approach to Catholic liturgy, culture, and formation offers a sustainable model for the Catholic Church's longevity and renewal. This study is the first of its kind, combining the theoretical positions of affect theory, ecomusicology/musical sustainability, and the musicology of religion to explore and explain the success of this growing classical community. This dissertation examines Church documents, theological literature, and multidisciplinary academic sources as a foundation for the study.             In studying the Institute of Christ the King Sovereign Priest, …

Expanding The Canon: A Pedagogical Anthology Of German-Language Musical Theatre Repertoire For The Soprano Voice, Fairynne R. Rogers

Theses and Dissertations--Music

This dissertation proposes the development of the first pedagogically grounded anthology of German‑language musical theatre repertoire curated specifically for the soprano voice, addressing a significant gap in collegiate vocal performance training. Existing anthologies, particularly the Hal Leonard Singer’s Musical Theatre Anthology series, remain dominated by English‑language works, limiting opportunities for singers to build linguistic proficiency, stylistic versatility, and cross‑cultural engagement. German‑language musical theatre, however, represents a sustained vernacular tradition that “prioritizes narrative immediacy and text-driven musical expression distinct from Anglo-American models,” yet it remains largely absent from pedagogical resources. The project assembles twenty‑five selections originally composed in German and excludes …

Embracing Versatility: A Guide To Preparing Undergraduate Saxophonists For The Modern Job Market, James B. O'Donnell

Theses and Dissertations--Music

Instrumentalists who enter their undergraduate degrees in music performance often spend most of their degree focusing on their primary instrument with the hope of finding a career in their chosen discipline. However, a review of current job vacancies (university positions, military bands, and pit orchestras) show that saxophonists are often expected to have ample experience in not only jazz and classical saxophone performance, but also a working knowledge of multiple woodwinds (flute, clarinet, and occasionally double reeds) to be competitive for work. This reality can be daunting for students who enter their undergraduate program with only a basic knowledge of …

A New Method For Teaching Classical Improvisation In The Wind Band, Eric Anthony Brewer

Graduate Theses, Dissertations, and Problem Reports (ETD)

ABSTRACT A New Method for Teaching Classical Improvisation in the Wind Band

In recent years there has been a renewed interest in the pedagogy of music improvisation taught in the eighteenth century Neapolitan Conservatories.  This project continues that interest by introducing concepts from that pedagogy to the wind band classroom at the high school and collegiate levels.  A new method for wind band that teaches basic concepts in music improvisation and trains students in elements of music composition is presented along with rehearsal techniques for implementing that method.      The method introduces students to the elements of major and minor keys …

A Guide To The Style Of Domenico Scarlatti With An Analysis Of Six Sonatas, Joseph Mcdermott

Graduate Theses, Dissertations, and Problem Reports (ETD)

This document aims to inform pianists preparing to perform keyboard sonatas by Domenico Scarlatti (1685-1757). Readers will learn about Scarlatti's professional life and his compositional characteristics. Analyses of six sonatas, the influence of Spanish traditional music, and details on performance practices are used to illustrate his style. The six sonatas included in this study are Sonata in G Major, K. 63; Sonata in C minor, K. 22; Sonata in F minor, K. 238; Sonata in F minor, K. 239; Sonata in D Major, K. 490; and Sonata in D Major, K. 491. The influence of Spanish traditional music is discussed …