Music Pedagogy Commons^™

Kevin Bobo's Boboland: A Performer's Guide, Tyler D. Whitehead

LSU Doctoral Dissertations

Kevin Bobo is an active American percussionist, educator, and performer that continues to leave a lasting influence in the percussion community. His works for chamber percussion ensemble and solo marimba continue to push the limitations for percussionists in terms of technical ability, new compositional methods and techniques for expanded timbral effects. Bobo’s compositions such as Boboland, a marimba solo with percussion quartet, present technical and musical challenges that are generally unaligned with traditional performance practices in percussion and especially the marimba. This document aims to provide detailed guidance and instruction for the performance of Boboland and will cover all aspects …

The Application Of Syncopated Rhythms In The Development Of Sight-Reading Skills For Non-Keyboard Music Majors, Ronald David Rodriguez Herrera

LSU Doctoral Dissertations

This study investigates the impact of integrating syncopated rhythms into the group piano curriculum for undergraduate music students with varied levels of piano proficiency. Participants (N=76) enrolled in Group Piano II and IV were assigned control and experimental groups across multiple class sections. Three research questions guided the study: (1) How does the introduction of syncopated rhythm patterns affect group piano students’ sight-reading performance? (2) How does consistent practice of syncopated rhythms influence students' ability to sustain a steady pulse? (3) Do students consider exposure to syncopated rhythms a valuable component in their future careers as music educators …

Move It! The Percussionist’S Guide To Developing Performance Skills And Emotional Connection, Shelby N. Shelton

Dissertations, 2020-current

What is this?

The primary goal of this book is to enable students to be more comfortable projecting emotionally to an audience through their body movement and touch while also providing lesson plans and support for the front ensemble instructor. We want this collection to be useful for a student alone in a practice room as well as in a large ensemble setting. There are 10+ activities with examples that encourage the student to dive deeper into the emotion of their piece. Each etude has curated exercises that develop necessary techniques used in the tune. Program/performance notes aid the student …

Minimize Barriers, Maximize Success: Optimizing The Private Trumpet Lesson Experience For Students With Adhd, Stefanie Marie Tetzloff

Dissertations, 2020-current

Attention Deficit Hyperactivity Disorder (ADHD) is a high-prevalence neurodevelopmental disability found in an estimated 6% to 16% of children ages 3-17 in the United States. A recent survey showed that 84% of private piano and string lesson instructors have taught students with disabilities and needed to adapt their teaching, but most cited having little to no education in how to appropriately do so. While public school teachers may receive support from specialists and recommended accommodations in an Individualized Education Program (IEP) or 504 plan, private lesson instructors may not be informed of a student’s disability and often lack resources to …

The Sonata For Double Bass And Piano By Ruth Gipps: A New Performer's Edition With Commentary, Nicholas M. Greer-Young

Dissertations, 2020-current

The Sonata for Double Bass and Piano by Ruth Gipps (completed in 1996) presents unique challenges for performers. The piece was previously only available in a published version of the manuscript which lacks many articulation markings, dynamics, and other expressive indicators. This allows performers justification for a wide variety of interpretations but also requires a high level of analytical investment to produce a compelling performance. The new, fully edited, score makes the sonata more easily accessible while the opportunity to engage in in-depth analysis and interpretation offers tremendous pedagogical value to students who would like to start from the first …

A Discussion Of Rodion Shchedrin’S Ten Piano Pieces, Op. 20, Wei Mo

Dissertations, 2020-current

Russian composer and pianist Rodion Shchedrin (b. 1932) is considered one of the most successful contemporary Russian composers. He established his reputation at a young age. This document will discuss Shchedrin’s early musical style as reflected in his Ten Piano Pieces, Op. 20, a collection of ten pieces composed between 1952 and 1961. By analyzing the structure, harmony, and character of these pieces, this document aims to explore the commonalities among them and explore the distinctive appeal of Shchedrin's music.

Elements Of Greek Identity In The Eight Dances From The Greek Islands By Yiannis Constantinidis, Afroditi Mitsopoulou

Dissertations, 2020-current

The purpose of this research is to present elements of Greek style and identity in the composition for solo piano, Eight Dances from the Greek Islands (Οκτώ Νησιώτικοι Ελληνικοί Χοροί, για πιάνο) (1954) by Yiannis Constantinidis. What is regarded as Greek national identity? How was it formed and developed throughout the centuries, and what compositional techniques did Greek composers before Constantinidis use in their works to define Greek identity? A topic examined in this document was the construction and deconstruction of Greek identity, and the question addressed was whether Greek identity can ultimately be defined. Constantinidis (1903-1984) was …

An Approach To Teaching Sight-Reading: The Station Technique, Aislinn K. L. Queen

Masters of Education in Teaching and Learning

The station learning technique is more effective than traditional teaching methods regarding academic achievement and student engagement. However, stations are not a typical method high school teachers use when teaching sight-reading in a choir classroom. This study investigated the implementation of the station learning technique in a high school choir setting. The participants were a single classroom of 17 students and two teachers. The data collection tools included student self-assessments, skill assessments, sight-reading rubrics, student and teacher surveys, and student and teacher focus group interviews. Qualitative data was analyzed and coded using the constant comparative method, and the quantitative data …

Don V Moses: In Memoriam, Michael Deane Lamkin, Michael E. Ruhling

HAYDN: Online Journal of the Haydn Society of North America

The Haydn and music communities are saddened by the passing of Don V Moses on March 12 at age 88. Dr. Moses was a tireless conductor, scholar, and ambassador of Haydn music performance, and encouraged the forming of the Haydn Society of California and its expansion into the Haydn Society of North America. His legacy continues with the Eisenstadt Classical Music Festival which he founded in 1975 and which will celebrate its 50^th anniversary this coming August.

Everyone Drums: A Music And Social Studies Homeschool Curriculum, Emma Zemancik

Honors Projects

Everyone Drums: A Music and Social Studies Homeschool Curriculum aims to fill a gap in music education homeschool curricula. The workbook, parent guide, and paper work together to highlight percussion traditions from around the world as means to teach geography, history, culture, and of course music.

The Legacy Of Auguste Franchomme: Pedagogical Analysis And Performance Practice For The “Twelve Caprices Opus 7 For Cello Solo”, Zi-Yun Luo

LSU Doctoral Dissertations

This written document focuses on a personal pedagogical analysis of the Twelve Caprices composed by the French cellist and pedagogue, Auguste Franchomme. His works have served as significant cello studies for young cellists, comparable in importance to the Twelve Caprices by Carlo Alfredo Piatti and the High School of Cello Playing by David Popper. Each of these caprices is written in different key signatures, tempi, include a variety of bowing styles and techniques, express melodies over a wide range of the cello register, and present unique and ubiquitous issues that cellists may encounter in the canon of cello literature.

In …

Perceptions Of Choral Diction Curricula, Caitlyn Dixon

Dissertations

This study proposed to provide in-depth insights into the current status of the efficacy of diction curricula, as well as to seek ways for enhancing the curricula to better support a culturally diverse musical experience. 21st century choral music encompasses languages and music from all over the world. While this diversity is crucial to the idea of a global choral community, it necessitates choral conductors to be scholars of diction, which includes creating the appropriate sounds for a given language. For a conductor to confidently perform in global languages requires skills, resources, and tools. This study examined the diction coursework …

The Bass Clarinet Works Of Jonathan Russell And Pedagogical Guide Of Extended Techniques Used In His Compositions, Heather Chelsea Gering

Dissertations

Jonathan Russell is one of the most prolific composers and performers of the twenty-first century and has made significant contributions to the bass clarinet repertoire. An interview was conducted with the composer to yield information on his background, education, compositional process, and his thoughts on the techniques he has written. This dissertation provides a pedagogical guide to extended techniques found within Jonathan Russell’s bass clarinet compositions. This guide is based on the works of Russell, books, videos, blogs, articles, and my own personal experiences regarding the techniques required to properly perform Russell’s works. The study demonstrates written examples and explanations …

A Curriculum To Cultivate Whole Musicians: A New Approach To Aural Skills Instructions Promoting Student Success In Other Music Classrooms, Caden J. Hirsch

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The following thesis is founded on the construction of a new undergraduate aural skills curriculum. While many aural skills methods may exploit some varieties in exercise and assessment formats, this method attends to and prioritizes the advantages of those formats more purposefully, thus being more transparent toward students in their learning and introducing certain agency they may hold in their studies.

Students undergo a 5-semester curriculum in this method, organized into a fundamentals semester, and Aural Skills courses 1, 2, 3, and 4, the last of which is split into two modular options. Students who participate in this curriculum are …

Good Bassoon Reeds: Where And How To Find Them, Mads A. Barajas

2025 Spring Honors Capstone Projects - Archive

Among bassoonists, it is understood that store-bought bassoon reeds are not manufactured to meet the needs of bassoonists. This study identifies commercial reed brands which permit school age bassoonists to play without unnecessary resistance and response issues, thus increasing awareness of reed selection to reduce formation of bad habits such as biting, improve tone, and reduce reed costs. Three reeds from four of the most common commercial bassoon reed brands were tested, accounting for variability in agricultural goods and handmade products across brands. Crowing, stability and intonation, high note responses, and low note responses were tested on each reed. These …

White Supremacy In Music Theory Academia, Tristan Gianelli

Capstone Projects and Master's Theses

This paper explores the history of music theory academia in the West, and examines the hierarchical power structures from which music theory pedagogy was constructed.

Idiosyncratic Approaches To Electronic Music-Making Through Mobile Technologies, Nick E. Wilson, Martin K. Koszolko

Staff Scholarship - Australia & Dubai

This paper examines the transformative impact of mobile technologies on electronic music-making, highlighting how portable apps and hardware enable idiosyncratic approaches beyond traditional live and studio setups. Drawing on the authors’ extensive experience within and beyond Clan Analogue—Australia’s longest-running electronic music collective—the research contrasts conventional configurations with innovative mobile instruments and apps. By analysing a range of tools, from budget-friendly synthesisers to advanced smartphone and tablet apps, the paper explores how mobile technologies foster new creative possibilities. Using qualitative methods, the authors integrate personal experiences and a broad examination of music equipment to investigate the setting-based mobile music creation model, …

In The Collegiate Voice Studio: A Pedagogical Analysis Of Distinctive Works By Fanny Mendelssohn Hensel, Lili Boulanger, And Libby Larsen, Megan A. Calgaro

Recital Papers

In the Collegiate Voice Studio: A Pedagogical Analysis of Distinctive Works by Fanny Mendelssohn Hensel, Lili Boulanger, and Libby Larsen

Exploring The Minuet: A Study In Piano Instruction Including Stylistic Concerns, Technical And Musical Challenges, And Pedagogical Analyses, Zhenyu Gao

Theses and Dissertations

The minuet, originating in 17th-century France, evolved from a courtly dance emblematic of aristocratic refinement into a significant form of instrumental music. Over the centuries, it has maintained its prominence in musical pedagogy and performance. This study provides a comprehensive exploration of the minuet’s historical development, tracing its Baroque significance in dance suites and individual keyboard repertoire to its transformation into a distinct movement during the Classical era. Furthermore, it examines the reinterpretation of the minuet within the contexts of Romantic and neoclassical compositions, including its enduring legacy in pedagogical collections, individual movements, and as a stylized dance form. This …

Unveiling Narrative In Liszt’S Dante Sonata Through Topical Analysis, Jasmine Olivia Harry

Theses and Dissertations

Narrative theory and its application in music have increasingly captured the interest of musicologists. Despite this growing attention, the analytical model remains relatively new compared to more established methods. Continued exploration and application are necessary to demonstrate its value alongside traditional theoretical frameworks. This dissertation employs narrative theory to examine the ironic comedy archetype in Franz Liszt’s Dante sonata, utilizing a bottom-up approach to construct a detailed musical narrative across three analytical tiers. Chapter two, representing the primary level, analyzes the sonata-fantasy macro-structure, uncovering key themes and the dynamic interplay between contrasting dichotomies. Chapter three, the secondary level, investigates semiotics, …