Music Education Commons^™

Dissertations Chaired By Professor Harold F. Abeles: 1975-2021, Colleen Conway

Visions of Research in Music Education

This manuscript provides discussion of the 152 dissertations in which Dr. Harold F. Abeles served as the chair during his career in higher education. The first two were at the University of North Carolina Greensboro in 1975 and the next five were at Indiana University between 1979 and 1982. The final 145 (!) were chaired at Teachers College Columbia University between 1987 and 2021. Sections in the introduction include: (a) What Makes a Good Dissertation Chair?; (b) Who Was Studied?; and (c) How Studies Were Done. Topics of the collective works include gender, applied music study, and program evaluation, among …

Storying Research: A Conversation With Hal Abeles, Mary Hafeli

Visions of Research in Music Education

In this interview, Hal Abeles describes the conceptual and methodological origins and evolution of his published scholarship. With a focus on his work in gender studies in music education, evaluation of music studio teaching in higher education, and assessment of community arts and orchestra programs, he traces his scholarly passions and achievements over the course of his fifty-year career.

Epilogue: “Succinctness Is Next To Godliness”, Cara Faith Bernard

Visions of Research in Music Education

No abstract provided.

Applying Student-Centered Strategies In The Applied Teaching Music Studio, Jeanne Goffi-Fynn

Visions of Research in Music Education

Applied studio instruction is a field of education set in the context of a one-to-one setting, traditionally seen as a master-apprentice model, where the “training of skills” is said to be a priority. However, as the field evolves and is influenced by other areas in teaching and learning, one begins to look for ways to apply student-centered or constructivist strategies to the music studio. In this article, we will look broadly at what it means to be student-centered in the music studio, breaking down the areas into five categories of rapport, motivation, critical thinking, content specific areas such as practice, …

From Dissonance To Consonance: Bringing Clarity To Music Assessment And Program Evaluation, Rob Horowitz

Visions of Research in Music Education

Dr. Hal Abeles is a foundational leader in developing music performance assessments, conducting program evaluations of arts partnerships, and publishing basic research on the effects of arts instruction on learning in and across cognitive, social and personal domains. This article explores the theoretical and practical issues in music performance assessment and program evaluation, and how Dr. Abeles clarified, explicated, and created solutions with a broad and deep influence on music and arts education. Dr. Abeles modeled the application of the facet-factorial method for developing assessments of musical performances. Originally designed for assessment of clarinet performance, the method was adapted and …

From Childhood To Seniorhood: A Developmental Study Of Identity And Challenge, Lori Custodero

Visions of Research in Music Education

I met with Hal Abeles in January, 2024 to interview him about his childhood and his career and to see whether there were connections between his past, present, and future aspirations. Although memories from his early years were a bit difficult to recall, he was able to take me through three quarters of a century of musical experiences that were reflective of who he is and what he does. In this essay, I discuss his early and middle childhood; learning environments including church, schools, and ensembles; his instrumental identity; and the various motivational conditions that created contexts for him to …

Celebrating One “Hal” Of A Mentor, Colleen Sears, Lindsay Weiss-Tornatore

Visions of Research in Music Education

No abstract provided.

Self-Efficacy And Racial Identity For Undergraduate Music Majors, Rachel E. Lim

Electronic Theses and Dissertations

Students’ identities can impact their self-efficacy, or their confidence in their ability to succeed in producing a desired outcome (Bandura, 1997; Klassen, 2004a; Klassen 2004b; Oettingen, 1995; Usher & Pajares, 2008); however, little peer-reviewed research explores the relationship between racial identity and self-efficacy for undergraduate music majors. In the United States, undergraduate music students of color often navigate educational experiences where they do not find their identities represented in the curricula (Ewell, 2020), their faculty (Higher Education Arts Data Services [HEADS], 2020), or their fellow students (HEADS, 2020).

This convergent mixed methods study utilized the theoretical framework of critical race …

The Migration Of South Asians From India To Guyana: The Journey, Struggles In A New Land, Reasons For Changes Over Time And Their Cultivation Of A New Culture., Cynthia C. Harry

Dissertations, Theses, and Capstone Projects

Indians from different regions of India arrived in Guyana through indentureship in 1838. They were under a five-year contract and had to work on the sugar plantations for the duration of their indentureship. While they tried to persist their Indian culture, assimilation in their new environments and interaction with people of different cultures, allowed them to develop a culture unique to Indo Guyanese heritage.

This thesis focuses on the history of Indian diaspora in Guyana. It evokes the struggles they faced on the ships, and during and after indentureship. It also touches on the political and racial issues they had …

The Influence Of Western Music And The Wind Band In The Republic Of Korea, Mark Reimer

Journal of Global Awareness

Beginning with the arrival of American missionaries in 1885, the music of South Korea continues to reflect Western tonality, aesthetics, education, and popular taste. Through this musical and historical evolution, however, the country has not forsaken its traditions, musical imprint, and cultural identity, as will be discussed in the examination of select composers and music compositions.

Preserving The Historic And Cultural Music Of Louisiana Through School Music: An Ethnographic Case Study, Christopher S. Song

LSU Doctoral Dissertations

The purpose of this ethnographic case study was to examine the lives of teachers, students, community members, and culture bearers within a musical community located in South Central Louisiana. The geographic area of focus in this research was Vermilion Parish and its surrounding area, known as Acadiana, the heart of Creole and Cajun culture where Traditional Louisiana Music finds its origins. Participants’ intrinsic cultural understandings of Louisiana’s music and impact on school music programs was examined through ethnographic interview and observation. A resource pedagogy known as funds of knowledge was used as a theoretical framework meant to maintain participants’ intrinsic …

Music Educators' Experiences Integrating Jazz Studies Into The Music Curriculum, Gail Johnson

Walden Dissertations and Doctoral Studies

The inclusion of jazz studies in the secondary school curriculum varies widely across the United States. School district personnel could miss opportunities to instruct students about cultural diversity, self–expression, and collaboration. The purpose of this basic qualitative study was to explore the experiences of music educators' challenges integrating jazz studies into their curriculum. Elements from constructivism and culturally relevant pedagogy formed the conceptual framework. The research questions focused on how music educators described their challenges and what skills and strategies were needed to integrate jazz studies into the curriculum. Data were collected through semistructured interviews with 12 participants across three …

Utilizing Journaling To Develop A Personalized And Efficient Musical Practice Regimen, Erin Kilpatrick

Honors Theses

Musicians universally agree that practicing consistently is vital to improvement. However, a lot of young musicians do not understand how to practice effectively. There are many factors that influence practice time, focus, and overall learning. For the purpose of this research, I will define “efficient practicing” as any practice that increases development as a player and encourages the player to continue in pursuit of learning music. This encompasses physical aspects like ligature, reed, mouthpiece, and the horn itself, as well as more broad musicianship fundamentals such as developing a characteristic tone, building technique, and learning how to phrase appropriately, must …

Arranging, Teaching And Performing The Cypriot Folk Song, Αχερόμπασμαν (Aherombasman), Georgia Orfanides

Senior Honors Projects, 2020-current

This paper documents my process of arranging, teaching, and conducting the Cypriot folk song, Αχερόμπασμαν (Aherombasman) to JMU’s Treble Chamber Choir. I am Cypriot-American and I wanted to create an accessible arrangement of a Cypriot folk tune in order to introduce the musical culture and language of Cyprus to a Western audience. The first section of this paper provides a brief history of the cultural and political influences on Cyprus, and an introduction to common practices in the Cypriot folk tradition. The second section details the process of transcribing the original tune from Alkinoos Ioannides’ arrangement, creating the final arrangement …

Methodologies And Adaptations: A Survey Of Selected Teachers And Those Who Specialize In Self-Contained Music Classrooms, Lori Scantlin

Electronic Theses & Dissertations

The purpose of this study was to explore the methodologies and adaptations utilized in both self-contained and inclusive music classes for students with special needs in Southwest Missouri. Additionally, the study investigated the availability of and resources for self-contained music education classes. To address these topics, selected teachers were invited to respond through questionnaires and semi-structured interviews. Music teachers from across southwest Missouri, accessed via the Southwest Missouri Music Educators Association website listing of schools and staff, were emailed, and asked to participate in the survey using the provided link to the Google form questionnaire. 37 people responded to the …

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

Pedagogical Tools And Techniques For The Development Of Harmonic Audiation, Ensemble Intonation, And Textual Imagery Through The Choral Music Of Ola Gjeilo, Nikolaos Myrogiannis-Koukos

Dissertations, 2020-current

Aspiring and dedicated choral directors strive to program music that is not only valuable to the growth of their ensembles’ skills in music literacy and choral performance but also institutes opportunities for memorable and meaningful performing experiences. Research in choral pedagogy conducted within the past two decades suggests that choral music is considered pedagogically appropriate, regardless of the musical aptitude of the performers involved, when it showcases elements that are often summarized in three separate yet equally essential qualities: the simultaneous development of multiple technical aspects of singing and a sense of intonation, including the development of sight-singing skills, the …

The ‘Well-Rounded’ Artist: An Intersectionality Of Stage Presence, Artistry, And Entrepreneurship, Megan E. Zuhowski

Dissertations, 2020-current

Undergraduate voice students spend hours over their degree in coursework relevant to bettering their overall musicianship. Coursework in music history and music theory, coupled with applied lessons, allows students to develop the knowledge necessary for their future professions. While universities strive to equip students with advanced music proficiencies, as the landscapes of professional opportunities shift and morph into work in multiple genres of expertise, students may not receive the full scope of skills needed to be independent entrepreneurial designers.

The purpose of this DMA document is to explore the intersectionality of stage presence, artistry, and entrepreneurship through a course offering …

The Call Is Coming From Inside The House: Sexual Misconduct In U.S. Band Programs, Hannah Greer-Young

Masters Theses, 2020-current

The purpose of this study was to articulate the experiences of former band students related to sexual misconduct among students and between staff and students. Researchers and investigators have claimed that band professionals have prioritized performance level and musical accomplishment over the safety and well-being of students (Office of University Compliance and Integrity, 2014; Nadolny, 2018; Wells, 2022). Authors of studies related to sexual misconduct in U.S. Bands have also suggested that educators in the band profession prefer to handle sexual misconduct “in-house” (Wells, 2022) and that, in general, teachers may be the least likely group to report educator sexual …

Bringing Recess Music Indoors: How Attention To Musical Play In The Classroom Impacts A School Community, Angelina B. Scolari

Theses and Dissertations

Why should elementary music teachers learn about the games their students play at recess? This paper discusses the process of recovering children’s folklore at a Bronx elementary school, what findings can teach us about the children in our lives, and how music teachers can use “kid culture” in the classroom.