The Online Cathedral: A Case Study Analysis Of Egalitarian Music Outreach At Liverpool Cathedral For Mental Health And Spiritual Wellbeing During The Covid-19 Pandemic, Simone Krüger Bridge

Yale Journal of Music & Religion

Liverpool Cathedral holds a special place in the story of English Cathedral music, notably because of the recent role played by choral music for outreach engagement and community participation. This article undertakes an in-depth case study investigation of Liverpool Cathedral’s music outreach portfolio, which moved online during the Covid-19 pandemic and was delivered variously via pre-recorded podcasts, zoom, and hybrid means, while examining its impact on mental health and spiritual wellbeing amidst the challenges posed by the Covid-19 pandemic. The primary emphasis is placed on the participation in online music activities during the Covid-19 pandemic, highlighting the strategies employed for …

Female Representation In Jazz, Melonee Gray

Fall Showcase for Research and Creative Inquiry

Louis Armstrong, Charlie Parker, Thelonius Monk, Dizzy Gillespie, the list of jazz greats goes on and on. These are the people who developed the culture, style, and rules of jazz we know and love today. The question lingers, where are the women? In most other genres, styles, and even in pop culture, most people can list one or two women who had an impact on the development. However, in jazz, there are seemingly no women who made a lasting impact on the genre. Women were incredibly prevalent in the development of jazz, but they are not remembered by history. Although …

Slo Children’S Museum Music Education Exhibit, Charles Coffen, Madeline Carleton-Sniff, Yael Castillo, Anthony Ramos

Mechanical Engineering

The Children’s Museum in San Luis Obispo is a non-profit facility providing education to young children through interactive exhibits. The proposed project would address a basic introduction to musical theory through mechanical engineering principles. The target audience for this musical art installation would be young children, aged 5-10, who would be regularly interacting with this exhibit, as well as their parents, and the employees of the museum. The installation will educate children in basic musical understanding through interaction while still being engaging enough to hold their attention. This document describes the final concept design and various methods of verification in …

Kajian Konseptual Silabel Ritme Gandang Minangkabau, Aryuda Fakhleri Fallen, Yudi Sukmayadi, Tati Narawati

Paradigma: Jurnal Kajian Budaya

This article tryes to initiate the concept of Minangkabau rhythm syllables, which is a method in music learning related to audiation in rhythm learning, the urgency in this study explores the basic elements of the audiation system that can be applied to music learning related to rhythm syllables based on local approaches, taking into account previous concepts that have been popular in recent schools. In West Sumatra, the concepts of syllable rhythm such as Zoltan Kodaly, Kannokol, American Style Syllables, and Edwin Gordon are not so popular, but environments such as schools and art studios have their own ways of …

Aud214.2 Mixing Methodologies Example 1, Sae University College

Exemplars

Mixing 2 songs using scholary practices to inform methodology and practices. Analysis of AI mastering.

Fourth-Grade Music Students' Perceptions Of Music Improvisation: An Ethnographic Case Study, Ashley Elizabeth Cobb

Theses and Dissertations

I facilitated this ethnographic case study to better understand potential successes and difficulties music improvisation presents in music facilitating and learning from the student perspective. The purpose of this research was to examine my fourth-grade students’ perceptions of music improvisation via improvisatory music circles using the following guiding research questions. Regarding 30-minute improvisatory music circles: 1) How do fourth-grade students (a) define music improvisation, (b) respond to facilitator-selected improvisatory music activities during improvisatory music circles, and (c) make decisions while participating in improvisatory music circles? 2) How did those students’ perceptions change throughout data collection?

I collected data from five …

Developing A Curriculum For An Online Group Piano In The Philippines: An Ideological, Historical, And Practical Approach, Lady Abigail Imperio

Theses and Dissertations

Online distance learning, a modern educational practice, has permeated music pedagogy in the past several decades. It involves synthesizing interdisciplinary studies in philosophy, music, technology, and sociology. In this study, the integrated approach aims to develop a unique curriculum for an online group piano in the Philippine setting. This goal involves coalescing ideological, historical, and practical perspectives to develop a coherent, learner-centered approach.

The ideological approach surveys educational philosophies, music learning theories, cooperative learning theories, online learning theories, and socio-cultural perspectives relevant to forming a unique framework. The nature of online distance music learning itself presents complex challenges of international …

Second-Grade Students’ Lived Experiences During Formal And Informal Music Learning Activities, Celina Liana Reed

Theses and Dissertations

Historically, elementary music educators have led their classrooms using predominantly formal, teacher-led activities. Recently, music educators have allowed students to organize their own informal music learning activities. Few researchers have examined elementary students’ lived experiences during formal and informal music activities. My education and 9 years of early childhood and elementary music teaching experiences contribute to my research qualifications. The purpose of this research was to examine my second-grade students’ lived experiences during formal and informal music learning activities. Following were the guiding research questions: (a) What do second-grade students think and how do they feel during formal music learning …

Community Outreach: A Piano Concert Designed For Children, Hsin Shih Liu

Dissertations

Evidence exists that music community outreach has been practiced for at least around a century in Western countries. However, in Taiwan, the idea of music community outreach is relatively new and not as commonly seen as in the United States. This research provides mention of community outreach organizations and individuals in Taiwan and the United States. Additionally, it is aimed to assist in designing more successful programs in the future. Included in this dissertation are a methodology of designing an effective concert program for children and the concert feedback form provided to the participants. This project featured three piano concerts …

Leavers And Movers: Turnover Of Music Teachers In Nebraska, Christian G. Schuerman

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The purpose of this study was to determine if the rates of music teachers leaving the teaching profession and changing schools were significantly different than those of teachers of other content areas in the state of Nebraska. This study used data from the previous nine years of the Nebraska Department of Education’s Education Directory in order to find results for the entire population. Results indicated that music teachers leave the profession at similar rates as teachers of other content areas, but move schools at significantly higher rates.

Advisor: Robert H. Woody

More Than Windows And Mirrors: Using Culturally Responsive Teaching In Conjunction With Project Based Learning, Victoria Dimarzio

Master's Theses

This qualitative action research project examined the connections between broadening students' cultural perspectives and student voice and choice while students explored how multicultural arrangements can be authentic and valuable to a student’s music education. The following research questions were

Q1 How do students perceive world music arrangements?

Q2 How will participation in this project impact students’ sense of belonging in music class?

Q3 How do musicians and music educators determine if arrangements are appropriate to use/perform?

The purpose of this study was to explore students' perception of world music arrangements, their sense of belonging in instrumental (band and orchestra) music …

Mental Practice: Practical Application In Violin And Viola Private Lessons, Natasha Sieczkowska

LSU Doctoral Dissertations

This dissertation aimed to better understand how violin and viola private instructors teach Mental Practice in their studios, investigating different approaches on how to apply and teach auditory, motor, and visual imagery, score study, and auditory modeling, as well as its benefits. This research was divided into two different stages. In the first stage, the researcher conducted interviews (n = 19) and collected questionnaire responses (n = 14) from 33 upper-string instructors teaching at the pre-college and collegiate levels in the US. This research stage was based on the grounded theory approach since there was not much research …

Compassionate Care In Elementary General Music Teaching And Learning As A Way To Respond To The World: A Narrative Inquiry, Julia K. Church Hoffman

Teacher Education, Educational Leadership & Policy ETDs

In this narrative inquiry, where stories were the data, three experienced music teachers from one public school district in the southwestern United States shared stories about their experiences as elementary general music teachers. The stories were told through the lens of compassionate care, a perspective that implies a shared experience between teacher and learners (Hendricks, 2018, 2023). The stories, and my interpretation of them, revealed an understanding of elementary general music, a multimodal, fun, school subject, as a vehicle for teaching children how to be kind and respectful humans. Threads that emerged from the stories linked connections between compassionate care, …

The Benefits Of Singing And Audiation For Beginning Musicians, Elissa Harris

Graduate Research Showcase

This literature review explores the impact of audiation and singing on the aural sensitivity of novice musicians, shedding light on the fundamental role of these processes in music education. Audiation, the cognitive ability to internally hear and understand music, and singing, as an active manifestation of audiation, are integral components of musical development. However, their precise influence on the development of aural sensitivity in beginners remains understudied.

Through a comprehensive review of existing literature and empirical investigation, this review seeks to uncover the relationship between audiation, singing, and the enhancement of aural skills among novice musicians. Furthermore, the literature review …

Seeking A Feminist Approach To Scholarly Innovations In Music Teacher Education, Andrea Maas

Visions of Research in Music Education

The marketization (Marchand & Orsorno Velázquez, 2016) of higher education impacts faculty through hiring practices, workload structures, and reappointment and promotion policies. Women faculty in fields such as music education need to negotiate masculine discourses and gendered constructions of innovation (Alsos et al., 2013) in a STEM focused economy. Values held by feminist pedagogues could serve as a framework through which to consider a more feminist approach to research and scholarship. Qualities such as equalization of power, collaboration, affective learning, inclusiveness of diversity, and social responsibility may surface through a researcher’s approach to inquiry or in the content itself. This …

Gender And Participation In Popular Music Ensembles: Perspectives Of Modern Band Teachers, Bryan Powell

Visions of Research in Music Education

This article explores gender dynamics in popular music education, focusing on the perspectives of modern band teachers across the United States. Drawing from existing literature and a survey of 390 modern band educators, the study examines the extent to which modern band teachers perceive their own gender identities influence student participation and enrollment in elective modern band classes. While the majority of respondents believed their gender does not significantly impact enrollment, female teachers were more likely to indicate that they felt that their gender had an impact on student enrollment compared to their male counterparts. Additionally, the study uncovers challenges …

Musical Engagement: A Conceptual Model Of Contextual Influences, Allison R. Durbin

Visions of Research in Music Education

The purpose of this paper is to propose a conceptual model of contextual influences on musical engagement in a person’s life. I developed this domain-specific conceptual model based on Bronfenbrenner’s (2001) bioecological theory of human development. The model accounts for multiple, interacting contexts that may influence an adolescent’s musical development. In this model, I consider one’s musical life as an acknowledgment of the multitude of ways that music is a part of their daily life. A musical life encompasses more than a formal music education, and as Abeles (2010) posits, “Music education does not exist isolated in the music classroom. …

Dissertations Chaired By Professor Harold F. Abeles: 1975-2021, Colleen Conway

Visions of Research in Music Education

This manuscript provides discussion of the 152 dissertations in which Dr. Harold F. Abeles served as the chair during his career in higher education. The first two were at the University of North Carolina Greensboro in 1975 and the next five were at Indiana University between 1979 and 1982. The final 145 (!) were chaired at Teachers College Columbia University between 1987 and 2021. Sections in the introduction include: (a) What Makes a Good Dissertation Chair?; (b) Who Was Studied?; and (c) How Studies Were Done. Topics of the collective works include gender, applied music study, and program evaluation, among …

Storying Research: A Conversation With Hal Abeles, Mary Hafeli

Visions of Research in Music Education

In this interview, Hal Abeles describes the conceptual and methodological origins and evolution of his published scholarship. With a focus on his work in gender studies in music education, evaluation of music studio teaching in higher education, and assessment of community arts and orchestra programs, he traces his scholarly passions and achievements over the course of his fifty-year career.

Applying Student-Centered Strategies In The Applied Teaching Music Studio, Jeanne Goffi-Fynn

Visions of Research in Music Education

Applied studio instruction is a field of education set in the context of a one-to-one setting, traditionally seen as a master-apprentice model, where the “training of skills” is said to be a priority. However, as the field evolves and is influenced by other areas in teaching and learning, one begins to look for ways to apply student-centered or constructivist strategies to the music studio. In this article, we will look broadly at what it means to be student-centered in the music studio, breaking down the areas into five categories of rapport, motivation, critical thinking, content specific areas such as practice, …