Ethnomusicology Commons^™

Crossing The Pond: The Influence Of Southern Appalachian Old-Time On Contemporary Irish Music, Amanda Morgan

Electronic Theses and Dissertations

Numerous studies examine Irish traditional music influencing old-time music, but few examine the influence of old-time on contemporary Irish. As our societies become more global, folk music travels faster and becomes more open to influence. Thes influences can be heard in the music of “Alfi” and “Lankum,” two ensembles steeped in Irish traditional music.

This study defines common musical elements of old-time and examines the use of those elements in two recordings: Alfi’s, “Jubilee” and Lankum’s, “The Old Man from Over the Sea.” Much of my data comes from interviews with Irish and American musicians and my own professional knowledge, …

Jewish Music Sound Recording Collections In The United States, Judith S. Pinnolis

Faculty Works

This chapter examines several significant Jewish music sound-recording collections in the United States, most of which originated as private collections but are now housed at academic institutions. Their origins provide insight into individual agency tied to different understandings of Jewish music. A discussion of their complexities from a library-science perspective focuses on conservation and preservation as well as bibliographic control and other issues in which the complexities of Jewish music unfold more clearly. Authenticity, comprehensiveness, and other constructions demonstrate how sound-recording collections reflect the overall difficulties of defining and delimiting Jewish music. Subsequent discussions and observations on access and audiences …

History Of Jazz, Charles "Trey" Wright

KSU Distinguished Course Repository

This course is an in-depth study of jazz styles, historical periods, and innovative artists in the jazz idiom.

Componiendo El Núcleo: Una Exploración De La Bomba Y La Identidad Afroecuatoriana En El Valle De Chota, Ethan Guok

Independent Study Project (ISP) Collection

Este proyecto se centra en la bomba, una tradición musical y de danza afroecuatoriana que se practica en el valle del Chota, situado entre las provincias de Imbabura y Carchi, pero también más ampliamente en el Territorio Ancestral que comprende el valle del Chota, La Concepción, Salinas y Guallupe. Históricamente y en la actualidad, la bomba ha desempeñado un papel importante en la creación de comunidad y la preservación de la identidad cultural afrochoteña, y el conocimiento de cómo tocar la bomba se ha transmitido intergeneracionalmente a través de la tradición oral. Sin embargo, como tradición negra y oral, la …

"Coros Y Danzas" I Les Contradiccions Del Nacionalisme Espanyol, Antoni Pizà

Publications and Research

L’estudi de Daniel Jordan ressegueix l’ús que va fer el primer franquisme d’aquestes agrupacions amb una base folklòrica. Sota l’estela de la Secció Femenina, fou entorn de trobada i lleure majoritàriament per a les dones, i va arribar a convertir- se en carta de presentació de cara al món.

(Alte)Rnative Realities In Ghana; An Africanfuturist Travelogue Into The World Buildings Of Contemporary Ghanaian Female Alte Musicians, Agasarokeza Natasha Naomi

Independent Study Project (ISP) Collection

In this research paper, I will use Africanfuturism as a lens through which I explore Ghanaian female alte musicians’ contributions to the growing Africanfuturistic imaginaries. Overall, this research aims to contribute to the growing body of knowledge on Ghanaian female Alte musicians and highlight their significance in shaping alternative realities. I will employ a qualitative research methodology, including interviews with two Ghanaian female alte musicians, and content analysis of their music videos, lyrics, and musical productions. By delving into their personal experiences and artistic expressions, the paper seeks to uncover how these artists challenge traditional gender roles, explore cultural identities, …

“Let A Hundred Flowers Bloom, To Discard The Old For The New.” The Building Of The Modern Chinese Orchestra, Ema Plafcan

Music Undergraduate Honors Theses

“Let a hundred flowers bloom, to discard the old for the new.” Mao Zedong first said this when outlining his expectations for artists under the regime of the Communist Party in 1954, but it is also a quote that embodies what the Modern Chinese Orchestra is and has been throughout time. This paper aims to analyze this Chinese instrumental tradition and how it represents the people of China past and present, both inside China and in its diaspora. It shows music as a powerful tool for creating a collective identity. Starting with influences from ancient China, origins in the folk …

A Qualitative Content Analysis Of Nigerian Popular Music Genres: A Culture And Heritage Approach To Nation Branding, Cecilia Ashibel

Electronic Theses and Dissertations

This thesis explores the potential of Nigerian popular music as an approach to nation branding. The study employs qualitative content analysis to analyze select Nigerian music genres to examine how Nigeria is portrayed to international audiences and the economic benefits that can be derived from this form of branding. The analysis focuses on narrative themes of “the value of hard work,” “ethnic pride,” “lavish lifestyle,” and the impact of differences which were derived from the data. Findings indicate that Nigeria is globally reckoned for its musical prowess and rich cultural heritage. In highlighting the role of music in Nigeria’s political …

Dong Qing Fang’S Musical Depiction Of Lin Chong: An Analysis Of Chinese Traditional Music Elements In His Cello Composition Of 2009, Congcong Bi

Doctoral Projects

Dong Qing Fang (b. 1981) is a prolific composer of cello music. His contribution includes twenty compositions, many of which have been performed around the world.[1] While Fang is the most famous composer in China as well as a leading figure of recent music, his compositions have not been recognized world-wide. This project focuses on his representative cello composition Lin Chong (2009). Lin Chong is a significant character in Chinese literature, known for his role in the classic novel, Water Margin (1524). Fang's musical portrayal of Lin Chong's life incorporates elements of Chinese traditional music.

The methodology for this …

Defending The Call To Preach In Shirley Caesar’S Gospel Autobiography, Angela Nelson

Popular Culture Faculty Publications

Shirley Caesar, a celebrated, multiple award-winning gospel singer and preacher, used and retold stories about three transformative spiritual experiences to build a case for defending her call to preach. These ritualistic spiritual events included chronicling her conversion, spirit baptism, and call experiences. In this discussion, I examine the contexts of Caesar’s familial and religious backgrounds, Christian Protestant preaching culture and gender, Caesar’s “parable” and “prolegomenon” of purpose, and Caesar’s defense of her call to preach. I conclude by exploring the ways in which, as an “outsider within,” Caesar’s “defense case story” negotiated and dissented from theological narratives about the place …

The Malay Nobat: A History Of Power, Acculturation, And Sovereignty, Abdul Haque Chang

Yale Journal of Music & Religion

A book review is presented for Raja Iskandar Bin Raja Halid's The Malay Nobat: A History of Power, Acculturation, and Sovereignty, The Lexington Series in Historical Ethnomusicology: Deep Soundings (Lanham, MD: Lexington Books, 2022).

(Special Section Introduction) Hymns Beyond The Congregation: Constructions Of Identity And Legacies Of Meaning, Erin G. Johnson-Williams, Philip Burnett

Yale Journal of Music & Religion

We offer here the first of two special sections on the theme of "Hymns Beyond the Congregation." Divided into the two sub-themes of “Hymns Beyond the Congregation: Constructions of Identity,” and “Hymns Beyond the Congregation: Legacies of Meaning,” our authors (based in institutions both in the USA and the UK) comprise both early career and senior scholars and come from a range of disciplinary backgrounds in American history, South African colonial history, political history, the history of mission education, and historical musicology. Together, these two special issues will pave the way for facilitating new dialogues between historians, musicologists and congregational …

Church Music Leaders In The Usa: Prioritizing Technical Competence And Inclusion, Heather Maclachlan

Yale Journal of Music & Religion

Church music leaders in the United States pursue two priorities: technical accuracy and fluency in the music-making of their church ensembles, and, including as many volunteers as possible in those same ensembles. At times, the prioritization of technical competence and inclusion conflict, because volunteers whose playing or singing is less than competent seek to be included in church music groups. Facing this ethical dilemma, church music leaders operate ethically; that is, they employ strategies and develop policies based on their understanding of their responsibilities to other people (Warren 2014). During interviews, they verbally espouse an ethic of deontology, but in …

Tracking The Harmonium From Christian Missionary Hymns To Sikh Kirtan, Gurminder Kaur Bhogal

Yale Journal of Music & Religion

The harmonium is prominent in Sikh practices of devotional music known as kirtan and yet its significance has barely been addressed in Euro-American scholarship. Following on the heels of a recent ban against using the instrument at the holiest temple of the Sikhs, Harmandir Sahib (popularly known as the Golden Temple), this article explores how the ban seeks to discard this colonial instrument and return to playing traditional string instruments (tanti saz) associated with the courts (darbar) of the Sikh Gurus. This study is the first to examine primary missionary sources from the nineteenth and early …

Suite En Re Menor, Gustavo Leone

Department of Fine & Performing Arts: Faculty Publications and Other Works

Suite en Re Menor

para clavicordio

Autor Anónimo

Archivos Musicales de Chiquitos, 2013

Preludio, Allemanda, Pitipié, Quitasol, y Corrente

This music was collected at the Archivos Musicales de Chiquitos in November of 2012.

Photocopies of the original manuscripts were photografed using a tripod set on a working table. These manuscripts are in the keyboard music section of the catalogue in the archives under the title "Música para teclado." Five dances were collected, Preludio, Allemanda, Pitipié, Quitasol (Sarabanda,)and Corrente, all in D minor (re menor.)

In addition to copying the music and completing the few missing bars, some corrections to the …

Journey, Movement, Affect And Rhythm: Migration Through North Indian Folk Songs, Sangeeta Gupta, Shambhavi Gupta

International Journal on Responsibility

This paper captures the lived experiences and affect associated with migration, through the folk songs of North India. While migration is usually studied as a larger demographic movement involving temporary or permanent displacement and departure, our project captures the pain and apprehension it entails. We have tried to retrieve the vital connection between gender and migration through an analysis of folk songs about the experiences of women. These songs passed down as a part of the oral tradition, articulate how a woman engages and interacts with migration – both due to her marriage and also when her husband leaves home …

Babel, Daniel Horowitz

Dissertations, Theses, and Capstone Projects

This thesis is a series of three memoiristic essays around the vortex of identity. The first is an exploration of how childhood overmedication split the continuity of the author’s self-conception. The second traces the slipperiness of Jewish and Queer identifications detailing their synthesis in the klezmer revival in New York City in late 1980s and early 90s. The third is a polyphonic narration of the recovery of a lost klezmer’s life story in the face of the silence of time and slaughter.

Pange Lingua, Gustavo Leone

Department of Fine & Performing Arts: Faculty Publications and Other Works

The Jesuits were expelled from the Spanish colonies in South America in 1767, leaving behind a remarkable musical legacy that was buried for over two hundred years. But the music did not disappear completely. Thanks to the Chiquitos people of Bolivia, the music was played and preserved throughout the 18th and 19th centuries.

In 1985, Swiss architect Hans Roth discovered 9,000 of these musical manuscripts and in 1990 UNESCO declared the churches of the Chiquitos a “patrimony of humanity”. Dr. Gustavo Leone of Loyola University Chicago's Department of Fine and Performing Arts has painstakingly retrieved and restored several of these …

Texas Exceptionalism And Texas Style Fiddling: Fiddle Contests, Patriarchs, And Musical Markers, Emilie Catlett

Music Theses and Dissertations

The phrase “Texas Fiddle Player” indicates a unique musical identity within the Greater North American Fiddling community. Beyond fiddle tunes, fiddling culture involves technical diversity, interpersonal relationships, various performance contexts, teaching and learning, and the stories making up a community’s collective memory. The Texas Fiddle Player identity is the result of a process of connecting these aspects of fiddling culture to symbols and narratives that evoke a specific kind of “Texan-ness.” This process is a form of musical Texas Exceptionalism, in that it asserts a belief that Texas Fiddle Players are somehow different from their American fiddling peers. This manifests …

Made In Italy: Gli Effetti Della Musica Italiana (T)Rap Sulla Società E Sulla Lingua, Paraskevi Z. Gkana-Alberico

Theses and Dissertations

This paper explores the history of Italian (t)rap music, and uses the lyrics of famous songs in an attempt to examine the effects the sometimes vulgar and explicit themes, which are usually accompanied by the use of foreign languages, could have on society and the Italian language.