Ethnomusicology Commons^™

Review Of "Undaunted: Into The Open, Raging Asian Womxn Taiko Drummers", Lei X. Ouyang

Music Faculty Works

No abstract provided.

In Search Of The Armorial Aesthetic: The Counter-Reform Of Ariano Suassuna And The Compositional Techniques In Clovis Pereira’S Suite Macambira, Wagner De Oliveira Duarte

LSU Doctoral Dissertations

Throughout the first half of the twentieth century, in the wake of the Week of Modern Art in São Paulo in 1922, Brazil grappled with defining its national identity, distinct from European influences. While eminent figures such as Villa-Lobos, Camargo Guarnieri, and Francisco Mignone provided foundational narratives in this quest, the Armorial movement emerged as a unique and emblematic response to these nationalistic aspirations.

Originating from the creative vision of Ariano Suassuna, the Armorial movement, though often perceived as a regional initiative, epitomized a broader endeavor to represent Brazil's diverse cultural tapestry. Central to understanding this movement is the work …

Lost In Time, Keefus Flax

Writing Beyond the Prison Living Archive

Poem on Prison life; Despair; Popular culture (music)

Playing Changes: Music As Mediator Between Japanese And Black Americans, E Taylor Atkins

Faculty Books & Book Chapters

Since the mid-twentieth century, music has played a central role in encounters and interactions between the people of Japan and those of African descent. It proved far more effective for pro- moting interracial dialogue and understanding than efforts in the early 1900s to foster an alliance against white supremacy and imperialism. This essay unpacks the ways that encounters with Black music transformed Japanese musicking and generated knowledge and empathy for people of African descent among Japanese. Personal interactions between Black and Japanese musicians constituted a process of “grassroots globalization” that circumvented the dominance of American mass media in representing African …

Music And Healing In Aotearoa New Zealand: The Harmony Of The Land, Placehood, And Community In Māori And Pākehā Experiences Of Healing, Katherine Elise Callahan

Honors Theses

I explore the relationship between music and healing in Aotearoa New Zealand, and how healing is administered through the triadic relationship of the land, placehood, and community, using music as a vehicle for the carriage of this healing. In January of 2024, I traveled to Aotearoa New Zealand to gain a first-hand experience and account of this relationship through my own observations, and conducting interviews with Māori (the Indigenous people of Aotearoa New Zealand) individuals, and Pākehā (non-Māori) music therapists. Within this paper, I begin by providing context for this research within the fields of medical ethnomusicology, Indigenous studies, Māori …

Music And Massacre: A Look At The Babi Yar Massacre In Dmitiri Shostakovich’S 13th Symphony, Austin Teas

Schultz-Werth Award Papers

The “Holocaust by Bullets” is often times the term used to talk about the mass killings of the Jews in Ukraine1 during World War 2. Called the “Holocaust by Bullets” by historians because of the way the Nazi’s perpetrated the killings; pulling and dragging the Jews from each village to the edge of the village, and then shooting them point blank. With this pre Aushcwitz, Triblinka, Buckenwald concentration camp way of execution, an estimated 1.5 million Jews were killed in Ukraine. Combined with this, Russian composer Dmitri Shostakovich used many Jewish themes in his music, such as the 4th movement …

Carlos Chávez And The “Mexican Sound”, Eden Hodgins

Schultz-Werth Award Papers

“Tradition is a living fountain of knowledge and of character” (Chávez, “The Music of Mexico” 168). These are words from Mexican composer Carlos Chávez about the musical world of his country. Chávez lived and created in the most musically vibrant era of Mexican history, the post-revolutionary era, which drew extensively from Mexican tradition to build for the country a new image with respect to politics as well as the arts. Chávez found himself in a unique role as one of the foremost figures of this movement due to his government connections. This essay will explore how Carlos Chávez used his …

Neighborhood Soundwalk, Sarah Politz

Open Educational Resources

This is an assignment for undergraduate students that asks them to go out into their environment and record their observations from listening in a focused way. It uses the work and writings of composer Hildegard Westerkampf as a jumping off point.

Grid Culture, Eliot Bates, Arseni Troitski

Publications and Research

In this essay, we provide our initial ethnographic research about lines, which at a superficial level can be considered a platform, but which is also synonymous with a community of 8800 users, and with 606k unique posts authored by these users that in aggregate constitute a discourse network (Aufschreibesysteme, see Kittler 1990). lines—as platform, community, and discourse network—is primarily designed to support the development, documentation and user-generated code efforts specific to a set of hardware synthesis-related objects (the two we will focus on are called Norns and Grid; we’ll discuss what they are and what they do through the subsequent …

Honk!: Meaning And Activism In 21st Century American Street Bands, Isaac Maupin

Theses and Dissertations--Music

In this dissertation, I explore activism, music, and meaning through the lens of HONK! Bands in the United States. HONK! A Festival of Activist Street Bands began in Sommerville, Massachusetts, in 2006. Since its inception, the festivals have grown on a national and global scale. The festivals, however, operate as a convenient organizing structure for the bands themselves and are not a primary focus of this work. Instead, I examine activism, learning, and value as systems within the HONK! culture (each topic with a devoted chapter) to, through a phenomenological lens, better understand how HONK! bands fit within American culture. …

Ecuadorian Vocal Anthology In Four Rhythms, Wagner Mauricio Pástor Pazmiño Dr.

Theses and Dissertations--Music

Ecuador is a pluricultural and multilingual territory with four natural regions, several musical genres, and interpretations. Amazon, Galápagos, Mountain Range, and Coastal region. In the following dissertation, the author develops concepts of four traditional rhythms, their composers, and harmonic and phonetic characteristics from the mountain range region of his homeland, Ecuador.

The present document is a descriptive study of vocal Andean music and the application of the operatic style in classical vocal technique for performance practice.

The dissertation will support a lecture recital to fulfill the doctoral program's requirement in voice performance from the University of Kentucky.

“Sounds Like” Redemption? On The Musicality Of Species And The Species Of Musicality, Tyler Yamin, Alice Rudge

Faculty Journal Articles

Popular and academic studies of music frequently claim that human musicality arose from the so-called ‘natural world’ of non-human species. And amid the anxieties produced by the Anthropocene, it is thought that the possibility of reconnecting with the natural world through a renewed appreciation of music’s links with nature may usher in a new era of posthuman environmental consciousness, offering repair and redemption. To critique these claims, we trace how notions of ‘musicality’ have been applied to or denied from non-human entities across diverse disciplines since the late nineteenth century. We conclude that such debates reinforce the separation that they …

Mediating Authenticity: An Ethnographic Portrait Of Experience At U.S. Popular Music Festivals, Elizabeth Navarra Varnado

Theses and Dissertations--Music

This ethnographic study of U.S. popular music festivals subverts the impression of festivals as strictly ‘presentational’ live music events by utilizing a nuanced approach that is grounded in ethnographic fieldwork, historical analysis, and participant interviews.

Interlocutors, drawn from the author’s personal network of festival attendees, musicians, and promoters, reflect on “particularly positive festival moments,” the social and emotional benefits of festivals, and the corporeality of festival aesthetics. Discourse and published media play a vital role in festival participants’ perception of the festival field and their place within it; therefore, this study draws inspiration from the tripartite focus of iconic festival …

Local-Classical Singers Speak: Interviews With Trinidadian, Guyanese, And Surinamese Singers, Peter L. Manuel

Publications and Research

This is a compilation of transcriptions of several dozen interviews with Trinidadian, Guyanese, and Surinamese performers of Indo-Caribbean local-classical music (tan-singing, baithak gana) conducted in the 1990s by Peter Manuel. The informants include most of the leading singers of that era, such as Hanif Mohammed, Jameer Hosein, and Sam Boodram, as well as elder artists whose recollections date back to the 1920s-30s. The transcriptions are informal, messy, and unedited. Several of the interviews were conducted when Manuel was just beginning his research, and thus his questions were not always well informed.

Global Experiences: How Locality And Space Shape Pedagogical Practices And Experiences Between Western Institutions And Ghanaian Musical Centers, Andrew Patrick Simonette

Graduate Theses, Dissertations, and Problem Reports (ETD)

Pedagogical research on African music and dance practices have conventionally focused on ways in which styles and traditions are taught including, but not limited to, modes of transmission, curriculum structure, and cultural responsiveness. These investigations, and subsequent applications, have contributed towards a deeper understanding of pedagogical structures as related to cultural context and effective modes of teaching and learning African music. At the same time, the impact that space and locality play within African music and dance instruction, particularly as related to learning experiences have been largely overlooked. Locality and space involve several factors that range from elements attributed to …

Song Analysis - Final Project For The American Musical Experience, Agustina Checa

Open Educational Resources

Assignment designed as a final project for the undergraduate course MSH245: The American Musical Experience at Lehman College. This course surveys different musical expressions that emerged in the United States as well as the historical, social and technological contexts framing their popularization.This assignment asks students to analyze a song of their choosing performed by an American artist and to follow specific requirements in their study of this piece which include: historical and social contextualization, analysis of style, influences and lyrics, as well as the elaboration of a "listening guide" to fully appreciate the composition. Students are given the …

Buddhist Music As A Contested Site: The Transmission Of Teochew Buddhist Music Between China And Singapore, Jie Zhang

Yale Journal of Music & Religion

In the Chaozhou City Gazetteer of Buddhism & Chaozhou Kaiyuan Monastery Gazetteer published in 1992, the then Abbot of the Kaiyuan Monastery, Shi Huiyuan 释慧原 heavily condemned the Qing Dynasty (1644–1911) monk Shi Kesheng 释可声 (date unknown) for "starting the sins among laities in the Chaozhou region who dared transgressing (the Buddhist doctrines) and became chant leaders in a flaming mouth ceremony.” Why was the Abbot so upset with a fellow monk back in history? What did Kesheng do, and what were the implications of him starting this "transgression"? This article investigates the history of the international traffic of Buddhist …

La Fiesta Del Espiritu Santo: An Original Work For Choir, Soloists, And Small Ensemble Influenced By The Santeria Music Of The African-Dominican Community In The Dominican Republic, Rafael Scarfullery

Electronic Theses and Dissertations

ABSTRACT

This study examines the role of Santería music as practiced by African Dominicans in Villa Mella, a neighborhood of Santo Domingo, Dominican Republic. This musical tradition comes from the culture and religion of the Yoruba people who were brought as slaves from Africa, and features complex drum rhythms and call-and-response chants. This paper deals with the historical and social context of Santería music within the Dominican Republic, but its principal objective is to adopt the musical language of this tradition and use it to create a new contemporary work for mixed choir and small ensemble.

One of the most …

Music Of The Divine: Interweaving Threads Connecting Contemporary Chant-Based Piano Repertoire, Jeremy D. Duck

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The purpose of this document is to prove chant remains an important source of inspiration among living composers, and, despite the number of piano works already incorporating chant, composers today are still finding unique ways to include chant in their music. To achieve this objective, representative works have been selected for research and analysis for four of the major chant traditions. Connor Chee’s The Navajo Piano, Victoria Bond’s Illuminations on Byzantine Chant, and Hayes Biggs’ E.M. am Flügel: Poem-Étude for Piano Solo, though the chants from which they are inspired are diverse in concept and style, they …

Music Making In Iran From The 15th To The Early 20th Century, Amir Hosein Pourjavady

Music & Performance in Muslim Contexts

Music Making in Iran looks at the change and evolution of music in Iran from both social and theoretical perspectives.

Amir Hosein Pourjavady scrutinises the emergence and development of modal entities, rules for modulation, the formation of court repertoires, the progress of rhythmic structures, vocal and instrumental genres and forms of composition. Through this lens, Hosein investigates how Iranian music has been impacted by Western influence, socio-political developments and contact with other musical cultures.

Based on primary sources, the book reveals many new discoveries in its examination of music making during this period, including its centres of patronage, the social …