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Music And The Migrant: A Transnational Account Of Cumbia, Irene L. Mekus 2016 Augustana College, Rock Island Illinois

Music And The Migrant: A Transnational Account Of Cumbia, Irene L. Mekus

Audre Lorde Prize

This paper looks into the cultural synthesization and the transnational ties of cumbia between Latin America and the United States. Three case studies look at the story of migrants and their transnational ties through cumbia and are analyzed through an ethnomusicology framework.


Missa Yielu: Music In The Dagara Mass, Karin Rau 2016 Liberty University

Missa Yielu: Music In The Dagara Mass, Karin Rau

Masters Theses

This paper explores the music of Dagara Masses in Ghana. The Dagara people are defined and described according to the geography of their land and linguistic dialects spoken in the region. A discussion of cultural indicators highlights traditional occupations, family structure, and social practices. Dagara musical practices are outlined by function and include descriptions of instruments and how they are played. Examination of indigenous religious beliefs describe the behaviors, values, and symbols that permeate Dagara life. A summary of the Dagara's encounter with Christianity sets the scene for present-day celebrations of the Mass. Through observation and interview, research was conducted …


The Gĩkũyũ Mũtũrĩrũ: Preserving A Piece Of Kenya's Agrarian Past Through Flute Music, Jennifer LaRue 2016 Liberty University

The Gĩkũyũ Mũtũrĩrũ: Preserving A Piece Of Kenya's Agrarian Past Through Flute Music, Jennifer Larue

Masters Theses

The Agĩkũyũ people of Kenya are one of the largest people groups in Kenya. However, systematic repression of Gĩkũyũ culture led to many traditional elements being forgotten, put aside, if not lost completely. The mũtũrĩrũ, a bark flute used when herding and in certain ritual dances, was one such element. The mũtũrĩrũ was initially a temporary instrument, which evolved into more permanent bamboo versions. These may have between two and six finger holes. Another version, called a "spider web mũtũrĩrũ" has no finger holes but has a paper membrane over one end to create a buzzing timbre effect. Research was …


Graverobber, Individualized Chorus: The Greek Chorus Reinterpreted In Repo! The Genetic Opera, Grace Markulin 2016 Cleveland State University

Graverobber, Individualized Chorus: The Greek Chorus Reinterpreted In Repo! The Genetic Opera, Grace Markulin

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

The rock opera film Repo! The Genetic Opera (2008) provides its audience with details regarding the film’s setting and perspectives on the morality of the film’s plot through the character Graverobber, whose sung dialogue expresses this information. Graverobber’s penchant for scene-setting and moralizing within the film classifies the character as a Greek chorus according to the parameters of the Greek chorus in antiquity and modern interpretations of the chorus in twentieth-century musical theater, but the character’s visual distinctiveness, preexisting relationship with an established character, and prominent use of solo vocal lines throughout his sung dialogue demonstrates a degree of individuation …


Hex Workers: African American Women, Hoodoo, And Power In The Nineteenth- And Early Twentieth-Century U.S., Ann Kordas 2016 Johnson & Wales University

Hex Workers: African American Women, Hoodoo, And Power In The Nineteenth- And Early Twentieth-Century U.S., Ann Kordas

The Journal of Traditions & Beliefs

No abstract provided.


Eliciting Acts As Cultural Reflectors In Wole Soyinka's Childe Internationale, Moji A. Olateju 2016 Obafemi Awolowo University Ile Ife Nigeria

Eliciting Acts As Cultural Reflectors In Wole Soyinka's Childe Internationale, Moji A. Olateju

The Journal of Traditions & Beliefs

No abstract provided.


Mission In Evolving Cultures: Constructively Managing Music-Related Conflict In Cross-Cultural Church Planting Contexts, David R. Dunaetz 2016 Claremont Graduate University

Mission In Evolving Cultures: Constructively Managing Music-Related Conflict In Cross-Cultural Church Planting Contexts, David R. Dunaetz

CGU Faculty Publications and Research

The choice of music, an essential element of worship and church life, must be addressed in cross-cultural church planting contexts. As cultures evolve, church planters are faced with choices about musical styles that may lead to interpersonal conflicts within the church. The purpose of this study is to empirically examine factors that may enable cross-cultural church planters to constructively manage music-related conflicts when they arise. Members of church plants, like all people, have various goals when entering into such conflicts. They are concerned about the content of the conflict (i.e., the musical style) and thus have content goals. They are …


The Living Dead: Anthropological Interpretation Of Rites Of Passage In Umuahia And Emure Ekiti, Oladosu O. Adebolu 2016 Obafemi Awolowo University, Ile-Ife, Nigeria.

The Living Dead: Anthropological Interpretation Of Rites Of Passage In Umuahia And Emure Ekiti, Oladosu O. Adebolu

The Journal of Traditions & Beliefs

No abstract provided.


African And African-Influenced Sacred Music, Suzanne Flandreau 2016 Center for Black Music Research

African And African-Influenced Sacred Music, Suzanne Flandreau

The Journal of Traditions & Beliefs

No abstract provided.


2017 Call For Submissions, Regennia N. Williams 2016 The RASHAD Center, Inc.

2017 Call For Submissions, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


Acknowledgments And Disclaimer, Regennia N. Williams 2016 The RASHAD Center, Inc.

Acknowledgments And Disclaimer, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


An Illustrated Introductory Note, Regennia N. Williams 2016 The RASHAD Center, Inc.

An Illustrated Introductory Note, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


Table Of Contents, Regennia N. Williams 2016 The RASHAD Center, Inc.

Table Of Contents, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


From John S. Mbiti To Jacob K. Olupona: A Literary Journey In Review, Regennia N. Williams 2016 The RASHAD Center, Inc.

From John S. Mbiti To Jacob K. Olupona: A Literary Journey In Review, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


Table Of Contents, Regennia N. Williams PhD 2016 Initiative for the Study of Religion and Spirituality in the History of Africa and the Diaspora

Table Of Contents, Regennia N. Williams Phd

The Journal of Traditions & Beliefs

No abstract provided.


Souvenir Program Booklet For The Women And Spirituality Symposium, Regennia N. Williams PhD, Patricia A. F. O'Luanaigh MA 2016 Initiative for the Study of Religion and Spirituality in the History of Africa and the Diaspora

Souvenir Program Booklet For The Women And Spirituality Symposium, Regennia N. Williams Phd, Patricia A. F. O'Luanaigh Ma

The Journal of Traditions & Beliefs

No abstract provided.


We Gon' Be Alright, Joel R. Weltzien Mr. 2016 University of Montana, Missoula

We Gon' Be Alright, Joel R. Weltzien Mr.

Undergraduate Theses, Professional Papers, and Capstone Artifacts

Music is an art form linked to identity, both of the self, and of one’s role in culture and society. In many social movements, music has been one of the tools used to unite a group in its message by allowing individuals to express themselves via a larger social unit. My presentation uses anthropological theories to examine this phenomenon through one of the latest and more pressing issues in our culture, the racial conflict in the US following the killing of Michael Brown, in which an unarmed black teenager was shot and killed by a white police officer, who was …


Music For Caroline: Including Students With Autism In The Elementary General Music Classroom, Meredith B. Dayoub 2016 Columbus State University

Music For Caroline: Including Students With Autism In The Elementary General Music Classroom, Meredith B. Dayoub

Theses and Dissertations

The purpose ofthis paper is to research and analyze the history ofspecial education, special education in music, and Autism. The goal is to provide elementary general music educators with a detailed understanding ofthe history ofspecial education and ways to modify lessons to accommodate students with special needs, specifically Autism. Through an analysis of special education history and the legislation that has impacted special education, music educators may find new ways to teach students of varying learning levels. Understanding the medical definition and characteristics of Autism should help educators modify existing lessons or develop new lessons that allow all students, including …


Bill Monroe And Czech Bluegrassers: Imagination And The Production Of Place In Music, Lee Bidgood 2016 East Tennessee State University

Bill Monroe And Czech Bluegrassers: Imagination And The Production Of Place In Music, Lee Bidgood

ETSU Faculty Works

Journal Summary: Bluegrass and Old Time Country Music: Buried Roots is a collection of articles by noted country music scholars Wayne Daniel, James Akenson, Gregory Hansen and Lee Bidgood. This is a special publication of the International Country Music Journal, an extension of the International Country Music Conference held annually at Belmont University in Nashville, Tennessee.


Music As Narrative In American College Football, John M. McCluskey 2016 University of Kentucky

Music As Narrative In American College Football, John M. Mccluskey

Theses and Dissertations--Music

American college football features an enormous amount of music woven into the fabric of the event, with selections accompanying approximately two-thirds of a game’s plays. Musical selections are controlled by a number of forces, including audio and video technicians, university marketing departments, financial sponsors, and wind bands. These blend together in a complex design that offers audible and visual stimulation to the audience during the game’s pauses. The music chosen for performance in these moments frequently communicates meaning beyond entertainment value. Selections reinforce the game’s emotional drive, cue celebrations, direct specific audience actions, and prompt behaviors that can directly impact …


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