Ethnomusicology Commons^™

Fan The Flames: Encouraging Local Expressions Of Christian Worship In A La Paz Church Community, Stephanie Cook

Masters Theses

When the members of a church in La Paz participated in a songwriting and arranging workshop, along with corresponding research into perspectives on local music used in worship, the results were mixed. An analysis of the songs used in the church’s worship shows a predominance of imported, predominantly Western or Western-styled songs. Similarly, observations of worship events in the church do not incorporate any local rhythms or instruments, even though there are musicians in the church who are skilled in Bolivian styles of music. While there is an interest by musicians and leadership in the church for locally written worship …

Grit & Ghetto: American Pop Music From The '90s To The '00s, Ernest M. Oleksy

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

Since music became easily accessible through technological advances, the industries progression has been largely dictated by the preferences of middle-class, adolescent Caucasians. When bearing this in mind, the prevalence of pop music that was either made or inspired by African American influences, particularly from an urban setting, or that invokes the persona of the white, suburban "rejects", like Nirvana, becomes an interesting inquiry. This article charts how both members and pretenders of the seemingly unpopular subgroups of black "ghetto" city-folk and awkward, friendless scruffy white males has led to some of the most critically-acclaimed and popularly adored genres of music …

Bastin, Glen (Fa 1241), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1241. Collection of 38 cassette tapes featuring Glen Bastin's regional public affairs syndicated radio program, "Pondering Kentucky: The Magazine." A contents list was prepared and appears at the end of this finding aid.

The Role Of Music In Worship Among Deaf Culture Christianity, Mallory Ruth Dunn

Masters Theses

Throughout the Word of God, we are called to worship our Creator through music. "Shout for joy to the Lord, all the earth, burst into jubilant song with music; make music to the Lord with the harp and the sound of singing, with trumpets and the blast of the ram's horn--shout for joy before the Lord, the King" (Psalm 98: 4-6 [NIV]). It has been said that music is a universal language: but all cultures use it differently and therefore it is not a universal language but a universal phenomenon. What about the individual who cannot hear the music or …

Finding Identity Through Irish Music In The Appalachian Mountains, Marina Delores Rayl

Masters Theses

The Appalachian Mountains are filled with remnants of Scot-Irish heritage. The music found in this region includes bluegrass, Old-time, and country music, all created from the blending of Scottish and Irish traditional music with other ethnic sounds. Despite these music variations, traditional Irish music has remained consistent in its original form in the mountain region. This concept is supported by the popularity of two key events occurring in both the northern and southern sections of the Appalachians. Through fieldwork and personal interviews, the rationales of those who participated were discovered. The research brought to light three people sub-groups revealing the …

“I’Ve Always Identified With The Women:” How Appalachian Women Ballad Singers’ Repertoire Choices Reflect Their Gendered Concerns, Sara Lynch-Thomason

Electronic Theses and Dissertations

This thesis explores how contemporary Appalachian women’s gendered experiences influence their choices of ballad repertoire. This inquiry is pursued through a feminist analysis of interviews with six women ballad singers from Madison County, North Carolina. In evaluating the women’s choices of ballads and their commentary on the songs, this thesis draws upon narratological theories as well as concepts from Appalachian traditional music studies.

This study finds that women’s repertoire preferences reveal contemporary female concerns for physical safety and political agency. The singers also extract hidden transcripts from ballad texts and use ballads to educate audiences about women’s historic oppression. However, …

Schulman, Steven A. (Fa 1227), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1227. Student paper titled “The Preacher’s Just Like a Grasshopper: A Study of a Kentucky Song Maker” in which Steven Schulman details the life of Howess Dewey Winfrey, a song-maker from Cumberland County. Schulman collected folk songs and performances from Winfrey over the course of two months. His fieldwork revealed that Winfrey was a creator of satirical tunes, which were influenced by his childhood, his experiences with the Church of the Nazarene, his time spent as a logger, his relationships with family and friends, politics, and land ownership. The paper includes excerpts from …

"Sounding The Nile" In Nubian Musical Expression, Regan L. Homeyer

Shared Knowledge Conference

Nubians are indigenous peoples of the Nile River Valley whose ancient civilization parallels that of ancient Egypt. In 1964, 50,000 Egyptian Nubians were removed from their homeland along the Nile because of President Gamal Abdel Nasser’s initiative, the Aswan High Dam Project. With fertile lands and sacred temples doomed to inundation by the waters of what is now Lake Nassar, Nubians were resettled in government built villages that promised both preservation of culture and modern conveniences. What these riverine people received, in fact, were poorly constructed, unfinished dwellings located in the desert, more than five miles from the Nile. A …

Carlos Puebla And The People's History Of The Cuban Revolution (1956-1980), Juan Rodríguez-Cepero

LSU Master's Theses

The Cuban Revolution was one of the most important events in 20th century Latin American history. The unlikely success of revolutionary heroes such as Fidel Castro and Ernesto “Che” Guevara inspired not only similar movements throughout the region, but an entire generation of artists and musicians. One such artist was Cuban singer-songwriter Carlos Puebla. A long-time critic of Batista and his corrupt administration, Puebla set to music the ideals that the Revolution sought to build a new Cuba upon. In a country which

most of the population was illiterate until 1961, the music of artists such as Puebla served as …

Syriac Chant And The Limits Of Modality, Sarah Bakker Kellogg

Yale Journal of Music & Religion

A book review is presented for Sense and Sadness: Syriac Chant in Aleppo, by Tala Jarjour. Oxford: Oxford University Press, 2018. 250 pp. ISBN: 978-0-190-63525-1.

James Macmillan's Mass Of Blessed John Henry Newman And The Culture Of Liturgical Music-Making In The Scottish Catholic Church, Michael Ferguson

Yale Journal of Music & Religion

James MacMillan composed his Mass of Blessed John Henry Newman as a congregational setting for the visit of Pope Benedict XVI to the United Kingdom in 2010. The work was heralded as the first setting of the new English Missal translation, and MacMillan expressed hope that it would make a longer-term contribution to music-making in the Roman Catholic Anglosphere. However, in Scotland at least, Mass of Blessed John Henry Newman has not made a widespread impact. The purpose of this article is to understand why MacMillan was unable to add his setting to the body of congregational music in Scotland. …

From Organ To Gamelan: Javanese Catholic Musical Traditions In Yogyakarta, Central Java, Elizabeth Hamilton

Independent Study Project (ISP) Collection

No abstract provided.

Mda As A Research Method Of Generic Musical Analysis For The Social Sciences: Sifting Through Grime (Music) As An Sft Case Study, Monique Charles

Sociology Faculty Articles and Research

Using Grime as a case study, I employ the analytical framework I created, that is, Musicological Discourse Analysis (MDA) as a holistic mode of analysis to contextualize Grime sociologically and musicologically. This method retheorizes genre, providing a more specific, useful, and detailed musical classification system; the sonic footprint timestamp (SFT). The MDA framework provides a generic mode of musical analysis for research projects in sociology, cultural studies, and the social sciences fields. This article evaluates key musical influences in the evolution of Grime as both (i) a musical form and (ii) an analysis of influences in relation to its social …

Fragments D'Un Diari Musical, Antoni Pizà

Publications and Research

Vetllada musical al pis d'Ursula Oppens. A pesar de les connotacions vuitcentistes que pugui tenir qualsevol saló musical, Ursula no és ni una Guermantes ni una Verdurin, sinó una defensora tenaç dels segles XX i XXI. Elliott Carter, John Adams, Lutoslawski, Ligetic, etc., tots els grans compositors des segles XX i XXI li han dedicat obres, i ella, amb els seus enregistraments, alguns amb nominacions als Grammys, ha estat la gran advocada del pianisme contemporani als EUA.

Complex Personalities: An Original Composition For Virtual Wind Ensemble And An Accompanying Exploration Of The Effects Of The Internet On Music Collaboration And Composition, Chris Kamerling

Electronic Theses and Dissertations

This thesis explores the impact that the internet has had on the esprit de corps of the musical community. As a mechanism for that exploration, it also includes an original composition comprised of three character pieces. The exegesis of the piece will describe the basis of these musical representations and explore the application of the piece as a vehicle for a shared musical experience across the internet. A virtual ensemble was created by crowd-sourcing from social media. Participants played different parts that were combined by computer manipulation into a final product.

The Doyen Of Dixie: A Survey Of The Banjo Stylings Of Uncle Dave Macon, Corbin F. Hayslett

Electronic Theses and Dissertations

David Harrison Macon (1870-1952) is often memorialized for his showmanship rather than his banjo playing. To compartmentalize such a significant American musician yields a wide gap within scholarship about Macon, country music history and the banjo. Macon’s banjo playing, documented through over two-hundred and fifty recordings made between the 1920s and 1950s, represents an array of cultures, eras, ethnicities, and styles all preserved in the repertoire of one of the most prolific country musicians of the 20^th century. This study reveals Macon’s playing by considering such factors as influences that preceded his professional tenure, identifying elements within his playing …

The Creation Of Traditional African Dance/Music Integrated Scores, Doris Green

Journal of Movement Arts Literacy Archive (2013-2019)

African dances are among the oldest dance traditions in existence; their structure is uniquely different because the movement therein is inseparable from the music that governs the movements. The music is associated with the spoken language of the people, which makes it virtually impossible for outsiders to comprehend the music of different African countries. In Africa there is no dance that is not accompanied by some form of music from the voice to orchestras of different percussive instruments. For centuries the dance/music of African people has been passed between generations by a mouth to ear process. Any society that is …

Music And Conflict Resolution: Israeli-Palestinian Conflict, Teresa L. Enyart

Masters Theses

Music in relation to peace and conflict, whether constructive or destructive, has had deep and profound effects that unite people based on commonality and shared interest. The Israeli-Palestinian conflict is no different when it comes to these two dichotomies. There are those who use music for protest to either escalate conflict or use it as a social and political platform. Then, there are those who use music for resolving their differences, to promote peacemaking and peacebuilding, further unifying and embracing the diversity that’s between them. The ethnographic approach that I took in this research gives insight and a perspective to …

Bali’S “Forgotten Stepchild”: The Cultural And Sonic Vitality Of The Balinese Rebab, Mikaela Marget

Lawrence University Honors Projects

The rebab is one of the only traditional stringed instruments found on the island of Bali, Indonesia. Though it is ever-present in musical ensembles in Bali, the rebab has been consistently overlooked in scholarship of Balinese music by Western ethnomusicologists. Through participant observation, personal interviews, and library research, I explore the idea that the rebab deserves a place in the scholarship of Balinese music. In addition, I argue that the Balinese rebab not only persists in Balinese music culture as a vital object, but that it is also an active participant in shaping Balinese music culture. In this paper, I …

Music Is The "Noise Of Remembering" Tracing The Origins, Influences, And Connectivities Of West African Music, Adam Friedman

Lawrence University Honors Projects

The popularity and universal reach of music genres such as Jazz and Hip Hop attest to the idea that these forms have been long established as a vital part of global musical culture. For people who are familiar with Afrocentric music, it is clear that styles such as Jazz and Hip Hop are rooted in, and inextricably linked with, African culture and history. What is more difficult to make sense of, however, is how and why transplanted African culture came to have such wide reaching impact in the new contexts in which it was taken up – because the stories …