Ethnomusicology Commons^™

Verifying Modeling And Audiovisual Stimuli As Strategies For Mastering Guedes Peixoto's Maracatú, Rodrigo Clementino Diniz

LSU Master's Theses

ABSTRACT

Literature has been saying that auditory Modeling can be a useful tool in order to develop or broaden musical interpretive ideas. In the same way, literature ventilates that audiovisual stimuli can be applied to musicians in order to raise emotions that some scholars consider as indispensable when it comes to deliver expressive musical communications. More specifically, research in the Music Performance field points out that Modeling and Audiovisual stimuli are useful strategies in the learning process of building up a musical interpretation, both, fostering expressive tools for aiming musical performance.

This research is intended to empirically verify the applicability …

A Failure Of The Music Industry: The Frustration Of Women Of Color, Christina Estes-Wynne

Backstage Pass

Throughout the history of the music industry, women of color have not received the same recognition as their male counterparts because males have dominated the industry resulting in lack of female representation. Women have been oversexualized reducing their clout in their fields and the lack of acknowledgement of success, which discourages future generations of colored women from attempting to reach their highest potential.

The Impact Of Informal Music Learning On Fifth Graders' Music Learning Processes And Perceptions Of General Music Class, Alejandro Juarez

Music Theses and Dissertations

The purpose of this study was to describe qualitatively the learning processes and perceptions of music class that emerged in a fifth-grade general music setting in which informal music learning processes were the fundamental components of the pedagogical approach. Initial research questions aimed to examine the ways students perceived their previous music classroom, how they used music outside of school, how informal music learning strategies impacted them, and how they believed popular musicians learned music. Students in this action research study were 50 fifth graders in two classes. Data were collected using many ethnographic techniques including interviews, questionnaires, and video/audio …

They Never Stopped Rockin': A Brief History Of The Chitlin' Circuit, Mississippi, And Their Effects On America's Music, Warren Beebe

Honors Theses

This work focuses on the development of one of America's first musical tour routes: the Chitlin' Circuit. While its name may sound strange, the Chitlin' Circuit was responsible for the development of numerous distinct musical genres throughout the United States, such as blues and rock and roll in the twentieth century. Southern roadhouses, dive bars, and juke joints proudly showcased performers that gained initial fame touring with old medicine shows. As these artists gained recognition for their new musical stylings and elaborate showmanship, the owners of these local nightspots began to exchange contact information to better capitalize on these highly …

"What Is An Mc If He Can't Rap?", Dominique Jimmerson

Capstone Projects and Master's Theses

The goal of this paper is to tell about the history of hip-hop and the many lyricists who have come throughout the years and help the genre advance. The paper starts with the foundation of hip-hop and how the genre set itself apart from disco to become its own genre. It ranges from the late 70’s and ends in the mid 2000’s and describes how the landscape of rap is constantly changing and so are the lyricists who come out. Throughout the paper there will be examples of the lyrics and used and what made them revolutionary at the time. …

North Of Ourselves: Identity And Place In Jim Wayne Miller’S Poetry, Micah Mccrotty

Electronic Theses and Dissertations

Jim Wayne Miller’s poetry examines how human history and topography join to create place. His work often incorporates images of land and ecology; it deliberately questions the delineation between place and self. This thesis explores how Miller presents images of water to describe the relationship between inhabitants and their location, both with the positive image of the spring and the negative image of the flood. Additionally, this thesis examines how the Brier, Miller’s most prominent persona character, grieves his separation from home and ultimately finds healing and reunification of the self through his return to the hills. In his poetry, …

Musical And Social Trends In Twentieth-Century Colombia, Miranda Rojas

[Archive] Belmont University Research Symposium (BURS)

There has been only limited research into the musics of Latin America as a whole, and the amount of musicological investigation decreases when referring to any specific country. This presentation will provide a glimpse into the rich and diverse musical output of Colombian composers in the twentieth century. It begins with a brief overview of Latin American society and Colombian musical influences and social structures. Important Colombian composers such as Guillermo Uribe Holguín are discussed, as well as general trends in classical composition at the time. The musical output in Colombia is astounding and at least rivals, if not surpasses, …

Praise Of Mahakala, Anthony Elia

Bridwell Library Research

Praise of Mahakala is a chamber work based on the Mongolian language text of a traditional Buddhist prayer, which is scored for tenor (who will sing in Mongolian), oboe, violin, and violoncello. The work was inspired by the work of Italian scholar and sinologist Dr. F. Fiaschetti. Tempi (not indicated) may be at a pace reminiscent of the actual Mahakala chant on which the work is based.

Music As A Cultural Gateway: A Short-Term Folk Music Program In Albania, Catherine Pierattini

Capstone Collection

Folk songs have been described as a musical representation of a society’s entire culture. The field of ethnomusicology combines aspects of music and anthropology, and the study of folk music can give considerable insight into worldviews, histories, and traditions. Yet there are few study abroad program providers using this discipline as an approach to cultural analysis and exploration.

The proposed Middlebury Music Studies in Albania program would introduce diverse folk music traditions in three distinct cities, giving students the chance to learn the basics of the Albanian language, understand the historical, geographical, and social influences on the music in the …

Traditional Vs. Tagaq: Exploring The First Nations Relations In Canada Through Punk Inuk Throat Singer, Tanya Tagaq, Bridget S. Haines

Student Publications

This research essay will be situated within the throat singing traditions of the Inuit First Nations people of Canada. As both Paula Conlon’s entry in the Grove Music Refernce and Elaine Keillor’s book describe, Inuit throat singing began as a tradition for women and children to play as a game for when the men are away hunting. This tradition has evolved into quite a complex art form as Claude Charron describes in “Toward Transcription and Analysis of Inuit Throat-Games: Microstructure”. In 2005, Inuk throat singer Tanya Tagaq released her first album which began her career of a solo throat singer …

A Study Of Stambeli In Digital Media, Nneka Mogbo

Independent Study Project (ISP) Collection

This research paper explores stambeli, a traditional spiritual music in Tunisia, by understanding its musical and spiritual components then identifying ways it is presented in digital media. Stambeli is shaped by pre-Islamic West African animist beliefs, spiritual healing and trances. The genre arrived in Tunisia when sub-Saharan Africans arrived in the north through slavery, migration or trade from present-day countries like Mauritania, Mali and Chad. Today, it is a geographic and cultural intersection of sub-Saharan, North and West African influences.

La Preservación Y Evolución De La Música Tradicional Andina Y Una Modernización De La Identidad Indígena, Evan Tannenbaum

Independent Study Project (ISP) Collection

La música es una componente clave de la cultura, y en los andes la música siempre ha constituido un gran identificador y definidor del espíritu indígena y autóctona. Pero la música no es estática: es un ser vivo que cambia en conjunto con la sociedad que se representa. Por lo tanto, por estudiar la música, podemos aprender sobre la cultura y como ha cambiado—como ha transformado, modernizando con una globalización de la identidad. Entonces, en esta investigación, exploro la música indígena en los andes, hablando con músicos y musicólogos, además de leyendo y estudiando sobre la música para aprender cómo …

Stewart, Karen (Fa 1273), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1273. Student paper titled “Negro Gospel Music at Barnes Chapel Methodist Church” in which Karen Stewart describes a singular all-day “singing” held at the church in Beaver Dam, Kentucky, in February 1971. Stewart offers a brief description of her fieldwork methods including research and recording and provides an abbreviated background on each of her musical informants. Stewart also recounts the songs that were sung and notes recurrent themes throughout the music. The paper also includes the words to each hymn, a black and white photograph of the performers, and two reel-to-reel audiotapes.

Grime And Spirit: On A Hype!, Monique Charles

Sociology Faculty Articles and Research

Grime is a genre of Black British music originating from London at the turn of the twenty-first century. In this article, I explore responses to moments of Grime music making and engagement in live performance settings. I make connections between Grime, Black music streams (Lena), Black Atlantic (Gilroy) practices, the Black Public Sphere (Baker) AND how engagements at these intersections are connected to spiritual practice in the context of live performance. The power in Grime live performance settings; where the spiritual is found, connects to the sonic characteristics deployed, embodied and emotive responses and cultural practice. Spirituality, through cultural practice, …

Community Music Therapy And Participatory Performance: Case Study Of A Coffee House, Elizabeth Mitchell

Music Faculty Publications

This case study research explores the impact of a musical performance event—the Coffee House—held bi-annually at an adolescent mental health treatment facility in Southwestern Ontario, Canada. Any client or staff member is welcomed to perform at this event, which is organized by the facility’s music therapist and framed here as an example of community music therapy. Drawing upon Turino’s (2008) ethnomusicological perspective on performance, I will argue that the Coffee House’s success within this context is due to its participatory ethos, wherein success is primarily defined by the act of participation. Here, performance takes place within an inclusive and supportive …

Thompson, Elois (Fa 1258), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and scan (Click on "Additional Files" below) for Folklife Archives Project 1258. Student paper titled “Uncle Henry and the Kentucky Mountaineers” in which Elois Thompson details the life and career of “farmer, soldier, boxer, dairy-farm employee, comedian, aircraft factory employee, and hillbilly musician” Henry Green Warren. Thompson describes Warren’s childhood in Green County, his beginnings as a host on a popular radio program, and his time as a musician in several country music bands. Collection contains a draft of the original paper with the editor’s notes and the final copy of Thompson’s paper.

Meaning Beyond Words: A Musical Analysis Of Afro-Cuban Batá Drumming, Javier Diaz

Dissertations, Theses, and Capstone Projects

This dissertation consists of a musical analysis of Afro-Cuban batá drumming. Current scholarship focuses on ethnographic research, descriptive analysis, transcriptions, and studies on the language encoding capabilities of batá. However, this artistically sophisticated tradition demands a more in-depth study of its musical manufacture. Drawing from experience as a ritual batá player and as an oricha priest, I have completed the current study by following three primary analytical modalities: (1) sonic landscape, which encompasses: sound vocabulary, form, individual drum parts, and balance of musical elements; (2) timbral design, how the different batá sounds articulate meaningful and functionally distinguishable structures; (3) the …

Girl Groups In The Bronx: Race Gender And The Pursuit Of Respectability, Mark Naison

Occasional Essays

No abstract provided.

Italian Americans In Bronx Doo Wop-The Glory And The Paradox, Mark Naison

Occasional Essays

No abstract provided.

The Multiracial Bronx: A Unique Cultural Incubator In Post War America, Mark Naison

Occasional Essays

No abstract provided.