21 Modes,
2018
University of San Diego
21 Modes, Adam Bodine
Senior Thesis Compositions in Music
21 Modes
by Adam Bodine
In three movements.
Performed by Quartet Nouveau
April 19, 2018
French Parlor, Founders Hall
University of San Diego
Batya MacAdam-Somer and Missy Lukin, violins
Annabelle Terbetski, viola
Elizabeth Brown, cello
21 Modes was inspired by curiosity. I wanted to know how many scales would result from reordering the half and whole steps of the major scale. As it turns out there are 21. I composed each of the three movements to explore the sonorities of each scale. The first movement is inspired by Stravinsky’s Rite of Spring. The aggressive eighth note string texture became …
The Sunlight Cycle,
2018
Western Michigan University
The Sunlight Cycle, Michael Flynn
Masters Theses
The Sunlight Cycle is a work in four movements which evokes certain time periods within a 24-hour day. In order of number, the movements are meant to represent dawn, daytime, twilight, and night, respectively. Each movement transitions seamlessly into the next, with Mvt. 4, “Nocturnal,” transitioning back to the beginning of Mvt. 1, “Matutinal”. This cyclical nature allows for a performance of the cycle to begin with any of the four movements. Theoretically, the work can repeat indefinitely.
Musically, the work develops in three main areas: harmony, rhythm, and timbre. Harmonically, the work is tonal, featuring extended and altered triadic …
The Effect Of Post-Production On Storytelling In Narrative And Documentary Filmmaking,
2018
Liberty University
The Effect Of Post-Production On Storytelling In Narrative And Documentary Filmmaking, Natalie Pace
Senior Honors Theses
Documentaries and narrative films both tell stories in different ways. A common saying states that narrative filmmakers write one movie, shoot another, and edit a third. In postproduction, timelines are rearranged, montages are created, new dialog and voiceovers are written, and the score can alter the mood and meaning entirely. Documentaries can change even more over the course of their creation. Usually, the script of the documentary is not written until the edit, after most of the interviews and B roll have been shot. This paper examines whether documentary post-production makes more or less use of storytelling techniques than does …
Real-Time Audio-Midi Controller,
2018
California Polytechnic State University, San Luis Obispo
Real-Time Audio-Midi Controller, Brian Shino Balberchak
Computer Engineering
Most MIDI controllers used in music production use a regular keyboard to generate the MIDI notes that are sent to the synthesizer. This project aims to provide the user with a different way of generating MIDI data: by playing an instrument of their choice with a passive electronic pickup to generate MIDI notes that correspond with the fundamental frequency of the musical pitch being played. The pitch-detecting algorithm used in this application utilizes a modified form of auto-correlation.
As an embedded systems project that uses signal-processing techniques, the knowledge of topics from the following courses was essential:
EE 211: Op-Amp …
A Collection Of Three Pieces For Solo Instrument And Electronics,
2018
Western Michigan University
A Collection Of Three Pieces For Solo Instrument And Electronics, Carolyn Borcherding
Masters Theses
This collection of three musical compositions for solo instruments and electronics explores the interaction between acoustic instruments and electronic media with a specific focus on musical form. The musical form is apparent due to clear musical segmentations, and the coherence of each work is maintained by the inter-contextual relationships evident in the musical material. Each piece is divided into three parts: beginning, middle, and end. Each beginning sets up a strong relationship between the two media by using closely timed action-reaction gestures. The middle section diverges away from these reactionary gestures, while the ending then brings about a short return …
From Korngold To The Movies: Korngold's Influence On Film Scores,
2018
Gettysburg College
From Korngold To The Movies: Korngold's Influence On Film Scores, Michelle L. Grosser
Student Publications
During the 1920s, a new cultural movement called Neue Sachlichkeit (or New Objectivity) was developing in Germany and Austria. During the rise of Nazi Germany, the Neue Sachlichkeit movement protested by bringing back elements of the Romantic era in art, literature and music. One of the most recognizable composers of this time was Erich Wolfgang Korngold (1897 – 1957). Today’s listeners often hear Korngold’s concert works as being very similar to contemporary film scores; but in reality, Korngold wrote in his very distinctive harmonic and melodic style from the beginning of his career, before film scores came to be, and …
Anxiety And Alternative Facts: An Arts-Based Critical Social Improvisation Project,
2018
Lesley University
Anxiety And Alternative Facts: An Arts-Based Critical Social Improvisation Project, Rebecca Zarate, Nancy Beardall, Talaye Zarafshandardaky, Brooke Rutstein
Lesley University Community of Scholars Day
According to Grayson and Meilman (2011) the stakes are too high in current campus culture to not acknowledge the social roots of mental health issues such as anxiety, and concerns of students as related to campus safety. This arts-based, music performance project responded to concerns on campus from recent political and social events. More specifically, it aimed to explore the concept of “alternative facts” and how this idea plays with the collective concepts of truth and falsifications. It explored applications of clinical improvisation and the concept of collective anxiety as a social phenomenon expressed through arts including music, dance, and …
Concerto For Horn And Orchestra And Sofia Gubaidulina's Serialism,
2018
Louisiana State University and Agricultural and Mechanical College
Concerto For Horn And Orchestra And Sofia Gubaidulina's Serialism, Michael Paul Mitchell
LSU Doctoral Dissertations
This work is in two parts. The first is a composition for horn and orchestra by the author, using a variety of styles that I have learned while at Louisiana State University and inspired by the pieces I have played on the horn. The second part is an analysis of Sofia Gubaidulina’s works that include twelve-tone serial techniques and the devices she uses in them and how her style changed through composing these three pieces, Piano Sonata (1965), Five Etudes for Harp, Double Bass, and Percussion, and Night in Memphis composed in 1968. After these pieces Gubaidulina leaves the …
Transcribing And Editing The Selected Works Of Robert Fleming Through Sibelius Music Software,
2018
Pepperdine University
Transcribing And Editing The Selected Works Of Robert Fleming Through Sibelius Music Software, Annaleise A. Lee
Seaver College Research And Scholarly Achievement Symposium
Transcribing and Editing the Selected Works of Robert Fleming Through Sibelius Music Software
A Content Analysis Of Beginning Guitar, Electric Bass, And String Bass Method Books,
2018
Liberty University
A Content Analysis Of Beginning Guitar, Electric Bass, And String Bass Method Books, Michele Berlin
Masters Theses
Guitar instruction is an integral part of 21st-century best music education practices. This quantitative study compares six beginning guitar method books to beginning electric bass and string bass books. The books in the sample are Essential Elements for Guitar by Will Schmid and Bob Morris, Mel Bay's Modern Guitar Method Grade 1 Expanded Edition, Alfred's Basic Guitar Method by Morty Manus and Ron Manus, FJH Young Beginner Guitar Method Lesson Book 1, Belwin 21st Century Guitar Method 1 (2nd edition) by Aaron Stang, and KJOS Guitar Sessions Book 1: A Comprehensive Method for Individual or Group Study by Kevin Daley. …
2017-2018 New Music Festival,
2018
Lynn University
2017-2018 New Music Festival, Scott Wheeler, Lisa Leonard
New Music Festival
Twelfth Annual New Music Festival
- Scott Wheeler, Composer-in-Residence
- Lisa Leonard, Director
Friday, January 19, 2018 at 7:30 pm
- Spotlight I: Young Composers
Saturday, January 20, 2018 at 1:00 pm
- Master Class with Scott Wheeler
Sunday, January 21, 2018 at 4:00 pm
- Spotlight II: Scott Wheeler
Commissioned Work
Nightingale: Scenes from a Ballet by Scott Wheeler. The full score is displayed in the Creative Works collection.
In Old Bruges: Two Pieces For Chromatic Carillon,
2018
Western Michigan University
In Old Bruges: Two Pieces For Chromatic Carillon, Emmanuel M. Dubois
Emmanuel Dubois Compositions
Op. 15/54: 1 score (iii + 6 pages) ; includes foreword
The two carillon pieces Op. 15/54, "In Old Bruges", are written for a non-transposing chromatic 48-bell instrument, ranging from c3 to c7, where c#3 is omitted, or, in organ notation, ranging from c to c4, where c# is omitted.
Movements:
- Prelude – Sunday market (Three-part canonic palindrome)
- Allegretto – Promenade
The Eleven Days Of Christmas: An Analysis Of And Conductor's Guide To Alfred Reed's Russian Christmas Music,
2018
University of Northern Iowa
The Eleven Days Of Christmas: An Analysis Of And Conductor's Guide To Alfred Reed's Russian Christmas Music, Logan Vander Wiel
Graduate Research Papers
In 1944, twenty-three-year-old Alfred Reed, staff arranger and copyist for the 529th Army Air Corps Band in Atlantic City, NJ, was invited to participate in a special concert in Denver, Colorado. There, a select group of musicians from several of the leading wind bands from across the country planned to premiere works by both American and Russian composers with the goal of strengthening relations between the United States and the Soviet Union. Roy Harris organized the event, programming a transcription of a movement from his sixth symphony, titled "Gettysburg," as the American work. 1 The Russian work was to be …
Compositional Craft And Theory Across Tonal Languages,
2018
Colby College
Compositional Craft And Theory Across Tonal Languages, Liam Butchart
Honors Theses
This paper accompanies Liam Butchart's senior honors voice recital and his composition for the Colby Symphony Orchestra, Genevan Overture. The essay examines how form and cadence, two integral components of compositional craft, have been utilized by composers who either were included in the voice recital or were major influences on the composition. Specifically, the paper analyzes how different composers end their musical sentences similarly and differently through the lens of structurally-relevant cadences.
Lake Pleasant,
2018
Butler University
Lake Pleasant, Ryan Blauvelt
Graduate Thesis Collection
Lake Pleasant, a work for wind ensemble, receives its title from the composer’s memories of visiting a cottage on a small lake that straddles the border of Indiana and Michigan. The primary influence of the piece derives from the howling sound produced by the echoes of traffic noise one hears while standing on the opposite side of the lake in the quiet of night. The recollection of this soundscape takes the musical form of nine clarinets spread throughout the audience accompanied by pairs of flutes, oboes, saxophones, trumpets, and a single piccolo. While the placement of performers in the audience …
Examining The Irish Art Song: Original Song Settings Of Irish Texts By Irish Composers, 1900-1930.,
2018
Technological University Dublin
Examining The Irish Art Song: Original Song Settings Of Irish Texts By Irish Composers, 1900-1930., David Scott
Masters
Throughout the second half of the nineteenth century, arrangements of Irish airs were popularly performed in Victorian drawing rooms and concert venues in both London and Dublin, the most notable publications being Thomas Moore’s collections of Irish Melodies with harmonisations by John Stephenson. Performances of Irish ballads remained popular with English audiences but the publication of Stanford’s song collection An Irish Idyll in Six Miniatures in 1901 by Boosey and Hawkes in London marks a shift to a different type of Irish song. This was a move away from the typical ‘Irish ballad,’ towards original art song settings of Irish …
Overgrown,
2018
Butler University
Overgrown, Tori C. Ovel
Graduate Thesis Collection
OVERGROWN discusses the music elements found in the thesis composition of the same name.
OVERGROWN was written for soprano solo, flute, bass clarinet, soprano saxophone, baritone saxophone, trumpet, trombone, vibraphone, percussion, cello and double bass. The text was written by Matthew Raymond Smith.
On The Presence Of Christ,
2018
Butler University
On The Presence Of Christ, William A. Peacock
Graduate Thesis Collection
On the Presence of Christ is a musical work for septet (three strings, three winds, percussion) exploring Christ’s presence throughout all time as described in Scripture, wherein the individual movements are thematically grounded and arranged from ancient past to coming future. “In the Beginning” is based on Genesis 1:1-2 and John 1:1-5; “At the Throne” is based on Revelation 4:2-11; and “With His Saints Forever” is based in Revelation 21:1-5a and 22-23. I use these chosen Scriptures to guide my musical exploration, allowing my reflections and perspectives on them to give this music its substance and form My hope is …
An Analysis And Performance Guide Of Steve Reich’S Mallet Quartet,
2018
University of Kentucky
An Analysis And Performance Guide Of Steve Reich’S Mallet Quartet, Francisco S. Perez
Theses and Dissertations--Music
Steve Reich’s music has had a profound effect on the contemporary percussionist’s repertoire. More recently, his Mallet Quartet (2009) has been one of the most performed works in the rising genre of mallet-keyboard quartets, which was featured in Third Coast Percussion’s 2017 Grammy-winning album Third Coast Percussion | Steve Reich. With Mallet Quartet, Reich codified this type of ensemble into the contemporary repertoire of percussion as evidenced through current commissions in progress by groups such as Sō Percussion and Third Coast Percussion.
The purpose of this document is to delineate the trajectory (past and present) of the mallet-keyboard …
My Eyes Due See,
2018
Virginia Commonwealth University
My Eyes Due See, Johannes J. Barfield
Theses and Dissertations
My Eyes Due See is a multidimensional examination of the “black experience” in America. The installation is composed of a single-channel video, a music composition that utilizes music samples and live instrumentation, and sculptures made up of car parts and broomsedge grass. Each of these elements arranged in space share a nuanced and complicated view of blackness through the lens of a black man decoding personal history and American history simultaneously. Autonomy is the overarching theme throughout the work as it pertains to race, identity, urban and rural environments, and the relationship between generational trauma and nostalgia.
