Cultural History Commons^™

The Bound "Giddy Multitude": Runaway Indentured Servants Convicts And Slaves In Colonial Virginia, Nicole K. Dressler

History Theses & Dissertations

This thesis explores the social, political, and cultural significance of escaped indentured servants, convict servants, and slaves in colonial Virginia. By analyzing judicial records, letters, diaries, independent documents, and particularly, runaway advertisements, researchers can develop a clearer understanding of bondsmen's activities and identities while gaining valuable insight into the relationship between masters and laborers. As a key group of defiant laborers, runaway servants and slaves engaged in powerful acts of resistance that exposed the precarious nature of the colony's social order and added to planters' worries over labor management and colonial affairs, facilitating Virginia elite's participation in the movement for …

Review Of The Frontier Newspapers And The Coverage Of The Plains Indian Wars By Hugh J. Reilly, Kyle Carsten Wyatt

Great Plains Quarterly (through 2013)

As a community of scholars, we need to ask more from books like this. Despite a topic ripe with fruitful and compelling potential, Reilly's approach to newspaper coverage of the Plains Indian Wars lacks rigor, nuance, and engagement with contemporary critical conversations.

Reilly, a communications professor at the University of Nebraska at Omaha, discusses eight "watershed events," from the Great Sioux Uprising in 1862 to the Wounded Knee Massacre in 1891. Newspapers throughout the United States, indeed the world, reported on these conflicts. The coverage that appeared in national publications, such as the New York Times and the Chicago Tribune …

Review Of Native American Drama: A Critical Perspective By Christy Stanlake, Julie Pearson-Little Thunder

Great Plains Quarterly (through 2013)

Understanding Native American drama requires a critical perspective often lacking in theater and academia. Christy Stanlake's book helps remedy this problem with a two-fold strategy. First, she identifies four Native-authored discourses generated in part by the study of American Indian fiction and poetry. Then she applies these discourses to readings from nine Native plays, showing how Native philosophies shape Native drama on the page and in performance. Stanlake explains that place, or "platiality," in western theater assumes new dimensions in Native drama, expressing complex relationships among character, language, and landscape. She examines the historical and political aspects of Native storytelling …

Review Of Playing In Shadows: Texas And Negro League Baseball By Rob Fink, Pellom Mcdaniels Iii

Great Plains Quarterly (through 2013)

One of the most underappreciated aspects of American life and history is that of black baseball. Shortly after the invention of the game, African American men began playing as an expression of their status as middle-class professionals. These particular black men had access to leisure time and the disposable income necessary to acquire the proper equipment and pay the necessary fees to participate in organized play. During Reconstruction, formerly enslaved African American men who had been introduced to the game by Union soldiers used their ability to play the game as an expression of their independence, as well as a …

Review Of Clearing A Path: New Ways Of Seeing Traditional Indigenous Art Edited By Carmen Robertson And Sherry Farrell Racette, Mary Longman

Great Plains Quarterly (through 2013)

This exhibition catalogue celebrates the rich and diverse traditional art works made by Aboriginal and Metis artists living in Saskatchewan. These works reveal the seamless historical continuum of art practice on the Plains, from antler and bone carvings and porcupine quill work to beadwork in both oldstyle geometric and abstracted symbolism and to Metis floral designs.

Review Of The Death Of Meriwether Lewis: A Historical Crime Scene Investigation By James E. Starrs And Kira Gale, James J. Holmberg

Great Plains Quarterly (through 2013)

Was the death of Meriwether Lewis at a backwoods inn on the Natchez Trace on October 11, 1809, suicide or murder? Those on the scene as well as those who knew him best, including Thomas Jefferson and William Clark, all pronounced it a suicide. But was it? Suicide stood as the accepted verdict until the 18408 when the report of the Lewis Monument Committee suggested it was murder. No evidence was given, but once the possibility was raised it grew in popularity and acceptance. Relying on evidence and emotion to reach a conclusion, the two sides in the suicide vs. …

Review Of Julius Seyler And The Blackfeet: An Impressionist At Glacier National Park By William E. Farr, Alexandra Ganser

Great Plains Quarterly (through 2013)

The turn from the nineteenth to the twentieth century saw the conclusion of the Great Northern Railway (1893) and the birth of Glacier National Park in Montana (1910), two events so tightly interrelated through the family of railroad tycoon James J. Hill and his son Louis W. Hill that they would come to be automatically associated in the minds of many twentieth-century Americans-especially the prospective middle-class tourists from the metropolitan East who were following the Hills' promotional exhortation to "See America First" and experience a tamed version of western wilderness at Glacier Park: outdoor adventure and close contact with what …

Review Of Spirit Matters: Ron [Gyo-Zo] Spickett, Artist, Poet, Lay-Priest By Geoffrey Simmins, Leslie Dawn

Great Plains Quarterly (through 2013)

Most surveys of modernist art in the Canadian prairie provinces in the 1960s focus on the annual Emma Lake Workshops. These gatherings brought prominent avant-garde artists such as Barnett Newman and Kenneth Noland to Saskatchewan and introduced the controversial American critic Clement Greenberg and his ideas on the development of purity, abstraction, and flatness in painting. Yet not all prairie artists who thought of themselves as modernist followed this path. Many of them have been excluded from published histories.

One such artist is Ron Spickett, the subject of a recent retrospective exhibition curated by Geoffrey Simmins. Simmins's complementary book covers …

Review Of Historic Photos Of Nebraska Text And Captions By Ted Stryker, Charles A. Braithwaite

Great Plains Quarterly (through 2013)

One of the salient features of Great Plains Quarterly is its inclusion of an extensive array of illustrations, maps, and photographs along with most articles. These images are meant to enhance their essays and enrich the reader's understanding of their contexts. Occasionally, pictures say so much that one wishes for more photographs and less text. That's not a weakness of Historic Photos of Nebraska, which contains 192 photographs in its 216 pages.

This is Turner Publishing's second book focused on the region's photographs; the first was Jeffrey Spencer's Historic Photos of Omaha (2007). Using images selected from the Boys …

Review Of Hancock's War: Conflict On The Southern Plains By William Y. Chalfant, Steven C. Haack

Great Plains Quarterly (through 2013)

Major General Winfield Scott Hancock headed west from Fort Riley in late March of 1867, well prepared to engage the Cheyennes in western Kansas. Seven companies of infantry, eight of cavalry, and an artillery battery accompanied him. A man with political ambitions, he also brought the press along to publicize his efforts. Hancock had neither knowledge nor curiosity about the culture of the people he sought. He wanted to fight them. "I think it would be to our advantage to have these Indians refuse the demands I intend to make, a war with the Cheyennes would answer our purpose."

Traveling …

Review Of Native American Performance And Representation Edited By S. E. Wilmer, T. Christopher Aplin

Great Plains Quarterly (through 2013)

Modern Native American artistic performances originated in the widespread North American ceremonial complexes that combined community-based oral tradition and musical practice with the visual performative arts. Growing out of a 2002 "Ritual and Performance" workshop hosted by editor S. E. Wilmer, Native American Performance and Representation illuminates the links that bind American and Canadian Indigenous traditions to their correlate modernities, their diverse ceremonial rituals to expressive artistic performances. This edited volume casts its net broadly, attempting to "review and assess the changing nature of Native performance strategies in a multicultural society." But it essentially focuses on post-1960s theatrical performances and …

Great Plains Quarterly Volume 31 / Number 2 / Spring 2011

Great Plains Quarterly (through 2013)

Contents

Book Reviews

Book Notes

Notes and News

Acting For The Camera Horace Poolaw's Film Stills Of Family, 1925-1950, Hadley Jerman

Great Plains Quarterly (through 2013)

During the late 1920s, American technology historian Lewis Mumford drafted these words in a manuscript that would become Technics and Civilization. At the same time, Kiowa photographer Horace Poolaw began documenting daily life in southwestern Oklahoma with the very technology Mumford alleged altered the way humanity saw itself. As Poolaw began making dramatically posed, narrative-rich portraits of family members, Mumford asserted that the modern individual now viewed him or herself "as a public character, being watched" by others. He further suggested that humankind developed a "camera-eye" way of looking at the world and at oneself as if continuously on display. …

Some Thoughts On "Taking" Pictures Imaging "Indians" And The Counter-Narratives Of Visual Sovereignty, Morgan F. Bell

Great Plains Quarterly (through 2013)

Soon after its inception the camera became the primary vehicle for producing images of Native Americans. Without question, late nineteenth and early twentieth-century images of Native Americans have been integral in forming the stereotypical ideal of "Indian." For many imaginations, these images have frozen North America's indigenous people, not only in a timeless past but, in essence, outside time. This essay examines photographic images that illustrate this phenomenon and some that dismantle it. The fact that indigenous people picked up the camera long ago to commission and produce their own images, although long overlooked, is a topic that has received …

The Grizzly, March 31, 2011, Katie Callahan, Tim Jordan, Sara Hourwitz, Jarod Groome, Lisa Jobe, Eva Bramesco, Katie Haldeman, Julia Fox, Jessica Orbon, Sarah Bollert, James Shelton, Sean Miller, Kyu Chul Shin, Anna Larouche, Shane Eachus, Christopher Michael

Ursinus College Grizzly Newspaper, 1978 to Present

SIFE Wins Regionals for Second Year in a Row • Career Webinar Series Comes to Ursinus College • Director Domenick Scudera Presents Two Woody Allen Plays • John Prendergast Talks About Human Rights • "The Vagina Monologues" • Culture Shock While Studying Abroad in Spain • Internship Spotlight: Bob Wise • Opinions: Response to a Past Article; Give Artist a Break; United Nations Take Action Against Gaddafi; It's More Than Fruit: Rant About Women Power • Ursinus Community Celebrates Ground Breaking

The Civil War Centennial: Inspiration For The Civil Rights Movement?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I read Richard Williams' Old Virginia Blog, not because I agree with what he has to say but explicitly because it gets me so corking mad. Interspersed with tea party rants and modern political diatribes, Williams is an interesting (and sometimes frightening) voice of modern Confederatism and Southern exceptionalism.

Naccs 38th Annual Conference, National Association For Chicana And Chicano Studies

NACCS Conference Programs

Sites of Education for Social Justice
March 30-April 2, 2011
The Westin Pasadena

"...The Way Things Were Back Then": Why Making Excuses For Slavery Doesn't Work, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Presentism. Aside from historical revisionism, it is perhaps the 'epithet' with which the modern historian find themselves branded the most. I've been reading again a series of screeds by Bill Vallante, a Confederate reenactor and SCV member from Commack, NY (thanks to John Hennessy). I've read these pages before, but this time around was struck by the abject vitriol which oozes from the language employed. A line in one piece in particular stood out to me as quite angry:

"Add a heavy dose of presentism (judging or interpreting the past according to the standards of the present), mix thoroughly and …

The Grizzly, March 24, 2011, Katie Callahan, Brett Cohen, Jessica Orbon, Nikhil Popat, Lisa Jobe, Dixon Speaker, Kristen Wampole, Eva Bramesco, Allison Nichols, Sarah Bollert, Traci Johnson, Fran Macera, Anna Larouche, Kyu Chul Shin, Thomas Nucatola, Nick Pane, Sara Hourwitz

Ursinus College Grizzly Newspaper, 1978 to Present

Phi Kappa Sigma Wins Airband 2011 • Music Department Visits Ireland During Spring Break • Students Give Back Through Philadelphia Reads Program • Former U.S. Poet Laureate Robert Pinsky Speaks • "Playing Favorites" with Bobbi Block • UC Community Comes Together to Break Ground for New Stadium • Planned Parenthood No Longer Able to Provide Services • Jamaica Welcomes Bonner Leaders for Spring Break • Junior Jumpstart • Diversity through Film • Theater Review: "Playing Favorites" • Opinions: Japan Equipped to Rebuild after Natural Disaster; Facing Segregation in the 21st Century Through Campus Programs • Women's Lacrosse Looks for Return …

The Rebel Flag: Offputting Symbol Or Point Of Pride?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

In 2004, Gettysburg College hosted an art exhibit by John Sims, a Florida based artist and ethnomathematician. The exhibit focused on varied recolored versions of the Confederate Flag. The press outrage was quick and damning. I should know, I was quoted in it (in the Civil War News).

Back in 2004, I called the exhibit, "sickening," and condemned the college for, "trying to distance itself from the town by rejecting the Civil War past in which it is steeped." I was wrong. I figured that out no sooner than passing through the doors of the art gallery and viewing …