Cultural History Commons^™

“Another Triumph For Jonathon—Biggest Reptile In The Universe”, Frances Skeirik

History First-Year Seminar Research

“Another Triumph for Jonathan- Biggest Reptile in the Universe” was published in Judy Newspaper on May 17th, 1882. In this cartoon, Uncle Sam sits back complacently in his rocking chair while this huge sea monster from the United States swims ashore of another country. On the beast is written “American Feniansim”. Looking even closer in the hand of this sea monster is a knife with the word “Assassination” written upon it. Lastly, ashore of the other country is a man holding a lasso in hopes of catching this monster but he is having no luck whatsoever due to the size …

“Looking Backward”, Flor De Liz Regalado

History First-Year Seminar Research

“Looking Backwards”, the controversial cartoon from Puck Magazine, was published on January 11, 1893. Composed by the founder of Puck Magazine himself, Joseph Keppler, created the cartoon that portrays the arguable rights of foreign visitors, also referred to as immigrants. The image represents an immigrant who has stepped off of a ship and entered into a foreign land and greeted with a generous “goodbye”, by those whom once were in his position and are now successful. Behind the figures that rejected the newcomer, are shadows of themselves being casted as they were once immigrants, too.

“The Fool Pied Piper”, Elizabeth Stevenson

History First-Year Seminar Research

This cartoon entitled “The Fool Pied Piper,” that was published in Puck Magazine June 2, 1909 shows American distaste for immigration to the United States. It portrays Uncle Sam as the Pied Piper, leading rats across the ocean toward the Statue of Liberty with a pipe that is labeled “Lax Immigration Laws.” The rats are labeled “Murderer,” “Thief”, “Kidnapper,” and “Assassin.” Some rats are carrying papers that say “The Black Hand.” Meanwhile, leaders and citizens of the countries the rats are leaving are cheering the rats’ departure.

“The Balance Of Trade With Great Britain Seems To Be Still Against Us”, Eric Corral

History First-Year Seminar Research

Published in New York’s Harper’s Weekly on April 28, 1883, “The Balance of Trade with Great Britain Seems to be Still Against Us” depicts the rising tensions between immigrants, particularly Irish, coming to the United States from Great Britain. During the Great Famine (1845-1852) many Irishmen under the rule of the Crown emigrated to the United States. Tensions began to flare between both parties once the Irish nationalist group, “The Fenians,” situated in the United States, began to terrorize Great Britain. The United States felt its Irish immigrants were implicated, and Great Britain felt that the United States was allowing …

“Colonists And Convicts”, Dakota Hoskins

History First-Year Seminar Research

The “Colonists and Convicts” cartoon debuted in the British magazine called Punch in October 1864. The cartoon brings to life the bickering that occurred between the Australian colonists and the British officers. It gives off the idea that the colonists were more annoyed with the officers than the convicts themselves. The rugged Australians were fed up with being forced fed the British rulings.

“The Ignorant Vote—Honors Are Easy”, Deborah Guinn

History First-Year Seminar Research

In the New York magazine Harper’s Weekly on December 1, 1876, “The Ignorant Vote – Honors Are Easy” cartoon is showing the difference that the African American Republican vote and Irish Catholic Democratic vote played in the 1876 election between Rutherford B. Hayes, a republican, and Samuel J. Tilden, a democrat. There was a dispute on who the actual election winner was because the votes were so close.

“The First Blow At The Chinese Question”, Carlos Harris

History First-Year Seminar Research

Published as the cover story of “The San Francisco Illustrated Wasp” on December 8, 1877, “The First Blow at the Chinese Question” depicts the struggle between the American work force and the Chinese migrants. In front of a store in the middle of China Town, a protestor for the American “Working Men’s Procession” is shown punching a regular Chinese migrant man in his face. Inside the store, stands an angry crowd of Chinese migrants; behind the protestor, is more men supporting his cause against the Chinese. At first glance, the cartoon is straight forward, but there is deeper symbolism within …

“The Propagation Society—More Free Than Welcome”, Arneisha Swanson

History First-Year Seminar Research

This cartoon was published independently by Nathanial Currier circa 1855. “The Propagation Society- More Free than Welcome” reflects the Americans point of view on the Irish Catholic immigrants in 1855. In the cartoon the priest is bombarding the Americans to step aside so that they can take over all spiritual welfare. Embedded into the cartoon is a message of an anti-Catholic group the “Know Nothings” and their attempt to get rid of the Irish Catholics.

“The Chinese Question”, Bianca Palacios

History First-Year Seminar Research

Published in Harper's Weekly on February 18, 1871, The Chinese Question defends Chinese immigrants against the brutal prejudice and discrimination that they faced in America. In this cartoon by Thomas Nast, Columbia, the feminine symbol of the United States, shields the despondent Chinese man against a gang of thugs, whom she emphatically reminds that "America means fair play for all men." This armed mob whom were also immigrants consisting of Irish Americans and perhaps German Americans as well. They were very angry about the Chinese coming to America to work and they protested against the Union Draft and Lincoln's Emancipation …

Cola And Cartoons: A Showcase Of Freshman Research At Unlv, Cian T. Mcmahon

History First-Year Seminar Research

ACKNOWLEDGEMENTS: Professor McMahon and the students of his COLA 100 section wish to acknowledge the kind support this project received from the following members of the Lied Library staff:

Patricia Iannuzzi (Dean, University Libraries)

Vicki A. Nozero (Director, User Services)

Dan Werra (Media and Computer Services)

Priscilla Finley (Humanities Librarian)

In Response To Kevin: Truncated And Sliced, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There is not one program given on any Civil War battle landscape that cannot, somewhere in it's natural flow and using resource-specific elements and tangibles, discuss the cause and context of the war in a meaningful and thematically-integrated way. Period. Full Stop.

Furthermore and because of this, there is no reason or excuse not to cover the cause and context of the war in a meaningful, thematically-integrated and site-specific way in every personal services program in some manner or fashion. Period. Full Stop. [excerpt]

The Grizzly, December 6, 2012, Jessica Orbon, Sara Sherr, Larissa Coyne, Keith Miles, John Parry, Olivia Z. Schultz, Rayleen Rivera-Harbach, Jordan Demcher, Michael D'Amico, Alexa Lamontagne, Austin Fox, Andrew Feick, Lea Marano, Allen Weaver, Joey Brodsky

Ursinus College Grizzly Newspaper, 1978 to Present

Dean Addresses New Faculty Rumors • Main Street Accident Raises Crosswalk Safety Concerns • Infonet's Future Still Uncertain • New Director Plans Art Exhibits • UCARE Grants Kids' Wishes • The Ruby Tradition Continues • Best Buddies Gives Back to the Community • 75th Anniversary of the "Messiah" at Ursinus • Huang Wins a Prestigious Environmental Award • Opinion: Consider Others When Considering Vandalism; Recent Events an Opportunity to Grow • Behind the Scenes: Nienius and Peck • Basketball Teams Strong Start • Men's Basketball Falls to No. 9 F&M

Why Chinese Neo-Confucian Women Made A Fetish Of Small Feet, Aubrey L. Mcmahan

Grand Valley Journal of History

Abstract for “Why Chinese Neo-Confucian Women Made a Fetish of Small Feet”

This paper explores the source of the traditional practice of Chinese footbinding which first gained popularity at the end of the Tang dynasty and continued to flourish until the last half of the twentieth century.[1] Derived initially from court concubines whose feet were formed to represent an attractive “deer lady” from an Indian tale, footbinding became a wide-spread symbol among the Chinese of obedience, pecuniary reputability, and Confucianism, among other things.[2]^,[3] Drawing on the analyses of such scholars as Beverly Jackson, Valerie Steele …

Aa Ms 06 Home Is Where I Make It - Oral History Collection Finding Aid, Marieke Van Der Steenhoven

Search the Manuscript Collection (Finding Aids)

Description:

This oral history project was directed by Dr. Maureen Elgersman Lee, of USM, and Rachel Talbot Ross. The interviews were conducted by local high school students. The Collection includes transcripts, photographs and audiotapes from the two phases of the project, which documented African American life in the Greater Portland and Lewiston-Auburn areas.

Date Range:

2001-2003

Size of Collection:

1 ft.

Cultural Intelligence In Foreign Language Classes, Daniela Báez

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

Journeys To Others And Lessons Of Self: Carlos Castaneda In Camposcape, Ageeth Sluis

Scholarship and Professional Work - LAS

Drawing on Michel Foucault’s concept of heterotopia, this article examines the importance of place and gender within constructions of race politics in Carlos Castaneda’s series on shamanism. Championing a “separate reality” predicated on an indigenous worldview, Castaneda’s lessons invited transnational middle-class youth to "journey" alongside him to camposcape—an anachronistic and idealized countryside—as a means to escape the bourgeois values of their homelands and find spiritual fulfillment in a timeless and "authentic" Mexico. Castaneda’s work proposed new viable spaces of difference in Mexico, yet inscribed these spaces with a masculinist discourse that served to neutralize the gender trouble within the counterculture …

Zoomorphic Penannular Brooches In 6th And 7th Century Ireland, Esther G. Ward

School of Art, Art History, and Design: Theses and Student Creative Work

In this thesis the author examines the evolution, manufacture, and societal significance of zoomorphic penannular brooches, a type of metal dress fastener used in early medieval Ireland that is often decorated. The brooches examined are dated to the 6^th and 7^th centuries, during which the Irish underwent a process of religious conversion from Celtic paganism to Christianity, and social rank was paramount. It is in this social context that the brooches are examined. Despite the significance of this time of social change, brooches from this period tend to be overlooked by scholarship in favor of the more ornate …

An Undergraduate Seminar On Irish Musical Culture In Ireland And The Irish Diaspora In America, Including The Influence Of Irish Music On Appalachian Folk Music Culture, Frieda Eakins

Masters Theses

The following project establishes a concise, yet multifaceted design for a seminar on Irish musical culture. While it was initially developed as a course for its author to teach in the undergraduate, on-ground classroom, this project provides a framework adaptable enough for use by other instructors and/or for additional music seminars. This project is unique in its two-fold purpose in that the design and resources are directed to assist the instructor with streamlining course curriculum preparation, while the course content specific to the project when utilized offers students in the undergraduate college classroom a better understanding of Irish musical culture …

Christmas Dinner Menu, December, 2012 Sandos Papagayo Beach Resort Hotel, Lanzarote, Sandos Papagayo Beach Resort Hotel

Menus of the 21st Century

The 4 star Sandos Papagayo Beach Resort Hotel is located in Playa Blanca, Lanzarote and is popular with Irish tourists. This menu was contributed by Ms. Eleanor Doyle who spent her Christmas vacation at the resort in 2012.

Spielberg's Dead Wrong About The Dead; Or, The Places In The Movie Where I Cried, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I stood in front of the rostrum in the National Cemetery with my parents. They hadn't seen the movie yet. My best-friend was next to them. He hadn't seen it yet. Another compatriot joined us who had seen it, but we were definitely outnumbered in our little knot of folks within the massive crowd. As Spielberg continued speaking, I leaned in to the group. "You really need to see the movie," I said, knowing that no matter whose ears it hit the odds were it'd hit a meaningful target. [excerpt]