Cultural History Commons^™

“The Propagation Society—More Free Than Welcome”, Arneisha Swanson

History First-Year Seminar Research

This cartoon was published independently by Nathanial Currier circa 1855. “The Propagation Society- More Free than Welcome” reflects the Americans point of view on the Irish Catholic immigrants in 1855. In the cartoon the priest is bombarding the Americans to step aside so that they can take over all spiritual welfare. Embedded into the cartoon is a message of an anti-Catholic group the “Know Nothings” and their attempt to get rid of the Irish Catholics.

Cola And Cartoons: A Showcase Of Freshman Research At Unlv, Cian T. Mcmahon

History First-Year Seminar Research

ACKNOWLEDGEMENTS: Professor McMahon and the students of his COLA 100 section wish to acknowledge the kind support this project received from the following members of the Lied Library staff:

Patricia Iannuzzi (Dean, University Libraries)

Vicki A. Nozero (Director, User Services)

Dan Werra (Media and Computer Services)

Priscilla Finley (Humanities Librarian)

The Grizzly, December 6, 2012, Jessica Orbon, Sara Sherr, Larissa Coyne, Keith Miles, John Parry, Olivia Z. Schultz, Rayleen Rivera-Harbach, Jordan Demcher, Michael D'Amico, Alexa Lamontagne, Austin Fox, Andrew Feick, Lea Marano, Allen Weaver, Joey Brodsky

Ursinus College Grizzly Newspaper, 1978 to Present

Dean Addresses New Faculty Rumors • Main Street Accident Raises Crosswalk Safety Concerns • Infonet's Future Still Uncertain • New Director Plans Art Exhibits • UCARE Grants Kids' Wishes • The Ruby Tradition Continues • Best Buddies Gives Back to the Community • 75th Anniversary of the "Messiah" at Ursinus • Huang Wins a Prestigious Environmental Award • Opinion: Consider Others When Considering Vandalism; Recent Events an Opportunity to Grow • Behind the Scenes: Nienius and Peck • Basketball Teams Strong Start • Men's Basketball Falls to No. 9 F&M

In Response To Kevin: Truncated And Sliced, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There is not one program given on any Civil War battle landscape that cannot, somewhere in it's natural flow and using resource-specific elements and tangibles, discuss the cause and context of the war in a meaningful and thematically-integrated way. Period. Full Stop.

Furthermore and because of this, there is no reason or excuse not to cover the cause and context of the war in a meaningful, thematically-integrated and site-specific way in every personal services program in some manner or fashion. Period. Full Stop. [excerpt]

Why Chinese Neo-Confucian Women Made A Fetish Of Small Feet, Aubrey L. Mcmahan

Grand Valley Journal of History

Abstract for “Why Chinese Neo-Confucian Women Made a Fetish of Small Feet”

This paper explores the source of the traditional practice of Chinese footbinding which first gained popularity at the end of the Tang dynasty and continued to flourish until the last half of the twentieth century.[1] Derived initially from court concubines whose feet were formed to represent an attractive “deer lady” from an Indian tale, footbinding became a wide-spread symbol among the Chinese of obedience, pecuniary reputability, and Confucianism, among other things.[2]^,[3] Drawing on the analyses of such scholars as Beverly Jackson, Valerie Steele …

Aa Ms 06 Home Is Where I Make It - Oral History Collection Finding Aid, Marieke Van Der Steenhoven

Search the Manuscript Collection (Finding Aids)

Description:

This oral history project was directed by Dr. Maureen Elgersman Lee, of USM, and Rachel Talbot Ross. The interviews were conducted by local high school students. The Collection includes transcripts, photographs and audiotapes from the two phases of the project, which documented African American life in the Greater Portland and Lewiston-Auburn areas.

Date Range:

2001-2003

Size of Collection:

1 ft.

Cultural Intelligence In Foreign Language Classes, Daniela Báez

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

Zoomorphic Penannular Brooches In 6th And 7th Century Ireland, Esther G. Ward

School of Art, Art History, and Design: Theses and Student Creative Work

In this thesis the author examines the evolution, manufacture, and societal significance of zoomorphic penannular brooches, a type of metal dress fastener used in early medieval Ireland that is often decorated. The brooches examined are dated to the 6^th and 7^th centuries, during which the Irish underwent a process of religious conversion from Celtic paganism to Christianity, and social rank was paramount. It is in this social context that the brooches are examined. Despite the significance of this time of social change, brooches from this period tend to be overlooked by scholarship in favor of the more ornate …

Journeys To Others And Lessons Of Self: Carlos Castaneda In Camposcape, Ageeth Sluis

Scholarship and Professional Work - LAS

Drawing on Michel Foucault’s concept of heterotopia, this article examines the importance of place and gender within constructions of race politics in Carlos Castaneda’s series on shamanism. Championing a “separate reality” predicated on an indigenous worldview, Castaneda’s lessons invited transnational middle-class youth to "journey" alongside him to camposcape—an anachronistic and idealized countryside—as a means to escape the bourgeois values of their homelands and find spiritual fulfillment in a timeless and "authentic" Mexico. Castaneda’s work proposed new viable spaces of difference in Mexico, yet inscribed these spaces with a masculinist discourse that served to neutralize the gender trouble within the counterculture …

Christmas Dinner Menu, December, 2012 Sandos Papagayo Beach Resort Hotel, Lanzarote, Sandos Papagayo Beach Resort Hotel

Menus of the 21st Century

The 4 star Sandos Papagayo Beach Resort Hotel is located in Playa Blanca, Lanzarote and is popular with Irish tourists. This menu was contributed by Ms. Eleanor Doyle who spent her Christmas vacation at the resort in 2012.

An Undergraduate Seminar On Irish Musical Culture In Ireland And The Irish Diaspora In America, Including The Influence Of Irish Music On Appalachian Folk Music Culture, Frieda Eakins

Masters Theses

The following project establishes a concise, yet multifaceted design for a seminar on Irish musical culture. While it was initially developed as a course for its author to teach in the undergraduate, on-ground classroom, this project provides a framework adaptable enough for use by other instructors and/or for additional music seminars. This project is unique in its two-fold purpose in that the design and resources are directed to assist the instructor with streamlining course curriculum preparation, while the course content specific to the project when utilized offers students in the undergraduate college classroom a better understanding of Irish musical culture …

Spielberg's Dead Wrong About The Dead; Or, The Places In The Movie Where I Cried, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I stood in front of the rostrum in the National Cemetery with my parents. They hadn't seen the movie yet. My best-friend was next to them. He hadn't seen it yet. Another compatriot joined us who had seen it, but we were definitely outnumbered in our little knot of folks within the massive crowd. As Spielberg continued speaking, I leaned in to the group. "You really need to see the movie," I said, knowing that no matter whose ears it hit the odds were it'd hit a meaningful target. [excerpt]

Thanksgiving, Richard C. Crepeau

On Sport and Society

As with all American traditions, if it happened once or twice it is one. Therefore I present my traditional Thanksgiving piece. The History of Thanksgiving and of Football both go back into the Middle Ages, and so it may not be so strange that the two would become intertwined in modern America.

The Grizzly, November 15, 2012, Jessica Orbon, Sara Sherr, Rosemary Clark, Rachel Brown, Marcus Foster, Chris Rountree, Samantha Salomon, Amanda Frekot, Austin Fox, Matthew Johnston, Michael D'Amico, Rayleen Rivera-Harbach, Allen Weaver

Ursinus College Grizzly Newspaper, 1978 to Present

Website Sparks Campus Controversy • New Sculptures Share Connections with CIE Text • Underclassmen to Register on New Electronic System • Sandy Victims Still Need Aid • UCDC Fall Preview • Dr. Romano's Book • Radio City Christmas Spectacular • Commuters at UC • Opinion: Disputed Website Shows Ursinus' True Colors; It's Becoming More Popular to Follow Celebrities' Lives • Rough Time to be a Philadelphia Fan • Women's Basketball Looks to Youth for Victories • Men's Basketball Looks to Rebound

Living Fortress Of The Heart: Resonance Of Emancipation, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Jacob dragged me somewhere again. I really should learn to say, "no," because no matter where I get dragged by Jake, it always ends up wrecking my brain for months and making me obsess about some amazingly minute interpretive experience. But I'm a glutton for interpretive punishment. [excerpt]

"With High Hope For The Future": Holy Temples Of Democracy, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I did it again. I went to Pennsylvania Historical Association's annual conference (this year in Harrisburg). I always seem to be the black sheep at these gathering, focused on raw emotional meanings and the usable past far more than the broader historiographical implications of either the proverbial or actual price of tea in China. This year I went to present a paper on the knock-down, dragout brawl that Daniel Sickles and William H. Tipton have throughout 1893 over the preservation of the Gettysburg Battlefield to a room full of professional historians. [excerpt]

The Grizzly, November 8, 2012, Jessica Orbon, Sara Sherr, Dave Muoio, Keith Miles, Alexa Lamontagne, Michael D'Amico, Christine Dobisch, Austin Fox, Amanda Frekot, Courtney Scott, Larissa Coyne, Michael Klazas, Chris Rountree, Marcus Foster

Ursinus College Grizzly Newspaper, 1978 to Present

Hurricane Hits UC, Campus Evacuated • Sandy: Climate Change? • Alumni Give Back to Ursinus • Hillel Fosters an Open Community • Christmas Mall • New Faculty Members in Residence 2012 • Photography Club Returns to Campus • Henna Event in Celebration of TWLOHA Day • Opinion: Sandy Victims Deserve Respect, Support; Gender Roles Changing in America • Spotlight: Chris Rountree, Football • Men's Swimming Looks to Have Big 2012 Season • Team Preview: Women's Swimming

Attica State Correctional Facility: The Causes And Fallout Of The Riot Of 1971, Kathleen E. Slade

The Exposition

Everyone has heard the rallying cry “Attica! Attica!” These are words shouted in protest by many in the 1970s including John Lennon in his song “Attica State” in 1971 and Al Pacino in the movie “Dog day Afternoon” in 1975. But what happened at Attica State Correctional Facility in the rural town of Attica, NY in 1971 to cause the bloodiest day in American history up to that time? A prison built to be escape proof and virtually riot proof in 1931 exploded just forty years later in a violent four day riot that ended in a bloody massacre of …

Kickin’ Sand And Tellin’ Lies Performance Program, Jenaveve Linabary

Kickin' Sand and Tellin' Lies: The Play

This document is the program created for the Linfield College Theatre’s November 2012 production of Kickin’ Sand and Tellin’ Lies by Jackson B. Miller and Christopher Forrer. The play was created as part of the Launching through the Surf: The Dory Fleet of Pacific City project, which focuses on the historical and contemporary role of dory fishers and dories in the life of the coastal village of Pacific City, Oregon. Inspired by stories from the project interviews, the play is a fictional work.

The program provides details related to the production, including a cast list and short actor biographies, listings …

Prompt Book: Kickin’ Sand And Tellin’ Lies, Jennifer Layton

Kickin' Sand and Tellin' Lies: The Play

This document is the prompt book created by stage manager Jennifer Layton for the Linfield College Theatre's November 2012 production of Kickin’ Sand and Tellin’ Lies by Jackson B. Miller and Christopher Forrer. The prompt book includes ground plans with blocking diagrams that depict the movements of the actors throughout the play, notations that indicate the timing for lighting, sound, and multimedia cues called by the stage manager during performances, and administrative materials such as rehearsal schedules, lists of stage properties and costume pieces, and other documents related to the process of creating the production.