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In Contradiction With Culture: A Study Of French Vegetarians, Robert Schumaker 2016 Chapman University

In Contradiction With Culture: A Study Of French Vegetarians, Robert Schumaker

Student Scholar Symposium Abstracts and Posters

This paper examines the relationship between modern French vegetarians and the vast French culinary tradition. Historically composed of meat, dairy, and animal by-products, French cuisine is at odds with a growing trend to become vegetarian or vegan, a movement which embraces greener and more compassionate ethics. The research is divided into three sections: animal rights, ecology, and personal health, these being the most popular reasons one adopts a vegetarian or vegan diet. In each category, the French tradition is contrasted with the behaviors and thoughts of French vegans or vegetarians. The purpose of this project is to highlight how French …


Histoire Croisée As An Approach To Migrant Writing, Gijsbert Pols 2016 Technological University Dublin

Histoire Croisée As An Approach To Migrant Writing, Gijsbert Pols

CALL: Irish Journal for Culture, Arts, Literature and Language

Although commonly understood as a monolithic entity, scholars have successfully approached the idea of cultural identity in terms of relationship, reference and binary opposition during the last two decades. This approach has consequences for the study of migrant literature. It seems the widely shared idea of ‘cultural transfer’, which implies a linear movement between mutually independent cultural spaces, is obsolete. This article instead proposes the concept of the histoire croisée, developed by Werner and Zimmermann, as a more fruitful model. Following Werner and Zimmermann’s suggestion that any migrant situation can be seen as culturally ‘crossed’, the article discusses two Dutch …


Ironie Et Autoréflexivité Dans Un Dimanche Au Cachot De Patrick Chamoiseau, Olga Hel-Bongo 2016 Université Laval

Ironie Et Autoréflexivité Dans Un Dimanche Au Cachot De Patrick Chamoiseau, Olga Hel-Bongo

Présence Francophone: Revue internationale de langue et de littérature

Social pressures in Patrick Chamoiseau’s novel, Un dimanche au cachot, can be read not only in the theme of slavery, but also as a discourse on the narrative text itself, in which the essay plays an important role, and in the author’s denial of his art and status. Chamoiseau’s intention of subversion is omnipresent through parody or renunciation of all forms of excess. The offensive concerns, on the one hand, the memory of slavery as a social and historical institution transmitting values of order, hierarchy and traumatism in the minds. It concerns the whole narrative act and the relation between …


Présentation, Justin Bisanswa, Olga Hel-Bongo 2016 Université Laval/Université de Lubumbashi

Présentation, Justin Bisanswa, Olga Hel-Bongo

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Front Matter And Table Of Contents (V. 87), 2016 College of the Holy Cross

Front Matter And Table Of Contents (V. 87)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Voies/Voix Réflexives Du Discours Social Mortifère Dans L’Ombre De Baudelaire De Fabienne Pasquet, Lucienne J. Serrano 2016 York College and Graduate Center (City University of New York)

Voies/Voix Réflexives Du Discours Social Mortifère Dans L’Ombre De Baudelaire De Fabienne Pasquet, Lucienne J. Serrano

Présence Francophone: Revue internationale de langue et de littérature

Fabienne Pasquet brings to life the tragedy experienced by Jeanne Duval in 19th century Paris. Duval is portrayed as the heir of Makandour, an initiator of the Haitian revolution, and as a seductive young woman celebrated by Baudelaire, who is painted and subsequently erased by Courbet at the poet’s request. Jeanne would then have but one desire: to recapture Baudelaire’s attention and her role of muse. As part of the games that characterized this rediscovered love, Baudelaire writes his poems on Jeanne’s skin with the help of a metallic quill and thus she unconsciously relives a forgotten past where the …


Présence Francophone, Numéro 87, 2016 College of the Holy Cross

Présence Francophone, Numéro 87

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Alfred Alexandre : Écrivain « Post-Créol(Ist)E » ?, Françoise Simasotchi-Bronès 2016 Université Paris 8

Alfred Alexandre : Écrivain « Post-Créol(Ist)E » ?, Françoise Simasotchi-Bronès

Présence Francophone: Revue internationale de langue et de littérature

Alfred Alexandre’s novels Bord de canal (2004) and Les villes assassines (2011) are set in the poorest urban slums of Fort-de-France. In both novels, the marginal characters exemplify the paradoxes of a Martinican society shifwrecked under the flow of rampant globalization. Alexandre’s portrayal of a decadent urban humanity stands far from the Creole community codes as imagined by the novelists who have preceded him, and signifies his intention to break away from their recurring themes. My purpose, here, is to assess what is truly innovative in this newly labelled “post-Creole” writing. It seems that investing those markedly social and scriptural …


Portrait De L’Exclu Dans Le Lys Et Le Flamboyant D’Henri Lopes, Médard Bouazi 2016 Université Laval

Portrait De L’Exclu Dans Le Lys Et Le Flamboyant D’Henri Lopes, Médard Bouazi

Présence Francophone: Revue internationale de langue et de littérature

The author of Le lys et le flamboyant uses humor, metaphors and adjectives to represent a world in conflict, to show the impossible encounter of otherness (racial and cultural). Our contribution represents an attempt to show that this novel reflects a deep social distress, which is characterized by an environment where characters and speeches unfold a permanent contradiction. This text tries to account for the turmoil that marked the history of Africa through language as exploited by the novelist. Basically, the author makes an excluded character portrait.


Essai De Typologie Des Familles Éclatées Dans L’Oeuvre Romanesque De Calixthe Beyala, Clémentine Mansiantima Nzimbu 2016 Université Laval

Essai De Typologie Des Familles Éclatées Dans L’Oeuvre Romanesque De Calixthe Beyala, Clémentine Mansiantima Nzimbu

Présence Francophone: Revue internationale de langue et de littérature

In Calixthe Beyala’s novels, the narrators are in search of their own identity due to traumas experienced in broken families. The expression broken or shattered family (famille éclatée) is used in a broad way, pertaining to principles and responsibilities of marriage, particularly with children. The abandonment of a spouse, regardless of the motive, wounds the family unit. This study uses eight novels to examine the various configurations of families in which the place of biological parents is called into question. This study also shows that abandoned children, in the works of Beyala, cope with the absence of a parent.


Littérature Congolaise : Imaginaire Et Miroir De L’Urgence Sociale, Ngwarsungu Chiwengo 2016 Creighton University/Université de Lubumbashi

Littérature Congolaise : Imaginaire Et Miroir De L’Urgence Sociale, Ngwarsungu Chiwengo

Présence Francophone: Revue internationale de langue et de littérature

Congolese literature of urgency is the historical conscience which informs the conscience of history, a therapeutic medium which allows the reader to transcend national trauma and to articulate the future. As the foundation of the metadiscourse of Congolese realities, it is the counter-discourse of Western and national cultural domination, the erasure of the national voice, the traumatism of dictatorships, invasions, and political and social conflicts maintained. It therefore condemns theological, political domination and advocates for nationalism, the reconstruction of Congolese identity while affirming Congolese desire to auto-determine their future in a country where truth is extirpated from political euphemisms.


Quelle Modernité Congolaise ? Et Quelle(S) Modalité(S) Pour La Dire ?, Charles Djungu-Simba K 2016 Université Pedagogoque Nationale

Quelle Modernité Congolaise ? Et Quelle(S) Modalité(S) Pour La Dire ?, Charles Djungu-Simba K

Présence Francophone: Revue internationale de langue et de littérature

This study examines literary production in DR Congo especially with regard to the short story genre. This is based on the work of a generation of young writers who conceive their engagement with a literary field still under the sway of their elders as an avenue for self-assertion in a declining society portrayed through characters that find it difficult to carve a place in the sun. Their works showcase uncommon possibilities of expression that harness the virtues of economy and authenticity, suggesting the traits of what Congolese modernity should not be, given that authors seem to be more concerned with …


« Nous Avons Besoin D’Ouvrir Le Pays » : Le Développement Et Le Scénario Clef Du Point De Vue Chrétien Dans L’Espace Social Des Séries Télévisées De Kinshasa, Katrien Pype 2016 College of the Holy Cross

« Nous Avons Besoin D’Ouvrir Le Pays » : Le Développement Et Le Scénario Clef Du Point De Vue Chrétien Dans L’Espace Social Des Séries Télévisées De Kinshasa, Katrien Pype

Présence Francophone: Revue internationale de langue et de littérature

This article offers a discussion of “development” rhetoric as expressed in and around television drama in Kinshasa, capital city of the Democratic Republic of Congo. Producers (artists and pastors of Awakening Churches; some individuals are both) contend that their work will transform society, will combat the social and political crisis and will contribute to the development of the nation. Pentecostal christians embrace the melodrama because these television serials emphasize the spiritual development of the individual. I argue that the fictive representation of witchcraft relates to the Pentecostal diagnosis of the crises, and that the narrative emplotment of the TV serials …


Fabulations Ou Imaginaires Vacillants : L’Écriture De Rakotoson Et Raharimanana Entre Histoire, Mémoire Et Urgence Du Social, Ute Fendler 2016 College of the Holy Cross

Fabulations Ou Imaginaires Vacillants : L’Écriture De Rakotoson Et Raharimanana Entre Histoire, Mémoire Et Urgence Du Social, Ute Fendler

Présence Francophone: Revue internationale de langue et de littérature

The two writers from Madagascar, Michèle Rakotoson and Jean-Luc Raharimanana, fill empty memorial spaces by writing texts that vary from autobiographical mode, via the historical one, up to some elements of oral tradition with the objective to create anticipatory texts. The article analyzes the entanglement of references to reality and to fiction drawing on the notion of “fabulation” by Deleuze and of “half-knowledge” by Flahaut.


La Configuration Du Monde Social Dans Le Discours Littéraire D’Alioum Fantouré, Buata B. Malela 2016 College of the Holy Cross

La Configuration Du Monde Social Dans Le Discours Littéraire D’Alioum Fantouré, Buata B. Malela

Présence Francophone: Revue internationale de langue et de littérature

This article examines how the relation is constructed in the social space and its effects in literary discourse of Alioum Fantouré. To develop this point, we first studied the question of historicity in connection with the postcolonial paradigm says. Then we talk about aesthetics mobilized by Fantouré in his novel The Circle of the tropics (1972). The aim is to show the general nature of the approach of Fantouré. He appears as a paradigmatic case of the post-independence period in literature.


Urgence Du Social Et Dimension Utopique Du Roman Africain. Une Lecture De Pacte De Sang De Pius Ngandu Nkashama, Kasereka Kavwahirehi 2016 College of the Holy Cross

Urgence Du Social Et Dimension Utopique Du Roman Africain. Une Lecture De Pacte De Sang De Pius Ngandu Nkashama, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

This article shows how the urgency of the social in the francophone novel goes with a utopian dimension. It is suggested that if the African novel reveals the flaws and faults of the social and political body that the censorship attempts somehow to hide, if it has the power to dismantle the mechanism of violence, it also has the power to provide the vision of another possible world. Thus, the novel of disillusionment may be secretly the book of enchantment and utopia.


D’Une Altérité L’Autre. L’Énigme De L’Homosexualité Dans Le Bel Immonde De V. Y. Mudimbe, Justin Bisanswa 2016 College of the Holy Cross

D’Une Altérité L’Autre. L’Énigme De L’Homosexualité Dans Le Bel Immonde De V. Y. Mudimbe, Justin Bisanswa

Présence Francophone: Revue internationale de langue et de littérature

This study of V. Y. Mudimbe’s novel Le bel immonde is situated at the intersection of sociology and rhetoric and examines the complexity of its female character, Ya, through the question of homosexuality. Presented as a minor news item, homosexuality is constantly represented as a social, sexual and affective enigma, eliciting in the novel a synthesis of meaning which ads to discoveries and a range of considerations on human relationships. Mobile, but elusive, fleeting and ephemeral, Ya represents an irreducible alterity as well as an emblematic portrait of an individual caught between two worlds. The lover of a minister who …


Index, 2016 College of the Holy Cross

Index

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Abstracts, 2016 College of the Holy Cross

Abstracts

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Parties Annexes, 2016 College of the Holy Cross

Parties Annexes

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


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