La Circassienne: A Study Of The Female Circus Artist In French Literature,
2022
University of Massachusetts Amherst
La Circassienne: A Study Of The Female Circus Artist In French Literature, Crystal Menninga
Masters Theses
This study examines how the female circus artist is represented in twelve pieces of French literature ranging from the late nineteenth century to the modern day. The books are divided into three categories by author type: first, authors without a circus background; second, male authors involved in the circus world; and third, women involved in the circus world. Although predicted that the first section would reveal the largest use of stereotypes and misogyny, the second would show the sexist expectations of the circassienne onstage and off, and the third would call out these stereotypes and suggest improvements, there was less ...
Yeux De Lune Décroissante,
2022
University of Puerto Rico, Rio Piedras
Yeux De Lune Décroissante, Madyanis Santiago Díaz
Vernacular: New Connections in Language, Literature, & Culture
The story, titled “Yeux de lune décroissante”, is about a French orphan boy named Théodore who lives in a beautiful rural town called Indre. He lives with his grandmother, who is very loving to everyone in the village. Théodore lets his heart guide him in everything he does, which is why he is considered a special boy who is different from others because of his transcendent, sensitive heart. He meets a couple of strangers who help him accept and understand his nature and heal from his inner suffering with their love. They form a bond that lasts beyond a lifetime.
Writing Exclusionary Spaces: Myths, Tropes, And Stereotypes Surrounding The Roma In 19th- And 20th-Century French Literature,
2022
Louisiana State University and Agricultural and Mechanical College
Writing Exclusionary Spaces: Myths, Tropes, And Stereotypes Surrounding The Roma In 19th- And 20th-Century French Literature, Jade Scottie Basford
LSU Doctoral Dissertations
The “gypsy” figure has been popular in popular culture for hundreds of years – certainly since the 1600s. The figure can embody wanderlust, difference, bold sexuality, freedom, danger, and criminality. In 19th-century France, the figure’s trendiness was apparent in literature. Writers such as Victor Hugo, George Sand, Charles Nodier, and Prosper Mérimée profited from using these figures in writing. Most criticism of these works focuses on the origins of the tales or critical analyses of the narratives themselves. This research expands upon the extant scholarship to develop an overview of the usage of this figure as it moved ...
Entry Nr. 048 Un-Named Okwa Or Okoi Man,
2022
Northern Illinois University
Entry Nr. 048 Un-Named Okwa Or Okoi Man, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 007 María De Huancavelica,
2022
Northern Illinois University
Entry Nr. 007 María De Huancavelica, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 001 Illescas,
2022
Northern Illinois University
Entry Nr. 001 Illescas, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 003 Anchico,
2022
Northern Illinois University
Entry Nr. 003 Anchico, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 010 Louis Congo,
2022
Northern Illinois University
Entry Nr. 010 Louis Congo, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 008 Jeannot,
2022
Northern Illinois University
Entry Nr. 008 Jeannot, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 019 Magdalene Beulah Brockden,
2022
Northern Illinois University
Entry Nr. 019 Magdalene Beulah Brockden, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 006 Juan Biáfara,
2022
Northern Illinois University
Entry Nr. 006 Juan Biáfara, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 051 Un-Named Tembu (Or Temba) Man,
2022
Northern Illinois University
Entry Nr. 051 Un-Named Tembu (Or Temba) Man, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 014 Domingos Alvares,
2022
Northern Illinois University
Entry Nr. 014 Domingos Alvares, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 031 Un-Named African Man,
2022
Northern Illinois University
Entry Nr. 031 Un-Named African Man, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 030 Un-Named African Woman,
2022
Northern Illinois University
Entry Nr. 030 Un-Named African Woman, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 020 Medor,
2022
Northern Illinois University
Entry Nr. 020 Medor, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 032 Un-Named African Woman,
2022
Northern Illinois University
Entry Nr. 032 Un-Named African Woman, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 075 Second Un-Named Congo Man,
2022
Northern Illinois University
Entry Nr. 075 Second Un-Named Congo Man, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 052 Un-Named Tembu (Or Temba) Woman,
2022
Northern Illinois University
Entry Nr. 052 Un-Named Tembu (Or Temba) Woman, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 078 First Un-Named Kanga Man,
2022
Northern Illinois University
Entry Nr. 078 First Un-Named Kanga Man, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
