French and Francophone Language and Literature Commons^™

Falling Though Space... Portrait Of A Poet From A Bird's Eye View, Christopher Kean

The Quiet Corner Interdisciplinary Journal

In his wartime writing, Falling through Space, Richard Hillary reveals the perspective of a Royal Air Force pilot which leads to a contemplation of existence between two zones: the tragic and the trivial. Aviation literature from this period, in fact, leads to contemplation of the opposing spaces of existence once left only to poets: earth and sky. The middle space between these two, between elevation and rooted humanity, is the topic of this paper.

Building from a series excerpts from literature, I will address the plight of the poet in particular, and of mankind in general. The unique aviator …

Lessons For A Young Critic: Immersing Yourself In The Generosity Of Henry James Toward Balzac, Richard Goodman

English Faculty Publications

No abstract provided.

Review Of "Dictionnaire Richelieu" Edited By F. Hildesheimer And D. Harai, Jean-Vincent Blanchard

French & Francophone Studies Faculty Works

No abstract provided.

The English Translations Of Jules Verne's Le Château Des Carpathes, Arthur B. Evans

Global Language Studies Faculty publications

Abstract

Three different English translations exist for Jules Verne's Le Château des Carpathes (1892). The first, by an anonymous translator, was published in London by Sampson Low in 1893 and carried the title The Castle of the Carpathians. An abridged and altered version of this same translation later reappeared in 1963 in the “Fitzroy Edition” published in London by Arco; it was retitled Carpathian Castle and was edited by I.O. Evans. In 2010 a new English translation of this novel was published in Brooklyn, New York by Melville House; it featured a significantly revised title, The Castle in Transylvania …

Anachronisme, Rebuts Et Survivances Dans Les Escaliers De Chambord Et Le Dernier Royaume De Pascal Quignard, Etienne Lussier

Dissertations and Theses

This thesis investigates the particular conception of time developed by Pascal Quignard in his series Dernier Royaume and his novel Les escaliers de Chambord. We argue that this conception of time, which Quignard refers to as Le Jadis, operates through an anachronistic method based on a semiotic apparatus of waste, or rejects. The argument is presented in three different chapters. The first chapter uses the work of Jacques Rancière and Georges Didi-Huberman to show the way in which the concept of anachronism embraces a temporality that blurs the lines between past, present, and future and creates openings to …

Anachronism In Early French Futuristic Fiction, Arthur B. Evans

Global Language Studies Faculty publications

No abstract provided.

The Ethics And Politics Of Love In Postwar France: The Case Of Beauvoir, Camus, And Sartre, Christian Wood

Foreign Languages & Literatures ETDs

The Ethics and Politics of Love focuses primarily upon Simone de Beauvoir, Albert Camus, and Jean-Paul Sartre during the period 1935 to 1960, specifically the periods before and after the Second World War (1939 -- 1945), and the Franco-Algerian War (1954 -- 1962). I argue that inquiring into each thinker's theory of love yields crucial and hitherto unexplored insights into their ethical and political theories: "love" thus represents my particular Ariadne's thread to guide us into, and then back outside of their daunting oeuvres and singular lives. I use their documented thoughts on love as an analytical tool with which …

À La Recherche De La "Femme Fatale" Perdue: Une Nouvelle Trajectoire De La Femme Fatale Dans La Poésie De Maurice Scève Et Charles Baudelaire, Tyler C. Rowe

Departmental Honors & Graduate Capstone Projects

No abstract provided.

Using A Non-Judgmental Stance To Promote Trustworthiness In Action Research, Serge Gabarre, Cécile Gabarre, Rosseni Din

The Qualitative Report

This article describes the use of action research to increase trustworthiness through a non-judgmental approach. Two foreign language lecturers implemented an action research to improve their teaching with the use of Facebook and mobile devices. In order to remain open to all possible interpretation of the events and to incite their students to provide them with honest feedback, they openly adopted a non-judgmental stance. As a result, students freely revealed how they used funds which were given to them to access mobile Internet. Findings showed that not all students used the money as was anticipated by the lecturers, and that …

The Literary Movement Of Dany Laferrière; Francophone Literary History And The Future Of French Literature- Brady Welvaert, Brady M. Welvaert

Celebration of Learning

Haitian-Canadian-American author Dany Laferrière breaks the bonds of literary terms of categorization. In North America, French-language literature has a history of isolation and suppression, but the literature from Dany Laferrière pushes past boundaries placed by those who seek to categorize him. Laferrière, who identifies as “American” and wants to be seen as nothing else, seeks to embody an American identity in context of all of North America. But is there a sense of unity throughout North America despite borders, whether they are of countries our linguistic? Additionally, his election to the French Academy merits some questions worth addressing, considering a …

From Debussy To Duke: A Look At The Role Of Music, Race, And Sexuality In The Works Of Dany Laferrière, Kendall Smith

Celebration of Learning

Music is used every day as a way of expression. Dany Laferrière, a Haitian born author, uses music in his works to give the reader an idea of racial stereotypes of the black man and white women. The two books that will be the focus of this paper are Comment faire l’amour avec un Nègre sans se fatiguer (How to Make Love to a Black Man Without Getting Tired) and Vers le Sud (Heading South), which use jazz and classical music, respectively. Jazz music, specifically Duke Ellington, is used to show men’s and women’s sexuality through the lyrics and history …

Crossing Boundaries: The Transnational Third Space Of Contemporary Chinese-Francophone Writers, Paula S. Delbonis-Platt

Dissertations, Theses, and Capstone Projects

Over the past two decades, a group of Chinese writers who pen their works in French, their adopted language, have garnered prizes in France and received international acclaim. The transnational voices of these writers have drawn attention to Chinese history, literature, and human-rights issues, as well as to their own diverse intersections with French culture. The four Francophone-Chinese writers studied—François Cheng (b. 1929), Gao Xingjian (b. 1940), Dai Sijie (b. 1954), and Shan Sa (b. 1972)—constitute themselves as subjects at least partially through their Chinese birth and French citizenship or residency and through the production of literary works that range …

Transatlantic Surrealisms, Imagined Homelands, And The Poetry Of Paul Laraque, Maxine C. Anderson

Dissertations, Theses, and Capstone Projects

Many theoretical treatments of Caribbean and Latin American surrealism(s), most notably Fredric Jameson and Alejo Carpentier’s foundational essays on magical realism, argue that the surrealism of the European metropole is a sophisticated avant-garde movement, in contrast to the blunt tool of Caribbean and Latin American surrealism which reaches back toward a precolonial past in order to bolster a nationalist project. Existing critical writing about Paul Laraque, a Haitian poet and surrealist identifies Laraque as Haitian first and foremost: as a political poet using surrealism solely in support of a nationalist project. This reading of Laraque’s work fails to reckon with …

L’Écrivain Intellectuel Et Le Destin De L’Université Camerounaise, Jean Marie Wounfa

Présence Francophone: Revue internationale de langue et de littérature

This reflection is based on a corpus of narrative texts (novels and short stories) and on an eclectic approach which theoretical and methodological tools are borrowed from the comparatism, the institutional approach and the discourse analysis. The goal is to show that as a literary theme, the University strips off its pedestal and undergoes a more or less severe criticism under the pen of Cameroonian intellectual writers. Hence, its representation is marked with prejudgments, stereotypes and misconceptions that make the University a myth from which the writers free and engage themselves in a realistic representation of the university system. The …

Ambroise Kom, « Homme Reculeur De Bornes », Marcelin Vounda Etoa

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Éditorial, Jean Ouédraogo

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Présentation, Alex Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Présence Francophone, Numéro 86 (2016)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

La Folie Comme Aliénation Et Dissidence Chez Mongo Beti Et V.Y. Mudimbe, Florian Alix

Présence Francophone: Revue internationale de langue et de littérature

In Le pauvre Christ de Bomba and Entre les eaux, the narrator’s evolution seems a kind of madness, as Ambroise Kom defined it: a process of social exclusion based on alienation because of norms told by dominant discourses. Individuals can’t find their right place in front of “languages in madness” which rule the colonial thought and hide part of reality. Therefore novel becomes a space where individual madness appears as a dissidence against dominant discourses.

La Littérature Africaine Francophone Et La Théorie Bourdieusienne De Champ Symbolique, Louis Bertin Amougou

Présence Francophone: Revue internationale de langue et de littérature

Pierre Bourdieu’s theory of symbolic fields as a social arena for rivalries between agents for the capture, accumulation or conservation of capitals of its own is now implemented with the same rigor to African literature as to French literature which served as the material for the French sociologist. Yet, the specific characteristics of African literary production make it a weak institution. The present article is an attempt to put in perspective the relevance of Bourdieu’s studies to an insufficiently autonomous literary institution and holds the point that any literary field is a secondary field.