Sculpture Commons^™

Dust And Shadow, Anna Grant Dean

Graduate Theses

Dust and Shadow is an investigation into systems of order and chaos that exist within the natural and manmade worlds. Human constructs (such as grids) and manmade systems (such as social media) abide in a space that is tangential to the structures and systems that choreograph the functions of the natural world. Exploring how these two very different worlds weave in and out of human existence allows me to examine my relationship to the complex facets of this twenty-first century experience.

My research into chaos and entropy serves as a catalyst for this body of work. Examining the parallels between …

De La Nature Au Processus D’Artification. Matière [Forme/Objet] Sens, Alexandre Melay

The Goose

Les progrès technologiques modifient radicalement ce qui nous était autrefois familier. Ce sentiment troublant venu de l’ère Anthropocène met en lumière l’impact humain sur la nature. Mais la perte d’un monde naturel nous oblige à gérer notre environnement en tant qu’environnement artificiel. Face à cette mutation profonde du concept même de nature, l’art opère un processus d’artification, renouvelant la nature dans de nouvelles formes néoarchéologiques et de nouvelles esthétiques, par le « passage du non-art en art ».

Surface Levels, Keisha Brathwaite

Electronic Theses and Dissertations

Surface Levels are depictions of unobserved and imperceptible realities of many phytoplankton exteriors. The exhibition explores various structures, textures, and repetitious forms from microscopic surfaces of objects that cannot be seen with unaided eyes. Electron microscopy is used to perceive and analyze these otherwise unseeable surfaces in depth. Magnifications provide a reference in creating three- and two-dimensional works that are minimalistic and abstract at a visible level. This abstract 3D/2D image collection is translated into material expressions using acrylic sheets, acrylic ink, and wood as the main media for construction of individual works. Collectively, they serve to make the invisible …

In The Garden, Clare Samani

LSU Master's Theses

My work has focused largely on identity and self-expression, primarily through clothing, pattern, and color as a symbolic content. Having heavily investigated historical costume and clothing from various periods, my attention is drawn to the highly sculptural and ornamented garments of the Middle Ages, the Renaissance, the rococo, and the baroque. In these colorful and puffed garments, I am attracted to the similarities that I see in nature. How we adorn ourselves mimics various flowers, plants and animals in the pursuit of desire and procreation. Focusing on fabric manipulation, printmaking and sculpture, In the Garden coalesces into ambiguous sculptures that …

Meanwhile, Samantha Combs

LSU Master's Theses

Meanwhile is an installation that explores the psychological and physical impact emotions have on individuals and the experienced struggle of restraining and letting go of them. Through the influence of Abstract Expressionism and use of metaphorical materials like soap and self-help book paper, each artwork embodies the intensity of this emotional struggle. Meanwhile represents and exposes the grotesque beauty of peoples’ psychic experience.

Bowl, Calabash, Sample Student

Art Graduate Student Gallery

Calabash bowls, like this one, were once common in West African countries.

Today, calabash bowls continue to be produced, but on a smaller scale with the widespread availability of plastic bowls.

The donor, Carole L. Sherman, collected the piece during her years in the Peace Corps. Features bird and fish design carved in the basin. Other animals like a snake are carved into the base.

Day Gone, Matthew D. Zorn

LSU Master's Theses

As an exploration of the natural world and the otherworldly, Day Gone seeks to define the relationships between disparate places. Through the use of ceramic and supporting materials, the objects serve as a portal to a terra incognita of color, texture, and language. The installation is a catalog of experiences and feelings I hold consciously or unconsciously.

The International Rise Of Afro-Brazilian Modernism In The Age Of African Decolonization And Black Power, Abigail Lapin Dardashti

Dissertations, Theses, and Capstone Projects

Two competing artistic representations of Brazilian blackness emerged from 1966 to 1988. The first began in 1966 when the Brazilian government positioned itself as a leading diplomatic partner for newly independent African nations by showcasing black Brazilian art in West Africa. Through exhibitions, the Brazilian Foreign Ministry aimed to highlight the country’s presumed homogeneous identity and absence of racism. The second definition arose through the work of artists inspired by U.S. social rights activism, who founded Brazil’s civil rights movement in 1975. Brazilian artist-activists combined symbolism from U.S. Black Power, African liberation movements, and Afro-Brazilian culture to denounce racism in …

Washing The River In Relation To Interpellation, Theatricality And Spectatorship, Patricia Miller

Electronic Theses, Projects, and Dissertations

Patricia Miller's Master of Fine Arts Thesis Paper

Master's Project, Patricia Miller

Electronic Theses, Projects, and Dissertations

Patricia Miller is an Inland Empire based artist, who was born and raised in San Bernardino, California. She creates abstract plywood sculptures that promote mental health awareness. Her work is an investigation of the unhealthy relationships that many people have with society, the fine art world, their environment, and themselves.

Wrung From Grave Architectures, Megan Solis

Masters Theses

Found or imagined findings... notes, diary entries, texts, prayers and poems

Disasters are avenues to gain intimacy glory is the constant

What is the skeleton made of, if not to be filled with meat to be piled and molded to bring back life.

pain and memory to be grave architectures, the stuctures that fall,

a plea for humanity: “Am I just a phantom waiting to be ripped from shady ground?”

desperate melancholy we realize that she is

I am

you are

tragic.

guilt to perform, to retraumatize is a punishment and is masochistic. to violently reenact, like haunted ghosts, to …

Recycle Bin (Trashure), Eunhyung Chung

Masters Theses

I am inspired by painful and exhausting situations, fragile or impermanent things that break easily and do not last long, so most of my works are installation or performance which changes as time goes by. I think a lot about the sense of loss and there are two kinds of loss in my work. One is the loss of precious moments and emotions of the past. Since I have so many blissful memories of my childhood related to art, they are the driving force of my artwork and they form the core of my identity. The loss of direction and …

Watermarks : The Catalogue For Home Enthusiasts, Susana Oliveros Amaya

Masters Theses

Not just when tricks are revealed as tricks, but also when they become something else and materials still push one direction but then take a different turn. The wardrobe does not quite fit in your Ford Ka, the shelves are not exactly straight, the bed does not fit the mattress and the cabinets do not line up. The tension between ideals and use opens a space for re-appropriation, one that can reveal and turn its socioeconomic codes against themselves. Perhaps these are precisely the moments of friction when these ideological watermarks can be disrupted.

I - 0, Sanghyun Koh

Masters Theses

This pack of cards is a provisional collection of encyclopedic thoughts and knowledge selectively hoarded for the artist’s comprehension of the world. These cumulative writings, packaged in a distributive form for intellectual play, cover the artist’s past workings, current studies and dormant plans, amassed in the responsible attitude of selection as well as in the irresponsible method of organization. The content of this 144-card deck is basically oriented to the oscillating status of a self seeking the ‘Grasping Totality’ as a human desire and of the ‘Improbability of Reach’ as a human limitation, whether true or false, proven or unproven, …

Madrepora, Elizabeth Burmann Littin

Masters Theses

Exploring materiality and how we’re inextricably entangled with it, this thesis dive into bodily, aqueous, and political engagements for dissolving the human project of separating nature from culture and bodies from environments. This dematerialization practice driven by discursive means has served as an excuse for the industrial exploitation and abuse of the less seen.

Infused by the material turn in feminist theory, I propose to think with materiality in all its wet, slimy, and dusty ongoingness as a way to craft from the living and dying processes that we embody as current wanderers among contamination, scarcity, and ruins.

Proposing a …

Snake Tube Adventure Racing… And More!, Jane Marie M. Tardo

University of New Orleans Theses and Dissertations

My work revolves around using a specialized blend of art, design, and craft to interpret political narratives through fabricated products. These objects weave contemporary commentary and consumer indulgences into sculptural cultures. Each product is designed to mimic its own marketed culture—offering an enticingly tactile, interactive experience that is equal parts confusing, concerning, and delightful. The products are accompanied by investment opportunities in the form of popular, limited released merchandized objects, such as hats and patches. Using humor and subtlety, my gamelike installations explore arenas such as agency, autonomy, intimacy, and dueling realities in a time of ecological collapse and cultural …

Tenacity, Order & Disorder, Lucy Manalo

CGU MFA Theses

My work is about empowerment. The idea of using metal comes from my past experience as a welder/machinist in the Air Force. Metal is a tough medium and I believe it conveys the themes of strength and tenacity through it’s materiality.

The Object Memory Palace, Amra Causevic

Theses and Dissertations

I am interested in orchestrating instances of potentiality or concrete possibilities that proposes the futurity of play through means of touch, activation, assembly, and interaction within art spaces. The installation mentioned is composed of found objects and repurposed materials that address themes of place, memory, object-ness, and the archive, through gestural means of poetics and map making. It is an invitation to create new logics and find moments of empathy, connectivity, and hopes for a collective.

Crystal Queer: Fracturing The Binaries Of Matter, Creation, And Landscape, Sarah Knight

Graduate School of Art Theses

In this thesis, I compile a series of fragments consisting an analysis of my artwork in the gendered contexts of landscape, self-identity, mythology, and philosophy. I develop my concept of a “queer mark” in my art that serves as a form of queering, a disruption of visual and conceptual cohesion. I form a picture of how our contemporary selves are influenced by our gendered understanding of the landscape through the analysis of philosophical, artistic, and mythological concepts of creation. I see my sculptures as an atlas to an alternative means of understanding identity, a queering of these historical and exclusionary …

Alternative Methods, Hunter Stabler

LSU Master's Theses

ABSTRACT

In the realm of precognitive artmaking, the artist’s role is that of an antenna. One must be receptive to the subtle, invisible flow of creative novelty in order to participate in the involuntary channeling of new ideas, new processes, and alternative methods of creative production. Carving out new territory within the realm of static art is a primary objective for my artistic process. By utilizing digital fabrication tools, paired with my affinity for intricate craft and optical metagrobolization, I have created a body of work that invents alternative processes and unique aesthetic languages.

Digital imaging, digital modeling and digital …