Is It Real?,
2021
Rhode Island School of Design
Is It Real?, Hana Al-Saadi
Masters Theses
The architecture of Doha, Qatar is defined by skins of glass. When the sun shines upon the layers of glass, it creates a shimmery reflective grid across the surface of the city. These reflections, while visually intriguing, conceal many private realities behind the surface.
As a multidisciplinary artist, I attempt to maneuver in the space between the opacity of the facade and stories that lie behind. Specifically, I use this space to directly expose the contradictions that I encounter here.
Phefumula Nami,
2021
Rhode Island School of Design
Phefumula Nami, Ndivhuho Rasengani
Masters Theses
Cosmos: Building a cosmology (mid 17th century: from French cosmologie or modern Latin cosmologia, from Greek kosmos ‘order or world’ + -logia ‘discourse’,) which mirrors and exhumes hidden narratives from our current reality. It is in this tracing that I teeter between visual codes in the form of memories impressed upon my mind from generations of old and Aesthetic symphonies from the present.
The Body Extended,
2021
Rhode Island School of Design
The Body Extended, Yi Yang
Masters Theses
The book isn’t meant to have a center. The book is not meant to be read in order.
A book is made up of different dates and different speeds.
The chapters of the book delve nonlinearly into a range of philosophic, scientific, and political subjects connected by threads of ideas that go off in different directions at different speeds and different intensities.
Accompanying my research, memories, and project documentation, I record personal anecdotes that reflect my passion and my obsessions, as well as lay the foundation for the included work.
The book is a map book, a roots book, an …
Compromised Values: Charlotte Posenenske, 1966–Present,
2021
CUNY Graduate Center
Compromised Values: Charlotte Posenenske, 1966–Present, Ian Wallace
Dissertations, Theses, and Capstone Projects
Fabricated in unlimited series and sold at cost, the sculptures produced by Charlotte Posenenske between 1966 and 1967—modular wall reliefs, interactive cubic structures, and tubular geometric units whose installation requires collective decision making—were meant to confront both the artwork’s commodity status and the limitation of its consumption to a privileged elite. Nevertheless, Posenenske’s work has been effectively recuperated by the art system: first, in the 1980s, through a series of exhibitions and publications organized by her estate; and second, with her inclusion in Documenta 12 in 2007, which reintroduced her work to the market. Since the artist’s death in 1985, …
The Art Of Heritage And Mortality,
2021
University of New Orleans
The Art Of Heritage And Mortality, Barbara Johanna Mileto
LSU New Orleans Theses and Dissertations
Through my art I explore the formation of cultural and personal identity addressing the importance of heritage, ancestors, and religion in Latin-American culture, while I develop my unique deities and spiritual space, creating my own iconography. The pieces are strongly autobiographical, using my family members, and frequently lived experience as a subject. Furthermore, I am drawn to the circle of life and productive failures - beginnings, deaths, and transitions. - My work integrates two-dimensional and three-dimensional mediums, ranging from photography and printmaking to assemblage and textiles, video and digital.
And There I Was,
2021
LSU New Orleans
And There I Was, Jennifer K. Jones
LSU New Orleans Theses and Dissertations
Working with found imagery and objects, I explore sculptural processes and manipulated photographic methods as a metaphor for mental and physical transformation. Creating large scale cyanotypes that are exposed on painter’s linen, I have developed a unique process for stretching and coating linen that allows me to make images that feel more like paintings than photographs. Reflecting and analyzing aspects of my adult life, I present images and objects that challenge traditional gender roles that were impressed upon me throughout my up-bringing. My process is defined by experimentation. During the exposure of the image, dramatic shifts occur that allow for …
Neverending Loop,
2021
Louisiana State University
Neverending Loop, Joseph Nivens
LSU Master's Theses
The intention of NeverEnding Loop is to depict the trauma of queer adolescense contrasted by the shadow of the closet that follows LGBTQ+ children into adulthood. The reality for queer people is that coming out is a process that never ends and a task that can create a lonely existence for those that are different from the norm. The artwork aims to convey the very real and confusing struggle of finding your identity as a queer person existing in a heterosexual world.
NeverEnding Loop explores loops and cycles in short animations, sculptural forms with repeating imagery, and mixed media forms …
Body/Mind:Matter,
2021
Louisiana State University and Agricultural and Mechanical College
Body/Mind:Matter, Mary Ellen Ratcliff
LSU Master's Theses
Body/Mind:Matter presents the unfiltered experiences of living in a period of momentous instability. Three life-sized figurative sculptures stage my emotional journey towards mindfulness as a direct response to the pandemic and my growing concern for our collective future. A winding network of crocheted yarns and growing vines interweave the troubled figures to signify our complex dependencies upon one another and our environment.
The condition of the encumbered bodies is a result of the worried mind. Revitalized matter proposes reconciliation by introducing a sense of hope; decaying surfaces reveal new life; fused wires hold up under immense pressure; and soft woven …
Hello Again يا اهلا A Study Of Grief,
2021
Louisiana State University
Hello Again يا اهلا A Study Of Grief, Diana Abouchacra
LSU Master's Theses
Grief is an unwanted visitor who we all come to know throughout our lifetime. Although every person reacts differently to bereavement of a loved one, almost always the lost other becomes etched into our being for the remainder of our lives (McClocklin & Lengelle, 2017). In today’s society, we are encouraged to say “Good-bye”, but what if instead, we allow ourselves to keep those who have passed on close to our hearts and say hello again? Hello Again يا اهلا is a body of work that explores my experience with grief. The artworks made for this exhibition investigate my process …
The Garden Of Extraterrestrial Deee-Lites,
2021
Washington University in St. Louis
The Garden Of Extraterrestrial Deee-Lites, Jessica Bremehr
Graduate School of Art Theses
I present a delusion where you, the reader, are a hitchhiker on a journey toward an alternate realm guided by a god-like buffoon. While I take you on a journey through my daydreams and my musings on an alternate existence, a tour guide will lead the way to an otherworldly realm called The Garden of Extraterrestrial Deee-Lites, reflective of a tourist experience to a faraway destination. The tour will culminate in an uncanny space where curious life forms converge with familiar objects to encourage a sense of wonder while promoting ideas of interconnectedness within the world around us.
The Adobe Frontier,
2021
CUNY Hunter College
The Adobe Frontier, Christopher J. Gauthier
Theses and Dissertations
The Adobe Frontier is a documentary film about Ronald Rael and Virginia San Fratello—together known as “Studio Rael San Fratello” —and their work connecting contemporary technology with the legacy of pottery making and adobe architecture in the Southwest United States.
Water Gets Lost In The Sea, Sun Gets Lost In The Desert,
2021
CUNY Hunter College
Water Gets Lost In The Sea, Sun Gets Lost In The Desert, Rocio Paz Guerrero
Theses and Dissertations
The absence of happiness, the absence of nature, the absence of justice, the absence of absence, which is presence. My desire is to make these voids visible and sensible by connecting to and with others, from our intimate and collective life experiences, with empathy, and by sharing. Through a hybrid of sculpture, installation, and performance, I move within this tense in-between space, asking myself about that void, if it is possible for it to be filled, or if it is perhaps too big, or if it is perhaps too late.
Earth Our Body: Expanding Ecofeminism With The Divine,
2021
Washington University in St. Louis
Earth Our Body: Expanding Ecofeminism With The Divine, Isolde Finney
Bachelor of Fine Arts Senior Papers
If the Earth is Divine, then is harming Her not sacrosanct? If She is a god, or rather goddess, then is pollution, deforestation, climate change, and environmental degradation not blasphemy? Divinity and sacredness can be used to define societal values and ethics. In this body of work, I bring my experiences and beliefs as a practicing Pagan to the concepts of ecofeminism, a social and academic movement started in the 1970’s that sees a connection between environmental degradation and the oppression of women. I call my work Divine Ecofeminist Art. It attempts to utilize goddess imagery and nature worship as …
Appropriation Of The Highest Order: A Study Of Harry Smith’S Master Work, Film No. 18 Mahagonny In Relation To The Brecht-Weill Opera The Rise And Fall Of The City Of Mahagonny And Duchamp’S The Large Glass,
2021
CUNY Hunter College
Appropriation Of The Highest Order: A Study Of Harry Smith’S Master Work, Film No. 18 Mahagonny In Relation To The Brecht-Weill Opera The Rise And Fall Of The City Of Mahagonny And Duchamp’S The Large Glass, Rose V. Marcus
Theses and Dissertations
Harry Smith’s Film No. 18, Mahagonny, 1970 – 1980, is a transmutation of the original Brecht-Weill opera, The Rise and Fall of the City of Mahagonny, a 1930, into a feature-length experimental film. This paper shows how the original opera and Duchamp's The Large Glass prove inherent to Smith’s double-pronged homage to both original works of art. The failure in the opera narrative and the chance shattering of The Large Glass inform Smith’s complex methodology to approach and spatialize cinema. Harry Smith’s use of the tools of the screening apparatus are traced in order to study Mahagonny in detail. The …
And All The Things That Grew On The Ground,
2021
James Madison University
And All The Things That Grew On The Ground, Sarah E. Phillips
Masters Theses, 2020-current
This is a document archiving and describing my work for the years 2019-2021 as part of the completion requirements for the Master of Fine Arts degree. As a whole, this work investigates the paradox and negotiations of access to the self, the history, and to the landscape you occupy. It asks questions about authorship, valuing, sacred and sacrament, but retains the gravitation, umbilical tie to memoir and narrative. Ritual, habit, and transformational cleansing are recurring themes in the work. Body, breath-- access to the invisible. Preservation of the uncertain. Fragility carries weight, and importance, destruction and negotiation as vessels of …
A Draft: Up N’ Upper Or Sisyphus Lounge; Notes, Poems & Essays From The Road & The Cabin,
2021
CUNY Hunter College
A Draft: Up N’ Upper Or Sisyphus Lounge; Notes, Poems & Essays From The Road & The Cabin, Andrew M. Foster
Theses and Dissertations
This text imagines a reconciliation where the slick, sterile nature of contemporary objects and conditions might offer a sort of soft retreat. Sisyphus Lounge, a modular installation of light, near-defunct-technologies and carefully cluttered “stuff,” attempts to locate and explore value systems fogged by dis/information and the impossibility to articulate is-ness.
Yellow,
2021
CUNY Hunter College
Yellow, Sisi Chen
Theses and Dissertations
The following paper is a constellational unpacking of yellow through notes on critical race and feminist theories, myth, science, science fiction, disparate histories, cyborgs, biography, virtuality, materiality, fungi, porcelain, language, internalization, melancholia, smells, sounds, tastes, feels, and more feels.
Moving Without The Ball: Labor And Collectivity Beneath The Body Of The She-Wolf,
2021
CUNY Hunter College
Moving Without The Ball: Labor And Collectivity Beneath The Body Of The She-Wolf, Cristina Covucci
Theses and Dissertations
In this paper, I consider my personal experiences as an artist, art handler, and athlete through the motif of the Roman She-wolf, addressing how value systems are constructed according to binaries by showing how the sculptural process can break down these binaries, giving agency to both the mother mold and “completed” form.
Princeton Sculpture (Creature Design),
2021
Liberty University
Princeton Sculpture (Creature Design), Rachel Hughes, Anthony Smith
Liberty University Research Week
Undergraduate
3-D
Archie Sculpture (Creature Design),
2021
Liberty University
Archie Sculpture (Creature Design), Rachel Hughes, Anthony Smith
Liberty University Research Week
Undergraduate
3-D
