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Is It Real?, Hana Al-Saadi 2021 Rhode Island School of Design

Is It Real?, Hana Al-Saadi

Masters Theses

The architecture of Doha, Qatar is defined by skins of glass. When the sun shines upon the layers of glass, it creates a shimmery reflective grid across the surface of the city. These reflections, while visually intriguing, conceal many private realities behind the surface.

As a multidisciplinary artist, I attempt to maneuver in the space between the opacity of the facade and stories that lie behind. Specifically, I use this space to directly expose the contradictions that I encounter here.


Phefumula Nami, Ndivhuho Rasengani 2021 Rhode Island School of Design

Phefumula Nami, Ndivhuho Rasengani

Masters Theses

Cosmos: Building a cosmology (mid 17th century: from French cosmologie or modern Latin cosmologia, from Greek kosmos ‘order or world’ + -logia ‘discourse’,) which mirrors and exhumes hidden narratives from our current reality. It is in this tracing that I teeter between visual codes in the form of memories impressed upon my mind from generations of old and Aesthetic symphonies from the present.


The Body Extended, Yi Yang 2021 Rhode Island School of Design

The Body Extended, Yi Yang

Masters Theses

The book isn’t meant to have a center. The book is not meant to be read in order.

A book is made up of different dates and different speeds.

The chapters of the book delve nonlinearly into a range of philosophic, scientific, and political subjects connected by threads of ideas that go off in different directions at different speeds and different intensities.

Accompanying my research, memories, and project documentation, I record personal anecdotes that reflect my passion and my obsessions, as well as lay the foundation for the included work.

The book is a map book, a roots book, an …


Compromised Values: Charlotte Posenenske, 1966–Present, Ian Wallace 2021 CUNY Graduate Center

Compromised Values: Charlotte Posenenske, 1966–Present, Ian Wallace

Dissertations, Theses, and Capstone Projects

Fabricated in unlimited series and sold at cost, the sculptures produced by Charlotte Posenenske between 1966 and 1967—modular wall reliefs, interactive cubic structures, and tubular geometric units whose installation requires collective decision making—were meant to confront both the artwork’s commodity status and the limitation of its consumption to a privileged elite. Nevertheless, Posenenske’s work has been effectively recuperated by the art system: first, in the 1980s, through a series of exhibitions and publications organized by her estate; and second, with her inclusion in Documenta 12 in 2007, which reintroduced her work to the market. Since the artist’s death in 1985, …


The Art Of Heritage And Mortality, Barbara Johanna Mileto 2021 University of New Orleans

The Art Of Heritage And Mortality, Barbara Johanna Mileto

LSU New Orleans Theses and Dissertations

Through my art I explore the formation of cultural and personal identity addressing the importance of heritage, ancestors, and religion in Latin-American culture, while I develop my unique deities and spiritual space, creating my own iconography. The pieces are strongly autobiographical, using my family members, and frequently lived experience as a subject. Furthermore, I am drawn to the circle of life and productive failures - beginnings, deaths, and transitions. - My work integrates two-dimensional and three-dimensional mediums, ranging from photography and printmaking to assemblage and textiles, video and digital.


And There I Was, Jennifer K. Jones 2021 LSU New Orleans

And There I Was, Jennifer K. Jones

LSU New Orleans Theses and Dissertations

Working with found imagery and objects, I explore sculptural processes and manipulated photographic methods as a metaphor for mental and physical transformation. Creating large scale cyanotypes that are exposed on painter’s linen, I have developed a unique process for stretching and coating linen that allows me to make images that feel more like paintings than photographs. Reflecting and analyzing aspects of my adult life, I present images and objects that challenge traditional gender roles that were impressed upon me throughout my up-bringing. My process is defined by experimentation. During the exposure of the image, dramatic shifts occur that allow for …


Neverending Loop, Joseph Nivens 2021 Louisiana State University

Neverending Loop, Joseph Nivens

LSU Master's Theses

The intention of NeverEnding Loop is to depict the trauma of queer adolescense contrasted by the shadow of the closet that follows LGBTQ+ children into adulthood. The reality for queer people is that coming out is a process that never ends and a task that can create a lonely existence for those that are different from the norm. The artwork aims to convey the very real and confusing struggle of finding your identity as a queer person existing in a heterosexual world.

NeverEnding Loop explores loops and cycles in short animations, sculptural forms with repeating imagery, and mixed media forms …


Body/Mind:Matter, Mary Ellen Ratcliff 2021 Louisiana State University and Agricultural and Mechanical College

Body/Mind:Matter, Mary Ellen Ratcliff

LSU Master's Theses

Body/Mind:Matter presents the unfiltered experiences of living in a period of momentous instability. Three life-sized figurative sculptures stage my emotional journey towards mindfulness as a direct response to the pandemic and my growing concern for our collective future. A winding network of crocheted yarns and growing vines interweave the troubled figures to signify our complex dependencies upon one another and our environment.

The condition of the encumbered bodies is a result of the worried mind. Revitalized matter proposes reconciliation by introducing a sense of hope; decaying surfaces reveal new life; fused wires hold up under immense pressure; and soft woven …


Hello Again يا اهلا A Study Of Grief, Diana Abouchacra 2021 Louisiana State University

Hello Again يا اهلا A Study Of Grief, Diana Abouchacra

LSU Master's Theses

Grief is an unwanted visitor who we all come to know throughout our lifetime. Although every person reacts differently to bereavement of a loved one, almost always the lost other becomes etched into our being for the remainder of our lives (McClocklin & Lengelle, 2017). In today’s society, we are encouraged to say “Good-bye”, but what if instead, we allow ourselves to keep those who have passed on close to our hearts and say hello again? Hello Again يا اهلا is a body of work that explores my experience with grief. The artworks made for this exhibition investigate my process …


The Garden Of Extraterrestrial Deee-Lites, Jessica Bremehr 2021 Washington University in St. Louis

The Garden Of Extraterrestrial Deee-Lites, Jessica Bremehr

Graduate School of Art Theses

I present a delusion where you, the reader, are a hitchhiker on a journey toward an alternate realm guided by a god-like buffoon. While I take you on a journey through my daydreams and my musings on an alternate existence, a tour guide will lead the way to an otherworldly realm called The Garden of Extraterrestrial Deee-Lites, reflective of a tourist experience to a faraway destination. The tour will culminate in an uncanny space where curious life forms converge with familiar objects to encourage a sense of wonder while promoting ideas of interconnectedness within the world around us.


The Adobe Frontier, Christopher J. Gauthier 2021 CUNY Hunter College

The Adobe Frontier, Christopher J. Gauthier

Theses and Dissertations

The Adobe Frontier is a documentary film about Ronald Rael and Virginia San Fratello—together known as “Studio Rael San Fratello” —and their work connecting contemporary technology with the legacy of pottery making and adobe architecture in the Southwest United States.


Water Gets Lost In The Sea, Sun Gets Lost In The Desert, rocio paz guerrero 2021 CUNY Hunter College

Water Gets Lost In The Sea, Sun Gets Lost In The Desert, Rocio Paz Guerrero

Theses and Dissertations

The absence of happiness, the absence of nature, the absence of justice, the absence of absence, which is presence. My desire is to make these voids visible and sensible by connecting to and with others, from our intimate and collective life experiences, with empathy, and by sharing. Through a hybrid of sculpture, installation, and performance, I move within this tense in-between space, asking myself about that void, if it is possible for it to be filled, or if it is perhaps too big, or if it is perhaps too late.


Earth Our Body: Expanding Ecofeminism With The Divine, Isolde Finney 2021 Washington University in St. Louis

Earth Our Body: Expanding Ecofeminism With The Divine, Isolde Finney

Bachelor of Fine Arts Senior Papers

If the Earth is Divine, then is harming Her not sacrosanct? If She is a god, or rather goddess, then is pollution, deforestation, climate change, and environmental degradation not blasphemy? Divinity and sacredness can be used to define societal values and ethics. In this body of work, I bring my experiences and beliefs as a practicing Pagan to the concepts of ecofeminism, a social and academic movement started in the 1970’s that sees a connection between environmental degradation and the oppression of women. I call my work Divine Ecofeminist Art. It attempts to utilize goddess imagery and nature worship as …


Appropriation Of The Highest Order: A Study Of Harry Smith’S Master Work, Film No. 18 Mahagonny In Relation To The Brecht-Weill Opera The Rise And Fall Of The City Of Mahagonny And Duchamp’S The Large Glass, Rose V. Marcus 2021 CUNY Hunter College

Appropriation Of The Highest Order: A Study Of Harry Smith’S Master Work, Film No. 18 Mahagonny In Relation To The Brecht-Weill Opera The Rise And Fall Of The City Of Mahagonny And Duchamp’S The Large Glass, Rose V. Marcus

Theses and Dissertations

Harry Smith’s Film No. 18, Mahagonny, 1970 – 1980, is a transmutation of the original Brecht-Weill opera, The Rise and Fall of the City of Mahagonny, a 1930, into a feature-length experimental film. This paper shows how the original opera and Duchamp's The Large Glass prove inherent to Smith’s double-pronged homage to both original works of art. The failure in the opera narrative and the chance shattering of The Large Glass inform Smith’s complex methodology to approach and spatialize cinema. Harry Smith’s use of the tools of the screening apparatus are traced in order to study Mahagonny in detail. The …


And All The Things That Grew On The Ground, Sarah E. Phillips 2021 James Madison University

And All The Things That Grew On The Ground, Sarah E. Phillips

Masters Theses, 2020-current

This is a document archiving and describing my work for the years 2019-2021 as part of the completion requirements for the Master of Fine Arts degree. As a whole, this work investigates the paradox and negotiations of access to the self, the history, and to the landscape you occupy. It asks questions about authorship, valuing, sacred and sacrament, but retains the gravitation, umbilical tie to memoir and narrative. Ritual, habit, and transformational cleansing are recurring themes in the work. Body, breath-- access to the invisible. Preservation of the uncertain. Fragility carries weight, and importance, destruction and negotiation as vessels of …


A Draft: Up N’ Upper Or Sisyphus Lounge; Notes, Poems & Essays From The Road & The Cabin, Andrew M. Foster 2021 CUNY Hunter College

A Draft: Up N’ Upper Or Sisyphus Lounge; Notes, Poems & Essays From The Road & The Cabin, Andrew M. Foster

Theses and Dissertations

This text imagines a reconciliation where the slick, sterile nature of contemporary objects and conditions might offer a sort of soft retreat. Sisyphus Lounge, a modular installation of light, near-defunct-technologies and carefully cluttered “stuff,” attempts to locate and explore value systems fogged by dis/information and the impossibility to articulate is-ness.


Yellow, SiSi Chen 2021 CUNY Hunter College

Yellow, Sisi Chen

Theses and Dissertations

The following paper is a constellational unpacking of yellow through notes on critical race and feminist theories, myth, science, science fiction, disparate histories, cyborgs, biography, virtuality, materiality, fungi, porcelain, language, internalization, melancholia, smells, sounds, tastes, feels, and more feels.


Moving Without The Ball: Labor And Collectivity Beneath The Body Of The She-Wolf, Cristina Covucci 2021 CUNY Hunter College

Moving Without The Ball: Labor And Collectivity Beneath The Body Of The She-Wolf, Cristina Covucci

Theses and Dissertations

In this paper, I consider my personal experiences as an artist, art handler, and athlete through the motif of the Roman She-wolf, addressing how value systems are constructed according to binaries by showing how the sculptural process can break down these binaries, giving agency to both the mother mold and “completed” form.


Princeton Sculpture (Creature Design), Rachel Hughes, Anthony Smith 2021 Liberty University

Princeton Sculpture (Creature Design), Rachel Hughes, Anthony Smith

Liberty University Research Week

Undergraduate

3-D


Archie Sculpture (Creature Design), Rachel Hughes, Anthony Smith 2021 Liberty University

Archie Sculpture (Creature Design), Rachel Hughes, Anthony Smith

Liberty University Research Week

Undergraduate

3-D


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