Review Of John James Audubon: The Nature Of The American Woodsman, By Gregory Nobles,
2018
University of Nebraska-Lincoln
Review Of John James Audubon: The Nature Of The American Woodsman, By Gregory Nobles, Matthew Guzman
Department of English: Dissertations, Theses, and Student Research
When we think about American ornithology, John James Audubon is often the first name that comes to mind. As evidence to Audubon’s lasting ability to enrapture readers, it bears repeating that an original Double Elephant Folio of Birds of America sold for an astounding $11.5 million in 2010 (2). Yet, for a man who produced such stunning and memorable visual and literary work on the avifauna of North America, some of the important details of his life and origins have remained highly contested. Even though Gregory Nobles’s new biography is not explicitly tied to the study of the Great Plains, …
Motive Through Automotive Compassionately Criticizing The Desires Of Car Culture,
2017
University of New Orleans
Motive Through Automotive Compassionately Criticizing The Desires Of Car Culture, Erika R. Lehrmann
University of New Orleans Theses and Dissertations
My artwork represents my admiration and criticisms of car culture I have gathered throughout my personal experiences beginning at a very early age. The work exists in the form of drawings, paintings, prints, collage and sculpture. This work is created through the elements of personal narrative, desires, obsessions, and questions surrounding car culture and its influences. My intention to refurbish the icons of this culture has involved creating work that is both obsessive and critical for personal exploration and understanding of past memories.
3d Printing – An Insider’S Perspective,
2017
Make Whale
3d Printing – An Insider’S Perspective, Siddharth Sah
The Transdisciplinary STEAM+ Journal
The 3D printing market globally is still at its infancy, - or some might argue that there isn’t really a market yet. The knowledge of 3D printing design is still largely limited to engineering design – not product design. At MakeWhale, we are constantly pushing the boundaries of the application of 3D printing technology to consumer products resulting in a beautiful mix of technology and art.
Parlance,
2017
Stephen F. Austin State University
Parlance, Carolyn Mcintyre Norton
Electronic Theses and Dissertations
The richly-colored screenprints displayed in Parlance are explorations into sound-inspired imagery created through the blending of two divergent approaches: 1) drawing made by meditative inspiration and 2) printing driven by the execution of a predetermined plan.
Considered representationally, each print is a chorus of layered interpretive drawings of natural sound. My intent is to bring into view ethereal concepts through responsive mark making.
Considered technically, the printing process employs a predetermined set of formulas that produce a mathematically-finite set of prints. This systemized method causes common visual elements to disperse among the prints, resulting in a set of uniquely layered …
Stereotypes: What We Perceive Vs Actuality,
2017
University of North Florida
Stereotypes: What We Perceive Vs Actuality, Ricder Ricardo
DHI Digital Projects Showcase
Stereotypes: What We Perceive Vs Actuality
Its important to bring awareness to the different minorities that are being affect by today’s turmoil that is our government system. We need work that exposes what we stand for as young artists without the modesty or fear of being direct, aggressive, or explicit. We need to make our voices be heard and enlarge the number of people who care about human rights and diversity.
Cultural Imprint: A History Of Northwest Coast Native And First Nations Prints,
2017
University of New Mexico
Cultural Imprint: A History Of Northwest Coast Native And First Nations Prints, India Rael Young
Art & Art History ETDs
Cultural imPRINT provides the first substantive art historical investigation into Northwest Coast Indigenous prints. Since the 1960s, Northwest Coast artists have employed the print medium to share their histories, heritage, and culture amongst each other and with the larger world. Because print artists number in the hundreds, and print editions in the thousands, this dissertation takes a socio-cultural approach to understanding the purposes for the medium’s production and circulation. First, it analyzes the deep histories of reproduction in the North American art world and in Northwest Coast Indigenous communities, asserting that reproduction within coastal communities serves to perpetuate history from …
Leonard Baskin: Imaginary Artists,
2017
Gettysburg College
Leonard Baskin: Imaginary Artists, Kathya M. Lopez, Erica M. Schaumberg
Schmucker Art Catalogs
Leonard Baskin (1922-2000) was an American sculptor, illustrator, and printmaker. He is perhaps best known as a figurative sculptor and a creator of monumental woodcuts. The Gehenna Press, Baskin’s private press, operated for over 50 years (1942-2000) and produced more than 100 volumes of fine art books. His most prominent public commissions include sculpture for the Franklin Delano Roosevelt Memorial and the Woodrow Wilson Memorial, both in Washington D.C., and the Holocaust Memorial in Ann Arbor, MI. Baskin received numerous honors, among them a Guggenheim Fellowship, the Gold Medal of the National Academy of Arts and Letters, and the Jewish …
Commonthought (2017),
2017
Lesley University
Commonthought (2017), Commonthought Staff
Commonthought
This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.
Nicola Lopez: Notes For Docents,
2017
West Virginia University
Nicola Lopez: Notes For Docents, Roger A. Lohmann
Faculty & Staff Scholarship
This article consists of notes prepared for docents at the West Virginia University Art Gallery in September, 2017. They discuss and analyze a collection of five prints by the artist Nicola Lopez in a series called Elements. The individual works are Earth, Air, Fire, Water and an unnamed fifth "satellite" work.
Matter Under Mind,
2017
East Tennessee State Universtiy
Matter Under Mind, John F. Lause
Electronic Theses and Dissertations
The artist discusses the work for his Masters of Fine Arts exhibition, Mind under Matter, held at the Tipton Gallery in downtown Johnson City, Tennessee. Exhibition dates are from March 27th through April 5th 2017. ‘Matter under Mind’ explores the balance of control and non-control within the art-making process. This technique creates an automatic dialogue resulting in abstraction guided by the subconscious. The title ‘Matter under Mind’ is a slight play on the phrase ‘mind over matter’ emphasizing how matter/material is manipulated by the mind through the making of artwork, and within the mind’s eye or imagination.
The video installation …
Looking Through The Glass: An Album Of Original Music And Accompanying Artist Book,
2017
Lawrence University
Looking Through The Glass: An Album Of Original Music And Accompanying Artist Book, Sam Genualdi
Lawrence University Honors Projects
“Looking Through the Glass” is a 12 track, 38-minute long album of original songs accompanied by a hand-bound artist book. The book houses the CD as a well as an accordion-structure text block of original prints. The content and form of the work draw upon the experiences of the author to create a unique and personal take on memory as a human experience. Sam Genualdi composed and produced all of the music as well as created all of the art.
Lamination Of Reality : Ever-Thickening And Thinning Space,
2017
Rhode Island School of Design
Lamination Of Reality : Ever-Thickening And Thinning Space, Leekyung Kang
Masters Theses
Since 2014, my work has navigated question of surface and through this search in order to redefined conventional understandings of space. Often times, my imagery draws on architectural infrastructure (such as construction sites and scaffolding), exposing the underlying structural framework within these landscapes. Through the recent installation, I establish a correlation between the bone/skeleton of the location to expose a more raw and unseen space, which is present but never fully revealed.
In Google Earth, the camera eye traverses different surfaces from the urban streetscape to the underground to the cosmos. Within this virtual landscape, glitches exist that are virtual …
Every Change,
2017
Rhode Island School of Design
Every Change, Ruhan Feng
Masters Theses
After being away from home for six years, distance and time make me reconsider: “Who am I?”
This thesis is an honest memoir, which records my reflections about life through my struggles, confusion with cultural identities, and conflicts with my mother in a one-child family. In a two-year graduate program, I continue to explore my identities as Chinese, an international student, an expatriate, and a daughter.
The text, accompanied by illustrations, interprets personal artistic changes. Printmaking in my work is not just a tool to make multiples. The ideas of layering and repeating are also applied to my three-dimensional installations …
Na'aseh : Ritual In Practice,
2017
Rhode Island School of Design
Na'aseh : Ritual In Practice, Anna Henrick Karpatkin Benjamin
Masters Theses
This body of work is an exploration of Jewish identity through pattern and ritual. Pattern is used as a tool to question and reinterpret these actions. Drawings, prints and papercuts are created through repetitive and evolutionary actions performed over time.
My Fish Hat Kingdom,
2017
Rhode Island School of Design
My Fish Hat Kingdom, Mei Fung Elizabeth Chan
Masters Theses
This thesis book documents my personal and artistic research. As a Chinese contemporary printmaker, I consider my artworks embedded in Eastern and Western elements to revitalize my printmaking practice. T shape my art to reveal my Hong Kong identity by creating self-portraits. Instead of trying to capture a single moment and place in one image, I create multi-dimensional images in terms of both space and time. Inspired by Italian Early Renaissance altarpieces, I break up the images to suggest a narrative sequence. All of my prints are printed in large scale so that my viewers will be engaged in each …
Catherine Cajandig Interview,
2017
DePaul University
Catherine Cajandig Interview, Rebecca Murphy
Asian American Art Oral History Project
Bio:
Catherine Cajandig is a painter, printmaker, muralist and curator. At an early age, she showed an interest in art that was encouraged by her parents and teachers. She attended classes in the SAIC Junior School. In 1960, she was juried into The Chicago Society of Artists and has remained an active member. She has served as a board member that included various committees and was the President for one year. She is the committee chairwoman that publishes the yearly CSA Print and Drawing Calendar.
Her images are of personal topics and observations, developed through series and recurring themes. She …
Between Rock And Breeze,
2017
CUNY Hunter College
Between Rock And Breeze, Lena Schmid
Theses and Dissertations
My thesis project consists of a series of works on paper and songs about the collusion of the body and nature. I use a lens that both distorts and makes clearer the ineffable ways our bodies shake their boundaries, moving without us and within us.
Welcome To My Dream – Quasi Queer Fiction,
2017
CUNY Hunter College
Welcome To My Dream – Quasi Queer Fiction, Christian A. Rogers
Theses and Dissertations
Roseate and bodacious, the hand formed surfaces of Christian Rogers' paintings explore gay culture and history though a quasi-fictional lens. While utilizing folk like imagery, Christian depicts dramatic moments of love, lust, sex and violence as he takes us to queer realms.
Flesh And Blood,
2017
Washington University in St. Louis
Flesh And Blood, Clayton Petras
Graduate School of Art Theses
In my work, I look for ways to visualize and document the degenerative mental disease of Parkinson’s and transform it into portrayals of the disease itself, its effects, and those it afflicts. Being a physical breakdown of the body, both popular culture and my own corporal understanding influence my interpretation and representation. This document outlines those influences and their buildup towards a shared understanding of the interests behind the work, as well as implies what the work does through these contexts.
How do we give identity to a disease that is difficult to diagnose or view on medical technology, currently …
Untitled Print,
2017
College of Saint Benedict/Saint John's University
