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It Can't Leave You The Way It Finds You, Kyle Nobles 2018 University of Nebraska-Lincoln

It Can't Leave You The Way It Finds You, Kyle Nobles

School of Art, Art History, and Design: Theses and Student Creative Work

There’s a beautiful innocence in childhood where, although the world is large and new, it feels as though your place in it and the roles that you play are stable and unchanging. In our youth, outside of extraordinary circumstances, we are unburdened by the awareness that everything and everyone is subject to radical change—including our own sense of self. As we grow older though, looking back it becomes clear that this was never the case. In a matter of years, you can change so dramatically that you did not even notice as you became an entirely new person. For me, …


The Detriments Of Factory Farming, Carrie Williams 2018 East Tennessee State University

The Detriments Of Factory Farming, Carrie Williams

Undergraduate Honors Theses

This thesis discusses the detrimental effects that industrialized farming practices have on public health, animal welfare, and ecological systems and includes factual support. It also provides practical application of this information as well as possible solutions and a detailed description of a related art exhibition.


Lauretta Vinciarelli In Context: Transatlantic Dialogues In Architecture, Art, Pedagogy, And Theory, 1968-2007, Rebecca Siefert 2018 CUNY Graduate Center

Lauretta Vinciarelli In Context: Transatlantic Dialogues In Architecture, Art, Pedagogy, And Theory, 1968-2007, Rebecca Siefert

Dissertations, Theses, and Capstone Projects

This dissertation centers on the interdisciplinary work of Italian-born artist, architect, teacher, and theorist Lauretta Vinciarelli (1943-2011), a key yet relatively unknown figure who occupies a historic place in the 1970s revival of architectural drawings, Columbia University’s housing studio, Peter Eisenman’s influential Institute of Architecture and Urban Studies (IAUS) in New York, and architectonic trends in contemporary painting. She was the first woman to have drawings acquired by the Department of Architecture and Design at the Museum of Modern Art (MoMA, in 1974), she was among the first women to teach architecture studio courses at Columbia University (hired in 1978), …


The Work Of Living Art, Empathy, And The Creation Of An Aesthetics Of Perception In The Early Twentieth Century, Sarah Peil Winstead 2018 University of Arkansas, Fayetteville

The Work Of Living Art, Empathy, And The Creation Of An Aesthetics Of Perception In The Early Twentieth Century, Sarah Peil Winstead

Architecture Undergraduate Honors Theses

Adolphe Appia (1862-1928), theorist and pioneering voice of the New Stagecraft Movement in twentieth century theatre, was a transformative influence on the history of scenic design. This paper looks at the links between Appia’s theories in theatre scenic design and contemporaneous German aesthetic theory. At the time German theorists like Adolf Hildebrand and August Schmarsow developed an aesthetic theory, Einfülung or empathy theory, based on the connection between the human body and perception. I will argue this theory influenced not only Appia and his contemporaries it also shaped the landscape of mid-century theatre design. Appia’s own theories revolved around three …


Introduction To Relief Printing, Madelyne Lastimosa 2018 California State University, San Bernardino

Introduction To Relief Printing, Madelyne Lastimosa

Curricula

No abstract provided.


Introduction To Multicolor Printing, Madelyne Lastimosa 2018 California State University, San Bernardino

Introduction To Multicolor Printing, Madelyne Lastimosa

Curricula

No abstract provided.


Introduction To Screenprinting, Madelyne Lastimosa 2018 California State University, San Bernardino

Introduction To Screenprinting, Madelyne Lastimosa

Curricula

No abstract provided.


Introduction To Multicolor Printing, Madelyne Lastimosa 2018 California State University, San Bernardino

Introduction To Multicolor Printing, Madelyne Lastimosa

Curricula

No abstract provided.


Introduction To Relief Printing, Madelyne Lastimosa 2018 California State University, San Bernardino

Introduction To Relief Printing, Madelyne Lastimosa

Curricula

No abstract provided.


Time And Lines, Richard Pecos Pryor 2018 University of Nebraska-Lincoln

Time And Lines, Richard Pecos Pryor

School of Art, Art History, and Design: Theses and Student Creative Work

“How we spend our days is, of course, how we spend our lives.” -Annie Dillard

I want to make art that is worthwhile, that shares something important. This desire often overwhelms and hinders me from starting projects. I find myself questioning the purpose of art altogether. Yet, once I relinquish control into action—just simply start and keep going—the unforeseen meaning eventually presents itself.

Drawings begin with lines. Partnered with curiosity, I began this series by exploring the potential of drawing materials. How far and for how long can a single sharpened pencil last? What does a mile of lines look …


Modern American Cover Art: The Great Gatsby Through Time, Jessica Harrell 2018 University of South Carolina

Modern American Cover Art: The Great Gatsby Through Time, Jessica Harrell

Senior Theses

Book jackets and cover art are, more than anything, an advertising tool used to attract consumers, promote book sales, and establish company identity. F. Scott Fitzgerald’s The Great Gatsby is a staple in the canon of American literature whose cover art has drastically transformed in the ninety years since its original publication. This thesis traces these changes over time, focusing specifically on publishing history, art history, American culture, and thematic interpretations. In doing so, I found that the most substantial influences on these covers were publishing house identity, design trends, and available artistic techniques. Ultimately, The Great Gatsby’s cover …


|You| |Me|, Sheila Goloborotko 2018 University of North Florida

|You| |Me|, Sheila Goloborotko

Showcase of Faculty Scholarly & Creative Activity

|you| |me| Series of cast iron sculptures, prints and embossment.


Making Visible: More Of The Picture, Sarah Slavick 2018 Lesley University

Making Visible: More Of The Picture, Sarah Slavick

Lesley University Community of Scholars Day

In Linda Nochlin’s essay “Why Have There Been No Great Women Artists?, “ she demonstrates how, for centuries, institutional and societal structures had made it “impossible for women to achieve artistic excellence, or success, on the same footing as men, no matter what the potency of their so-called talent, or genius.” As the Guerilla Girls noted, only 1 woman had a solo museum show in NY in 1985, and, in 2015, 30 years later, it wasn’t much better with 1 at the Guggenheim, Met and Whitney, and 2 at MOMA. On International Women’s Day, March 1, 2017, I began a …


Pick Up A Habit, Emily Frazier 2018 Bowling Green State University

Pick Up A Habit, Emily Frazier

Honors Projects

Pick Up a Habit is a physically interactive experience that demonstrates the relationship between the strength of habits, their perceived priority levels, and the availability of mental space through a series of tote bags differing in weight, available space, and appearance. Through examining the bags and comparing them to others, a better understanding is gained of the effects that habitual actions have on their thought processes, and a person can more effectively evaluate and adjust their own habits.

Habits are behaviors or actions that have become automated due to repetition. People often desire to form habits to make parts of …


Henry Setter: An Artist's Meditation On Song Of Songs, University of Dayton. Marian Library, Johann G. Roten 2018 University of Dayton

Henry Setter: An Artist's Meditation On Song Of Songs, University Of Dayton. Marian Library, Johann G. Roten

Marian Library Art Exhibit Guides

Exhibit guide written by Father Johann Roten, S.M., about the works of Henry Setter.


Prints On Display: Exhibitions Of Etching And Engraving In England, 1770s-1858, Nicole Simpson 2018 CUNY Graduate Center

Prints On Display: Exhibitions Of Etching And Engraving In England, 1770s-1858, Nicole Simpson

Dissertations, Theses, and Capstone Projects

During the long nineteenth century, in cities throughout Europe and North America, a new type of exhibition emerged – exhibitions devoted to prints. Although a vital part of print culture, transforming the marketing and display of prints and invigorating the discourse on the value and status of printmaking, these exhibitions have received little attention in existing scholarship. My dissertation aims to answer the question of when, where, and how did print exhibitions emerge during this period. It examines the initial development of these displays in England, home to the earliest print exhibitions and an innovative exhibition culture, from the 1770s …


Flora And Fauna In East Asian Art, Samantha B. Frisoli, Daniella M. Snyder, Gabriella A. Bucci, Melissa R. Casale, Keira B. Koch, Paige L. Deschapelles 2018 Gettysburg College

Flora And Fauna In East Asian Art, Samantha B. Frisoli, Daniella M. Snyder, Gabriella A. Bucci, Melissa R. Casale, Keira B. Koch, Paige L. Deschapelles

Schmucker Art Catalogs

Flora and Fauna in East Asian Art is the fourth annual exhibition curated by students enrolled in the Art History Methods course. This exhibition highlights the academic achievements of six student curators: Samantha Frisoli ’18, Daniella Snyder ’18, Gabriella Bucci ’19, Melissa Casale ’19, Keira Koch ’19, and Paige Deschapelles ’20. The selection of artworks in this exhibition considers how East Asian artists portrayed similar subjects of flora and fauna in different media including painting, prints, embroidery, jade, and porcelain. This exhibition intends to reveal the hidden meanings behind various representations of flora and fauna in East Asian art by …


Sebald Beham And The Augsburg Printer Niclas Vom Sand: New Documents On Printing And Frankfurt Before 1550, Alison Stewart 2018 University of Nebraska-Lincoln

Sebald Beham And The Augsburg Printer Niclas Vom Sand: New Documents On Printing And Frankfurt Before 1550, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

This essay makes known two unpublished documents from the last years of the life of Sebald Beham (1500 Nuremberg–1550 Frankfurt) and uses them as a means to explore Beham’s relationship to printing, the town of Frankfurt, and the Augsburg printer Niclas vom Sand, who remains an unwritten part of the history of the period. The essay is organized as an autobiographical retrospective by an older man forced in prior decades to move from Nuremberg and seek employment and a new life elsewhere. The end of the essay evaluates the documents and aspects of them.


French Wallpaper Decors: Papiers Peints In Homes Of The American South, Christine Speare 2018 Sotheby's Institute of Art

French Wallpaper Decors: Papiers Peints In Homes Of The American South, Christine Speare

MA Theses

French wood-block printed wallpaper is a very unique mural art form, yet often neglected. With this historical lack of attention, few academics have devoted themselves to the study of the topic, especially in the United States; and yet, wallpaper can reveal so much about past styles, settings, and collectors. Due to the historical changes in fashion, natural aging, weather, war, and neglect, a considerably limited number of collections continue to hang in situ in the American South in relation to the abundant examples found in the Northeast that have been better documented. Yet, the South’s historic affinity for all that …


[You Are With] Kin And [You Can Be At] Ease, Abdul Azim Al Ghussein 2018 Virginia Commonwealth University

[You Are With] Kin And [You Can Be At] Ease, Abdul Azim Al Ghussein

Theses and Dissertations

This thesis is an exploration of hospitality, sharing and acclimation within a studio art practice as a means of fostering consideration of others. I employ a practice whereby I disrupt the typical gallery context, and through the production and dissemination of consumable items from the Middle East, I examine how resources can be used, valued, and shared to accommodate various and unspecified others and provide opportunities for crossing thresholds of guest and host relationships.


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