Painting Commons^™

Exhibit Curriculum For Condition: My Place Our Longing (Lesson 1 Of 2), Sarah Aponte, Dania Diaz

Open Educational Resources

Exhibit curriculum for the CUNY Dominican Studies Institute exhibit, Condition: My Place Our Longing.

The exhibit highlights the work of two young Dominican immigrant artists living in New York: Julianny Ariza and Leslie Jiménez and showcases original pieces produced between 2011 and 2012 that explore the subject of living in between two worlds, and other conditions of living.

Encounters, Judy Knowles Ford

Electronic Theses and Dissertations

No abstract provided.

Muted Resistance, Wesley Harris Ortiz

Electronic Theses and Dissertations

"And what if thou withdraw in silence from the living, and no friend take note of thou departure? All that breathe will share thy destiny." Thanatopsis, William Cullen Bryant. My paintings represent the voice of silenced negative human emotion. The works are expressions of negativity, despondency, confusion, anxiety, subjugation, and the loss of identity. They are examples of internal reactions to external tension. Each piece presents a fragile state of vulnerability and the act of fighting against or succumbing to the overwhelming distress. Together, they represent our human psyche and physical tolerance to the many degrees of agony. The forceful …

Depth Of The Surface, Marianne Rogoff

Collected Faculty Scholarship

"Painter Melinda Cootsona chose the title 'A Sense of Place' for her September 2013 show at The Studio Shop long before “Richard Diebenkorn: The Berkeley Years” opened at San Francisco’s DeYoung Museum and art historians launched a series of lectures on his sense of place, though perhaps this is no coincidence. Cootsona expresses a clear love for the work of Diebenkorn and shares his figurative/abstract aesthetic and love of color. The paintings in Cootsona’s newest body of works offer similarly sensuous appreciation for the particular pleasures of California sunlight, but the “sense of place” she depicts may reflect a more …

The Transcendent As Theatre In Roerich's Paintings, Joseph C. Troncale

Languages, Literatures, and Cultures Faculty Publications

It would not be an exaggeration to say that much of Russian artistic culture in the first two decades of the 20th century was theatricalised. The work that Russian painters did in the theatre was intimately integrated and synthesised with all of the other elements of a production. Many artists of the World of Art Movement were instrumental in revolutionising the theatrical arts in Russia at the invitation and under the direction of Sergei Diaghilev. Following the pioneering steps of Konstantin Korovin, many artists, including Nicholas Roerich, Alexander Benois, Leon Bakst, Mstislav Dobuzhinski and later the avant-garde painters Natalia Goncharova, …

Process Of A Painting, Dusty Ann Kriegel

Honors Program Theses

This thesis' point of discovery was the standout feature. Originally, the qualities of light versus dark, variance in edge quality, muted colors, and organic shapes were features as well. Those qualities were used in the thesis process but more as tools than as points to be studied intensely. The discoveries included a concept to proceed with not only in this thesis but for future works, determining time needed to complete numbers of works, and the amount of analysis and purposefulness needed to create a piece from nothing. Overall, the process of painting for myself as an artist involved an intense …

Blood Works: The Sanguineous Art Of Robert Sherer, Robert Sherer

KSU Press Legacy Project

Robert Sherer is an internationally recognized gay American artist whose work explores race, gender, sexuality, and Southern identity, intertwined with beautiful and provocative botanical and anatomical illustration. His premier book concerns the complexities of romantic life and sexual attraction in the age of AIDS and conveys a profound and highly personal aesthetic statement in response to the continuing AIDS crisis in America and abroad. Images of his stunning illustrations are printed with non-toxic ink—the originals were executed in blood drawn from the artist, as well as donated by friends, both HIV-negative and HIV-positive.

Contents

Part 1

Blood Works: Love and …

Portrait Of Antoine-Georges-Francois De Chabaud-Latour And His Family, Risd Museum, Robert Babigian

Channel

This handsome portrait was subtitled “filial piety” when it was exhibited at the 1806 Paris Salon. Set in the gentle landscape of the département of Gard, in the south of France, it depicts Antoine-Georges-François de Chabaud-La Tour who is seated on a marble bench with his daughter Rosina perched on one knee and his son James-Hippolyte posed on the other. His wife, Juliette Verdier de la Coste, stands at their side holding her infant son François-Ernest-Henri to her breast. Their attention is directed to a herm bearing a bust of the children’s grandfather, Antoine Chabaud, a distinguished military man who …

Dan Walsh | Uncommon Ground, Judith Tannenbaum

Journals

Exhibition Notes, Number 40, 2012. Dan Walsh has been devoted to abstract painting since he arrived in New York in the early 1980s. Naturally his work has evolved over the past three decades, but he has remained consistently attached to Minimalism’s basic language of geometry and grids.

2012 Forces, Scott Yarbrough

Forces

No abstract provided.

Three Musketeers And A Rock Band, Brandi K. Kawamoto

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis is the culmination of my scenic design work for Ken Ludwig’s The Three Musketeers in the Howell Theater at the Johnny Carson School of Theatre and Film at the University of Nebraska-Lincoln in the spring semester of 2012. Within this paper I will look at the conceptualization process, historical research, execution of the set design, the realized final product, and the critique process. The rough sketches, research images, computer draftings, finalized renderings, and production photos are featured within the thesis.

Advisor: Sandy Veneziano

Desport, Juliette Marie, 1889-1985 (Sc 277), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scan (Click on "additional files" below) for Manuscripts Small Collection 277. Autobiographical sketch by Juliette Desport, Nashville, Tennessee, giving the history of the Desport family; information about paintings donated to the Kentucky Museum, Bowling Green, Kentucky; educational pursuits; and travel. Her father, Alphonse, was an artist who resided in Bowling Green from 1893-1905. Includes letters, 1969-1970 (3), of Miss Desport.

Linvel Barker: Works From The Collection Of Rita Biesiot, Linvel Barker, Rita Biesiot, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2012 Kentucky Folk Art Center exhibition catalog of artist Linvel Barker.

2 X 20: Works By 20 Of Kentucky's Finest Working Folk Artists, Minnie Adkins, Barbara Burton, Jo Ann Butts, Brent Collinsworth, Joan Dance, Tad Desanto, Marvin Francis, Tim Lewis, Jance Miller, Lonnie Money, Twyla Money, Robert Morgan, Bruce New, Janice Harding Owens, Jim Gary Phillips, Thaddeus Pinkney, Monica Pipia, Willie Rascoe, Eileen Stockham, Donny Tolson, Lavon Van Williams, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2012 Kentucky Folk Art Center exhibition catalog of the twenty finest working folk artists.

Agnes Martin, By Lynne Cooke Et Al. Dia Art Foundation: New York And Yale University Press: New Haven, 2011 (Book Review), Vittorio Colaizzi

Art Faculty Publications

[First Paragraph] The impression emerges, through reading this anthology and remembering the work, that Agnes Martin's paintings are somehow not there. Their qualities and effects are of a second order, not directly tied to their material facts, because as perceptions, they evade and exceed these facts. Although it is entirely clear of what they consist and how they were made, viewers report constant dissolution and condensation of screens, veils, or mists from the tiny elements on the surface. Emblems of the less than absolute sufficiency of empirical knowledge, they reinforce Martin's claim that "The cause of the response is not …

Close Encounters, Martin Anthony Arnold

Electronic Theses and Dissertations

Abstract: The expressiveness of the human figure is the syntax and vocabulary that I use to explore the things that make us human. In coming to really know an individual, we not only gain insights into our own psychological make-up, but we may extrapolate our findings to the broader human condition. Although intimately concerned with highlighting the characteristics that make my subjects distinctive, I am equally determined to examine those traits underscoring our commonality, that bind us all into a human family. I look for fresh ways to pull back the curtain of privacy and allow viewers to intrude on …

Perceptions Of Life And Death Through The Metaphor Of Paint: Construction And Deconstruction Of Form, Nannette Cherry

Electronic Theses and Dissertations

This paper will explore classical and contemporary methods of painting applied to the portrait. It will emphasize the metaphor of paint as flesh and the connotations of the breakdown of the painted form that stands in for flesh as it relates to our preoccupations with our own mortality. Borrowing from influences like Lucian Freud, Jenny Saville, and Francis Bacon, the artwork explores the creation of a form that is physical and confrontational, and is intended to provoke a psychological response in the viewer. This series of figuration bases its processes on traditional methods, while borrowing from modern art devices to …

That’S The Beauty Of It, Or, Why John Ashbery Is Not A Painter, Clark Lunberry

English Faculty Research and Scholarship

The poet John Ashbery lived in Paris from roughly 1955 to 1965. It was during this period that Ashbery began writing art reviews, often examining the work of various Americans also living in Paris at this time. Among the many painters Ashbery was to review and publish about, one was the Chicago-born, Paris-based abstract expressionist Joan Mitchell and an exhibition of hers at a Paris gallery in 1964. In this essay I examine the early, more ““abstract”” poetry that Ashbery was developing during this period, thinking about it alongside the paintings of Mitchell (and, in particular, his writings about them). …

2011 Forces, Scott Yarbrough

Forces

No abstract provided.

Innovation And Harmonization In Raphael's Stanza Della Segnatura, Nathan Cornelius

Library Research Prize Student Works

Raphael's paintings for the Stanza della Segnatura, Pope Julius II's personal library in the Vatican, are one of the great masterpieces of Renaissance art. My research project explored the rich meaning behind this innovative series of images, which project an expansive and holistic view of truth. I discovered that Raphael's message is relevant for Christians today who are trying to preserve a coherent view of truth in a complex, pluralistic culture.