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Nia, Emily Furr 2016 Winthrop University

Nia, Emily Furr

The Anthology

Artwork


Full Issue, The Anthology 2016 Winthrop University

Full Issue, The Anthology

The Anthology

This is the entirety of the 2016 Winthrop Anthology issue.


City/ What My Mother Told Her Daughter, Me, Kristin Perkins, Lexi Johnson 2016 Brigham Young University

City/ What My Mother Told Her Daughter, Me, Kristin Perkins, Lexi Johnson

AWE (A Woman’s Experience)

artwork and poetry


Migration In Slavic Village, The History Behind The Cleveland Central Catholic Ironmen., Mary C. Brondfield Mrs., Matt Aber Mr. 2016 Cleveland Central Catholic High School & North Olmsted High School

Migration In Slavic Village, The History Behind The Cleveland Central Catholic Ironmen., Mary C. Brondfield Mrs., Matt Aber Mr.

Migration in Global Context Symposium

This presentation is a collaborative effort by two educators from the disciplines of art and history. The PowerPoint presentation documents the the cross curricular migration themed event that explored migration in Slavic Village, Ohio. Historical speakers and visits to historical sites engaged students throughout the event. Through oral history and the visual arts students engaged in project based learning.


James Kao Interview, Alice Haller 2016 DePaul University

James Kao Interview, Alice Haller

Asian American Art Oral History Project

Artist Bio: James Kao was born and raised in Houston, Texas. After studying philosophy and focusing on the texts of Ludwig Wittgenstein at the University of Chicago, he worked as a bakery buyer for a specialty foods retail chain in Southern California. In 2001, James forwent his corporate career and returned to Chicago to take classes at the School of the Art Institute of Chicago where he received an MFA from the Painting and Drawing Department. He is Assistant Professor of Art at Aurora University in Aurora, IL, and is co-founder and co-director of 4th Ward Project Space in …


"Processing The Scape", Sim And Hvítahús Artist Residencies, Iceland, Yvonne Petkus 2016 Western Kentucky University

"Processing The Scape", Sim And Hvítahús Artist Residencies, Iceland, Yvonne Petkus

Grant Reports

International Activities Grant – Final Report

"Processing the Scape", SIM and Hvítahús Artist Residencies, Iceland was a sabbatical related research activity that included two artist residencies in Iceland: SIM Residency Program in Reykjavík (February 2016) and Hvítahús Artist Residency near Hellisandur (March 2016).


Una Entrada En La Vida De Las Mujeres Inmigrantes: Una Exposición Visual Para Representar Las Experiencias De Mujeres Inmigrantes De México A Través De Retratos Y Entrevistas, Ashley Ables 2016 California Polytechnic State University, San Luis Obispo

Una Entrada En La Vida De Las Mujeres Inmigrantes: Una Exposición Visual Para Representar Las Experiencias De Mujeres Inmigrantes De México A Través De Retratos Y Entrevistas, Ashley Ables

World Languages and Cultures

Una entrada en la vida de las mujeres inmigrantes:

Una exposición visual para representar las experiencias de mujeres inmigrantes de México a través de retratos y entrevistas

Ashley Ables

California Polytechnic State University

Intent:

The intent of my project is to research the lives of migrant, farm-working women who have migrated from Mexico and now live and work in California. The other purpose is to present the findings to the Cal Poly and San Luis Obispo communities through interviews and artistic expression.

Methodology:

In order to research and present the lives of these women, I plan to do the following: …


Maybe The Gate Could Be A Fan, Erin L. Schoenbeck 2016 University of Nebraska-Lincoln

Maybe The Gate Could Be A Fan, Erin L. Schoenbeck

School of Art, Art History, and Design: Theses and Student Creative Work

I notice with quiet thrill an individual object or shape such as a railing, an odd pattern in the cement, a handle that does not match the rest, or a surprisingly decorative form intended only for a useful purpose. Choosing a form for its potential function, strange shape or particular color, I filter it through my aesthetic. My mental repetition of the day’s stresses is changed into lighthearted wondering. Maybe that gate I passed could become a beautiful fanned shape, its silhouette in gold and pale green. It could be so tiny its functional life outdoors is transformed into delicate …


Downing, Joseph Dudley, 1925-2007 (Sc 2989), Manuscripts & Folklife Archives 2016 Western Kentucky University

Downing, Joseph Dudley, 1925-2007 (Sc 2989), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 2989. Items related to native Kentuckian and expatriate (France) artist Joe Downing collected by Benjamin L. and Louise Pritz of Cincinnati, Ohio. Items include notes and cards from Joe, correspondence with his brother, Dero Downing, numerous invitations and programs for Downing exhibitions, and a number of New Year cards featuring photographs of Joe and his art.


Jave Yoshimoto Interview, Serina Mancha 2016 DePaul University

Jave Yoshimoto Interview, Serina Mancha

Asian American Art Oral History Project

Artist Bio:
Jave Yoshimoto is an artist and educator of multicultural background. He was born in Japan to Chinese parents and immigrated to United States at a young age. He has since traveled and lived in various parts of the country, which influenced his artistic practice. Yoshimoto received his Bachelors from University of California Santa Barbara in Studio Art, his Post-Baccalaureate Certificate in Painting and Drawing and Masters of Art in Art Therapy at the School of the Art Institute of Chicago, and his Masters of Fine Arts in Painting at Syracuse University. He has worked as an art therapist/mental …


Hong Chun Zhang Interview, Emily Dresden 2016 DePaul University

Hong Chun Zhang Interview, Emily Dresden

Asian American Art Oral History Project

Artists Bio: Born and raised in China, Hong grew up in an academic environment. Both her parents are retired art professors and her two sisters are also painters. When she was 15, Hong and her twin-sister Bo won the national competition to attend the high school attached to the Central Academy of Fine Arts in Beijing. From there, she began her professional art training. In 1994, Hong received B.F.A. in Chinese Ink Painting from CAFA in Beijing, M.A. from CSU Sacramento in 2002 and M.F.A. from University of California, Davis in 2004. Hong currently lives and works in Lawrence, Kansas. …


Cesar Conde Interview, Ramona-Sky Rosenthal 2016 DePaul University

Cesar Conde Interview, Ramona-Sky Rosenthal

Asian American Art Oral History Project

Artist Bio: A post-contemporary painter, Conde uses old world technique using modern materials to paint his realistic portraits. Conde is a Filipino-American Chicago based artist who was primarily self-taught until he hit a wall with his technical skills. Upon realizing his artistic limitations, Conde decided to study at Angel Academy of Art in Florence, Italy with John Michael Angel, who apprenticed for Pietro Annigoni. He also studied with Master Painter of Technique Mixte, Patrick Betaudier in his atelier in Monflanquin, France. Conde’s influences are Carravaggio, Rehmbrant, and Goya. Conde continues to learn and explore the infinite possibilities of painting.

Conde’s …


The Devil Made Us Do It: Depictions Of Satan In Kentucky Folk Art, Kentucky Folk Art Center 2016 Morehead State University

The Devil Made Us Do It: Depictions Of Satan In Kentucky Folk Art, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2016 Kentucky Folk Art Center exhibition catalog of artwork depicting Satan.


Mark Francis: Time & Chance, Mark Francis, Kentucky Folk Art Center 2016 Morehead State University

Mark Francis: Time & Chance, Mark Francis, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2016 Kentucky Folk Art Center exhibition catalog of artist Mark Francis.


Producing Archival Works With Late Medieval/Early Renaissance Methods And Material, Alexandra Vernier 2016 Northern Michigan University

Producing Archival Works With Late Medieval/Early Renaissance Methods And Material, Alexandra Vernier

Conspectus Borealis

No abstract provided.


Joan Thorne, Analytic Ecstasy, Vittorio Colaizzi 2016 Old Dominion University

Joan Thorne, Analytic Ecstasy, Vittorio Colaizzi

Art Faculty Publications

The article focuses on American artist Joan Thorne. The author examines several of her abstract panitings, including "Squazemo," "Aahee, and "Ananda," explores how her work relates to minimalism, non-composition, and postmodernism, and discusses her role in the women's art movement of the 1970s in New York City.


The Mercury 2016, 2016 Gettysburg College

The Mercury 2016

The Mercury

No abstract provided.


Summer Impressions: Coneflower, Zoe C. Yeoh 2016 Gettysburg College

Summer Impressions: Coneflower, Zoe C. Yeoh

The Mercury

No abstract provided.


Macro Self-Portraiture And The Feminine Grotesque, Emily C. Wages 2016 Scripps College

Macro Self-Portraiture And The Feminine Grotesque, Emily C. Wages

Scripps Senior Theses

According to the Mirriam-Webster online dictionary, “grotesque” is defined as “a style of decorative art characterized by fanciful or fantastic human and animal forms often interwoven with foliage or similar figures that may distort the natural into absurdity, ugliness, or caricature.” Originating from the Old Italian grottesca, cave painting, feminine of grottesco of a cave, from the time of its conception, the grotesque has been inexorably linked to art and the female. The work of other female artists that explore themes of the feminine grotesque are discussed, including Katheryn Wakeman, Jenny Saville, and Maria Lassnig. In my current work, I …


The Mothers: An Exploration Of Memory And Secondary Knowledge, Taylor Battle 2016 University of Central Florida

The Mothers: An Exploration Of Memory And Secondary Knowledge, Taylor Battle

Electronic Theses and Dissertations

I consider the experiences of past generations of women in my family and my relationship to them. This body of work began with Bessie, a portrait of my father's mother. I painted it after attending her funeral. I did not have a meaningful relationship with either of my grandmothers. This led me to consider my right to portray them. My need to admit my incomplete memory and avoid the objectification of my subjects caused me to question my perspective. I wanted to memorialize these women to avoid their erasure. Through the progressive abstraction of these women's figures, I chase an …


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