Painting Commons^™

Fun In The Botanical Garden, Gilbert Hu

Forces

No abstract provided.

Introduction, Scott Yarbrough

Forces

No abstract provided.

Katie, Gilbert Hu

Forces

No abstract provided.

Zooairyland- Xinjie Yin Mfa Thesis Show, Xinjie Yin

CGU MFA Theses

During the process of discovering myself in my art world, I have determined to use cuteness as a way to express my worldview, values, and experiences. Cuteness is my own philosophy and language in the interpersonal communication. I intend to make cuteness meaningful to me as well as to the rest of the world. I believe cuteness contains a power to bring people back to their original simplicity regardless of their age, it is the idea of innocence. Cuteness is like a shield for me to protect myself from the tough, scary and crazy reality; and it is a positive …

None Of Us Faces Judgment Alone: ‘Zurbarán’S Jacob And His Twelve Sons’ At The Frick, Griffin Oleynick

Catholic Studies Faculty Publications

Our turning to God during Lent, and our experience of new life at Easter, either happens together, as part of a family of faith, or not at all.

A new exhibition of Spanish paintings by the Golden Age master Francisco de Zurbarán (1598–1664), “Jacob and His Twelve Sons: Paintings from Auckland Castle,” on view through April 22 at the Frick Collection in New York City, provides a refreshing reminder of this dynamic by bringing us into conversation with our religious ancestors, the Old Testament Patriarchs.

The Forgotten : Child Soldiers, Sam Fee

UNO Student Research and Creative Activity Fair

Child soldiers have been slowly forgotten about by the public over the last century. There are only a few groups of people are trying to fight for these children. As a visual artist, I created a painting, my work entitled Invisible Children utilizes acrylic and wildfire blacklight paint to symbolize the underreported presence of children in global conflict, the hidden image represents the light we need to shine on these issues.

Ode To The Sea: Art From Guantanamo, Erin L. Thompson, Charles Shields, Paige Laino

Publications and Research

Exhibition catalogue for “Ode to the Sea: Art from Guantánamo” (October 16, 2017-January 26, 2018, President's Gallery, John Jay College of Criminal Justice, New York). Detainees at the United States military prison camp known as Guantánamo Bay have made art from the time they arrived. The exhibit displays some of these evocative works, made by eight men: four who have since been cleared and released from Guantánamo, and four who remain there. They paint the sea again and again although they cannot reach it. The catalog includes contributions by Trevor Paglen, Solmaz Sharif, Natasha Trethewey, Jericho Brown, and current and …

Winter Birches At York Redoubt, Irene Oore

The Goose

This painting of Winter Birches at York Redoubt in Halifax, Nova Scotia reflects the grandeur and beauty of the historic site on which it sits and evacuates the fortification from it. York Redoubt, now a National Historic Park, was constructed in 1793 (just as war broke out between Britain and France) on a bluff at the narrowest point on the outer harbour. It overlooks the entrance to Halifax Harbour at Ferguson's Cove, Nova Scotia, Canada.

Henry Setter: An Artist's Meditation On Song Of Songs, University Of Dayton. Marian Library, Johann G. Roten

Marian Library Art Exhibit Guides

Exhibit guide written by Father Johann Roten, S.M., about the works of Henry Setter.

The Tragic Notion Of Painting, Yang Yu

Theses and Dissertations

The tragic notion in my painting is to remind the viewers of the preciousness of their lives. My paintings convey the same feeling as Rothko achieved with his dark paintings. I express my personal experience on the canvas by employing colors and cinematic Atmosphere.

Flora And Fauna In East Asian Art, Samantha B. Frisoli, Daniella M. Snyder, Gabriella A. Bucci, Melissa R. Casale, Keira B. Koch, Paige L. Deschapelles

Schmucker Art Catalogs

Flora and Fauna in East Asian Art is the fourth annual exhibition curated by students enrolled in the Art History Methods course. This exhibition highlights the academic achievements of six student curators: Samantha Frisoli ’18, Daniella Snyder ’18, Gabriella Bucci ’19, Melissa Casale ’19, Keira Koch ’19, and Paige Deschapelles ’20. The selection of artworks in this exhibition considers how East Asian artists portrayed similar subjects of flora and fauna in different media including painting, prints, embroidery, jade, and porcelain. This exhibition intends to reveal the hidden meanings behind various representations of flora and fauna in East Asian art by …

Finding Aid To The Collection Of Lilla Cabot Perry Materials., Lilla Cabot Perry, Colby College Special Collections

Finding Aids

The Collection of Lilla Cabot Perry Materials contains clippings, correspondence, two diaries, published and unpublished manuscripts, a memorial exhibit document, two portrait paintings (William Dean Howells, Edwin Arlington Robinson) and photograph items.

Lilla Cabot Perry (1848-1933) was born in Boston, a member of the prominent Cabot family. She married Thomas Sargeant Perry, a literature professor at Harvard, and through him became friends with writers such as Henry James and William Dean Howells. Perry wrote several volumes of poetry: "Heart of the Weed" (1886), "From the Garden of Hellas" (1891), "Impressions" (1898), and "Jar of Dreams" (1923). Primarily known as an …

Finding Aid To The Collection Of Celia Thaxter Materials, Celia Thaxter, Colby College Special Collections

Finding Aids

Celia Laighton Thaxter, 1835-1894, was an American poet and prose writer. Born Celia Laighton in Portsmouth, N.H., she spent her childhood on White Island Lighthouse, part of Isles of Shoals, and Appledore Island. At 16 she married Levi Thaxter and had three sons, Karl, John, and Roland. The family spent winters on the mainland in Massachusetts, where Celia felt imprisoned by domestic duties in a city house. Her first poem, "Land-locked," was published in 1860 and was an immediate success. Soon she became widely published, with poems appearing in Harper's, Scribner's, and the Atlantic. With the means to spend more …

Ua1c11/98 Nina Hammer Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs of and by Nina Hammer.

Living Tradition: Contemporary Ethiopian Christian Art From The Sobania Collection, Neal Sobania, Charles Mason, Nina Kay, Andie Near, Raymond Silverman, Tom Wagner

Kruizenga Art Museum Exhibition Catalogs

Produced by Storming the Castle Pictures for the Kruizenga Art Museum as a catalog for the exhibition “Living Tradition: Contemporary Ethiopian Contemporary Art from the Sobania Collection,” September 21 – December 15, 2018. Photography by the Kruizenga Art Museum, Neal Sobania, Raymond Silverman and Tom Wagner. Design by Tom Wagner.

Kruizenga Art Museum Online Collection - Exhibition Gallery

Sugar Overload: The Artificiality Of The American Dream For Latinx Immigrants, Dovey Martinez

Art Honors Papers

No abstract provided.

What The Walls Say: Finding Meaning And Value In Tel Aviv’S Street Art, Rachel R. Bird

Honors Theses

This thesis explores street art in Tel Aviv, Israel through anthropological concepts of value. By defining street art as an interstitial practice—one that exists between permeable, socially defined boundaries and is characterized differently by different power structures—I attempt to define some of the different regimes of value that apply to street art. Using the emerging market of “street art tours” as a fieldwork site, I look at how street art is presented and re-presented to both tourists and locals. By situating my research in a historical and geographic context, I hope to understand the ways different value schema, from economic …

Intercultural And Interreligious Bonds In The Language Of Colors, Lucy Soucek

Honors Theses

This thesis explores the interfaith elements of the artwork of three south Asian visual artists, The Singh Twins, Siona Benjamin, and Arpana Caur. All coming from various religious backgrounds, living in multicultural societies, and navigating the borders and boundaries between different religious thought, these artists create meaningful artwork which explores what it means to live in a pluralistic society. All three artists invite viewers to think differently, formulate opinions, rethink assumptions, and spark associations. They use art as a way to ignite interfaith understanding, reaching broader audiences and asking us to question how we understand our neighbors and ourselves.

Sillage, Brooke Alexander

Electronic Theses and Dissertations

The blurry, the dark, shadoplaces hidden and dwelling amongst the certainty steal my attention. Such places can communicate a vast sense of both time and setting, can convey that which is both occurring and that which is past. I do not think those spaces can be explicitly defined. They are reflections and explorations of the figures’ minds, providing a place for both their physical bodies and their thoughts to live. The paintings that compose Sillage communicate a space that requires engagement and that is not readily understood. The painted area changes as it invites and rejects visual entry. These ambiguous …

Un/Veiling, Marisa Andropolis

Electronic Theses and Dissertations

David Freedberg wrote in The Power of Images that the purpose of painting portraits was to show the living reality of the sitter by representing subjects in a way they wanted to be seen or remembered. The body of work Un/Veiling challenges that idea by representing both the subject’s staged persona (their “ideal”) alongside their hidden, inner realities. To begin, I referenced photographs of myself as a vehicle to create personas that convey ideas about the fluidity of identity that I then painted using traditional processes (layered oil painting technique to imitate a studied naturalism) on less-traditional, multi-faceted canvases. Un/Veiling …