Art and Design Commons^™

Designing With An Underdeveloped Computational Composite For Materials Experience, Bahareh Barati, Elvin Karana, Paul Hekkert, Iris JöNsthöVel

Experiential Knowledge (EKSIG) Conference Series

In response to the urge for multidisciplinary development of computational composites, designers and material scientists are increasingly involved in collaborative projects to valorize these technology-push materials in the early stages of their development. To further develop the computational composites, material scientists need designer’s inputs regarding the physical properties and temporal behavior of the composite, as embodying an application in a context of use. Effective communication of material knowledge and design knowledge between the two disciplines (material science and design) has proven to be challenging due to their different perspectives on materials. Designing appropriate product concepts requires understanding of composite’s unique …

Open Structures: Designing 3d Printed Alterable Textiles, LinnéA Nilsson

Experiential Knowledge (EKSIG) Conference Series

The design of textiles is flexible. The soft, pliable nature of textiles means that their expressiveness and physical properties can be altered long after the material has been produced, by e.g. adding or removing colour, pattern, density, or by printing, laser-cutting, etc. This transformability means that the design of textiles can be further developed in another design process in relation to a specific product or context. In the emerging field of textiles produced using 3D modelling and additive manufacturing, structures can be defined in detail and, later, altered or completely redesigned in CAD programs. However, the designs of these textiles …

How To Visually Represent The Colour Theory Of Thermochromic Inks, Marjan Kooroshnia

Experiential Knowledge (EKSIG) Conference Series

Colour theories have been established in order to allow artists and designers to understand the relationship between colours, and to determine how a chosen colour will react or interact with another. Smart colours - such as leuco dye-based thermochromic inks - have entered into the textile and fashion design world, bringing with them new challenges. This paper stresses the fact that, in order to demonstrate and describe the behaviour of these inks at different temperatures when printed on textiles, a new colour system is required. Four design experiments using thermochromic inks are described and these, along with the discussion presented, …

Kindness As A Collective Wish To Co-Design With Communities Using Physical Installation, Priscilla Chueng-Nainby, Xu Lin, Jun Hu

Experiential Knowledge (EKSIG) Conference Series

This paper reports a co-design intervention experimented with ‘kindness’ as a community value for social innovation during Dutch Design Week 2014. We discuss the insights gathered from the practice-based research aimed to envision and enact community’s creative imagery as a shared space for co-creation. The co-design intervention visualized, enacted, connected and structured community’s ideas by projecting “kindness” as an idealistic social value to inspire the community’s collective wishes. The activity was instrumented by Collective Imagery framework supported by two co-design tools: Collective Imagery Weave as a physical installation using tags and threads to envision creative complexity; and Mind Weave Theatre …

The Role Of Doing And Making Models With Materials: Outlining “Designerly And Human-Centred Entrepreneurship”, Kirsten Bonde Sørensen, Winie Evers

Experiential Knowledge (EKSIG) Conference Series

This paper seeks to demonstrate the central role of making and creating models in what we call “designerly and human-centred entrepreneurship”. We refer to empirics from studies of Danish entrepreneurs working on how to develop their businesses. In Drucker ́s (2001) “Management Challenges for the 21st Century” he predicts the new paradigms of management will change and continue to change our basic assumptions about the practices and principles of management. One of the key influences is that of design. 10 years later Johansson & Woodilla argue there is a need for a paradigmatic widening within Design Management, since, if it …

Toy Trucks In Video Analysis, Jacob Buur, Nanami Nakamura, Rainar Rye Larsen

Experiential Knowledge (EKSIG) Conference Series

Video fieldstudies of people who could be potential users is widespread in design projects. How to analyse such video is, however, often challenging, as it is time consuming and requires a trained eye to unlock experiential knowledge in people’s practices. In our work with industrialists, we have discovered that using scale-models like toy trucks has a strongly encouraging effect on developers/designers to collaboratively make sense of field videos. In our analysis of such scale-model sessions, we found some quite fundamental patterns of how participants utilise objects; the participants build shared narratives by moving the objects around, they name them to …

Counterculture, Ju-Jitsu And Emancipation Of Wood, Marcin WóJcik

Experiential Knowledge (EKSIG) Conference Series

This paper sets out to formulate the notion of material-oriented design in wood. In this respect I propose an alternative ontology, where the material is seen as an equal rights partner to the designer. Further, I contrast the constructivist and evolutionary types of management, where in the latter systems are produced with minimal waste and energy expense. I discuss the implications of the approach on an example of five experimental projects, including my own in more detail. I advance that material-oriented design challenges the established form-matter relationship, design process, our understanding of authorship and bears an environmentally friendly potential.

Materials Driven Architectural Design And Representation, Anders Kruse Aagaard

Experiential Knowledge (EKSIG) Conference Series

This paper aims to outline a framework for a deeper connection between experimentally obtained material knowledge and architectural design. While materials and architecture in the process of realisation are tightly connected, architectural design and representation are often distanced from the material domain in which the construction eventually will happen. In many cases, it can seem that materials play the role of a selection of building blocks from which a determined architectural vision or representation are tried to be build. Research in materials, materials behaviour and new materials are often quite technical and oriented towards the field of engineering. Often cost, …

Material Knowledge: Unlocking The Research Potential Of The ‘Micro’ Architectural Practice, Ewen Mclachlan

Experiential Knowledge (EKSIG) Conference Series

Materiality is the medium through which architecture engages most directly with its inhabitants, via their sensory and perceptual faculties. Current understandings of the physical traits, symbolic potential and poetic qualities of constructional materials benefit from earlier theoretical and empirical investigations. Such explorations continue through the work of contemporary architecture practices, particularly at the early design stage of projects and during the building process, when material investigations are undertaken as a matter of course. In the UK, small practices (5 or fewer staff) comprise the majority of the profession, so their collective work can be expected to contain a significant proportion …

Digital Crafting In The Field Of Ceramics, Flemming Tvede Hansen, Henrik Leander Evers, Martin Tamke

Experiential Knowledge (EKSIG) Conference Series

This article aims to discuss and explore how craft knowledge in the field of ceramics can be utilized through digital technologies. Based on a set of experiments, which led to the development of a computational system that negotiates between the movement of the designer’s hands and the 3d clay printing, we propose to leave thinking in diametric positions about technology and craft. Instead, we recommend to see technology as an enabling force and follow McCullough’s (1998) idea about a close connection between digital work and craft practice. We base this on similarities we find between the way custom digital design …

A Framework For Materials Knowledge Acquisition For Designers, Anders Haug

Experiential Knowledge (EKSIG) Conference Series

Knowledge of materials is essential for designers in many regards. Materials affect how a product will be manufactured and how it will function, as well as the usability and personality of the product. However, existing materials are subject to ongoing changes in availability, processing methods, price and attributed meanings, and new materials are constantly being developed. Thus, designers continuously need to acquire new materials knowledge to be able to produce designs that utilise available material possibilities and achieve the desired user experiences. That makes it relevant to understand how this materials knowledge can be acquired. To provide designers and design …

Madec: Exploring New Methodologies To Transfer Material Knowledge Into Design Disciplines, Chiara Lecce

Experiential Knowledge (EKSIG) Conference Series

Due to the increased complexity of materials and production processes, the responsibility of the development of a design is often left in the hands of technicians and production personnel. This lack of knowledge about materials thus effectively creates a barrier between the designer and the product. Bridging this gap represents a challenge to designers and especially to the design schools. (Bak-Andersen 2013, p.69) Designers cannot know everything but they can open their minds and develop a more conscious understanding of this new field of design practice starting from a cultural point of view. MADEC is a research group based in …

Materia Prima: The Rough Guide, Megan Walch

Experiential Knowledge (EKSIG) Conference Series

This paper describes a suite of ten paintings titled The Rough Guide and discusses them as an alternative form of cartography that maps subjectivity in flux. It is an autoethnographic account of the material performativity of paint and the interplay between base materiality, chemical interactions and my improvised embodied action. This echoes the ancient alchemical practice where transformation of substance became transformation of self: in alchemy the perfection of Man was aimed at unity with Divine nature. The Rough Guide suite forms the central component of a studio based PhD investigation titled Viscosity, Fluidity, Plasticity: Reworking Pictorial Conventions in Paint, …

Choreography Of Surface Materiality From Nature, Culture, And Time, Yandi Andri Yatmo, Paramita Atmodiwirjo, Ghofar Rozaq Nazila

Experiential Knowledge (EKSIG) Conference Series

This paper proposes the emergence of surface materiality of architecture from nature, culture and time. The emergence of surface from the choreography of nature, culture and time offers an understanding of surface materiality beyond the common, modern building materiality. A case of design research project in the context of a natural site with challenging topography illustrates the process of generating various forms of architectural surfaces from the elements of nature and culture, articulated with the elements of time. The process of choreographing the elements of nature, culture and time becomes more important than just the physical crafting or constructing of …

Exploring The Relationship Between Material And Textile Structure In Creating Changing Textile Expressions, Riikka Talman

Experiential Knowledge (EKSIG) Conference Series

This paper explores the relationship between potentially dynamic materials and textile structures for designing textiles with inherent changing qualities. Textiles are usually designed to retain their appearance for as long as possible. Yet all textiles wear out and change over time, both physically and aesthetically. This means the life spans of textile object and the material it is made from will not necessarily be equal. The dynamic changeable qualities in textiles could instead be enhanced by using the potentially dynamic, changing qualities inherent to materials and combining them with textile structures. Through contextualisation and design examples, this paper discusses the …

Materials, Time And Emotion: How Materials Change In Time?, Eline Nobels, Francesca Ostuzzi, Marinella Levi, Valentina Rognoli, Jan Detand

Experiential Knowledge (EKSIG) Conference Series

During their lifecycle, objects shift from their initial state of perfection, in which they are conceived by designers and industrial production, and approach an imperfect status. This is shown by changes that impact shape, surface and material properties, due to usage and time. In this paper we focus on the passage of time and its consequences. For some materials ageing is negatively addressed as decaying, for other ones it may have a positive effect to be defined as evolution or maturation. What are the factors that lead to a positive or a negative perception of ageing objects? In other words, …

Processes Of Artefact Creation In The Hybrid-Reality Engaging With Materials Through Material Oxymorons, Laura Ferrarello, William Fairbrother

Experiential Knowledge (EKSIG) Conference Series

Yet the nature of all these things must of course be physical since otherwise they could not impress our senses —for impression means touch, and touch means the touch of bodies. Lucrezio, "De Rerum Natura" The materiality of things represents the connection between our bodies and the physical world. However, in recent years, with the overlay of a new digital reality onto the existing physical one, materiality has extended its domain of existence into the virtual world through haptic technologies. The sense of touch is no longer restricted to a physical contact with any kind of "thing" existing in our …

Service Prototyping And Organizational Transformation: Playing With The Potential Problems And Solutions, Jaana HyväRinen, Tuuli MattelmäKi

Experiential Knowledge (EKSIG) Conference Series

The purpose of this paper is to explore small-scale service prototyping as a tool and a process for developing and implementing service concepts and initiating transformation in the involved public service organization(s) simultaneously. The paper describes a municipality initiated service design case and reflects on the prototyping process and findings. The paper focuses on the use of service prototyping in developing ‘social emergency’ services for families with children. The case illustrates how service prototyping and tangible prototype may establish a connection between front-stage and back-stage transformation both at operational and strategic levels. The findings explicate how the collaborative service prototyping …

The Mathematics And Applications Behind Image Warping And Morphing, Tanvir Prince, Maria Malik, Ildefonso Salva, Ariel Mazor, Sakhr Aldaylam

Publications and Research

This research is conducted in the summer of 2015 and is possible by the support of various agency, in particular, by the grant of Prof. Angulo Nieves and the New York City Research Initiative.

The purpose of this research is to reveal the mathematics and applications of the computer animation techniques of warping and morphing. A warp is a twist or distortion in the form of an object in an image while a morph is the smooth and gradual transformation of an object in one image into the object in another image. Linear algebra makes these computer animation techniques possible; …

Authentically African : Arts And The Transnational Politics Of Congolese Culture, Sarah Van Beurden

Ohio University Press Open Access Books

Together, the Royal Museum for Central Africa in Tervuren, Belgium, and the Institut des Musées Nationaux du Zaire (IMNZ) in the Congo have defined and marketed Congolese art and culture. In Authentically African, Sarah Van Beurden traces the relationship between the possession, definition, and display of art and the construction of cultural authenticity and political legitimacy from the late colonial until the postcolonial era. Her study of the interconnected histories of these two institutions is the first history of an art museum in Africa, and the only work of its kind in English.
Drawing on Flemish-language sources other scholars have …