Barometric Reading,
2017
CUNY Hunter College
Barometric Reading, Su Jung Chang
Theses and Dissertations
Barometric Reading centers on several possibilities of sequential orders of scenes to explore the perception of time, distance, and speed in video.
Theory For A Starving Obese,
2017
CUNY Hunter College
Theory For A Starving Obese, Ishai Shapira Kalter
Theses and Dissertations
Theory for a Starving Obese (2017) is both a book and an installation. During the years 2015-2017 I began writing Theory for a Starving Obese; a collection of essays and art criticism about exhibitions that took place in white cubes in New York. I was following my dissatisfaction, and hoped to delve deeper into the question “What is Contemporary Art?” At the end of a process, I sent seventeen envelopes to artists who exhibited solo shows in New York and whose works I have criticized. Each envelope consists of one digital drawing (שרבוט, pronounced Shirbut), DVD with the …
Mortality And Artifact,
2017
CUNY Hunter College
Mortality And Artifact, Alexander Perrelli
Theses and Dissertations
Questioning one's death is questioning the invisible. Our innate fear and anxiety mechanisms enable us to navigate crises, yet can ruin us. Minute psychological transitions can spark ingenuity, the key to individual and species survival. But improvisation is uncertain. Our vulnerability defines us. I seek to better understand my fears.
Get Me Out Of Here,
2017
City University of New York (CUNY)
Get Me Out Of Here, Wendy F. Liszt
Theses and Dissertations
My thesis paper Get Me Out of Here discusses paintings I made and presented while preparing to finish the Hunter MFA program in spring 2017.
Between Rock And Breeze,
2017
CUNY Hunter College
Between Rock And Breeze, Lena Schmid
Theses and Dissertations
My thesis project consists of a series of works on paper and songs about the collusion of the body and nature. I use a lens that both distorts and makes clearer the ineffable ways our bodies shake their boundaries, moving without us and within us.
Welcome To My Dream – Quasi Queer Fiction,
2017
CUNY Hunter College
Welcome To My Dream – Quasi Queer Fiction, Christian A. Rogers
Theses and Dissertations
Roseate and bodacious, the hand formed surfaces of Christian Rogers' paintings explore gay culture and history though a quasi-fictional lens. While utilizing folk like imagery, Christian depicts dramatic moments of love, lust, sex and violence as he takes us to queer realms.
Light And Space,
2017
CUNY Hunter College
Light And Space, Lindsay M. Burke
Theses and Dissertations
I make visceral images that are simultaneously elusive and confrontational. They are in dialogue with the historical tradition of figurative painting and drawing, but also aim to subvert those conventions. I want to catch and retain, as long as possible, the attention of my viewer by creating a familiar space that is slowly undermined. In my works the human body is dispersed in space; plants and tree parts are stand-ins for human desires, and gender is assigned to fragments of the body and to objects, then withdrawn.
The Blue That Blew Bloo,
2017
Southern Methodist University
The Blue That Blew Bloo, Daniel Ray Martinez
Art Theses and Dissertations
My work is a combination of videos, objects, and performances with a multidisciplinary practice that engages with the formal language of sculpture, photography, video/cinema, and drawing while being in dialogue with concepts and concerns about the image, the surface, and the space of representation. I am interested in the poetics and phenomenology of life; and the way one interacts in an environment; and the way digital/virtual media has shifted our experiences in life. Rethinking the way one finds boredom to get away from virtual capitalist spaces is a concern for me. I find inspiration in the wandering through spaces. I …
The Difference Between A Duck,
2017
Southern Methodist University
The Difference Between A Duck, Shelby D. Meier
Art Theses and Dissertations
. In this paper I will address each work from my exhibition the difference between a duck individually to address concepts and references in each work to elucidate some of the connections I have made between the all the works. Concepts and references range from the irony of the 19th century arts and crafts movement, the possibilities of a blackholes, the subjective value of souvenirs, Tibetan prayer wheels and much more. And they all seem to add up to nothing, which for me is a respite in the comedy of trying to make sense of a world that doesn’t …
Navigating The Moral Pitfalls Of The Service Industry "The Book Of Snake",
2017
University of New Orleans
Navigating The Moral Pitfalls Of The Service Industry "The Book Of Snake", Paul S. Punzo
LSU New Orleans Theses and Dissertations
This thesis paper examines how I turned real life experiences and observations into a fictionalized screenplay that explores the potential for vice inherent in tip-based service industry jobs. After that, I move on to the preproduction process and touch on casting, location scouting, visualization, production design, budgeting and crewing. Next I discuss how the preproduction and on-set efforts of individuals were all critical to our production. Then I chronicle the ups and downs of postproduction. Finally, I conclude with an admittedly subjective analysis of the effectiveness of the movie itself.
Ripple,
2017
University of New Orleans
Ripple, Tyler P. Haney
LSU New Orleans Theses and Dissertations
My work leverages the dynamic processes the brain uses to compute visual stimuli to influence how viewers experience my work. My aim is to create a ripple effect as the brain processes the visual information I provide.
My process begins with a camera. Focusing on the face, I see how much contextual information I can remove while still capturing the emotional expression of the subject. Before long, a photograph ends up next to a canvas where I will rebuild the image from the photograph using a myriad of expressionistic marks and colors to amplify the emotion.
Recognizing human emotion is …
My City Limits,
2017
Washington University in St. Louis
My City Limits, Maggie Tarr
Graduate School of Art Theses
Many have taken part in the act of flanerie,[1] however, many have fallen victim to the flaneur; “the flaneur is the man who indulges in flanerie…”[2]. I am perpetually followed by the male gaze. I am a flaneuse, a surveyor of my surroundings at all times. “Outsider/insider is a border the flaneuse must skirmish on constantly, if only with herself.”[3]
This thesis is a first hand account of my negative experiences that are generated by the many flaneurs of sexualized culture and lustful society. It is an analysis of the paintings I have created as …
Beginner's Mind,
2017
University of New Orleans, New Orleans
Beginner's Mind, Martin L. Benson
LSU New Orleans Theses and Dissertations
My art distills my relationship to spirituality, digital culture, and the practices and side-effects therein, into a simplified visual language. The work manifests in the form of paintings, drawings, and light sculptures. Meditation and mindfulness training are a large part of my influence and interests. I often wonder how mindfulness practice can be mirrored in my artwork, not only in my process for creating the work, but also with what the resulting imagery does for the viewer. My intention is to provide an art form that invites one to look and experience one’s own capacity to observe, without the need …
Time Passing: Image Of Reality And Reality Of Image,
2017
Washington University in St. Louis
Time Passing: Image Of Reality And Reality Of Image, Yihuang Lu
Graduate School of Art Theses
This thesis examines how my practice addresses the subjective and metaphysical nature of the photographic and cinematic medium. Neither the assumed objectivity of a camera lens nor the objective reality suggested by the photograph exists. However, for me, the camera perceives the world by itself, subordinated to the photographer’s subjective interpretation. Along with my photographic/cinematic practice, this thesis examines how the camera perceives the world on its own way and how the audience member’s ultimate perception is formed not only by his or her personal experiences, but also by the camera and the photographer’s perceptions. Using a non-representational method, my …
To Name A Thing: Painting Liminal Space,
2017
Washington University in St. Louis
To Name A Thing: Painting Liminal Space, Chloe West
Graduate School of Art Theses
My work and this thesis engage in the language of fragmentation, the everyday, and liminality. I create work that both depicts and becomes liminal space, I am interested in the in-between, the indistinct. My paintings reside in an intermediate stage between representation and abstraction, embodiments of everyday surfaces and objects of banality: I look at the periphery. The work comes from a distinct awareness of the body in space and the gaze. I turn my gaze to the materials of liminal space: the threshold of linoleum tiles, the boundary of a window. The surfaces that I represent speak to space …
Flesh And Blood,
2017
Washington University in St. Louis
Flesh And Blood, Clayton Petras
Graduate School of Art Theses
In my work, I look for ways to visualize and document the degenerative mental disease of Parkinson’s and transform it into portrayals of the disease itself, its effects, and those it afflicts. Being a physical breakdown of the body, both popular culture and my own corporal understanding influence my interpretation and representation. This document outlines those influences and their buildup towards a shared understanding of the interests behind the work, as well as implies what the work does through these contexts.
How do we give identity to a disease that is difficult to diagnose or view on medical technology, currently …
Fighting Domestic Terrorism: Art's Role In Social Activism,
2017
Washington University in St. Louis
Fighting Domestic Terrorism: Art's Role In Social Activism, Jonathan Cornell
Graduate School of Art Theses
Abstract
Through a study into the complex web of Church and State, I describe how the American condition falters under a Capitalist regime. Throughout this thesis, I identify incongruences within pervading socio-political tropes. By dissections of religion and culture, I identify how the American people are subjugated by their own ideologies, thereby perpetuating a cycle of class struggle and social injustice. I assert that the American hero has failed in the face of material desire and blind faith to a ruling plutocracy, and that organized religion has been ultimately subsumed by politics as a tool of control. Using the visual …
Ten-Der-Ness,
2017
Washington University in St. Louis
Ten-Der-Ness, Brittany Jasin
Graduate School of Art Theses
Ten-der-ness. The title of this document defines the word, because one can easily forget all the meanings of a word. To be tender is to be compassionate and kind but also can mean to be in pain. “The quality of being easy to cut or chew” is my favorite definition; because to me that says that to be tender makes you vulnerable to being swallowed by reality. It’s a common saying that without suffering we would never know compassion but, within tenderness, compassion and suffering exist simultaneously in a ten letter word. Within my thesis I am exploring tenderness through …
A Catalogue Of Thoughts,
2017
Washington University in St. Louis
A Catalogue Of Thoughts, Whitney Meredith
Graduate School of Art Theses
The nature of experience is ephemeral, but drawing is a permanent record of change that can serve to concretize it. Drawing is about concentration, memory and failure, and it enables a depth of seeing. In my work, through drawing, collecting, and arranging, I struggle to store time and set an image against the tide of inevitable and constant change. The lens which I take is that of the fragment: the preeminent form, normative and unavoidable, which enables the distillation of personal narrative and memory in a way that speaks to the universal nature of existence. My analysis is built upon …
Same Stuff, Just Packaged A Different Way (Maybe It's Not So Bad?),
2017
Washington University in St. Louis
Same Stuff, Just Packaged A Different Way (Maybe It's Not So Bad?), Kyle Strobel
Bachelor of Fine Arts Senior Papers
Who Would You Be? examines the interplay between person and persona, relationship building, and artist-sitter dynamics. By placing contemporary sitters in the context of historical portraiture conventions, it seeks to lead viewers to consider the issue of self-absorption and vanity in social media profiles from a different angle. Additionally, this project became a way to enhance the quality of my personal relationships with those involved through providing a space to interact and creating a link for them between myself and each other.
