Wonder, Walking, And Water,
2017
Harvey Mudd College
Wonder, Walking, And Water, Rachel Mayeri
The Transdisciplinary STEAM+ Journal
Art and Science is a seminar and studio course on science-inspired art practices. We will survey and discuss cutting-edge art-science theory, practice, and institutions in seminar. In studio, we examine art-science topics in hands-on experiments, and guided activities leading to art projects.
Elements Of Art,
2017
Claremont Colleges
Elements Of Art, Mike Doyle
The Transdisciplinary STEAM+ Journal
Through these paintings and my writing I share how elements of art and science overlap in the strokes of paint that create the perceptions of something familiar in our minds.
A New Generation For Art And Science,
2017
Claremont Graduate University
A New Generation For Art And Science, Alice Marie Perreault
The Transdisciplinary STEAM+ Journal
My interest in this cross-over between art and science, specifically, the body and supportive technologies, has lead me to mixed media and installations where I can examine degeneration and a “new” generation using a combination of conventional and unconventional materials. Unlike re-generation, which is a return to an original state, “new” generation gives way to new arrangements.
Blowouts, Bricks, And Lines,
2017
Harvey Mudd College
Blowouts, Bricks, And Lines, Kenneth Fandell
The Transdisciplinary STEAM+ Journal
This essay shares the interdisciplinary insights from three projects
Sediment - Behind The Cover Art,
2017
Claremont Graduate University
Sediment - Behind The Cover Art, Melanie Moore Bermudez
The Transdisciplinary STEAM+ Journal
Ideas of mapping, topography, erosion and evaporation have been loosely connected to my work for several years now. In my latest series I have put more of a focus on those ideas. In particular I am interested in the movement of sediment pushed by a flow of water and then left, stranded in a new location, as that water source dries up and diminishes. The pigments of the ink in the paintings are my sediment that I build up layer after layer to create a mini geological world caught in a moment of shift, pause and flow.
Sediment,
2017
Claremont Graduate University
Sediment, Melanie Moore Bermudez
The Transdisciplinary STEAM+ Journal
Ideas of mapping, topography, erosion and evaporation have been loosely connected to my work for several years now. In my latest series I have put more of a focus on those ideas. In particular I am interested in the movement of sediment pushed by a flow of water and then left, stranded in a new location, as that water source dries up and diminishes. The pigments of the ink in the paintings are my sediment that I build up layer after layer to create a mini geological world caught in a moment of shift, pause and flow.
Invisible Invisibility,
2017
CUNY Hunter College
Invisible Invisibility, Eugina Song
Theses and Dissertations
White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I address Asian invisibility by using canvas structure as a Western framing device of painting, and make this cultural barrier visible by breaking out of the frame. Deriving from Dansaekhwa, I challenge the Western painting structure with materiality.
High-Di-High-Di-High-Di-High, Low-Di-Low-Di-Low-Di-Low,
2017
CUNY Hunter College
High-Di-High-Di-High-Di-High, Low-Di-Low-Di-Low-Di-Low, Daniel Figueredo
Theses and Dissertations
I am a believer in our image culture and its capacity to be liberating, exploratory, and critical. I also believe in its ability to overwhelm. My own work is a reaction to this over saturation. It is equally influenced by childhood exposure to remedial computer graphics and cartoons, as well as formative experiences traveling, an in-depth Art Historical education, and a love for art developed over time.
A Chair In The Woods,
2017
CUNY Hunter College
A Chair In The Woods, Victoria Dolloff
Theses and Dissertations
Victoria Dolloff's MFA Thesis considers traces of play and perception in the development of her artwork, exploring the idea of reorientation through subtleties of the absurd. Her installation Untitled (Landscape) questions object as place and place as memory utilizing fragmentation as reconstruction.
Inside The Aviary,
2017
CUNY Hunter College
Inside The Aviary, Nikki Mehle
Theses and Dissertations
Modularity and movement of energy are two key concepts in the construction of Nikki Mehle's paintings. Painting is an act of both processing and creating reality – the duality of reflection and invention.
Southern Grotesque,
2017
City University of New York (CUNY)
Southern Grotesque, Maggie Ellis
Theses and Dissertations
The scenes I paint are submerged in specific landscapes I have encountered in Georgia. Honoring my experiences from this vantage point, I depict the rough and tumble attitude of my upbringing that is at odds with a rarefied New York art world I currently live in.
Music From The Harpsichord House,
2017
City University of New York (CUNY)
Music From The Harpsichord House, Julie Zhu
Theses and Dissertations
Music from the Harpsichord House is an installation and series of concerts that exists in the binary of in and out of performance. During a concert, the harpsichordist is hidden inside the house and his face is live-projected outside. Fifteen new musical compositions were commissioned for the harpsichord house.
Curating Contemporary Japanese Art: Exhibition Catalogue Production For Hidden Landscapes: Yasuaki Onishi And Invisible Space,
2017
The University of San Francisco
Curating Contemporary Japanese Art: Exhibition Catalogue Production For Hidden Landscapes: Yasuaki Onishi And Invisible Space, Emily Lawhead
Master's Projects and Capstones
In the last decade, there has been a telling increase of attention given to contemporary Asian artists exhibited in the United States and Europe. Since 2008, artists from China, Japan, South Korea, and Central Asia have been featured in exhibitions from the Venice Biennale to the Whitney Biennale, and are becoming ever more present on the Western art stage. Meanwhile, curatorial practice, once focused on the care of objects, is shifting to encompass a wider range of creative activity. Curators are taking time to engage with living artists in a collaborative setting, rather than as impartial facilitators. This capstone seeks …
The Posers: Instinctual Simulation Across Time,
2017
CUNY Hunter College
The Posers: Instinctual Simulation Across Time, Kathryn Mccarthy
Theses and Dissertations
The Posers is a video about the occlusion of the self in history and in love. This paper explores methods of laminating historical moments with contemporary experience to explore the passage of time and the ongoing marginalization of women.
Girls Girls Girls,
2017
California Polytechnic State University, San Luis Obispo
Girls Girls Girls, Allyson C. Evans
.RAW Journal of Art and Design
No abstract provided.
Zorro,
2017
California Polytechnic State University, San Luis Obispo
Photograph,
2017
California Polytechnic State University, San Luis Obispo
Collaboration With Paperman,
2017
California Polytechnic State University, San Luis Obispo
Collaboration With Paperman, Kelly Chiu
.RAW Journal of Art and Design
No abstract provided.
Photographs,
2017
California Polytechnic State University, San Luis Obispo
Luxure Féminine,
2017
California Polytechnic State University, San Luis Obispo
Luxure Féminine, Elizabeth N. Merrihew
.RAW Journal of Art and Design
No abstract provided.
