Art and Design Commons^™

Sky Cubacub Interview, Spencer Nieto

Asian American Art Oral History Project

Artist Bio: Rebirth Garments are designed and made by hand by Sky Cubacub. Sky is a non-binary queer and disabled Filipinx human from Chicago, IL with life long anxiety and panic disorders. Sky first dreamed of this collection while in high school and couldn’t find a place where they could buy a chest binder as a person who was under 18, and who didn't have access to a credit card to buy one online. Sky is especially interested in Rebirth Garments being accessible to queer and disabled youth and is working on creating a program for making free/reduced priced garments …

Heather C. Lou Interview, Katie O’Reilly

Asian American Art Oral History Project

Artist Bio: heather c. lou, m.ed. (she/her/hers) is an angry gemini earth dragon, multiracial, asian, queer, cisgender, disabled, survivor/surviving, depressed, and anxious womxn of color artist based in st. paul, minnesota. her mixed media pieces include watercolor, acrylic, gold paint pen, oil pastel, radical love, & hope. each piece comments on the intersections of her racial, gender, ability, & sexual identities, as they continue to shift and develop in complexity each day. her art is a form of healing, transformation, and liberation, rooted in womxnism and gender equity through a racialized borderland lens. heather works in education as an administrator. …

Kai Duc Luong Interview, Stuart Hutson

Asian American Art Oral History Project

Artist Bio Born in 1975 in Phnom-Penh, KAI-DUC LUONG fled the oppressive Khmer Rouge regime from Cambodia to Vietnam to France, where his family settled in Paris, in 1978. KAI-DUC operates between Chicago and Paris. His artistic projects include video (art / doc / film), photography, and mixed media installations. His unconventional path as a self-taught outsider artist, trained in digital communication & systems engineering, gives him a unique perspective, at times questioning subject matters through the understanding of transmission and systems (e.g. the primary emotions, the five senses, the stages of grief, the art industry). His works have been …

Chamindika Wanduragala Interview, Vincent To

Asian American Art Oral History Project

Chamindika Wanduragala is a Sri Lankan American visual artist, cook, DJ ( DJ Chamun), puppeteer and stop motion animation filmmaker based in Minneapolis. Her work deals with personal experience through mythic stories. She is also the founder and Director of Monkeybear's Harmolodic Workshop, which supports Native/POC in developing creative and technical skills in contemporary puppetry.

Bio from: http://chamindika.com/index.html

Tori Hong Interview, Eliza Lemus

Asian American Art Oral History Project

Artist Bio: Tori Hong is a self-taught visual artist exploring homelands and homecomings. In order to create meaning out of the often ambiguous, disruptive, and generative spaces they occupy, Hong creates narrative-driven illustrations, portraits, and zines. The people Hong centers in their work are LGBTQ Asian Americans and people with marginalized identities. Hong is based in Minneapolis, MN.

Jennifer Tshab Her, Allison Bautista

Asian American Art Oral History Project

Artist Bio: My work demonstrates and complicates the politics of displacement through my experience as a second-generation Hmong-American woman. As a nation-less ethnic minority from Southeast Asia, I fear cultural extinction. I create work that reveals the diaspora of the Hmong, questioning the roles of site and place, and instead looking in-between. My work engages political and cultural space through multidisciplinary practices such as embroidery, installation, and social practice. I use color as a dialogue–a tool for bringing attention to space, claiming space and recognizing how spaces are claimed. I interpret the question of ownership, whether land or body, through …

Kelvin Burzon Interview, Maya Boustany

Asian American Art Oral History Project

Kelvin Burzon is a Filipino-American artist whose work explores intersections of sexuality, race, gender and religion. He was born on March 26, 1989, in Bataan, Philippines. As a child growing up in a Filipino culture, Burzon’s initial ambition was to become a Catholic Priest. “I have always been interested in the religion’s role in culture and familial relationships and have been drawn to the religion’s traditions, imagery, theatricality, and its psychological vestige.” His work is inspired by cerebral influences growing up in and around the church. “My cultural and familial identity, my memories as a child, cannot be separated from …

Save The Trees. Save Humanity., Lindsey Davis

The Goose

Visual art by Lindsey Davis

Environmental Art And Activism: Editors’ Notebook, Alec Follett, Melanie Dennis Unrau

The Goose

Editorial introduction to the special issue on environmental art and activism, The Goose, volume 17, issue 2 (2019).

James Joyce Run: Why Are We On The Move Again If It's A Fair Question?, Barry Sheehan

Academic Articles

I write a blog www.jj21k.com which looks at the works of James Joyce, the environment which he wrote about and changes that have taken place since he wrote about them. The blog posts are predominantly about Dublin.

During a time of injury, instead of running I was able to cycle. This blogpost describes the journey James Joyce made through houses in Dublin that he lived in whilst growing up. This is paralleled with a cycle I made and narrative I wrote.

You can see more background information and other posts on www.jj21k.com.

Book Review: Palaces For The People: How Social Infrastructure Can Help Fight Inequality, Polarization, And The Decline Of Civic Life, Eric Klinenberg, Georgia Westbrook

School of Information Student Research Journal

No abstract provided.

Contemporary Art And Historical Archives: Collaborations And Convergences In A Digital Multicultural Age, Suzanne S. Lapierre

School of Information Student Research Journal

Literature illuminating the relationship between contemporary art and historical archives around the turn of the twenty-first century and how these interactions inform the evolution of archives in a digital multicultural age is the topic of this review. The literature reveals the extent to which art has been a means for members of marginalized groups to address their representation in historical archives, and also a means for archives to connect with a broader audience. Collaborations between artists and historical archives add new dimension to the debate about the nature of the archive as a creation in and of itself, and in …

Lawgleaning, Natalie Joelle

The Goose

Poetry by Natalie Joelle

Wrack Lines Volume 19, Number 1, Spring/Summer 2019, Nancy Balcom, Syma Ebbin, David Gregorio, Richard Telford, Judy Benson

Wrack Lines

Issue theme is: "Making Connections: As the Climate Changes, People and Nature Intertwine in New Ways." Articles include: "As More Roads Become Rivers, Communities Search for Solutions;" "Solving an Engineering Conundrum: As Coastal Homes Get Elevated, New Research Looks at Whether Vulnerability to Wind Damage Is Increasing;" "Along the Coast, Residents Consider How to Heed Sandy's Warning of What's to Come;" "All Rivers, All Lives Run to the Sea," about the intersection of waterways and the world of nature writer Edwin Way Teale; and "Crosscurrents: Connecticut Sea Grant's Retrospective Exhibition Makes Waves," about reaching new audiences and building bridges with …

Middle Waters: A Visual Historical Fiction Of The Osage Nation, Tori H. Forster

Honors Projects

The following project is in two parts: A series of concept art and illustration pieces surrounding the history of the Osage Nation, and a research paper detailing that history and exploring the process of creating the aforementioned visual pieces. The artworks are designed around an original story set during the 1920s on the Osage reservation, and explore past history of the Osage people as a part of that. The paper also discusses the author’s personal response to the research, and explores themes of ignorance and social justice as the project draws to a close.

Painterly Reality, Chao Ding

LSU Master's Theses

During my three years in the LSU M.F.A. painting program, I experimented with many different directions, but I have always returned to painterly figuration as the means best suited to the expression of my thoughts and feelings. Symbolism of alienation and isolation have always been extremely important to me, but as my painting has evolved formal issues of composition and color have become increasingly important, allowing me to address more complex metaphorical structures.

Interpreting Reality In The Anthropocene, Jake Philip Hamill

LSU Master's Theses

In this paper, I would like to propose that abundant beautification techniques in contemporary nature documentaries are counterproductive when attempting to address humans’ impact on our planet. By utilizing technology there could be a new way to educate ourselves about the Anthropocene on platforms such as Google Earth where one can view nature, statistics, and art by location. With limited data, learning about our effects on nature in its entirety is close to impossible but art can allow us to try and reveal new hidden connections.

Phantasmatic: Interrogating The (Im)Materiality Of Bodies Through Wool And Clay, Alexandria J. Arceneaux

LSU Master's Theses

Phantasmaticis an exploration of materials and materiality which relies on the concept of the phantasmatic body elucidated in Gayle Salamon’s work Assuming a Body: Transgender and Rhetorics of Materiality. This thesis is an exploration of these ideas. In my work, I use wool and clay to represent the material (known) and phantasmatic (sensed) bodies in an effort to explore an expanded understanding of the body at large. My work is also an effort to expand my own understanding of my phantasmatic body and its relationship to (my) materiality.

Public Libraries As Engines Of Democracy: A Research And Pedagogical Case Study On Design For Re-Entry, Lara Penin, Eduardo Staszowski, John Bruce, Barbara Adams, Mariana Amatulllo

Nordes Conference Series

Founded with principles of equity, freedom and access, public libraries have always served as a cornerstone of democratic values and civic participation. In the context of 21st century transformational forces of globalization and digitization, libraries are also evolving their role from repositories of information and learning, to critical contributors of a culture of care in their communities. In this paper, we present insights from an ongoing collaboration with the Brooklyn Public Library that focused on the library’s current re-entry services directed to formerly incarcerated patrons and their families. Drawing from participatory design and visual ethnographic approaches to inquiry, this study …

Empathy In A Technology-Driven Design Process: Designing For Users Without A Voice Of Their Own, Elina Ilen, Camilla Groth, Markus Ahola, Kirsi Niinimäki

Nordes Conference Series

Smart textiles are often developed in sports- oriented contexts through technology-driven processes. In the medical context, practitioners themselves also invent and develop technological aids in response to needs that emerge in practice. In these cases, novel technology may be the first driver for design to secure functionality and reliability, but our study shows that these processes benefit from human-centric and empathic design approaches. The project develops smart textiles for infants with medical adversities, such as preterm birth, neonatal infections, or birth asphyxia, collaboratively with medical researchers. Our pilot research illuminates the need to use the interest group’s empathic understanding as …