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Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert 2026 CUNY Hunter College

Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert

Theses and Dissertations

This thesis examines how contemporary artists Rubén Ortiz Torres, Chico MacMurtrie, rafa esparza, and Cassils transformed military technologies into powerful artworks that interrogate the Mexico-U.S. border as a battlefield. Together, their works illuminate militarization and surveillance technologies at the border and the violent enforcement of U.S. immigration policy.


Into Dust, Olivia Lutz 2026 CUNY Hunter College

Into Dust, Olivia Lutz

Theses and Dissertations

This thesis examines charcoal as both material and metaphor, tracing its relationship to grief, memory, light, and transformation.


Voyager, Ben K. Voss 2026 CUNY Hunter College

Voyager, Ben K. Voss

Theses and Dissertations

This thesis explores painting as a site of meditation, time and (un)knowability.


Containment, Quin Mittelstead 2026 CUNY Hunter College

Containment, Quin Mittelstead

Theses and Dissertations

This thesis explores “containment" (the act of keeping something within limits) as both oppressive control and a mode of self-regulation, grounded in the author’s experience with epilepsy. Paintings deploy grayscale grounds, restrained palettes, and contrasting rapid/slow gestures; emergent color, texture, and altered substrates map psychological states, bodily impulses, and reactive processes. Research into witchcraft, remedial items, and eugenics (notably Buck v. Bell) informs works that link historical censorship and institutional violence to contemporary stigma. Sculptural installations (nets, jute, flawed Faraday-like enclosures) and cannibalized studio materials probe systems that restrain thought, media, and bodies. By introducing unpredictable variables with found supports, …


New Clubs: Taking Roots, Diorama, 1981 2026 University of North Alabama

New Clubs: Taking Roots, Diorama, 1981

Documents

Article with photographs describing the 1981 introduction of four new campus organizations: Delta Sigma Theta, Ascending Voices, Fashion Forum, and the University of North Alabama Film Society. The article is derived from the Diorama, the student yearbook.


Internalizing Diasporic Peoples: How Do We Keep Native Hawaiians Connected?, Kallie P. Kaaihue-Paopao 2026 Whittier College

Internalizing Diasporic Peoples: How Do We Keep Native Hawaiians Connected?, Kallie P. Kaaihue-Paopao

Whittier Scholars Program

In the attempt to better understand the grounds for the generation culture disconnect of identity in Native Hawaiians, I study the diaspora of my people. Diaspora is the dispersion of people from their native lands. I find interest in this aspect of my people because the most common studies blame our dispersion on socioeconomic status and as a Native Hawaiian that wishes to do more for her people, I want to express that while it plays a part that there is a disconnection between the social actions and reactions of Hawaiʻi’s people. Common questions that I find unanswered are, why …


Chandu, Ira Satpathy '28 2026 DePauw University

Chandu, Ira Satpathy '28

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Ira is a rising junior majoring in Philosophy, Politics, and Economics. They work at The DePauw, and also host a podcast on feminist philosophy. Ira loves to draw portraits, play badminton, and scroll their Substack feed endlessly.


Home, Graciela Salgado '28 2026 DePauw University

Home, Graciela Salgado '28

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Graciela Salgado is a Sophomore Computer Science and Design Studies major at DePauw. She loves photography and is inspired by her Mexican culture. She loves scrapbooking, graphic design, and web development.


Biophilia 3, Justine Vandenberg '26 2026 DePauw University

Biophilia 3, Justine Vandenberg '26

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Justine Vandenberg is an Environmental Fellow at DePauw University majoring in Global (Environmental) Health and Sustainability. She is also a writer, poet, and photographer who is passionate about using artistic forms to advocate for the health of ecosystems and human communities. To Justine, nature is home, and art is activism.


Mondays At Moore's, Jane Duffy '26 2026 DePauw University

Mondays At Moore's, Jane Duffy '26

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Jane Duffy is an English Writing and Studio Art double major at DePauw University. She is a painter, a creative writer, and the Editor-in-chief of A Midwestern Review for her fourth year of involvement. She enjoys hiking, drinking coffee, travelling, and creating things inspired by observation of the world around her.


Mk R/2, Ira Satpathy '28 2026 DePauw University

Mk R/2, Ira Satpathy '28

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Ira is a rising junior majoring in Philosophy, Politics, and Economics. They work at The DePauw, and also host a podcast on feminist philosophy. Ira loves to draw portraits, play badminton, and scroll their Substack feed endlessly.


Angel De La Playa, Graciela Salgado '28 2026 DePauw University

Angel De La Playa, Graciela Salgado '28

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Graciela Salgado is a Sophomore Computer Science and Design Studies major at DePauw. She loves photography and is inspired by her Mexican culture. She loves scrapbooking, graphic design, and web development.


Celestial Wings, Rori Mullen '26 2026 DePauw University

Celestial Wings, Rori Mullen '26

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Rori Mullen is a senior in studio art and psychology at DePauw University. Working with ceramics and textiles, she makes multisensory works that depict nature imagery and is inspired by her studies in psychology.


River House, Jane Duffy '26 2026 DePauw University

River House, Jane Duffy '26

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Jane Duffy is an English Writing and Studio Art double major at DePauw University. She is a painter, a creative writer, and the Editor-in-chief of A Midwestern Review for her fourth year of involvement. She enjoys hiking, drinking coffee, travelling, and creating things inspired by observation of the world around her.


Sensory Garden, Rori Mullen '26 2026 DePauw University

Sensory Garden, Rori Mullen '26

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Rori Mullen is a senior in studio art and psychology at DePauw University. Working with ceramics and textiles, she makes multisensory works that depict nature imagery and is inspired by her studies in psychology.


Unknowing Connections, Samaira Snow '26 2026 DePauw University

Unknowing Connections, Samaira Snow '26

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Samaira Snow is a senior at DePauw University where she will graduate in May 2026 with double majors in Studio Art and Art History and a minor in Education Studies. Her work is often inspired by procedural efforts and plays with the relationship of layering and texture. She has started to participate in exhibitions.


Untitled, Lindsay Hontz '26 2026 DePauw University

Untitled, Lindsay Hontz '26

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Lindsay Hontz is a Senior Creative Writing Major and Women's, Gender, and Sexuality Studies Minor. After graduation she plans to seek her graduate degree in Archival Studies. She enjoys photography and typically shoots film. She loves to cook and bake in her free time.


The Queer South, Brylan Cole 2026 University of Arkansas, Fayetteville

The Queer South, Brylan Cole

School of Art Undergraduate Honors Theses

Lesbian, Gay, Bisexual, Transgender, and Queer people in the Southern United States are systematically and culturally made invisible, both in historical and contemporary contexts. I founded The Queer South magazine alongside Reid Pinckard, organized the exhibition Prioritizing Pleasure in the Queer South, and created a body of work to amplify LGBTQ+ Southern voices. Through community organizing, writing, and the making of objects, my practice provides representation to an underserved and overlooked community in the region I call home.


Self-Fashioning In Contemporary Figurative Painting, Hal Hardin 2026 University of Arkansas, Fayetteville

Self-Fashioning In Contemporary Figurative Painting, Hal Hardin

School of Art Undergraduate Honors Theses

This paper positions my painting practice as a form of resistance to historical constructions of gender, identity, and visibility, shaped by my experience as a queer, nonbinary person navigating womanhood in the American South. Drawing on Stephen Greenblatt’s concept of self-fashioning and Judith Butler’s theory of gender performativity, I argue that Western figurative painting has long disciplined the feminine body, exploiting it and commodifying it into an easily consumable object.

In response, I appropriate and distort these visual conventions. My figures refuse to behave: they stretch, slouch, and linger in ambiguity, resisting fixed interpretation. Placed in spaces of visibility and …


When Mac Shouldn’T Smile Back: Anthropomorphic Logo And Effect On Consumer Perceptions Of Generative Artificial Intelligence, Ainsley E. Ballard 2026 University of Connecticut - Storrs

When Mac Shouldn’T Smile Back: Anthropomorphic Logo And Effect On Consumer Perceptions Of Generative Artificial Intelligence, Ainsley E. Ballard

Honors Scholar Theses

Drawing on prior research suggesting that anthropomorphic design can increase trust, liking, and perceived competence, this research investigates whether these effects extend to generative artificial intelligence logos. A three-group between-subjects study was conducted to examine how varying levels of logo anthropomorphization influenced consumer perceptions of an artificial intelligence brand. In being assigned to one of three logo conditions, humanoid (high anthropomorphism), animalistic (moderate anthropomorphism), or nature/geometric (low anthropomorphism), participants evaluated the new logo across multiple dimensions, including liking, brand fit, trustworthiness, and willingness to buy. Contrary to the initial hypothesis, the low anthropomorphism condition consistently received the most positive ratings, …


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